Brass Ensemble - Level 5 - Digital Download SKU: A0.792760 Composed by Felix Alexandre Guilmant. Arranged by Bob Burnham. 20th Century,Romantic Period. Score and parts. 31 pages. Gordon Cherry #6273619. Published by Gordon Cherry (A0.792760). Morceau Symphonique, Op. 88 by French organist and composer Alexandre Guilmant was composed in 1902 and first used as an examination piece (Morceau de concours) by the Conservatoire de Paris. It is dedicated to his friend Théodore Dubois, the Director of the National Conservatory of Music. (IMSLP)Morceau Symphonique has become one of the staples of the solo Trombone repertoire, a must perform work for aspiring artists because it is jam-packed with so many inspiring musical phrases. This work forces the young performer into thinking in a musical line, combining expressive and technical challenges in a 6-7 minute work.Bob Burnham's fine arrangement is for solo Trombone within the traditional Brass Quintet of 2 Trumpets in B-flat, Horn, Trombone, and Tuba... it really works well!

Recorder Solo,Soprano Recorder - Level 1 - Digital Download SKU: A0.1341642 Composed by Traditional, Th. Moore. Arranged by songbooks.info. Celtic,Folk,Irish,Traditional. Individual part. 3 pages. Songbooks.info #927187. Published by songbooks.info (A0.1341642). Well-known and popular Songs from Ireland and Great Britain - notated for the Soprano or Tenor Recorder. The classic musical notation and/or the lyrics indicate the rhythm of the tones, and a fingering diagram shows how the appropriate tone is played. A simple explanation of the fingering images for the Recorder is included in the appendix. The song's recording was made at a slow tempo. We hope you enjoy making music...!Bekannte und beliebte Songs aus Irland und Grossbritannien - notiert für die Sopran- oder Tenorblockflöte. Die klassische Notenschrift und/oder der Liedtext gibt die Rhythmik der Töne an, wie der passende Ton gespielt wird zeigt ein Griffbild. Eine einfache Erklärung der Griffbilder für die Blockflöte ist im Anhang. Die Aufnahme des Songs wurde in einem langsamen Tempo erstellt. Wir wünschen viel Spaß beim Musizieren...!

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-24E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Schirmer Music Company - Digital #8491-24E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-24E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.

Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Level 4 - Digital Download SKU: A0.532815 Composed by Jules Demersseman. Arranged by Paul Wehage. Concert,Standards. Score and parts. 25 pages. Musik Fabrik Music Publishing #37187. Published by Musik Fabrik Music Publishing (A0.532815). Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. The thème of this set of variations was probably originally written by the 19th century Flute Virtuosos Paul-Agricole Génin (although it may also be of traditional original) and was used as a subject for variations by such composers as Bosch, Liszt and Arban, among others. Demersseman wrote a number of versions of this work, including an orchestration for wind band.