Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1255304 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #848817. Published by Regis Bookshar (A0.1255304). Three selections based on Christ lag in Todsesbanden (Christ lay in death's bonds) (from Cantata No.   4, BMV   4) - Johann Sebastian Bach - Saxophone Quintet (3 Altos, 1 Tenor, 1 Baritone) - Advanced /Intermediate - Digital Download.Cantata No.   4, BMV   4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.   4, BMV   4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex that the previous one. The first selection in this trology is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.   4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen) (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.   4.This arrangement is for a Saxophone Quintet, consisting of 3 Alto Saxophones, 1 Tenor Saxophone and 1 Baritone Saxophone. Included are a score and a complete set of parts (29 Pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.

Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1255318 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #848835. Published by Regis Bookshar (A0.1255318). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.   4, BMV   4) - Johann Sebastian Bach - Saxophone Quintet (3 Altos, 2 Tenors) - Advanced/Intermediate - Digital Download.Cantata No.   4, BMV   4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.   4, BMV   4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex that the previous one. The first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.   4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1718 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in in the middle of his Cantata No.   4.This arrangement is for a Saxophone Quintet, consisting of 3 Alto Saxophones and 2 Tenor Saxophones. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. I think you will be pleased with what you may find.

Saxophone Quintet,Woodwind Ensemble Tenor Saxophone - Level 4 - Digital Download SKU: A0.1257387 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Chamber,Christian,Easter,Historic. 29 pages. Regis Bookshar #850718. Published by Regis Bookshar (A0.1257387). Three selections based on Christ lag in Todesbanden (Christ lay in death's bonds) (from Cantata No.   4, BMV   4) - Johann Sebastian Bach - Tenor Saxophone Quintet - Advanced/Intermediate - Digital Download.Cantata No.   4, BMV   4, Christ lag in Todesbanden (also spelled Todes Banden) (Christ lay in death's bonds) is a cantata for Easter written by Johann Sebastian Bach and is his earliest surviving Church Cantata. It was probably written in 1707 when he was 22 years old. It is a Chorale Cantata, a style in which both the text and music are based on a hymn. In this instance, the source was Martin Luther's hymn of the same name which became a main Easter hymn in German Lutheranism.Regis Bookshar has transcribed and arranged three selections based on this hymn tune, two from Bach's Cantata No.   4, BMV   4, and also his Chorale Prelude, BMV 625. They may be played individually or as a trilogy and each movement gets more complex that the previous one. This first selection in this trilogy is the Chorale, Christ lag in Todesbanden, the final chorus from his Cantata No.   4, a straightforward four-part chorale setting of the hymn (Regis has also added a fifth part). This is followed by Bach's Chorale Prelude, BMV 625, a piece from his Orgelbuchlein (Little Organ Book), a collection of 46 Preludes for organ, written almost exclusively during the 1708-1717 period, while Bach was court organist at Weimar. For the final selection, Regis has placed the polyphonic and imitative chorus, Es war ein wunderlicher Krieg, da Tod und Leben rungen (It was a strange battle, that death and life waged), which Bach had placed in the middle of his Cantata No.   4.This arrangement is for a Tenor Saxophone Quintet. Included are a score and a complete set of parts (29 pages).I hope you will enjoy playing these selections and please search for other arrangements by Regis Bookshar. There are numerous selections in a variety of styles, also available for purchase. Ithink you will be pleased with what you may find.

Easy Piano - Level 2 - Digital Download SKU: A0.939554 Composed by Jeremy Cullen. 20th Century,Contemporary,Romantic Period. Score. 5 pages. Jeremy Cullen #4736751. Published by Jeremy Cullen (A0.939554). This piece is part of a cycle of works composed as the soundtrack to an imaginary documentary called The World of Eugène Atget. If the film did exist, I’d like to think that this music would make a suitable accompaniment to the French photographer’s haunting images. In 2005 I saw an exhibition of Atget's work at the San Francisco Museum of Modern Art and was captivated by his photos of Old Paris in the early 20th Century. He viewed his images as documents rather than art but they are beautifully atmospheric and influenced the Surrealists. Of course, this Gymnope�die was also inspired by Erik Satie who lived and worked in Paris around the same time as Atget (although I don't know if they ever met). My recording of this piece can be found on the album Scenes Vol. 1 by Jeremy Cullen, available on on Spotify, Apple Music, iTunes and Amazon.

Piano,Soprano Flute - Level 5 - Digital Download SKU: A0.1282823 By Peter Sheridan, Flute with John Sawoski, Piano. By Frédéric Chopin (1810–1849). Arranged by John Sawoski. 19th Century,Chamber,Classical,Romantic Period. Score and part. 5 pages. Million Oaks Music #874066. Published by Million Oaks Music (A0.1282823). This arrangement of Variation II from Frédéric Chopin's popular Variations on a Theme by Rossini, sounds more like the mature Chopin. Chopin wrote the Variations at age 14, probably for his father (an amateur flutist) or one of his father's friends. In this version, John Sawoski creates a virtuosic and advanced accompaniment in an idion that resembles Chopin's later compositional style, and includes a more fluid and advanced flute part as performed by Peter Sheridan.

Choral Choir (Unison) - Level 2 - Digital Download SKU: A0.931159 Composed by Traditional. Arranged by S. Emmanuel Chambers. Christmas. Octavo. 5 pages. S. Emmanuel Chambers #6201173. Published by S. Emmanuel Chambers (A0.931159). These are fun and easy arrangements for sing-alongs on an elementary concert or to sing with family! The music is written for one voice part with an easy-intermediate piano accompaniment. There's no better way to enjoy the holiday spirit than singing carols that everyone knows! The arrangement includes Jingle Bells and Deck the Halls.Written for and performed by Morgan East Elementary 4th Grade Choir (McConnelsville, Ohio) on their Christmas Concert in December of 2019. Directed by Mr. Chamber and accompanied by Mrs. Muriel Bankes.

Concert Band - Level 5 - Digital Download SKU: A0.1357134 Composed by Johannes Brahms. Arranged by Nejc Be�an. 19th Century,Classical,Contest,Festival,Romantic Period. 188 pages. UpBeat Editions #941763. Published by UpBeat Editions (A0.1357134). The Variations on a theme by Haydn, now also called the St. Anthony Variations is a work in the form of a theme and variations, composed by Johannes Brahms in the summer of 1873 at Tutzing in Bavaria. It consists of a theme in B-flat major based on a “Chorale St. Antoni�, eight variations and a finale. It is often said to be the first independent set of variations for orchestra in the history of music. Brahms composed the work on a theme entitled “Chorale St. Antoni� found in a wind ensemble composition. At the time Brahms discovered it, the wind ensemble piece carried an attribution to the composer Joseph Haydn. Brahms titled his own composition accordingly, crediting Haydn for the theme, but publishers in the early nineteenth century often attached the names of famous composers to works by unknown or lesser known composers in order to move inventory. Subsequent research has concluded that the wind piece Brahms used as a source does not fit Haydn’s style. Today the wind ensemble piece remains without clear attribution.A transcription faithful to the original for Concert band.Full set of Score and parts.Further info:www.upbeateditions.comupbeat.editions@gmail.comhttps://www.facebook.com/UpBeatEditions.

Choral Choir (Unison) - Level 1 - Digital Download SKU: A0.727433 Composed by Carol Troutman Wiggins. Children,Folk,Holiday,Instructional,Thriller. Octavo. 5 pages. Carol Troutman Wiggins #3626561. Published by Carol Troutman Wiggins (A0.727433). THE CREEPY SPIDERUnison w/Actions and Screams!This is a great song for Halloween or any other time you need a break from the norm - a fun song to allow your students to let their hair down! Yes, it has screams in it, but they are short screams. Or not! Excellent for any age elementary or a fun warm-up for younger middle schoolIncludes action cues in scoreJumps and screams - not a scary song . . . just creepy!Chords included for additional instrumentsPiano Accompaniment track available on this site.

Piano,Violin - Level 5 - Digital Download SKU: A0.1039654 Composed by N. Rimsky Korsakov. Arranged by Raymond Fenech. Contest,Festival,Film/TV,Holiday,Opera,Romantic Period. 21 pages. Raymond Fenech #644569. Published by Raymond Fenech (A0.1039654). Flight of the Bumblebee (Russian: Полёт шмел�) is an orchestral interlude written by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan, composed in 1899–1900. Its composition is intended to musically evoke the seemingly chaotic and rapidly changing flying pattern of a bumblebee. Despite the piece's being a rather incidental part of the opera, it is today one of the more familiar classical works because of its frequent use in popular culture. The piece closes Act III, Tableau 1, during which the magic Swan-Bird changes Prince Gvidon Saltanovich (the Tsar's son) into an insect so that he can fly away to visit his father (who does not know that he is alive). The duration of this is 2.07 minutes and it is a difficult level piece.

Flute,Piano - Level 5 - Digital Download SKU: A0.1039634 Composed by N. Rimsky Korsakov. Arranged by Raymond Fenech. Contest,Festival,Film/TV,Holiday,Opera,Romantic Period. Score and part. 21 pages. Raymond Fenech #644546. Published by Raymond Fenech (A0.1039634). Flight of the Bumblebee (Russian: Полёт шмел�) is an orchestral interlude written by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan, composed in 1899–1900. Its composition is intended to musically evoke the seemingly chaotic and rapidly changing flying pattern of a bumblebee. Despite the piece's being a rather incidental part of the opera, it is today one of the more familiar classical works because of its frequent use in popular culture. The piece closes Act III, Tableau 1, during which the magic Swan-Bird changes Prince Gvidon Saltanovich (the Tsar's son) into an insect so that he can fly away to visit his father (who does not know that he is alive). The duration of this is 2.07 minutes and it is a difficult level piece.

B-Flat Clarinet,Piano - Level 5 - Digital Download SKU: A0.1039659 Composed by N. Rimsky Korsakov. Arranged by Raymond Fenech. Contest,Festival,Film/TV,Holiday,Opera,Romantic Period. Score and part. 19 pages. Raymond Fenech #644574. Published by Raymond Fenech (A0.1039659). Flight of the Bumblebee (Russian: Полёт шмел�) is an orchestral interlude written by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan, composed in 1899–1900. Its composition is intended to musically evoke the seemingly chaotic and rapidly changing flying pattern of a bumblebee. Despite the piece's being a rather incidental part of the opera, it is today one of the more familiar classical works because of its frequent use in popular culture. The piece closes Act III, Tableau 1, during which the magic Swan-Bird changes Prince Gvidon Saltanovich (the Tsar's son) into an insect so that he can fly away to visit his father (who does not know that he is alive). The duration of this is 2.07 minutes and it is a difficult level piece.

Piano,Soprano Saxophone - Level 5 - Digital Download SKU: A0.1039646 Composed by N. Rimsky Korsakov. Arranged by Raymond Fenech. Contest,Festival,Film/TV,Holiday,Opera,Romantic Period. Score and part. 25 pages. Raymond Fenech #644559. Published by Raymond Fenech (A0.1039646). Flight of the Bumblebee (Russian: Полёт шмел�) is an orchestral interlude written by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan, composed in 1899–1900. Its composition is intended to musically evoke the seemingly chaotic and rapidly changing flying pattern of a bumblebee. Despite the piece's being a rather incidental part of the opera, it is today one of the more familiar classical works because of its frequent use in popular culture. The piece closes Act III, Tableau 1, during which the magic Swan-Bird changes Prince Gvidon Saltanovich (the Tsar's son) into an insect so that he can fly away to visit his father (who does not know that he is alive). The duration of this is 2.07 minutes and it is a difficult level piece.

Euphonium,Piano - Level 5 - Digital Download SKU: A0.1040449 Composed by N. Rimsky Korsakov. Arranged by Raymond Fenech. Contest,Festival,Film/TV,Holiday,Opera,Romantic Period. Score and part. 13 pages. Raymond Fenech #645240. Published by Raymond Fenech (A0.1040449). Flight of the Bumblebee is an orchestral interlude written by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan, composed in 1899–1900. Its composition is intended to musically evoke the seemingly chaotic and rapidly changing flying pattern of a bumblebee. Despite the piece's being a rather incidental part of the opera, it is today one of the more familiar classical works because of its frequent use in popular culture. The piece closes Act III, Tableau 1, during which the magic Swan-Bird changes Prince Gvidon Saltanovich (the Tsar's son) into an insect so that he can fly away to visit his father (who does not know that he is alive). The duration of this is 2.07 minutes and it is a difficult level piece.

Brass Ensemble Euphonium,Horn,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1041154 Composed by N. Rimsky Korsakov. Arranged by Raymond Fenech. Contest,Festival,Film/TV,Holiday,Opera,Romantic Period. Score and parts. 22 pages. Raymond Fenech #645884. Published by Raymond Fenech (A0.1041154). Flight of the Bumblebee is an orchestral interlude written by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan, composed in 1899–1900. Its composition is intended to musically evoke the seemingly chaotic and rapidly changing flying pattern of a bumblebee. Despite the piece's being a rather incidental part of the opera, it is today one of the more familiar classical works because of its frequent use in popular culture. The piece closes Act III, Tableau 1, during which the magic Swan-Bird changes Prince Gvidon Saltanovich (the Tsar's son) into an insect so that he can fly away to visit his father (who does not know that he is alive). The duration of this is 2.07 minutes and it is a difficult level piece.