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SATB choir divisi and piano or brass quintet - Moderately Difficult - Digital Download SKU: MQ.56-0017-E Composed by Howard Goodall. 15 pages. MorningStar Music Publishers - Digital Sheet Music #56-0017-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0017-E). English, German.Setting both English and German texts, Sure of the Sky, Sure of the Sun – Des Himmels sicher, der Sonne sicher is a haunting and moving reflection on the futility of war.  The 5-minute piece for SATB choir and brass was premiered at one of the UK’s three main World War I centenary commemoration events on August 4, 2014. It was launched by the London Symphony Chorus, Schleswig-Holstein Festival Chor and Coldstream Guards, at a twilight event attended by the Duke and Duchess of Cambridge, Prince Harry, and a number of world leaders, all gathered together in the tiny woodland cemetery of St Symphorien near Mons, Belgium – the resting place for the first and last British, and the last Commonwealth, soldiers to die on the Western Front.The texts are “May, 1915†by Charlotte Mew (1869-1928) and “To a Missing Friend†by Goldfeld, a German Jewish soldier killed in action, the poem was discovered by Jewish military historian, Peter C Appelbaum. Duration: 5:00Instrumental Parts include: B-flat Cornet, B-flat Flugelhorn, E-flat Tenor Horn/French Horn in F, Euphonium, Tuba .
Sure of the sky, sure of the sun/Des Himmels sicher, der Sonne sicher (Downloadable Choral Score)
Chorale SATB

$3.35 3.2 € Chorale SATB PDF SheetMusicPlus

Alto Voice,Flute,Piano Accompaniment,Soprano voice - Level 2 - Digital Download SKU: A0.1319996 Composed by Connie Boss. Arranged by Connie Boss. Christian,Christmas,Holiday,Instructional. 47 pages. Connie Boss #908548. Published by Connie Boss (A0.1319996). This cantata is perfect for kids that are able to start singing parts in music. There are 5 songs in the cantata. There is narration before each song.1. Ave Maria Christmas version - This song has the lyrics Ave Maria throughout - which means Hail Mary. Some of the lyrics are a translation of the original Ave Maria. The rest of the lyrics are written for Christmas. The melody is the same as Ave Maria. It is intended for a soloist with duet harmonies. 2. A Little Baby - original song is written for duet. A Little Baby in a stall - A Little Baby oh so small - A Little baby born for all - A Little Baby3. Pachelbel Canon Christmas medley - this iconic song has lyrics from 4 Christmas songs - While Shepherds Watched Their Flocks by Night, Away in a Manger, What Child is This and The First Noel. There are parts where one part will ahh while the other sings the lyrics and then parts where they both sing the lyrics together in harmony. So pretty.4. They Saw a Star - original song about the star leading people to Bethlehem5. We Three Kings - uses the lyrics of We Three Kings, but the melody of Scarborough Fair - it flowed very well together.and has a different harmony than the Simon and Garfunkel version. Fun to perform.If you would like the accompaniment, email me proof of purchase and I will email it to you.Any questions or requests, email cdboss@cvalley.net.
They Saw a Star Teen Christmas Cantata for duet/trio optional flute and piano

$7.99 7.63 € PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.862681 Composed by Sergei Rachmaninoff. Arranged by Michael Bomier. 20th Century,Concert,Contemporary,Romantic Period,Standards. Score. 6 pages. Michael Butkus-Bomier #3688753. Published by Michael Butkus-Bomier (A0.862681). Of all the GetaWay Editions Rachmaninoff preludes, this one has been simplified more radically than any of the others. The 5 against 4 accomp has been changed to straight 1/8 notes. The majorly obscure rhythms in the melody have been rendered in very equivalent but decipherable terms. The major sections are all intact, otherwise, and the LH has been simplified, but not to the point of pedantry. So, this piece serves as a fine introduction to this part of the repertoire, at an earlier point in one's pianistic and musical development. Full-length, original key, of course. Horowitz played the piece many times throughout his later years, so we offer it as both a tribute to him, and and introduction to his unique melodic artistry for less experienced players. MBB.
Prelude in G major Op.32. No.5 Simplified Version for piano solo
Piano seul

$1.99 1.9 € Piano seul PDF SheetMusicPlus

Large Ensemble,Strings Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.739501 Composed by David Catherwood. Broadway,Children,Musical/Show. Score. 323 pages. Opus 3 Music #6051989. Published by Opus 3 Music (A0.739501). A great story about one of the 20th century’s greatest storytellers. Carefully researched, yet full of fun, this entertaining musical tells the story of the early part of CS Lewis' life from the time of his mother's death in 1908 until his arrival as a student at Oxford in 1916. (Throughout his life CS Lewis was always known as Jack) This new work was premiered at the end of 2019 at the annual CS Lewis Festival held in Ireland. (CS Lewis’ birthplace) It proved to be a great success and was very enthusiastically received. Synopsis Jack’s Journey is a whimsical re-imagining of the childhood journeys of CS Lewis - each of the seven songs representing a stop along the way to his eventual career as the writer of the Narnia Chronicles. The story is told through music relating his memories and significant episodes from his schooldays up to his entry into Oxford. Living almost entirely in his imagination as a small boy, the seeds of the world of Narnia are already beginning to grow in his writing and drawings. Little Lea, his childhood home, provides the setting for the early scenes. Following the death of his mother the young Jack has his first experience of school and England. He endures with fortitude the harsh regime of boarding school and begins to recognise the value of friendship, mutual support and the courage that children can show in adversity. He returns to Ireland and to Campbell College – a much more positive experience. Illness brings his attendance at Campbell to an end. Returning to Little Lea, Jack imagines the world of fairies and dwarves, a world beyond our own. He returns to school in England and comes under the influence of a variety of teachers. Expelled from Malvern, Jack next falls under the influence of his great mentor, Professor Kirkpatrick – the model for the Professor of The Lion, the Witch and the Wardrobe. Jack’s Journey concludes with the anticipated arrival of a great hero, the hero of the first of the Narnian Chronicles, Aslan, the lion. ‘Jack’s Journey’ gives opportunity for young actors, (supported if desired by adults, taking the parts of the grown-ups.) There are short dramatic scenes, plenty of chorus work, opportunity for choreography and many solo spots for vocalists in the songs which are milestones in the story. List of Songs (the sample pages and mp3 file gives a chance to see and hear the first page of most of the songs) 1 Soft through the window 2 Kingdom of Mourne 3 Little Lea 4 Campbell Days - Boy to the left, Boy to the right 5 The Dandy's song 6 The Scholar's song 7 Strength and honour As will be evident from the above, there is plenty of flexibility regarding the scale of the performance. ‘Jack’s Journey’ may be staged using relatively modest outlay – for example, the premiere did not have a set because the venue for the performance was an actual railway station! The piece certainly allows for imaginative approaches to design and staging. In terms of the additional challenges presented by 2020 the length of the musical at 40 minutes helps in delivering a shorter theatrical experience. Also, the fully digital download of all performing materials allows for distribution via email Indeed the whole show could be effectively recorded and presented online as well as in person.
Jack's Journey - A Musical inspired by the boyhood adventures of CS Lewis (lyrics by Adeline Dinsmor

$75.00 71.67 € PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano,Tenor Saxophone - Level 5 - Digital Download SKU: A0.837493 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 38 pages. Sonata Grendel Publishing #5741825. Published by Sonata Grendel Publishing (A0.837493). Making the Darkness Conscious was commissioned by my friend, Jonathan Hulting-Cohen. Jonathan is the Professor of Saxophone at the University of Massachusetts, Amherst. He is an amazing artist and a technical wizard. The piece was premiered in its original version as a solo for tenor saxophone and wind ensemble. The present version for piano is not intended to be a reduction of the wind ensemble accompaniment but is a reworking of the piece as an addition to the saxophone/piano duo repertoire. The anti-heroes in film, TV, and literature who feel themselves pushed to do very bad things for very noble reasons inspired this sonata in one movement. These characters often are themselves corrupted by their efforts.  One trope of scripted television anti-hero vehicles like Breaking Bad is the cold opening presented out of sequence. The main character is shown in the moment of highest tension or deepest desperation then the story backs up to explain the events that led to that moment. Making the Darkness Conscious uses the same device by starting with a mysterious, disoriented setting full of strange groans and weird echoes. The scene ends in a terrified scream and cuts directly to a happier, jolly portrayal of the solo tenor saxophone’s character. By the end of the piece, the soloist’s character is transformed into something more ruthless and tortured. One does not become enlightened by imagining figures of light, but by making the darkness conscious. The latter procedure, however, is disagreeable and therefore not popular. C.G. Jung
Making the Darkness Conscious
Saxophone Tenor et Piano
the end of the piece, the soloist’s character is transformed into something more ruthless and tortured

One does not become enlightened by imagining figures of light, but by making the darkness conscious
$14.95 14.29 € Saxophone Tenor et Piano PDF SheetMusicPlus

C Instrument - Level 2 - Digital Download SKU: A0.1288618 By John Denver. By Johnny Marks. Arranged by Johannes H. Hindriks. 20th Century,Christmas,Holiday,Pop,Standards. Lead Sheet / Fake Book. 5 pages. Johannes H. Hindriks #879575. Published by Johannes H. Hindriks (A0.1288618). This Comfort Covers setting of the Christmas song “Rudolph the Red-Nosed Reindeerâ€, known from Gene Autrey’s singing, is primarily intended to provide bedside support to patients and their loved ones in the hospital, nursing home or hospice. The mezzo-soprano lead voice gently blends with the mostly open guitar chords while the male voice modestly winds its way between the song and the bass line of the guitar, thereby creating a warm and welcoming blend. The 5-page document contains a large-print score with the two voices plus spelled-out guitar chords. Mezzo range: A3–A4; Baritone range: A2–D4. Skill Level: Easy to Intermediate. Capo as preferred. Click here for a full listing of Comfort Covers titles.
Rudolph The Red-nosed Reindeer
Instruments en Do
John Denver
$3.99 3.81 € Instruments en Do PDF SheetMusicPlus

C Instrument - Level 2 - Digital Download SKU: A0.1472145 Composed by Traditional Irish. Arranged by Johannes H. Hindriks. Celtic,Irish,Multicultural,Traditional,World. Lead Sheet / Fake Book. 5 pages. Johannes H. Hindriks #1049845. Published by Johannes H. Hindriks (A0.1472145). This Comfort Covers setting of the Irish ballad “Down by the Salley Gardens” is primarily intended to provide bedside support to patients and their loved ones in the hospital, nursing home or hospice. The mezzo-soprano lead voice gently blends with the mostly open guitar chords while the male voice modestly winds its way between the song and the bass line of the guitar, thereby creating a warm and welcoming blend. The 5-page document contains a large-print score with the two voices plus spelled-out guitar chords. Mezzo range: G3–A4; Baritone range: B2–D4. Skill Level: Easy to Intermediate. Capo as preferred. Click here for a full listing of Comfort Covers titles.
Down by the Salley Gardens
Instruments en Do

$2.99 2.86 € Instruments en Do PDF SheetMusicPlus

C Instrument - Level 2 - Digital Download SKU: A0.1322288 Composed by Traditional Welsh. Arranged by Johannes H. Hindriks. 19th Century,Christian,Multicultural,Religious,World. Lead Sheet / Fake Book. 5 pages. Johannes H. Hindriks #910634. Published by Johannes H. Hindriks (A0.1322288). This Comfort Covers setting of the Welsh lullaby “All through the Night†(“Ar hyd y nosâ€) is primarily intended to provide bedside support to patients and their loved ones in the hospital, nursing home or hospice. The mezzo-soprano lead voice gently blends with the mostly open guitar chords while the male voice modestly winds its way between the song and the bass line of the guitar, thereby creating a warm and welcoming blend. The 5-page document contains a large-print score with the two voices plus spelled-out guitar chords. Mezzo range: A3–B4; Baritone range: B2–D4. Skill Level: Easy to Intermediate. Capo as preferred. Words in English and original Cymraeg. Click here for a full listing of Comfort Covers titles.
All through the Night
Ligne De Mélodie, (Paroles) et Accords

$2.99 2.86 € Ligne De Mélodie, (Paroles) et Accords PDF SheetMusicPlus

C Instrument - Level 2 - Digital Download SKU: A0.1126039 Composed by Oscar Hammerstein and Richard Rodgers. Arranged by Johannes H. Hindriks. 20th Century,Broadway,Musical/Show,Standards. Lead Sheet / Fake Book. 5 pages. Johannes H. Hindriks #726759. Published by Johannes H. Hindriks (A0.1126039). This Comfort Covers setting of “The Sound of Musicâ€, known from the eponymous show, is primarily intended to provide bedside support to patients and their loved ones in the hospital, nursing home or hospice. The mezzo-soprano lead voice gently blends with the mostly open guitar chords while the male voice modestly winds its way between the song and the bass line of the guitar, thereby creating a warm and welcoming blend. The 5-page document contains a large-print score with the two voices plus spelled-out guitar chords. Mezzo range: A3–A4; Baritone range: C3–C4. Skill Level: Easy to Intermediate. Capo as preferred. Click here for a full listing of Comfort Covers titles.
The Sound Of Music
Instruments en Do

$3.99 3.81 € Instruments en Do PDF SheetMusicPlus

PDF Director/Organ Score - Level 2 - Digital Download SKU: H1.2365DDP Arranged by Jane McFadden and Janet Linker. Hymntune, General Worship. Director/Organ Score. 16 pages. Hope Publishing - Digital #2365DDP. Published by Hope Publishing - Digital (H1.2365DDP). 1 Corinthians 12:12 - 1 Corinthians 12:13 - Acts 20:28 - Galatians 2:20 - Galatians 4:4 - Galatians 4:5 - Galatians 5:25 - Galatians 5:26 - Hebrews 9:28 - Matthew 16:18 - Matthew 5:1 - Matthew 5:2 - Matthew 5:3 - Matthew 5:4 - Matthe.Popular Hymn tune This new setting for handbells, organ, optional handchimes plus optional trumpet and timpani, begins with a rousing fanfare introduction, followed by two festive verses of the revered hymn. A meditative interlude on Old Hundredth provides a lovely, quiet contrast before returning to a final statement of the tune, Aurelia, with an exciting reprise of the fanfare for a stunning conclusion. Brass parts are also available for use in lieu of the organ.
The Church's One Foundation

$14.95 14.29 € PDF SheetMusicPlus

Brass and Timpani Parts - Level 2 - Digital Download SKU: H1.2365BDP Arranged by Jane McFadden and Janet Linker. Hymntune, General Worship. Brass & timpani parts. 22 pages. Hope Publishing - Digital #2365BDP. Published by Hope Publishing - Digital (H1.2365BDP). 1 Corinthians 12:12 - 1 Corinthians 12:13 - Acts 20:28 - Galatians 2:20 - Galatians 4:4 - Galatians 4:5 - Galatians 5:25 - Galatians 5:26 - Hebrews 9:28 - Matthew 16:18 - Matthew 5:1 - Matthew 5:2 - Matthew 5:3 - Matthew 5:4 - Matthe.Popular Hymn tune This new setting for handbells, organ, optional handchimes plus optional trumpet and timpani, begins with a rousing fanfare introduction, followed by two festive verses of the revered hymn. A meditative interlude on Old Hundredth provides a lovely, quiet contrast before returning to a final statement of the tune, Aurelia, with an exciting reprise of the fanfare for a stunning conclusion. Brass parts are also available for use in lieu of the organ.
The Church's One Foundation

$34.95 33.4 € PDF SheetMusicPlus

Trumpet and Timpani Parts - Level 2 - Digital Download SKU: H1.2365TDP Arranged by Jane McFadden and Janet Linker. Hymntune, General Worship. Trumpet & Timpani Parts. 6 pages. Hope Publishing - Digital #2365TDP. Published by Hope Publishing - Digital (H1.2365TDP). 1 Corinthians 12:12 - 1 Corinthians 12:13 - Acts 20:28 - Galatians 2:20 - Galatians 4:4 - Galatians 4:5 - Galatians 5:25 - Galatians 5:26 - Hebrews 9:28 - Matthew 16:18 - Matthew 5:1 - Matthew 5:2 - Matthew 5:3 - Matthew 5:4 - Matthe.Popular Hymn tune This new setting for handbells, organ, optional handchimes plus optional trumpet and timpani, begins with a rousing fanfare introduction, followed by two festive verses of the revered hymn. A meditative interlude on Old Hundredth provides a lovely, quiet contrast before returning to a final statement of the tune, Aurelia, with an exciting reprise of the fanfare for a stunning conclusion. Brass parts are also available for use in lieu of the organ.
The Church's One Foundation

$12.95 12.37 € PDF SheetMusicPlus

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-38E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-38E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-38E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
Op. 47, No. 5: Adieu from Songs of Gouvy, V1 (Downloadable)
Piano, Voix

$3.00 2.87 € Piano, Voix PDF SheetMusicPlus

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-20E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-20E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-20E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
Op. 42, No. 5: À Hélène from Songs of Gouvy, V1 (Downloadable)
Piano, Voix

$3.00 2.87 € Piano, Voix PDF SheetMusicPlus

Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-45E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-45E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-45E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
Op. 48, No. 5: Père du doux repos from Songs of Gouvy, V1 (Downloadable)
Piano, Voix

$3.00 2.87 € Piano, Voix PDF SheetMusicPlus






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