SKU: LX.10-3393M

UPC: 000308106961.

Arranged for solo and choir, this spiritual lightly swings with subtle drive, effective dynamics, and contrasting tempos. Well-suited to school or church choir.

SKU: A0.1490412

Scored for 2 Trumpets (Bb Cornet/Flugel Horn), Horn in F, Trombone/Euphonium and Bass. There are Alternative Parts for Eb and Bb Horn, and, Bb Trombone, Bb Euphonium, and Eb and Bb Basses all in Treble and Bass Clefs.
This Medley brings together two well-known Australian tunes with the Queensland version of Waltzing Matilda which, in spite of a catchy melody written by Marie MacPherson, is less well known than the version written by Banjo Patterson and Marie Cowan. Botany Bay was originally heard, under a different name, in both Melbourne and London in the Nineteenth Century as part of a Burlesque Musical, and Click Goes the Shears reflects the importance of the wool industry in Australia. The contrasting time signatures and tempos are, in some way, symbolic of the enormous variety found in this vast continent.

SKU: A0.1324803

Fugues Op. 17 for Piano by David Tsvariani

Introduction:
Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.

Fugue No. 1 in C Major (Allegro vivace):
The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.

Fugue No. 2 in B-flat Major (Andante):
The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.

Fugue No. 3 in A Major (Adagio):
With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.

Fugue No. 4 in D Major (Allegretto):
The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.

Program Notes:
As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.

SKU: A0.1359018

Melodic, moving version of Psalm 84. Dedicated to Ty Norbury. From the album, Psalms & Canticles.  

Psalms & Canticles is a collection of thirteen songs inspired by the Psalms. All the music is tuneful, easy to sing, with great lyrics and melodies which are deep and meaningful. The album Psalms & Canticles offers quite a variety of melodies, tempos, lyrics, and uses. Find lots more great music on our website below:

www.chosen-company.us
info@chosen-company.us
The CHOSEN Company, LLC
(714) 271-8262.

SKU: A0.763456

Two popular Irish melodies, Slane and Londonderry Air arranged as three short reflective meditations either for church pianists or High School piano students looking for new and innovative solo repertoire. Each meditation can be played as a separate piece, and when all three are played the performance duration is in excess of three minutes. In the second meditation, which hints at the popular Gospel hymn, be sure to let the l.h. sing! (He Looked Beyond My Faults). Tempos can vary between meditations and the sustaining pedal should be used with discretion. .