Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.846540 Composed by Attr. to Johann Gottlob Werner (1777–1822). Arranged by Richard Giszczak. Christmas,Praise & Worship,Sacred. Individual part. 3 pages. Singing Winds Music Company #452842. Published by Singing Winds Music Company (A0.846540). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is comprised of a short introduction, a full statement of the theme, 5 variations, and a D.S. al Fine. The hymn tune name is RATISBON. The words Christ, Whose Glory Fills the Skies are for general use. It is set with other words for Advent, Epiphany, and other occasions.

Jazz Combo - Level 4 - Digital Download SKU: A0.1201511 By Christopher Burnett. By Christopher Burnett. Arranged by Christopher Burnett. Contemporary,Film/TV,Jazz. Score and parts. 29 pages. Christopher Burnett #800132. Published by Christopher Burnett (A0.1201511). ORIGINAL MUSIC FOR JAZZ QUARTET This work is from series of 6 related pieces of new music that I have composed and arranged for a new Originals quartet that had its debut on Tuesday March 28 as the final concert of the 2023 season of the long running noontime spring jazz series at the Midwest Trust Center in the Kansas City metropolitan area. The music is written and arranged for a modern jazz quartet. I perform on alto saxophone with the multi-talented William Crain on piano, the master bassist Gerald Spaits, and the brilliant young drummer Morgan Rogers. The mockup audio demos posted are among the first set of compositions written for our group. I actually wrote and arranged all of this music with each of these quartet musicians’ artistry in mind and to record an album. However, I truly welcome other ensembles to perform and program these selections of music too.THIS MUSIC IS BASED UPON THE PHILOSOPHY OF ABUNDANCE (COVEY)Scarcity Mentality is the zero-sum paradigm of life. People with a Scarcity Mentality have a very difficult time sharing recognition and credit, power or profit – even with those who help in the production. They also have a very hard time being genuinely happy for the successes of other people – even, and sometimes especially, members of their own family or close friends and associates. Conversely, Abundance Mentality flows out of a deep inner sense of personal worth and security. It is the paradigm that there is plenty out there and enough to spare for everybody. It results in sharing of prestige, of recognition, of profits, of decision making. It opens possibilities, options, alternatives, and creativity.THE MUSICAL SELECTIONS (F-A-M-I-L-Y)All of these six pieces interact musically as one larger work or they can be performed independently from the collection with equally pleasing effects musically.1. “FINALLY� (Is Never Permanent…) Composed and Arranged By Christopher Burnett (BMI)2. “ALWAYS� (Is Never Giving Up…)Composed and Arranged By Christopher Burnett (BMI)3. “MAYBE� (It Is or Is Not…)Composed and Arranged By Christopher Burnett (BMI)4. “INFINITY� (Is The Reality…)Composed and Arranged By Christopher Burnett (BMI)5. “LATER� (Is Better Than Never…)Composed and Arranged By Christopher Burnett (BMI)6. “YESTERYEARS� (Bring Our Todays…)Composed and Arranged By Christopher Burnett (BMI)Thanks,Christopher Burnett (BMI)musician, composer, educatorhttps://BurnettPublishing.com.

Full Orchestra - Level 5 - Digital Download SKU: A0.1301809 By Matt Maltese. By Matt Maltese. Arranged by Scores by Ken. Pop. Score and Parts. 34 pages. Scores by Ken #891403. Published by Scores by Ken (A0.1301809). As The World Caves In | Matt Maltese About the PieceAs The World Caves In, written by Matt Maltese, is a love song. It centers on a couple spending their last moments on earth in each other’s company while they watch the world come to an end. Speaking with The FADER, Maltese revealed that the song is centered on a couple (former British Prime Minister Theresa May and American President Donald Trump) spending their final “night of romance� with each other while triggering nuclear warheads that destroy the entire world. Arranged as per Sarah Cothran's cover.

Piano Solo - Level 5 - Digital Download SKU: A0.991480 Composed by Michelangelo Rodriguez. 20th Century,Contemporary. Score. 71 pages. Michelangelo Rodriguez Music #2961007. Published by Michelangelo Rodriguez Music (A0.991480). Written in 2016, Michelangelo Rodriguez’s 12 Etudes in the Study of the Color Wheel is a series of piano etudes that depicts the color wheel and the relationship the 12 colors have to each other. The primary colors, red, yellow, and blue, act as the three base etudes of the set. By mixing the rhythms, motifs, and articulations of the Red, Yellow, and Blue etudes, the secondary etudes are made. Orange, Green, and Violet are then further mixed using the same technique to form the tertiary etudes of Red-Orange, Yellow-Orange, Yellow-Green, Blue-Green, Blue-Violet, and Red-Violet. These 12 etudes are a direct inspiration from the neurological phenomenon of Synesthesia, and using it to combine different mediums of art. Duration: c. 25 minutesFor more information, please visit www.michelangelorodriguez.com

String Orchestra - Level 4 - Digital Download SKU: A0.1297695 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 14 pages. Jmsgu3 #887669. Published by jmsgu3 (A0.1297695). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1297625 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 9 pages. Jmsgu3 #887626. Published by jmsgu3 (A0.1297625). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1297629 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 19 pages. Jmsgu3 #887630. Published by jmsgu3 (A0.1297629). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.

String Orchestra - Level 4 - Digital Download SKU: A0.1297702 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 26 pages. Jmsgu3 #887673. Published by jmsgu3 (A0.1297702). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.

Piano Solo - Level 2 - Digital Download SKU: A0.951669 Composed by Traditional. Arranged by Travis Hayman. Holiday. Score. 5 pages. Travis Hayman #6626805. Published by Travis Hayman (A0.951669). The New-England Boy's Song about Thanksgiving Day, also known as Over the River and Through the Wood, is a Thanksgiving poem by Lydia Maria Child, originally published in 1844 in Flowers for Children, Volume 2. Although many people sing to grandmother's house we go, the author's original words were to grandfather's house we go. Moreover, in modern American English, most people use the word woods rather than wood in reference to a forest, and sing the song accordingly.

Piano Solo - Level 2 - Digital Download SKU: A0.951668 Composed by Traditional. Arranged by Travis Hayman. Holiday. Score. 5 pages. Travis Hayman #6626797. Published by Travis Hayman (A0.951668). The New-England Boy's Song about Thanksgiving Day, also known as Over the River and Through the Wood, is a Thanksgiving poem by Lydia Maria Child, originally published in 1844 in Flowers for Children, Volume 2. Although many people sing to grandmother's house we go, the author's original words were to grandfather's house we go. Moreover, in modern American English, most people use the word woods rather than wood in reference to a forest, and sing the song accordingly.

Piano Solo - Level 2 - Digital Download SKU: A0.951671 Composed by Traditional. Arranged by Travis Hayman. Holiday. Score. 5 pages. Travis Hayman #6626831. Published by Travis Hayman (A0.951671). The New-England Boy's Song about Thanksgiving Day, also known as Over the River and Through the Wood, is a Thanksgiving poem by Lydia Maria Child, originally published in 1844 in Flowers for Children, Volume 2. Although many people sing to grandmother's house we go, the author's original words were to grandfather's house we go. Moreover, in modern American English, most people use the word woods rather than wood in reference to a forest, and sing the song accordingly.

Piano Solo - Level 2 - Digital Download SKU: A0.951665 Composed by Traditional. Arranged by Travis Hayman. Holiday. Score. 5 pages. Travis Hayman #6626767. Published by Travis Hayman (A0.951665). The New-England Boy's Song about Thanksgiving Day, also known as Over the River and Through the Wood, is a Thanksgiving poem by Lydia Maria Child, originally published in 1844 in Flowers for Children, Volume 2. Although many people sing to grandmother's house we go, the author's original words were to grandfather's house we go. Moreover, in modern American English, most people use the word woods rather than wood in reference to a forest, and sing the song accordingly.

Piano Solo - Level 2 - Digital Download SKU: A0.951666 Composed by Traditional. Arranged by Travis Hayman. Holiday. Score. 5 pages. Travis Hayman #6626793. Published by Travis Hayman (A0.951666). The New-England Boy's Song about Thanksgiving Day, also known as Over the River and Through the Wood, is a Thanksgiving poem by Lydia Maria Child, originally published in 1844 in Flowers for Children, Volume 2. Although many people sing to grandmother's house we go, the author's original words were to grandfather's house we go. Moreover, in modern American English, most people use the word woods rather than wood in reference to a forest, and sing the song accordingly.

Piano Solo - Level 2 - Digital Download SKU: A0.951663 Composed by Traditional. Arranged by Travis Hayman. Holiday. Score. 5 pages. Travis Hayman #6626731. Published by Travis Hayman (A0.951663). The New-England Boy's Song about Thanksgiving Day, also known as Over the River and Through the Wood, is a Thanksgiving poem by Lydia Maria Child, originally published in 1844 in Flowers for Children, Volume 2. Although many people sing to grandmother's house we go, the author's original words were to grandfather's house we go. Moreover, in modern American English, most people use the word woods rather than wood in reference to a forest, and sing the song accordingly.

Piano Solo - Digital Download SKU: A0.951670 Composed by Traditional. Arranged by Travis Hayman. Holiday. Score. 5 pages. Travis Hayman #6626821. Published by Travis Hayman (A0.951670). The New-England Boy's Song about Thanksgiving Day, also known as Over the River and Through the Wood, is a Thanksgiving poem by Lydia Maria Child, originally published in 1844 in Flowers for Children, Volume 2. Although many people sing to grandmother's house we go, the author's original words were to grandfather's house we go. Moreover, in modern American English, most people use the word woods rather than wood in reference to a forest, and sing the song accordingly.