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Choral Choir,Choral (3-Part) - Level 3 - Digital Download SKU: A0.1364695 By Chris Hutchings. By Chris Hutchings. 21st Century,A Cappella,Celtic,Christian,Irish,Sacred. 5 pages. Chris Hutchings #948948. Published by Chris Hutchings (A0.1364695). An ancient prayer from Scotland, this short anthem/introit is suitable for any occasion, but will fit particularly well as a closer for an evening service or concert.For 3-part choir (ATB). Also available for SABar choir (a minor third higher).Ranges:alto: G3-C5tenor: E3-F4baritone: A3-C4Relieve Thou, O God, each oneIn suffering on land or sea,In grief or wounded or weeping,And lead them to the house of Thy peace this night.I am weary, weak and cold,I am weary of travelling land and sea,I am weary of traversing moorland and billow,Grant me peace in the nearness of Thy repose this night.Beloved Father of my God,Accept the caring for my tears ;I would wish reconcilement with Thee,Through the witness and the ransom of Thy Son;To be resting with JesusIn the dwelling of peace,In the paradise of gentleness;Lead me, Lord, to the house of thy peace this night..
The Peace Of God - ATB Chorale 3 parties
Chris Hutchings
$1.99 1.75 € Chorale 3 parties PDF SheetMusicPlus

Choral Choir,Choral (SAB) - Level 2 - Digital Download SKU: A0.889203 Composed by Chris Hutchings. Contemporary,Folk,Sacred. 5 pages. Chris Hutchings #22945. Published by Chris Hutchings (A0.889203). An ancient prayer from Scotland, this short anthem/introit is suitable for any occasion, but will fit particularly well as a closer for an evening service or concert.For 3-part choir (SABar). Also available for ATB choir (a minor third lower).Ranges:soprano: Bb3-Eb5alto: G3-Ab4baritone: C3-Eb4Relieve Thou, O God, each oneIn suffering on land or sea,In grief or wounded or weeping,And lead them to the house of Thy peace this night.I am weary, weak and cold,I am weary of travelling land and sea,I am weary of traversing moorland and billow,Grant me peace in the nearness of Thy repose this night.Beloved Father of my God,Accept the caring for my tears ;I would wish reconcilement with Thee,Through the witness and the ransom of Thy Son;To be resting with JesusIn the dwelling of peace,In the paradise of gentleness;Lead me, Lord, to the house of thy peace this night..
The Peace Of God - SABar Chorale 3 parties

$1.99 1.75 € Chorale 3 parties PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1261764 Composed by Ayumi Okada. 21st Century,Classical,Contemporary. Score. 5 pages. Abundant Silence #854840. Published by Abundant Silence (A0.1261764). In the Shade of an Acacia Tree, BY AYUMI OKADAFOR SOLO PIANO, LATE INTERMEDIATE, 3 PAGES..............................This piece is inspired by the way of life of a family living in the desert of UAE with various kinds of animals, whom I got to know through their photo book and then SNS. They are a family of a human couple and 200 animals including cats, dogs, a pigeon, a rabbit, gazelles, camels, horses, etc. They live in the middle of the desert, but they have a beautiful garden inside their house - I wished to portray the gentleness of the afternoon they share together. - Ayumi Okada.
In the Shade of an Acacia Tree Piano seul

$11.00 9.65 € Piano seul PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.943859 Composed by Jonah Koppitz. 20th Century,Contemporary. Score and parts. 1 pages. Jonah Koppitz #5748861. Published by Jonah Koppitz (A0.943859). The first thing that you should know about this piece is that it breaks nearly every rule of counterpoint that it can. To me, this composition represents the antithesis of how classical composers thought to compose. By directly contradicting the rules they follow and still creating music, it shows that stiff rule formats and limits on what makes good music are not necessary and oftentimes restrict creative composing. My only hope is that, if Johann Joseph Fux were alive today, he’d see my work as an abomination of all the rules he holds so dear.My Ruleset:1. In sixth species counterpoint (countercounterpoint/anticounterpoint), you may write as many notes as desired in your new melody for each note in the cantus firmus.2. The first note and the last note must not form either an octave, unison, or a fifth with the cantus firmus.3. The penultimate note of your melody should not be an even scale degree.4. Augmented Fourths must resolve down and Diminished Fifths must resolve up.5. You may use parallel motion very recklessly because it obscures the independence of the voices.6. The harmonic interval formed between the voices on the downbeat of every measure may not be a perfect/major consonance-unison, third, fifth, sixth or octave. Diminished, Augmented, and Minor are fine.7. The interval formed between the voices on the second beat of every measure may not be a major third or major sixth.8. The overall shape of your melody should have a single high-point, preferably as far from the middle as is reasonable.9. Except for on the first beat of a measure, Consonant intervals are only allowed if preceded by a dissonant interval on a strong beat.10. Every Chord is fair game.11. The interval between the first beat of each measure should alternate between even numbers and odd numbers.12. Leaps must prepare, leap, and resolve in the same direction and may be greater than a fifth.13. Functional Harmony is for cowards who let chords tell them what to do.
The Counter of The Point directly contradicting the rules they follow and still creating music, it shows that stiff rule formats and limits on what makes good music are not necessary and oftentimes restrict creative composing My only hope is that, if Johann Joseph Fux were alive today, he’d see my work as an abomination of all the rules he holds so dear
$1.99 1.75 € PDF SheetMusicPlus






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