String Ensemble,String Trio Cello,Double Bass,Violin - Level 5 - Digital Download SKU: A0.861834 Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk. Score and parts. 9 pages. Mark O'Connor Musik International #6203251. Published by Mark O'Connor Musik International (A0.861834). College Hornpipe (violin part – vln, cel, bs) MO115BViolin Part (score and parts available)Music by Mark O’Connor5 pages - 3:30 minutes in length College Hornpipe for violin, cello and doublebass is a traditional fiddle tune that Mark O'Connor and Edgar Meyer arranged for their album with Yo-Yo Ma entitled Appalachia Waltz. O'Connor learned this tune from fiddling legend Benny Thomasson at an early age. Thomasson developed the parts of the tune as incorporated in this arrangement. O'Connor added a variation to each of the Thomasson parts in addition. After Meyer finished out the arrangement with his bass lines,College Hornpipe has a new and different life from the one found on the early O'Connor recording Soppin' The Gravy. The trio performed the piece for a nation-wide television audience at President's Clinton Inaugural Gala. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1995 Public Domain Arranged by Mark O’Connor and Edgar MeyerCollege Hornpipe can be heard on Appalachia Waltz featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalOther versions can be heard on Mark O'Connor's Crossing Bridges, Duo by Mark and Maggie O’Connor OMAC Records and The Essential Mark O’Connor Sony Classical Catalogue Number MO115BCopyright © 1995 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com  

String Ensemble,String Trio Cello,Double Bass,Violin - Level 5 - Digital Download SKU: A0.861833 Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk. Score and parts. 13 pages. Mark O'Connor Musik International #6203245. Published by Mark O'Connor Musik International (A0.861833). College Hornpipe (score – vln, cel, bs) MO115AScore (parts available)Music by Mark O’Connor9 pages - 3:30 minutes in length College Hornpipe for violin, cello and doublebass is a traditional fiddle tune that Mark O'Connor and Edgar Meyer arranged for their album with Yo-Yo Ma entitled Appalachia Waltz. O'Connor learned this tune from fiddling legend Benny Thomasson at an early age. Thomasson developed the parts of the tune as incorporated in this arrangement. O'Connor added a variation to each of the Thomasson parts in addition. After Meyer finished out the arrangement with his bass lines,College Hornpipe has a new and different life from the one found on the early O'Connor recording Soppin' The Gravy. The trio performed the piece for a nation-wide television audience at President's Clinton Inaugural Gala. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1995 Public Domain Arranged by Mark O’Connor and Edgar MeyerCollege Hornpipe can be heard on Appalachia Waltz featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalOther versions can be heard on Mark O'Connor's Crossing Bridges, Duo by Mark and Maggie O’Connor OMAC Records and The Essential Mark O’Connor Sony Classical Catalogue Number MO115ACopyright © 1995 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com  

String Ensemble,String Trio Cello,Double Bass,Violin - Level 5 - Digital Download SKU: A0.861837 Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk. Score and parts. 15 pages. Mark O'Connor Musik International #6203261. Published by Mark O'Connor Musik International (A0.861837). College Hornpipe (double bass part – vln, cel, bs) MO115DDouble Bass Part (score and parts available)Music by Mark O’Connor5 pages - 3:30 minutes in length College Hornpipe for violin, cello and doublebass is a traditional fiddle tune that Mark O'Connor and Edgar Meyer arranged for their album with Yo-Yo Ma entitled Appalachia Waltz. O'Connor learned this tune from fiddling legend Benny Thomasson at an early age. Thomasson developed the parts of the tune as incorporated in this arrangement. O'Connor added a variation to each of the Thomasson parts in addition. After Meyer finished out the arrangement with his bass lines,College Hornpipe has a new and different life from the one found on the early O'Connor recording Soppin' The Gravy. The trio performed the piece for a nation-wide television audience at President's Clinton Inaugural Gala. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1995 Public Domain Arranged by Mark O’Connor and Edgar MeyerCollege Hornpipe can be heard on Appalachia Waltz featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalOther versions can be heard on Mark O'Connor's Crossing Bridges, Duo by Mark and Maggie O’Connor OMAC Records and The Essential Mark O’Connor Sony Classical Catalogue Number MO115DCopyright © 1995 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com  

String Ensemble,String Trio Cello,Double Bass,Violin - Level 5 - Digital Download SKU: A0.861835 Arranged by Mark O'Connor, Edgar Meyer. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6203257. Published by Mark O'Connor Musik International (A0.861835). College Hornpipe (cello part – vln, cel, bs) MO115CCello Part (score and parts available)Music by Mark O’Connor4 pages - 3:30 minutes in length College Hornpipe for violin, cello and doublebass is a traditional fiddle tune that Mark O'Connor and Edgar Meyer arranged for their album with Yo-Yo Ma entitled Appalachia Waltz. O'Connor learned this tune from fiddling legend Benny Thomasson at an early age. Thomasson developed the parts of the tune as incorporated in this arrangement. O'Connor added a variation to each of the Thomasson parts in addition. After Meyer finished out the arrangement with his bass lines,College Hornpipe has a new and different life from the one found on the early O'Connor recording Soppin' The Gravy. The trio performed the piece for a nation-wide television audience at President's Clinton Inaugural Gala. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1995 Public Domain Arranged by Mark O’Connor and Edgar MeyerCollege Hornpipe can be heard on Appalachia Waltz featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalOther versions can be heard on Mark O'Connor's Crossing Bridges, Duo by Mark and Maggie O’Connor OMAC Records and The Essential Mark O’Connor Sony Classical Catalogue Number MO115CCopyright © 1995 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com  

Twenty-three sacred hymns and songs From the Foreword: Recent years have seen much increase in the activities of small and medium sized instrumental ensembles in schools at all grade levels, generally as an adjunct of band and orchestral programs.Many churches and Sunday Schools also use ensembles of various types in programs and services. Such groups are looking for playable music that is also interesting and worthwhile. This collection contains settings of sacred hymns and songs, and other selections, all of which should be usable in the church and the school. The hymn and song treatments are not just instrumentations of standard hymnal type, but are complete arrangements, using such devices as introductions, bridges, reharmonizations in present day idioms, rhythmic variety, countermelodies, etc. All selections have been scored for a six (or five) part brass ensemble with the following part books available: (preferred instruments are listed before the parenthetical substitution possibilities) Part 1: C Instruments (Violin, Oboe, Flute); 1st Bb Trumpet or Cornet (Bb Clarinet) Part 2: 2nd Bb Trumpet or Cornet (Bb Clarinet) Part 3: 3rd Bb Trumpet or Cornet (Bb Clarinet); F Horn (English Horn); Eb Horn (Alto Saxophone, Eb Alto Clarinet) Part 4: Baritone treble clef (Tenor Saxophone, Bass Clarinet); Trombone (Baritone bass clef, Bassoon, Cello) Part 5: Baritone bass clef (Trombone, Bassoon, Cello) Part 6: Tuba or Sousaphone (Bassoon or Cello with occasional lower range limits, String Bass 8vb) While hoping to keep the selections interesting and worthwhile for experienced players, they have generally been restricted to a medium level of difficulty (or Grade III as defined by the Instrumentalist Magazine). Extremes of range and key signature have been avoided, lead parts have ample time to rest and catch their breath and technical demands are usually modest. Selections which could have been expanded to larger proportions (such as A Mighty Fortress) have been held to a modest length, in order to give younger musicians a better chance to play them successfully. Footnotes in the conductor's score indicate how the longer medleys can be abbreviated, if that is desirable. WESLEY HANSON

Twenty-three sacred hymns and songs From the Foreword: Recent years have seen much increase in the activities of small and medium sized instrumental ensembles in schools at all grade levels, generally as an adjunct of band and orchestral programs.Many churches and Sunday Schools also use ensembles of various types in programs and services. Such groups are looking for playable music that is also interesting and worthwhile. This collection contains settings of sacred hymns and songs, and other selections, all of which should be usable in the church and the school. The hymn and song treatments are not just instrumentations of standard hymnal type, but are complete arrangements, using such devices as introductions, bridges, reharmonizations in present day idioms, rhythmic variety, countermelodies, etc. All selections have been scored for a six (or five) part brass ensemble with the following part books available: (preferred instruments are listed before the parenthetical substitution possibilities) Part 1: C Instruments (Violin, Oboe, Flute); 1st Bb Trumpet or Cornet (Bb Clarinet) Part 2: 2nd Bb Trumpet or Cornet (Bb Clarinet) Part 3: 3rd Bb Trumpet or Cornet (Bb Clarinet); F Horn (English Horn); Eb Horn (Alto Saxophone, Eb Alto Clarinet) Part 4: Baritone treble clef (Tenor Saxophone, Bass Clarinet); Trombone (Baritone bass clef, Bassoon, Cello) Part 5: Baritone bass clef (Trombone, Bassoon, Cello) Part 6: Tuba or Sousaphone (Bassoon or Cello with occasional lower range limits, String Bass 8vb) While hoping to keep the selections interesting and worthwhile for experienced players, they have generally been restricted to a medium level of difficulty (or Grade III as defined by the Instrumentalist Magazine). Extremes of range and key signature have been avoided, lead parts have ample time to rest and catch their breath and technical demands are usually modest. Selections which could have been expanded to larger proportions (such as A Mighty Fortress) have been held to a modest length, in order to give younger musicians a better chance to play them successfully. Footnotes in the conductor's score indicate how the longer medleys can be abbreviated, if that is desirable. WESLEY HANSON