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4 male voices (CtenTTBar) - Digital Download SKU: S9.Q19219 For four male voices. Composed by Gavin Bryars. This edition: score. Downloadable, Score. Duration 15 minutes. Schott Music - Digital #Q19219. Published by Schott Music - Digital (S9.Q19219). Latin.Glorious Hill may be performed by a male choir. Text by Pico della Mirandola (1463-1497) from De Hominis Dignitate. Glorious Hill was commissioned by the Hilliard Ensemble and first performed by them at its summer Festival of Voices in Lewes, Sussex, in August 1988. It was the first piece I wrote for the ensemble and I focused on the singers' unique ability to move with ease from early music to tonal music of the present day. There were techniques which I asked for which I hardly needed to notate - the staggered breathing of the two tenors to supply a continuous unbroken held note for example - and the piece moves between passages for solo voices and sections of highly chromatic homophony, almost as if the music were switching between the 12th century of Perotin and the 16th century of Gesualdo. Each of the four voices is given its own solo passage, sometimes accompanied, sometimes quietly supported by the other voices. The title, Glorious Hill comes from the name of the small-town Mississippi setting of Tennessee Williams' Summer and Smoke. I wrote the music for the 1987 production of this play at the Leicester Haymarket Theatre, the first time I had written any incidental music for the stage. Williams makes very specific demands in terms of music and there is one particularly powerful scene, the penultimate one, throughout which music and atmospheric sound effects are continuous. The principle character Alma argues passionately about the vital importance of human choice with the man to whom she has, too late, admitted her love. I watched this section every night throughout the 4 week run of the play watching the different ways in which the actress, Frances Barber, played the scene. There is a powerful emotional and philosophical connection between the imagery of this scene and a passage from the Renaissance philosopher Pico della Mirandola's Oration on the Dignity of Man which forms the text of Glorious Hill. This passage has been described as one of the few passages in Renaissance philosophy to treat human freedom in a modern way. The text, which is sung in Latin, is addressed by God to Adam before the fall from grace. Gavin Bryars.
Glorious Hill

$6.99 5.97 € PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.763338 Composed by Richard Storrs Willis. Arranged by Nigel Williams. Christmas,Holiday. 7 pages. Nigel Williams #4820363. Published by Nigel Williams (A0.763338). With the four verse text by Edmund Sears and using the familiar tune by Richard Storrs Willis, this arrangement allows the congregation to sing verses 1, 2 and 4. The choir sing verse 3 on their own with some expressive harmonies to paint the text. This can be heard in the digital sound file. The organ joins at the end of verse 3 to lead the congregation and choir into the fourth verse. The choir also have simple harmonies in verse 2 and the sopranos have some descant in verses 1 and 4. The organ part is not complicated yet supports the congregation and choir. Ideal for performance in church services and collegiate chapels during the Christmas holiday season.
It Came Upon The Midnight Clear, Hymn Concertato for Congregation, Choir and Organ
Chorale SATB

$2.09 1.79 € Chorale SATB PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1489376 Composed by Traditional. Arranged by James M. Guthrie. Chamber,Christmas,Historic,Standards,Traditional. 16 pages. Jmsgu3 #1066238. Published by jmsgu3 (A0.1489376). Carol of the Bells is a well-known Christmas carol with a rich history rooted in Ukrainian culture. Here are the key points to understand about this iconic piece:Original Composition: The melody of Carol of the Bells is derived from a Ukrainian folk song called Shchedryk, which Mykola Leontovych composed in 1914. Shchedryk, which translates to The Little Swallow, was originally a New Year's song celebrating the arrival of spring and good fortune.Cultural Context: The song's origins are tied to Ukrainian traditions, where it was sung by young girls going door-to-door on New Year's Eve, wishing families prosperity and good luck for the coming year. The swallow in the song symbolizes the arrival of spring and abundance.English Lyrics: In 1936, American composer Peter Wilhousky adapted the melody for Christmas, writing new lyrics that emphasized bells and Christmas cheer themes. This version transformed Shchedryk into Carol of the Bells, quickly gaining popularity in the United States and becoming a staple of Christmas music.Musical Structure: The carol features a distinctive four-note ostinato and is metrically bistable, allowing listeners to perceive the rhythm differently. It is typically arranged in 3/4 time and has a lively and festive feel, contributing to its widespread appeal.Widespread Adaptations: Carol of the Bells has been recorded in over 150 versions across various musical genres, including classical, jazz, rock, and heavy metal. Notable adaptations include those by Mannheim Steamroller and John Williams, which have helped to cement its status as a Christmas classic.Cultural Significance: The song's association with Christmas has overshadowed its Ukrainian roots, leading to a complex relationship with its cultural identity. In recent years, there has been a movement to reclaim Shchedryk as a significant part of Ukrainian heritage, especially amid ongoing geopolitical tensions.Modern Recognition: The song is frequently featured in films, television shows, and holiday concerts, making it a beloved part of the Christmas season. Its ability to evoke joy and nostalgia resonates with audiences worldwide.In summary, Carol of the Bells is not just a Christmas carol but a piece with deep cultural roots and a fascinating history of transformation from a Ukrainian folk song to a global holiday favorite.
Guthrie: Carol of the Bells for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle

$34.94 29.87 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Concert Band - Level 5 - Digital Download SKU: A0.1430031 Composed by Frederick Septimus Kelly. Arranged by John Ivor Holland. 20th Century,Classical,Multicultural,Romantic Period,World. 67 pages. John Ivor Holland #1010645. Published by John Ivor Holland (A0.1430031). Born in Sydney in 1881, the seventh child of a wealthy family, Kelly was educated at Sydney Grammar School before being sent to England where he attended Eton College and Oxford University. At Eton his musical talents were nurtured under the tutelage of Dr Charles Harford Lloyd. He also developed a passion for rowing, eventually winning a gold medal for England in the 1908 London Olympics. After graduating from Oxford, Kelly began five years of musical study in piano and composition at the Hoch Conservatorium in Frankfurt, Germany. He made his professional debut as a pianist in Sydney in 1911. His London debut followed in 1912. His career was interrupted by the outbreak of the First World War.Elegy for String Orchestra In Memoriam Rupert Brooke was written during his war service in the final year of his life. It is an accomplished and moving work in the English pastoral style of the time, its lush modal string-writing sounding not unlike his famous English near-contemporary Ralph Vaughan Williams (1872-1958). In the Australian context it stands out as a mature and beautiful musical statement by an Australian composer in relation to actual personal experiences of the tragedy of the First World War. As such it's unique in the Australian classical canon, and also part of that wider generational tragedy of what might have been if such an accomplished composer had lived on to create music into his old age. Arranged from the original string orchestra for symphonic wind ensemble and harp.
Elegy (In Memoriam Rupert Brooke)
Orchestre d'harmonie

$99.99 85.47 € Orchestre d'harmonie PDF SheetMusicPlus

Instrumental Duet Cello,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.866845 Composed by Thomas J. Williams. Arranged by Erik Kihss. Christian,Jazz,Praise & Worship,Sacred. Score and parts. 7 pages. Erik Kihss Digital Publishing #3603027. Published by Erik Kihss Digital Publishing (A0.866845). The tune Ebenezer  is set to many hymn texts, such as Come, O Spirit, Dwell Among Us, Alleluia! Alleluia!, O The Deep, Deep Love of Jesus, Through the Night of Doubt and Sorrow among many others, but is most well-known as Once to Every Man and Nation.This duet puts the tune in a lilting 6/8 meter with a descending bass line in the piano. It also features an optional improvisation section with a suggested solo written out for those who prefer not to improvise. This is a fun arrangement to play and is suitable for a prelude, postlude, or recital piece. View on You Tube: https://youtu.be/CGxkn0Cor8E
Once To Every Man and Nation - (Ebenezer) - Cello/Piano duet
Violoncelle, Piano

$6.00 5.13 € Violoncelle, Piano PDF SheetMusicPlus

Instrumental Solo,Pipe Organ - Level 3 - Digital Download SKU: A0.1206034 Composed by Robert Williams, c. 1781-1821. Arranged by Carl R. Ziebell. Christian,Easter,Traditional. Individual part. 18 pages. Carl Ziebell #804227. Published by Carl Ziebell (A0.1206034). This Partita on Llanfair was written in honor of the dedication of the Holtkamp Organ at Holy Cross Lutheran Church in Madison, Wisconsin.  There are four parts, each in a different style.  Part 1 is intended to be a fanfare.  Part 2 is intended to be an allegro and includes Duke Street as a counter-melody.  Part 3 is intended as a meditation.  Part 4 is in a toccata style.   These parts can be used for pre-service, offering, postlude, or even a recital/hymn festival.  Texts associated with this tune include:  Christ the Lord is Ris'n today; Jesus Christ is Ris'n today; Hail the day that sees Him rise; and others.
Partita on LLANFAIR
Orgue

$12.00 10.26 € Orgue PDF SheetMusicPlus


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