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Piano - Digital Download SKU: LV.20808 Composed by John Philip Sousa. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.20808). Across the Danube. March. By John Philip Sousa. Published 1877 by Wenzlik Music Supply Co., 17 East 16th Street in New York. Composition of sectional with piano instrumentation. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
Across the Danube. March
Piano seul
John Philip Sousa Published 1877 by Wenzlik Music Supply Co
$5.99 5.25 € Piano seul PDF SheetMusicPlus

Chamber Orchestra - Level 3 - Digital Download SKU: A0.912982 Composed by Andrei-Lucian Dragoi. Contemporary,Sacred,Standards. Score and Parts. 14 pages. Andrei-Lucian Dragoi #3054507. Published by Andrei-Lucian Dragoi (A0.912982). 2017 Chamber Music Contest EntryThis piece is a miniature (on a religious theme) for oboe and strings orchestra. It is related to Easter, as it evokes Jesus Christ walking on the way to his crucifixion on the so-called Via Dolorosa.This work was first played at the Romanian Atheneum in April 2015:https://www.youtube.com/watch?v=TgjBJARkpRghttps://www.youtube.com/watch?v=pERhBUpIn9IFor other compositions in audio format see my website:http://muzm.dragoii.com/ Music by: Andrei-Lucian Drăgoi (www.smp.dragoii.com, www.yt.dragoii.com, www.gcp.dragoii.com, www.gci.dragoii.com, www.ms.dragoii.com, www.dragoii.com) Video score on YouTube at URL: https://www.youtube.com/watch?v=UePIaKwhzoA.
Via Crucis (The Way of the Cross) (Calea Crucii) - miniature on religious theme for oboe and strings
Orchestre de chambre

$3.00 2.63 € Orchestre de chambre PDF SheetMusicPlus

Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-39177 This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Church Choral Series. Sacred. Part(s). 31 pages. Jubilate Music Group - Digital #00-39177. Published by Jubilate Music Group - Digital (JX.00-39177). English. Words by Fanny J. Crosby; music; arrangement by Houston Lee.Singing familiar words to a different melody can offer new insights. This is true with Houston Lee's new music for one of Fanny J. Crosby's most beloved texts. The addition of Cello and Clarinet to piano and a light rhythm section make this a refreshing visit with an old friend. The melody is as memorable and the harmonization is a cleansing mix of old and new. Related Scripture: Isaiah 55:1; Galatians 6:14; John 12: 22; Revelation 22:16.
In the Cross

$30.00 26.31 € PDF SheetMusicPlus

Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.835422 Composed by Stuart Brown. Contemporary,Sacred. 8 pages. Stuart Brown Music #9697. Published by Stuart Brown Music (A0.835422). Possibly unique: an Easter (or more properly Good Friday) hymn for six-part choir, in which the choir is actually the accompaniment for a piano solo of almost hyponotic dissonance in comparison. The result of superimposing these elements is strangely beautiful. The composer offers the following commentary: I guess most people seeing a piece with a choir and a piano would think of it – not unreasonably – as a choir accompanied by a piano. This piece is subtly different: the way in which I can best explain what was in my mind when I composed it would be to describe it as a piano solo accompanied by choir. While the choir sings music that feels like a slow pavane the pianist plays a series of arpeggios and cluster chords around another relatively simple but unlinked melody. The combined effect is almost hypnotic and if the singers think of the pianist as their accompanist they will almost certainly lose the plot of what they are singing! On first hearing it may appear that the piano and the choir have little in common but the concept is simple enough. Both choir and pianist are meditating on the same theme, but coming at it from totally different directions. There is no formula to the way in which we approach the cross of Christ. We come as we are, seeking forgiveness and reconciliation, meeting at the foot of the cross. The juxtaposition of choir and piano represents that meeting and the cluster chords that the pianist plays reinforce a sense of brokenness that is essential to a proper understanding of the music. I have dedicated this to Canon Andrew White and the Christians of Iraq, knowing that their situation seems impossible in the face of the evil that walks that land, but trusting in the God and Father of the Lord Jesus Christ to do right even if from our earthly perspective we are unable to discern what right is.
On That Cross
Chorale SATB

$3.50 3.07 € Chorale SATB PDF SheetMusicPlus

Small Ensemble - Level 3 - Digital Download SKU: A0.835423 Composed by Stuart Brown. Christian,Contemporary,Sacred. Score and parts. 1 pages. Stuart Brown Music #9851. Published by Stuart Brown Music (A0.835423). Possibly unique: an Easter (or more properly Good Friday) hymn for six-part choir, in which the choir is actually the accompaniment for a piano solo of almost hyponotic dissonance in comparison. The result of superimposing these elements is strangely beautiful. The composer offers the following commentary: I guess most people seeing a piece with a choir and a piano would think of it – not unreasonably – as a choir accompanied by a piano. This piece is subtly different: the way in which I can best explain what was in my mind when I composed it would be to describe it as a piano solo accompanied by choir. While the choir sings music that feels like a slow pavane the pianist plays a series of arpeggios and cluster chords around another relatively simple but unlinked melody. The combined effect is almost hypnotic and if the singers think of the pianist as their accompanist they will almost certainly lose the plot of what they are singing! On first hearing it may appear that the piano and the choir have little in common but the concept is simple enough. Both choir and pianist are meditating on the same theme, but coming at it from totally different directions. There is no formula to the way in which we approach the cross of Christ. We come as we are, seeking forgiveness and reconciliation, meeting at the foot of the cross. The juxtaposition of choir and piano represents that meeting and the cluster chords that the pianist plays reinforce a sense of brokenness that is essential to a proper understanding of the music. I have dedicated this to Canon Andrew White and the Christians of Iraq, knowing that their situation seems impossible in the face of the evil that walks that land, but trusting in the God and Father of the Lord Jesus Christ to do right even if from our earthly perspective we are unable to discern what right is.
On That Cross - Piano part only
Piano (partie séparée)

$1.99 1.75 € Piano (partie séparée) PDF SheetMusicPlus

Organ - Level 2 - Digital Download SKU: A0.1397353 Composed by Vidas Pinkevicius. Christian,Classical,Contemporary,Lent,Sacred. Score. 45 pages. Vidas Pinkevicius #980671. Published by Vidas Pinkevicius (A0.1397353). This cycle follows a traditional order of Stations of the Cross or Via Crucis with additional prelude at the beginning and a postlude at the end. It consists of 16 meditations contemplating Jesus' suffering and death at the cross. Musical language is colorful but not too dissonant. Each meditation is around 1.5-2 minutes of duration. Difficulty level is Easy Intermediate. This cycle will be very effective in musical devotations around the time of the Holy Week. Dedicated to James Flores.
Stations of the Cross, Op. 246 (Organ Solo) by Vidas Pinkevicius
Orgue

$18.99 16.65 € Orgue PDF SheetMusicPlus

Organ - Medium - Digital Download SKU: MQ.10-365-3E Composed by David M. Cherwien. Lent, Triduum/Three Days, Tenebrae. Instrument part. 3 pages. MorningStar Music Publishers - Digital Sheet Music #10-365-3E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-365-3E). “These are written-out improvisations that were a part of the Good Friday noon liturgy at Mount Olive Lutheran Church, Minneapolis. It is a service based on stations of the cross from the Anglican tradition, in our case, with a procession to each of nine stations. At each station there is a mini-liturgy which consists of a reading, prayer, interpretive improvisation on the organ, and the singing of a stanza of a hymn. For the improvisation, I weave in images from the reading with the hymn. For example, at the sixth station, the reading includes the phrase “His yoke is easyâ€, and the hymn is “Go to Dark Gethsemane.†The improvisation alternates between the theme from the chorus “His yoke is easy†from Handel’s Messiah and a very dark and thick chordal setting of the hymn. The improvisations are full of imagery which are evocative and emotionally charged.â€-David CherwienThis unified set represents nine Stations of the Cross, but the pieces can also be used individually as preludes, hymn introductions, or worship interludes. A special reproducible liturgy Good Friday: The Way of The Cross by Susan Palo Cherwien is also included.
At the Cross Her Station Keeping (Third Station: Jesus Meets His Afflicted Mother) (Downloadable)
Orgue

$5.00 4.38 € Orgue PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1292296 Composed by Hudson. Arranged by Pamela M Robertson. Christian,Easter,Religious,Sacred,Traditional. Score. 3 pages. Pamela M. Robertson #882918. Published by Pamela M. Robertson (A0.1292296). This contemplative setting of the hymn At the Cross by Pam Robertson brings the text to life in a new and thoughtful way. The verses are sometimes stark and angular as the scene of Calvary is portrayed, while the refrain softens into a feeling of hope and thankfulness as the words are recalled: at the cross, at the cross where I first saw the light, and the burdens of my soul rolled away...This arrangement is about 3 minutes in length, and is well suited for use in worship services or recitals. Difficulty is early advanced.
At the Cross - Piano Solo
Piano seul

$4.99 4.38 € Piano seul PDF SheetMusicPlus

Small Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Multi-Percussion,Orff Instrument,Recorder,Ukulele,Voice,Xylophone - Level 1 - Digital Download SKU: A0.565219 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Children,Folk,Instructional,Multicultural,Standards,World. Score and parts. 11 pages. Sharon Wilson #3624229. Published by Sharon Wilson (A0.565219). This sheet music is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Handbells play the melody while the Boomwhackers® keep a steady beat with three-note chords. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord reference chart is also provided.This arrangement includes two verses. The first verse is easy with fewer notes. The second verse is intermediate and expands the melody by adding more notes. If you want to learn (practice) only the easy verse, an optional ending is provided or it can be skipped to perform the two verses together. Though this sheet music is notated for Handbells and Boomwhackers®, this song is playable by any 13-note, C to C chromatic scale (one octave) instrument such as a xylophone or glockenspiel. The melody could also be played by a recorder.This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. If you have a set of bells or tubes with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the instruments match the Boomwhackers® color scheme. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. Lyrics and chord names are provided as well to aid in the learning and teaching of this song. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Instrument assignment suggestions are provided.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers® * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children’s ministriesThis song is one of the 20 arrangements in the collection Folk Songs for 13-note Bells and Boomwhackers® (with Color Coded Notes), VOL. 1. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
Hot Cross Buns for 13-note Bells and Boomwhackers® (with Color Coded Notes)
Sharon Wilson
$5.99 5.25 € PDF SheetMusicPlus






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