Easy Piano - Level 1 - Digital Download SKU: A0.1166862 Composed by Ludwig Goransson. Arranged by Joshua Hegg. Contemporary,Film/TV. Score. 1 pages. Joshua Hegg #767239. Published by Joshua Hegg (A0.1166862). This is an approachable version of The Main Title Theme from The Book of Boba Fett specifically made with the beginning pianist in mind. This is perfect for a recital, or to perform for your friends, family, and other Star Wars fans! For music teachers, this is a perfect piece to teach the 5 finger patterns of Gm and Cm and how to move between the two. For the more adventurous teacher and student, the F# at the end gives a great opportunity to talk about harmonic and melodic minor!

Bass Guitar,Instrumental Solo,Piano,Violin - Level 3 - Interactive Download SKU: A0.1396393 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 5 pages. Duration 48. Heather Mueller Music #6x5AuFzS4UID7zyM6AjZyx. Published by Heather Mueller Music (A0.1396393). Key: D major.Experience The Peacock's Feather with our interactive sheet music. Access the authentic tune plus the flexibility to adjust key and tempo. Perfect for fiddlers of all backgrounds. Immerse yourself in the vibrant melodies of this traditional piece. Purchase now and embark on your musical journey!

Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.846540 Composed by Attr. to Johann Gottlob Werner (1777–1822). Arranged by Richard Giszczak. Christmas,Praise & Worship,Sacred. Individual part. 3 pages. Singing Winds Music Company #452842. Published by Singing Winds Music Company (A0.846540). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is comprised of a short introduction, a full statement of the theme, 5 variations, and a D.S. al Fine. The hymn tune name is RATISBON. The words Christ, Whose Glory Fills the Skies are for general use. It is set with other words for Advent, Epiphany, and other occasions.

Full Orchestra - Level 5 - Digital Download SKU: A0.1301809 By Matt Maltese. By Matt Maltese. Arranged by Scores by Ken. Pop. Score and Parts. 34 pages. Scores by Ken #891403. Published by Scores by Ken (A0.1301809). As The World Caves In | Matt Maltese About the PieceAs The World Caves In, written by Matt Maltese, is a love song. It centers on a couple spending their last moments on earth in each other’s company while they watch the world come to an end. Speaking with The FADER, Maltese revealed that the song is centered on a couple (former British Prime Minister Theresa May and American President Donald Trump) spending their final “night of romance� with each other while triggering nuclear warheads that destroy the entire world. Arranged as per Sarah Cothran's cover.

Piano Solo - Level 5 - Digital Download SKU: A0.991480 Composed by Michelangelo Rodriguez. 20th Century,Contemporary. Score. 71 pages. Michelangelo Rodriguez Music #2961007. Published by Michelangelo Rodriguez Music (A0.991480). Written in 2016, Michelangelo Rodriguez’s 12 Etudes in the Study of the Color Wheel is a series of piano etudes that depicts the color wheel and the relationship the 12 colors have to each other. The primary colors, red, yellow, and blue, act as the three base etudes of the set. By mixing the rhythms, motifs, and articulations of the Red, Yellow, and Blue etudes, the secondary etudes are made. Orange, Green, and Violet are then further mixed using the same technique to form the tertiary etudes of Red-Orange, Yellow-Orange, Yellow-Green, Blue-Green, Blue-Violet, and Red-Violet. These 12 etudes are a direct inspiration from the neurological phenomenon of Synesthesia, and using it to combine different mediums of art. Duration: c. 25 minutesFor more information, please visit www.michelangelorodriguez.com

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1297629 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 19 pages. Jmsgu3 #887630. Published by jmsgu3 (A0.1297629). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1297625 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. 9 pages. Jmsgu3 #887626. Published by jmsgu3 (A0.1297625). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.

String Orchestra - Level 4 - Digital Download SKU: A0.1297695 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. 14 pages. Jmsgu3 #887669. Published by jmsgu3 (A0.1297695). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.

String Orchestra - Level 4 - Digital Download SKU: A0.1297702 Composed by Jan Pieterszoon Sweelinck. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Renaissance,Traditional. Score and Parts. 26 pages. Jmsgu3 #887673. Published by jmsgu3 (A0.1297702). Jan Pieterszoon Sweelinck was a Dutch organist and composer who lived from April 1562 to October 16, 1621. He was born and died in Amsterdam, Netherlands. Sweelinck's first published works date from around 1592-94, and he composed a variety of music, including chansons and keyboard music. He was known for his keyboard playing and was a teacher to German composers Samuel Scheidt and Heinrich Scheidemann. Sweelinck's Echo Fantasias are significant for several reasons:Innovative composition: Echo Fantasias were a unique form of composition during Sweelinck's time, blending elements of traditional fantasias with passages dedicated to echo effects. This experimental approach showcased Sweelinck's creativity and willingness to push the boundaries of musical expression. Emphasis on the moment: Unlike Sweelinck's larger fantasias, the construction of Echo Fantasias was less strict, focusing more on the immediate musical experience rather than the overall design. This emphasis on the moment allowed for greater freedom and spontaneity in the performance of these pieces. Stylistic range: Echo Fantasias encompassed a wide range of styles, juxtaposing fantasia-like elements with passages dedicated to echo effects. This stylistic diversity added depth and complexity to Sweelinck's compositions, making them engaging and intriguing for both performers and listeners.

Piano Solo - Level 2 - Digital Download SKU: A0.951674 Composed by Traditional. Arranged by Travis Hayman. Holiday. Score. 5 pages. Travis Hayman #6626835. Published by Travis Hayman (A0.951674). The New-England Boy's Song about Thanksgiving Day, also known as Over the River and Through the Wood, is a Thanksgiving poem by Lydia Maria Child, originally published in 1844 in Flowers for Children, Volume 2. Although many people sing to grandmother's house we go, the author's original words were to grandfather's house we go. Moreover, in modern American English, most people use the word woods rather than wood in reference to a forest, and sing the song accordingly.

Saxophone Solo,Soprano Saxophone - Level 2 - Digital Download SKU: A0.951672 Composed by Traditional. Arranged by Travis Hayman. Holiday. Individual part. 5 pages. Travis Hayman #6626827. Published by Travis Hayman (A0.951672). The New-England Boy's Song about Thanksgiving Day, also known as Over the River and Through the Wood, is a Thanksgiving poem by Lydia Maria Child, originally published in 1844 in Flowers for Children, Volume 2. Although many people sing to grandmother's house we go, the author's original words were to grandfather's house we go. Moreover, in modern American English, most people use the word woods rather than wood in reference to a forest, and sing the song accordingly.

Piano Solo - Level 2 - Digital Download SKU: A0.951663 Composed by Traditional. Arranged by Travis Hayman. Holiday. Score. 5 pages. Travis Hayman #6626731. Published by Travis Hayman (A0.951663). The New-England Boy's Song about Thanksgiving Day, also known as Over the River and Through the Wood, is a Thanksgiving poem by Lydia Maria Child, originally published in 1844 in Flowers for Children, Volume 2. Although many people sing to grandmother's house we go, the author's original words were to grandfather's house we go. Moreover, in modern American English, most people use the word woods rather than wood in reference to a forest, and sing the song accordingly.

Piano Solo - Level 2 - Digital Download SKU: A0.951669 Composed by Traditional. Arranged by Travis Hayman. Holiday. Score. 5 pages. Travis Hayman #6626805. Published by Travis Hayman (A0.951669). The New-England Boy's Song about Thanksgiving Day, also known as Over the River and Through the Wood, is a Thanksgiving poem by Lydia Maria Child, originally published in 1844 in Flowers for Children, Volume 2. Although many people sing to grandmother's house we go, the author's original words were to grandfather's house we go. Moreover, in modern American English, most people use the word woods rather than wood in reference to a forest, and sing the song accordingly.

Piano Solo - Level 2 - Digital Download SKU: A0.951665 Composed by Traditional. Arranged by Travis Hayman. Holiday. Score. 5 pages. Travis Hayman #6626767. Published by Travis Hayman (A0.951665). The New-England Boy's Song about Thanksgiving Day, also known as Over the River and Through the Wood, is a Thanksgiving poem by Lydia Maria Child, originally published in 1844 in Flowers for Children, Volume 2. Although many people sing to grandmother's house we go, the author's original words were to grandfather's house we go. Moreover, in modern American English, most people use the word woods rather than wood in reference to a forest, and sing the song accordingly.

Piano Solo - Level 2 - Digital Download SKU: A0.951668 Composed by Traditional. Arranged by Travis Hayman. Holiday. Score. 5 pages. Travis Hayman #6626797. Published by Travis Hayman (A0.951668). The New-England Boy's Song about Thanksgiving Day, also known as Over the River and Through the Wood, is a Thanksgiving poem by Lydia Maria Child, originally published in 1844 in Flowers for Children, Volume 2. Although many people sing to grandmother's house we go, the author's original words were to grandfather's house we go. Moreover, in modern American English, most people use the word woods rather than wood in reference to a forest, and sing the song accordingly.