EUROPE
137357 articles
USA
434052 articles
DIGITAL
11422 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
11422 partitions trouvées


2 violins, viola, 2 cellos, violone (double bass), organ, Querflute and bassoon - intermediate to advanced - Digital Download SKU: S9.Q23967 Original version based on Bach's first edition of 1747. Composed by Johann Sebastian Bach. This edition: set of parts. L’enchaînement des différents mouvements de l'Offrande musicale était, jusqu’à maintenant, resté incertain. Après un vaste examen théorique de ce problème publié dans un livre, l'éditeur présente maintenant ses conclusions sous forme de partition. Downloadable, Set of parts. Schott Music - Digital #Q23967. Published by Schott Music - Digital (S9.Q23967). The reason for the composition of this work is well-known: Bach's encounter with Frederick the Great and the story of the 'royal theme' which the King of Prussia 'deigned to play' on a pianoforte and which Bach 'was to execute in a fugue'. The sequence of the individual movements of the composition, however, has been uncertain up to now. After an extensive theoretical examination of this problem in his book 'Johann Sebastian Bachs Musicalisches Opfer', the editor now presents his results in the form of a sheet music edition.
Musical Offering (Musical Sacrifice)

$53.99 46.51 € PDF SheetMusicPlus

John Siegler & Tamara Loeffler : Pokémon - Thème (niveau intermédiaire)
Piano seul
Téléchargez la partition Piano Pokémon - Thème (niveau interm&…
5.99 € Piano seul PDF Tomplay

John Barry : Danse avec les loups - Thème de John Dunbar (niveau facile)
Trombone
Téléchargez la partition Trombone Danse avec les loups - Thème de Joh…
5.99 € Trombone PDF Tomplay

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.742473 Composed by Jean Phillipe Rameau. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 8 pages. Arte Nova Music Lab #4600763. Published by Arte Nova Music Lab (A0.742473). Les Indes galantes (French: The Amorous Indies) Opéra-ballet with a prologue and two entrées. Choreography: Louis Dupré. Music: Jean-Philippe Rameau. Libretto: Louis Fuzelier. Sets: Giovanni-Niccolò Servandoni. First performance: 23 August 1735, Théâtre de l'Académie de Musique, Paris. Principals: David Dumoulin, Louis Dupré, M. le Breton, M. Javellier, Marie Sallé. The premiere, including only the prologue and the first two of its four entrées (acts), was staged by the Académie Royale de Musique at itstheatre in the Palais-Royal in Paris on 23 August 1735, starring the leading singers of the Opéra, Marie Antier, Marie Pélissier, Mlle Errémans, Mlle Petitpas, Denis-François Tribou, Pierre Jélyotte, and Claude-Louis-Dominique Chassé de Chinais, and the dancers Marie Sallé and Louis Dupré. Michel Blondy provided the choreography. The ballet's Premier Menuet was used in the soundtrack of the 2006 film Marie Antoinette. Le Turc Generaux. Osman Pasha is in love with his slave, the young Émilie, but she rejects him, telling him she was about to be married when a group of brigands abducted her. Osman urges her to give up hope that her fiancé is still alive (Air: Il faut que l'amour s'evole) but Émilie refuses to believe this is true. The sky turns dark as a storm brews; Émilie sees the violent weather as an image of her despair (Air: Vaste empire des mers). A chorus of shipwrecked sailors is heard (Chorus: Ciel! de plus d'une mort). Émilie laments that they too will be taken captive. She recognises one of the sailors as her fiancé Valère. Their joy at their reunion is tempered by sadness at the thought they are both slaves now. Osman enters and is furious to see the couple embracing. However, unexpectedly, he announces he will free them. He too has recognised Valère, who was once his master but magnanimously freed him. Osman loads Valère's surviving ships with gifts and the couple praise his generosity. They call on the winds to blow them back to France (Duet and chorus: Volez, Zéphyrs). The act ends with celebratory dances as Valère and Émilie prepare to set sail.
Les Indes Galantes - Le Turc Generaux (Premiere Entree)
Quatuor à cordes: 2 violons, alto, violoncelle

$20.00 17.23 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Joe Hisaishi : Le Château ambulant - Thème: Le Manège de la Vie (Quatuor)

Violon
Téléchargez la partition Violon Le Château ambulant - Thème: Le…
5.99 € Violon PDF Tomplay

Mancini,Nino Rota : Un jour pour nous (Thème d'amour) (niveau très facile)
Clarinette
Téléchargez la partition Clarinette Un jour pour nous (Thème d'amour) (niveau très facile)…
5.99 € Clarinette PDF Tomplay

Kondo Koji : Super Mario Bros. - Thème principal (niveau difficile, duo trombone)
Trombone
Téléchargez la partition Trombone Super Mario Bros. - Thème principal…
4.99 € Trombone PDF Tomplay

Voice and piano - Medium - Digital Download SKU: MQ.8492-17E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-17E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-17E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
Op. 45, No. 17: On verra défaillir tous les astres aux cieu from Songs of Gouvy, V2 (Downloadable)
Piano, Voix

$3.00 2.58 € Piano, Voix PDF SheetMusicPlus

Joe Hisaishi : Le Château ambulant - Thème: Le Manège de la Vie (Quatuor)
Violoncelle
Téléchargez la partition Violoncelle Le Château ambulant - Thèm…
5.99 € Violoncelle PDF Tomplay

Howard Shore : Le Seigneur des Anneaux: Les Anneaux du Pouvoir - Thème principal (niveau facile)
Tuba
Téléchargez la partition Tuba Le Seigneur des Anneaux: Les Anneaux du Pouvoi…
5.99 € Tuba PDF Tomplay

Nino Rota : Roméo et Juliette - Un jour pour nous (Thème d'amour) (niveau intermédiaire)
Hautbois
Téléchargez la partition Hautbois Roméo et Juliette - Un jour pour nous (Thème d'amour) (n…
5.99 € Hautbois PDF Tomplay

Ramin Djawadi : House of the Dragon - Thème principal (niveau débutant, piano solo)
Piano seul
Téléchargez la partition Piano House of the Dragon - Thème principal …
4.99 € Piano seul PDF Tomplay






Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2025

Accueil - Version intégrale