Harp - Digital Download SKU: A0.912238 Composed by Traditional Irish. Arranged by Harpoline. Celtic,Holiday. Score. 5 pages. Harpoline #6269711. Published by Harpoline (A0.912238). Get your feet tapping with these three Irish polkas. The Kerry polka is of course the most well known of the three, but the other ones fit very well with it. From the second to the third polka there is a lever change. With a little practice this is not too hard. The first two polkas are in D and the last one in G but it will keep a C sharp in the right hand. One can do more repeats if desired. One can also learn just one polka or two. Fingerings are marked but if you don't like them change them. .

Brass Ensemble - Level 4 - Digital Download SKU: A0.767207 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 16 pages. Lyons Music Services #3074249. Published by Lyons Music Services (A0.767207). Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals. The 19th song, Rimanti in Pace begins as follows: Rest peacefully It is another song of about our shepherdess, Phyllis! This song begins the final 'scena' within this book, a group of two linked songs (Nos 19-20) which is also available as a single download.As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.Flexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)Other parts may be requested free of charge.

Brass Ensemble - Level 4 - Digital Download SKU: A0.767202 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 14 pages. Lyons Music Services #3074241. Published by Lyons Music Services (A0.767202). Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals. The 15th song, Vivrò fra i miei begins as follows: I will live among my own torments. It is another song of rejection! This song begins the second 'scena' within this book, a group of three linked songs (Nos 15-17) which is also available as a single download.As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.Flexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)Other parts may be requested free of charge.

Brass Ensemble - Level 4 - Digital Download SKU: A0.767209 Scena no 2 in 3 parts (Nos 15 -17). Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 41 pages. Lyons Music Services #3074255. Published by Lyons Music Services (A0.767209). Monteverdi's third book of madrigals of 1592 is one of the earliest steps towards the writing of opera as we know it. In this collection of songs, Monteverdi, for the first time, starts to bring small groups of songs (2 or 3) to form a 'Scena - a collection with similar words or on a similar theme or by the same poet and keeping them as a little group within the book of madrigals. The second 'Scena' begins with no 15 Vivrò fra i miei This is another 3 part scene with contrasting sections using related material.As with all of Monteverdi's vocal music, it translates really well onto instruments. The individual madrigals are available separately. This flexible arrangement is equally playable on woodwind ensembles as on brass.Flexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)Other parts may be requested free of charge.

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.719611 Composed by Claude Debussy. Arranged by Curtis Hanson. 20th Century,Sacred. Octavo. 15 pages. Curtis Hanson #11833. Published by Curtis Hanson (A0.719611). The Prodigal Son as arranged here is an adaptation of the final scene of Debussy's cantata which won the Prix de Rome in 1884. Debussy scored his work for three primary solo voices, the mother (soprano), the father (bass), and the son (tenor) plus a couple of minor servant roles. In this arrangement for SATB voices which begins as the prodigal son returns to his home, the father's solo and son's reply are kept, but they may be eliminated and the piece begin at ms. 68 where the entire company praises God at the son's return. Debussy modulated at this point to the key of B major which gives the solo soprano a high B near the end. For choral ease, such as it is, the arranger drops the modulation to A major making the high note a little more accessible for choral sopranos. Being a piano reduction of a Debussy orchestral accompaniment, a competent pianist is necessary, but the choral writing is not overly difficult. The English text is a translation by the arranger.

Piano Solo - Level 3 - Digital Download SKU: A0.1408305 Composed by Matthew Colson. 21st Century,Classical,Contemporary,Romantic Period. Score. 5 pages. Matthew Colson #990885. Published by Matthew Colson (A0.1408305). 2023/4 is a collection of 11 pieces for solo piano. They are all written in ¾ time and were composed throughout 2023.“Aug-ust-mented is the fifth piece from 2023/4. The title is a play on when it was written - August 2023 - and its use of augmented chords.I generally do not put pedal markings in my music - please use pedals (sustain & una corda) at your discretion. About the composer:Matthew Colson is a hobby composer from New England. He began writing little piano pieces in 2003. Since then, he has written several pieces, ranging from piano to orchestral. His music has been performed live in the United States and Australia. To listen to his original compositions, please visit his YouTube page: EmceeMusic42If you perform my music, I’d love to hear it! For any business or personal correspondence: emceemusic42@gmail.com.

Piano - intermediate - Digital Download SKU: S9.Q771826 Composed by Rémy Martin. Adventure - instrumental lessons - piano. Schott Student Edition - Repertoire. 8 expressive piano pieces of intermediate difficulty tell the exciting story of an adventurous journey on the high seas. A fascinating tribute to American film music and French impressionism for lessons and recitals. Downloadable. Schott Music - Digital #Q771826. Published by Schott Music - Digital (S9.Q771826). English • German.Experience a musical journey across the seven seas with Rémy Martin's Adventures on the High Seas. This captivating piano suite transports you with every chord to exciting adventures and mysterious worlds. Delve into the powerful yet delicate music that will give wings to your imagination and take you to the high seas. Let yourself be carried away by the sounds and experience the magic of Rémy Martin's music in an imaginative cycle for lessons and auditions. About Schott Student EditionThe Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.The repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.Every work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.

Instrumental Duet Harp,Instrumental Duet,Viola - Level 5 - Digital Download SKU: A0.1039821 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and parts. 49 pages. David Sterrett Music #644665. Published by David Sterrett Music (A0.1039821). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesus’ extension of kindness and mercy, along with the promise “Today you will be with me in Paradise,� profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Harp as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: “Jesus, remember me when you come into your Kingdom…� Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.� The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesus’ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.

Piano,Viola - Level 5 - Digital Download SKU: A0.1039822 Composed by David M. Sterrett. Classical,Contemporary,Sacred. Score and part. 49 pages. David Sterrett Music #644666. Published by David Sterrett Music (A0.1039822). This piece depicts the story of the Penitent Thief, one of the two other men who hung on a cross beside Jesus, as told in the Bible: One of the thieves who were hanged by Jesus was hurling abuse at him, saying, 'Are you not the Christ? Save yourself and us!' But the other answered, and rebuking him, said, 'Do you not even fear God, since you are under the same sentence of condemnation? We indeed are suffering justly, for we are receiving what we deserve for our deeds; but this man has done nothing wrong.' And he was saying, 'Jesus, remember me when you come into your kingdom!' And Jesus said to him, 'Truly I say to you, today you will be with me in Paradise.' (Luke 23:39-43) I initially set out to portray the scene from a narrative perspective. As I began composing and felt the story resonate more and more with my own spiritual experiences, I decided to shift the focus onto what I imagined the emotional and spiritual experiences of the Penitent Thief were during this brief but transformative interaction with Jesus right before death. While the passage does not describe his internal experience, I imagine that Jesus’ extension of kindness and mercy, along with the promise “Today you will be with me in Paradise,� profoundly impacted him. In composing this, I hoped to convey that transformative encounter. Ultimately, The Penitent Thief depicts an experience familiar to many Christians: that of a lost and broken soul discovering Jesus offers the truth and salvation they long for. To capture the element of dialog, I envisioned the Viola as the Penitent Thief and the Piano as Jesus. Each has a distinct theme/motif. On the cross, the Penitent Thief is consumed by shame, sorrow, and fear of death. His demeanor shifts between moments of quiet contemplation and visceral emotional outbursts. Facing imminent death, he yearns for redemption and truth. He looks at Jesus hanging next to him, blameless and holy. He feels admiration and praise and is overcome by penitence and humility. He calls out, half in desperation, half in worship: “Jesus, remember me when you come into your Kingdom…� Jesus, moved by his penitence and belief, responds with kindness and mercy, extending salvation: Today you will be with me in Paradise.� The Penitent Thief imagines Paradise and hopes for this to hold true. His hope becomes briefly overshadowed by lingering doubt and fear. Silence falls. Then, as the hour of death arrives, the man reaches out again and clings to Jesus’ promise, this time with more desperation. His soul suddenly becomes filled with joy, finding the fulfillment of longing, bound with Christ, and knowing that he will soon be at rest in Paradise. At peace, the man gazes upward, gives his final sputtering breath, and his soul departs this world.

Choral SAB choir - Digital Download SKU: H1.C5696DP Composed by William Rowan. Piano Accompaniment. Advent, Sacred. Octavo. 8 pages. Hope Publishing - Digital #C5696DP. Published by Hope Publishing - Digital (H1.C5696DP). Isaiah 40:3 - Isaiah 40:4 - Isaiah 40:5 - Isaiah 52:10 - Matthew 3:3.Classic Original anthem For Advent, this classic anthem from William P. Rowan is a best-selling chestnut in the Hope catalog. The original setting for SATB or Two Part choirs is in the key of B-flat, while this new SAB voicing has been lowered a step, making it more accessible for the smaller church choir. The accompaniment works equally well for either piano or organ, and the addition of optional soloists makes this an inviting choice for Advent.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841901 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 5 pages. Andrew Mc Donald (Macka Records) #3479199. Published by Andrew Mc Donald (Macka Records) (A0.841901). There's a Better Way is a song about loving your neighbor or brother as much as loving yourself. There is a better way of loving your brother by treating them as you would treat yourself.

Composed by Philip Sousa, Tchaikovski, Chopin, Schubert, Bizet. Romantic Period, European, Native American, Graduation, Patriotic. Score, Set of Parts. 105 pages. Published by Woods Only

Brass Ensemble - Level 5 - Digital Download SKU: A0.810733 Composed by Herbert L. Clarke. Arranged by Geoffrey Bergler. 20th Century,Folk. Score and parts. 19 pages. Gordon Cherry #1986139. Published by Gordon Cherry (A0.810733). Cornet solos are an important part of the American Brass tradition. The Southern Cross is one of Clarke's most well known Cornet solos and was written in 1911, dedicated to the Australians and first recorded by the composer with Orchestra the next year  for Victor Records. During 1911, Clarke was the solo Cornetist of the Sousa Band while the band was on a world tour that included visits to South Africa, Tazmania and Australia from March through to August. Below is a photo of the Sousa band from their 1911 tour. Clarke is sitting in the front row 5th in from the right with his moustache and his Cornet on his lap. He assuredly composed this solo to perform on that tour. The Southern Cross is a constellation that is only seen from the southern hemisphere and features the five stars of the Cross from the 1901 design of the Australian flag. This 5-minute virtuosic arrangement by Geoffrey Bergler features not only the Cornet, but a bit of all the other four members of the Brass Quintet. Instrumentation is for: 2 Trumpets in B-flat (Trumpet 1 solo, Trumpet 2 also plays Piccolo) Horn, Trombone Tuba/Bass Trombone The sound track features Mr. Bergler from his student days as Cornet soloist.

SATB choir, organ, trumpet - Moderately Easy - Digital Download SKU: MQ.51-3062-E Composed by Mark W. Oldenburg and Stephen P. Folkemer. Lent. 10 pages. MorningStar Music Publishers - Digital Sheet Music #51-3062-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.51-3062-E). English.These anthems were written specifically to fit the prescribed texts for each Sunday of Lent in Cycle B. The anthems may be downloaded and printed from your computer. Based on NUN FREUT EUCH.Available for Lent Cycle B Lent 1 - Through Greys of Fogs and Clouds and Seas, SATB, Organ, and Treble Instrument Lent 2 - After Wandering Years, SATB, Organ, Treble Instrument Lent 3 - Praise God, Who By the Law, SATB, Trumpet, Organ Lent 4 - Nostalgic for Their Servitude Lent 5 - I Was Wed at Sinai Instrumental Part and Congregational Page included.