Marching Band - Level 2 - Digital Download SKU: A0.934825 Composed by Francis Scott Key, John Stafford Smith. Arranged by Christopher Durigg. Folk,Holiday,Patriotic. Score and parts. 21 pages. Christopher Durigg #6437539. Published by Christopher Durigg (A0.934825). PUBLISHER: C. DURIGG MUSICPUBLISHER WEBSITE: www.cdurigg.com VISIT FOR AN AUDIO SAMPLE RECORDING: www.cdurigg.com/cdmb001C. DURIGG MUSIC ID FOR THIS PIECE: CDMB-001GRADE LEVEL: EMERGING and SOARING BAND SERIES (Grade Range of 1.5-2)OTHER ASSOCIATED SERIES: LIMITED OR FULL BAND SERIESWHAT IS THE LIMITED OR FULL BAND SERIES FROM C.DURIGG MUSIC?Do you have intermediate or advanced students in a very small band program? Are your students ready for more intermediate or advanced band repertoire, yet the band’s limited instrumentation holds them back?My Limited or Full series is geared toward the success of small bands with limited instrumentation. These pieces aim at giving small bands more advanced music within the framework of a young band arrangement. If you like the music, these pieces also sound great with a larger full instrumentation.PRODUCT DESCRIPTION:Some school and community bands have limited size or instrumentation. This arrangement has been written to work as both a traditional marching band arrangement or a flex marching band arrangement. It was written to sound great for both traditional and limited ensembles, both large and small. It is accessible for student musicians at various playing levels. I sincerely hope you enjoy my arrangement, and I hope that it helps to make your musicians successful!Important Compositional ElementsKey: The Key of Ab lends itself more to limited-range playing than the Key of Bb does. While this is not the traditional philosophy, my experience has shown me that most students can learn to play successfully in the Key of Ab even if they are still working on their extended range.Range: Players have the option to play the extended ranges. However, parts are doubled at the octave where necessary for players with more beginning/limited ranges. THIS ALLOWS FOR A WIDER RANGE OF ABILITY LEVELS IN SMALLER BANDS TO SUCCESSFULLY PLAY TOGETHER.  

Piano Solo - Level 4 - Digital Download SKU: A0.1200229 By Skeeter Davis. By Arthur Kent and Sylvia Dee. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,Pop,Rock,Standards. Score. 6 pages. Timothy Stapay #799031. Published by Timothy Stapay (A0.1200229). An arrangement of The End Of The World,  a song covered by many famous artists. includingThe Carpenters; thanks to the phenomenal singing of Karen Carpenter.  The End of the World was written by composer Arthur Kent and lyricist Sylvia Dee, who often worked as a team.The Carpenters (officially known as Carpenters were an American vocal and instrumental duo consisting of siblings Karen (1950–1983) and Richard Carpenter (born 1946). They produced a distinctive soft musical style, combining Karen's contralto vocals with Richard's harmonizing, arranging, and composition skills. During their 14-year career, the Carpenters recorded 10 albums along with many singles and several television specials. Karen possessed a powerful singing voice, and close miking brought out many nuances in her performances.  Richard arranged their music to take advantage of this, though Karen had a three-octave vocal range.  Richard's work with Karen was influenced by the music of Les Paul, whose overdubbing of the voice of wife and musical partner Mary Ford allowed her to be used as both the lead and harmony vocals.[6] By multi-tracking, Richard was able to use Karen and himself for the harmonies to back Karen's lead. The overdubbed background harmonies were distinctive to the Carpenters, but it was the soulful, engaging sound of Karen's lead voice that made them so recognizable.  Record executive Mike Curb said it was Karen's voice that took the Carpenters above straight pop music into pop rock.   She was known as a one take wonder and could deliver a strong performance on the first attempt.Richard Carpenter was the creative force behind the Carpenters' sound. An accomplished keyboard player, composer and arranger, music critic Daniel Levitin called him one of the most gifted arrangers to emerge in popular music.  The duo's smooth harmonies were not in step with contemporary music, which was dominated by heavy rock.  Instead, the Carpenters strove for a rich and melodic sound, along the same vein as the Beach Boys and the Mamas & the Papas, but with greater fullness and orchestration including frequent use of small string and horn sections and introspective lyrics centred around relationships.  Richard also admired the musicianship and arranging skills of Frank Zappa, and the two briefly met backstage at the Billboard Forum in 1975.End Of The World: Lyrics:Why does the sun go on shining?Why does the sea rush to shore?Don't they know it's the end of the world?'Cause you don't love me any moreWhy do the birds go on singing?Why do the stars glow above?Don't they know it's the end of the world?It ended when I lost your love[Bridge]I wake up in the morning and I wonderWhy everything's the same as it wasI can't understand, no, I can't understandHow life goes on the way it doesWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you said goodbyeWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you

Soprano or mezzo-soprano and alto saxophone - Moderately Difficult - Digital Download SKU: MQ.9153-E Composed by Juliana Hall. Instrument parts. 38 pages. E. C. Schirmer Music Company - Digital #9153-E. Published by E. C. Schirmer Music Company - Digital (MQ.9153-E). English.Juliana Hall’s song setting of the famous Wallace Stevens poem Thirteen Ways of Looking at a Blackbird was commissioned by saxophonist Carrie Koffman (faculty, Hartt and Yale Schools of Music). Koffman had the idea to commission a setting of this poem in 13 parts, and to present each part in a very short performance at one of the 13 stops along the Wallace Stevens Walk in Hartford, Connecticut (the path Stevens traversed daily as he walked to and from his job at The Hartford Insurance Company). Being a song composer, Hall asked if she could write the piece with voice, which Koffman enthusiastically embraced. The work, then, is for either a soprano or a mezzo soprano voice, with alto saxophone, and is a single work in 13 parts. The premiere took place on Saturdy, October 16, 2021 along the Wallace Stevens Walk, performed on this outdoor excursion by soprano Cherie Caluda (Hartt voice faculty) and Koffman on saxophone. The indoor premiere took place soon after, on Sunday, October 24, 2021, as part of a concert at the Hartt School of Music devoted to the works of Juliana Hall.

Instrumental Solo,Tin Whistle - Level 3 - Digital Download SKU: A0.1174167 Composed by Netherlands folk melody. Arranged by Cindy Blevins. Folk,Religious. Individual part. 8 pages. Cindy Blevins #774331. Published by Cindy Blevins (A0.1174167). Note: You can see an excerpt of both the solo without fingerings and the solo with fingerings. The blank pages you may see in the samples are there on purpose to avoid showing more than the music sample. This arrangement is for solo (unaccompanied) Tin Whistle. You receive the tin whistle part without fingering diagrams, the same part but WITH fingering diagrams and a comprehensive fingering chart for your tin whistle. So if you enjoy playing the notes on the staff, there is a part for you! And if you need the diagrams for learning, or for using every time, there's a part for you! Tin whistle isn't just for Irish music, it is extremely versatile and fun to play! Please note, my Tin Whistle is a high D. I write for D whistle because it is a very common key that many people have. The fingering chart I put together shows the D scale, with chromatic fingerings you may need some day! But if you're playing a different key of whistle, you can also play this piece. It is unaccompanied, and all keys of tin whistle are fingered the same. So follow the part with diagrams if you need to.

Piano Solo - Level 5 - Digital Download SKU: A0.917503 Composed by D. E. Mathers. 20th Century,Contemporary. Score. 5 pages. D. Eugene Mathers #4890615. Published by D. Eugene Mathers (A0.917503). This piano waltz inaugurates a series of dance portraits commemorating the Southern Academy of Ballet Arts (S.A.B.A.) in Tallahassee, Florida, and its performing company, Pas de Vie. It was originally composed in December 1995 as a portrait of the extraordinary dancer, teacher, and choreographer Gwynne Ashton (d. 1998), the dedicatee, and was presented to her as a Christmas present in an abbreviated form. The French words of its title mean on the beach and allude to one of Emile Waldteufel's most delightful waltzes (Sur la plage, op. 234; 1883), which endures as a beloved ballet with Ashton's choreography. Similarly pensive, elegiac and retrospective, the new piano work uses original thematic material throughout and lasts approximately two-and-a-half minutes.

2 horns, 2 oboes, 2 clarinets and 2 bassoons - Digital Download SKU: S9.Q4346 Composed by Wolfgang Amadeus Mozart. This edition: study score. Ernst Eulenburg - Kammermusik - Partitur. Eulenburg Miniature Scores. Downloadable, Study score. Ernst Eulenburg & Co. GmbH - Digital #Q4346. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4346). Key: E flat major. German • English • French.In November 1781 Mozart, in a letter to his father, mentioned the composition of this Serenade: 'I wrote this music for St Theresa's Day [15 October] - for Frau von Hickl's sister, or rather the sister-in-law of Herr von Hickl, court painter. But the chief reason why I composed it was in order to let Herr von Strack, who goes there every day, hear something of my composition; so I wrote it rather carefully.'.

Concert Band - Level 2 - Digital Download SKU: A0.1367955 By Paul McCartney. By Paul McCartney. Arranged by Scaver. Christmas,Pop. 60 pages. Scaver #952332. Published by Scaver (A0.1367955). We All Stand Together is often associated with Christmas due to its release and the animated film for which it was created. The song was released in 1984, and its whimsical and festive feel, along with the inclusion of animated characters like Rupert the Bear, has led to its inclusion in Christmas playlists and celebrations. Additionally, the themes of unity and togetherness in the song align with the spirit of the holiday season, making it a popular choice for Christmas-related events and gatherings. While not originally intended as a Christmas song, its joyful and uplifting nature has contributed to its connection with the festive season.This version is for (young) concert band.Instrument list:FluteOboeBassoonClarinet 1,2,3Bass ClarinetAlt Saxophone 1,2Tenor SaxophoneBariton SaxophoneTrumpet 1,2,3Horn F 1,2Trombone 1,2,3Euphonium Bb 1,2C BassBb BassTimpaniGlockenspielDrumsSuspended cymbalsBarchimes.

Small Ensemble Horn,Piano,Violin - Level 5 - Digital Download SKU: A0.1503872 Composed by Elizabeth Raum. 20th Century. 73 pages. Gordon Cherry #1079324. Published by Gordon Cherry (A0.1503872). Rome's Pantheon, based on Greek mythical legends was first constructed over 2,000 years ago as a temple of all the gods. In the year 609, it became a Catholic church.Pantheon for Violin, Horn, and Piano by the great Canadian composer Elizabeth Raum is a seven-movement suite of chamber music depicting various of the Greek gods:1. Eos: Goddess of the Dawn2. Moirae: Gods of Fate3. Aphrodite: Goddess of Love and Beauty4. Zeus and Hera5. Artemis (Diana) Goddess of the Moon and the Hunt6. Hermes (Mercury) of the Winged Sandals7. Apollo: God of Sun and LightHere are the comments about Pantheon from composer Elizabeth Raum:Pantheon alludes to a temple, a musical temple in this case, devoted to the gods of ancient Greek mythology, several of whom are represented in this work. The first movement opens with a horn call as Eos, Goddess of the Dawn begins her rosy-fingered awakening, and rising from her couch, ascends the heavens in her horse-drawn chariot. She heralds the approach of her brother, Helius, the sun god, whose superior brightness causes her color to fade. In the second movement, The Fates (Moirae) spin their thread of life and death. The minimalist quality of the music, representing the steady turn of the spindle, becomes more and more agitated as Atropos, the Fate who holds the shears, prepares to cut the thread. The hand stopped horn and the Bartok pizzicato signify the final snip. A moment of contemplation, and they begin again. Some try to persuade Atropos to delay a moment, but she cannot be deterred. Aphrodite, the goddess of love and beauty, is the third movement. She arose from the foam of the sea and all were charmed by her grace, but she could also be coy and flirtatious as she is in this version. Zeus and Hera, the king and queen of the gods, make up the fourth movement. The opening theme suggests the regal stride of Zeus while Hera, furious at his many infidelities, quarrels with him and schemes to thwart his affairs. In the fifth movement, Artemis (Dawn Goddess of the Moon and the Hunt), holds high her silver bow that gleams in the night sky like the new moon. The clouds drift silently past while she runs with her hounds and dances with her nymphs. Hermes (Mercury) of the Winged Sandals, sixth movement, is scored for violin and horn alone. He is a very mischievous and cunning god, and his exceptional swiftness is aided by his winged sandals as he flies to carry out his divine duties. And finally in the seventh movement, Apollo the horn again summons the gods. A hymn to Apollo celebrates the god of eternal youth, beauty, and music. This is a major chamber work for Violin, Horn, and Piano of about 26 minutes in length written for Erika Raum, Phil Myers, and Peter Allen and is appropriate for very advanced artists.

Small Ensemble Cello,Handbell,Piano,Trombone - Level 1 - Digital Download SKU: A0.848593 Composed by Various. Arranged by Gene Roberson. 20th Century,Christmas,Concert,Standards. Score and parts. 26 pages. Gene Roberson #3581871. Published by Gene Roberson (A0.848593). Here are 12 songs for Children. Easy to play on Cello, Trombone or other C bass instruments. Songs includeJoyful Joyful We Adore Thee (Beethoven's 9th) Taps, When the Saints Go Marching In, Happy Birthday Song, This Old Man, Twinkle Twinkle Little Star, Westminster Chimes, My Country Tis of Thee, Jesus Loves Me, I've been Working on the Railroad, The First Noel, We Wish You a Merry Christmas and a bonus arr. of The Stars Spangled Banner, our National Anthem. Simple piano part also included. This arrangement is scored for instruments to be played as a solo, OR an ensemble. The Ensemble part is the Second part designed to play together with other instrumentalists. Other parts published are Violin, Viola, Clarinet, Oboe, Flute, Trumpet, Horn, and others coming soon.

Piano Solo - Level 3 - Digital Download SKU: A0.1381895 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Easter,Praise & Worship,Religious,Sacred. Score. 4 pages. Anastace #966515. Published by Anastace (A0.1381895). Here is a new piano solo version of Were You There When They Crucified My Lord? as heard on my YouTube channel with all the other Easter and Holy week music. This piano solo works well for a prelude, postlude, or musical interlude during communion, especially for a Good Friday or Maundy Thursday service. Also available, by searching Stacey Plays Hymns and the song title on this site, are a full piano vocal arrangement in C major for congregational or solo singing or a Lead Sheet version for worship leading from piano or guitar in a chord-based style.For other formats including large print, or extended choral harmony versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!

Piano and voice - Digital Download SKU: LV.22276 Composed by W. O. Fiske. Civil War--Union, Mothers & children, War casualties, Death, Grief, Patriotism. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22276). O Search Ye Well The Lists, Mother. Song and Chorus. Music by W.O. Fiske. Published 1865 by Lee & Walker, 722 Chestnut St. in Philadelphia. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Civil War--Union, Mothers & children, War casualties, Death, Grief, Patriotism. First line reads O search ye well the lists, dear mother, you'll find your darling's name therein.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano Solo - Level 1 - Digital Download SKU: A0.809406 By Simon And Garfunkel. By Paul Simon. Arranged by Academia Unimusica. Pop,Rock. Score. 1 pages. Unimusic Academy (Academia Unimusica) #6251769. Published by Unimusic Academy (Academia Unimusica) (A0.809406). The Sound of Silence, originally The Sounds of Silence, is a song by the American music duo Simon & Garfunkel. The song was written by Paul Simon over several months in 1963 and 1964. A studio audition led to the duo signing a record deal with Columbia Records, and the original 'acoustic' version of the song was recorded in March 1964 at Columbia Studios in New York City and included on their debut album, Wednesday Morning, 3 A.M.. Released on October 19, 1964,[2] the album was a commercial failure and led to the duo disbanding; Simon returned to England, and Art Garfunkel to his studies at Columbia University. In 1965, the song began to attract airplay at radio stations in Boston, Massachusetts, and throughout Florida. The growing airplay led Tom Wilson, the song's producer, to remix the track, overdubbing electric instruments and drums. This remixed version was released as a single in September 1965. Simon & Garfunkel were not informed of the song's remix until after its release. The song hit No. 1 on the Billboard Hot 100 for the week ending January 1, 1966, leading the duo to reunite and hastily record their second album, which Columbia titled Sounds of Silence in an attempt to capitalize on the song's success. The remixed single version of the song was included on this follow-up album. It was featured in the 1967 film The Graduate and was included on the film's soundtrack album. It was additionally released on the Mrs. Robinson 'EP' in 1968, along with three other songs from the film: Mrs. Robinson, April Come She Will and Scarborough Fair/Canticle. The song was a top-ten hit in multiple countries worldwide, among them Australia, Austria, West Germany, Japan and the Netherlands. Generally considered a classic folk rock song, the song was added to the National Recording Registry in the Library of Congress for being culturally, historically, or aesthetically important in 2012, along with the rest of the Sounds of Silence album. Originally titled The Sounds of Silence on the album Wednesday Morning, 3 A.M., the song was shortened for later compilations, beginning with the 1972 compilation album Simon and Garfunkel's Greatest Hits.[3]