Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.1264866 Composed by Traditional. Arranged by Colin Kirkpatrick. Celtic,Folk,Irish,Wedding. Octavo. 9 pages. Colin Kirkpatrick Publications #857705. Published by Colin Kirkpatrick Publications (A0.1264866). This lovely folksong is thought to have come from Scotland, though similar versions have been recorded in other parts of Britain. The song is also known as “O Waly, Waly� which means something like “woe is me�. For such an old song, it is not surprising that there are many variations of the lyrics. An early version of the modern lyrics was consolidated by the British folksong collector Cecil Sharp in 1906, using multiple older sources in southern England. There are many sets of lyrics with different story-lines. This was because in the past, performers would often create new lyrics for the song. This melody has attracted an entire family of lyrics many of which bear little relationship to each other. The words used in this choral arrangement reflect the popular lyrics used during the twentieth century. The song was arranged for voice and piano in 1948 by British composer Benjamin Britten but in more recent times, was made popular by many folk singers notably The Seekers, Joan Baez and Bob Dylan. It has become one of the most popular folk songs today, largely because of its beautiful tune. But as with the lyrics, there are many variations on the melody with the result that no single variation can be considered the “correct� one.This SAB arrangement by Colin Kirkpatrick is ideal for high school or college choir. Each section of the choir as the melody line at some point and there are attractive and evocative counter-melodies. In the soprano part (which has one brief divisi section), the highest not is G5 which appears only once and is approached safely.  The highest note in the alto part is C5 (in the middle of the treble staff). The baritone part lies between A flart 2 and D 3 (just above the staff) and well within the normal choral range. The piano part is an integral part of the arrangement and therefore essential. The music begins in E flat and modulates to C major. Running at just over three minutes, the work is sure to be popular with choir and audiences alike.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.891181 Composed by Kings of Orient, John H. Hopkins. Arranged by Richard Donn. Christmas,Contemporary,Holiday,Sacred,Traditional. Octavo. 12 pages. Cartecay River Music Publishing #3493767. Published by Cartecay River Music Publishing (A0.891181). SAW YOU NEVER, IN THE TWILIGHT (w/We Three Kings)  This haunting and mysterious anthem for SATB choir leads you to imagine yourself joining the wise men gently rocking atop the camels as they followed the new star on their way to see the newborn savior.  It opens with unison men singing the refrain of We Three Kings (as from afar).  These two carols of the wise men (Saw You Never, in the Twilight and We Three Kings) are masterfully woven together in 6/8 time.  Your choir and congregation will love this unique and easily accessible anthem for Advent and Christmas.  Duration: 3:40  A piano accompaniment track is available through SheetMusicPlus.com.

Brass Band Trombone - Level 4 - Digital Download SKU: A0.1188967 By Pavilo Chubynsky, Mykhailo Verbytsky. By Pavilo Chubynsky, Mykhailo Verbytsky. Arranged by Dennis Ruello. 19th Century,Chamber,Historic,Patriotic. Score and Parts. 9 pages. Chicory Music #788580. Published by Chicory Music (A0.1188967). In 1992 the Ukrainian Parliament chose as the national anthem music composed in 1863 by Mykhailo Verbytsky, a western Ukrainian composer and Catholic priest. Verbytsky originally wrote the score as a solo song and later for orchestra to accompany a patriotic poem written in 1862 by Pavlo Chubynsky, a prominent ethnographer in the Kyiv region. In his poem Shche Ne Vmerla Ukrayina (which means Ukraine is not yet dead), Chubynsky expressed the mixture of hope and desperation felt by Ukrainians over their continuous struggle to rule their own land. Widely sung around the country as the Hymn to Ukraine, both the melody and lyrics were similar to those of Polish and Serbian anthems. In 1917 it became the anthem of the short-lived Ukrainian National Republic, but during the Soviet era it was replaced. Over time there were various changes and additions to Chubynsky's original words, resulting in several slightly differing versions of the Hymn to Ukraine. Following independence in 1991, many Ukrainians were disatisfied with the pessimistic tone, so the Ukrainian government made the Verbytsky score official but hesitated to approve the Chubynsky's lyrics. A comission sponsored contests for replacement lyrics, but none were decided on. Agreement finally came in 2003, when the Parliament passed and the President signed an act recognizing a slight change to the version of Chubynsky's lyrics that were usually sung. Only the first stanza and the refrain (which is sung twice) were approved in President Kuchma's official proclamation.This arrangement for Trombone Quintet, / Choir in the brass friendly key of d minor, is easily accessible to those students who play at the Adv. Intermediate Level. Performance Time: 1 minute 35 seconds

Woodwind Ensemble,Woodwind Quintet Bass Clarinet - Level 3 - Digital Download SKU: A0.1185254 By Pavilo Chubynsky, Mykhailo Verbytsky. By Pavilo Chubynsky, Mykhailo Verbytsky. Arranged by Dennis Ruello. 19th Century,Chamber,Historic,Patriotic. 9 pages. Chicory Music #784938. Published by Chicory Music (A0.1185254). In 1992 the Ukrainian Parliament chose as the national anthem music composed in 1863 by Mykhailo Verbytsky, a western Ukrainian composer and Catholic priest. Verbytsky originally wrote the score as a solo song and later for orchestra to accompany a patriotic poem written in 1862 by Pavlo Chubynsky, a prominent ethnographer in the Kyiv region. In his poem Shche Ne Vmerla Ukrayina (which means Ukraine is not yet dead), Chubynsky expressed the mixture of hope and desperation felt by Ukrainians over their continuous struggle to rule their own land. Widely sung around the country as the Hymn to Ukraine, both the melody and lyrics were similar to those of Polish and Serbian anthems. In 1917 it became the anthem of the short-lived Ukrainian National Republic, but during the Soviet era it was replaced. Over time there were various changes and additions to Chubynsky's original words, resulting in several slightly differing versions of the Hymn to Ukraine. Following independence in 1991, many Ukrainians were disatisfied with the pessimistic tone, so the Ukrainian government made the Verbytsky score official but hesitated to approve the Chubynsky's lyrics. A comission sponsored contests for replacement lyrics, but none were decided on. Agreement finally came in 2003, when the Parliament passed and the President signed an act recognizing a slight change to the version of Chubynsky's lyrics that were usually sung. Only the first stanza and the refrain (which is sung twice) were approved in President Kuchma's official proclamation This arrangement for Clarinet Quintet, in the woodwind friendly key of g minor, is easily accessible to those students who play at the Intermediate Level. Performance Time: 1 minute 35 seconds

Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1184424 Composed by Lyrics by Pavlo Chubynsky, Music by Mykhailo Verbtsky. Arranged by Dennis Ruello. 19th Century,Chamber,Historic,Patriotic. 9 pages. Chicory Music #784152. Published by Chicory Music (A0.1184424). In 1992 the Ukrainian Parliament chose as the national anthem music composed in 1863 by Mykhailo Verbytsky, a western Ukrainian composer and Catholic priest. Verbytsky originally wrote the score as a solo song and later for orchestra to accompany a patriotic poem written in 1862 by Pavlo Chubynsky, a prominent ethnographer in the Kyiv region. In his poem Shche Ne Vmerla Ukrayina (which means Ukraine is not yet dead), Chubynsky expressed the mixture of hope and desperation felt by Ukrainians over their continuous struggle to rule their own land. Widely sung around the country as the Hymn to Ukraine, both the melody and lyrics were similar to those of Polish and Serbian anthems. In 1917 it became the anthem of the short-lived Ukrainian National Republic, but during the Soviet era it was replaced. Over time there were various changes and additions to Chubynsky's original words, resulting in several slightly differing versions of the Hymn to Ukraine. Following independence in 1991, many Ukrainians were disatisfied with the pessimistic tone, so the Ukrainian government made the Verbytsky score official but hesitated to approve the Chubynsky's lyrics. A comission sponsored contests for replacement lyrics, but none were decided on. Agreement finally came in 2003, when the Parliament passed and the President signed an act recognizing a slight change to the version of Chubynsky's lyrics that were usually sung. Only the first stanza and the refrain (which is sung twice) were approved in President Kuchma's official proclamationThis arrangement for Brass Quintet, in the brass friendly key of g minor, is easily accessible to those students who play at the Intermediate Level. Performance Time: 1 minute 35 seconds

Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.1099304 Composed by R. Bishop Buckley (1810–1867). Arranged by Richard Giszczak. 19th Century,Historic. Individual part. 2 pages. Singing Winds Music Company #703186. Published by Singing Winds Music Company (A0.1099304). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is comprised of a short introduction, a full statement of the theme, a variation, and a D.S. al Fine. The tune dates from about 1850 and was very popular during the American Civil War era.

Carillon,Instrumental Solo - Level 3 - Digital Download SKU: A0.823824 Composed by Jack Norworth (1879–1959) & Albert von Tilzer (1878–1956). Arranged by Richard Giszczak. Contemporary,Folk,Pop,Traditional. Individual part. 3 pages. Singing Winds Music Company #6610673. Published by Singing Winds Music Company (A0.823824). This arrangement is set for 25-Bell Carillon (C,D,E...d1), however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is comprised of a short introduction, a full statement of the theme, a variation, and a D.S. al Fine.  It includes only the chorus of the song.

Piano,Vocal,Voice - Digital Download SKU: A0.529570 Composed by Robert J. Sherman. Arranged by Original Piano/Vocal Arrangement by Robert J. Sherman. Broadway,Contest,Festival,Instructional,Musical/Show. Score. 6 pages. Sherman Theatrical Entertainment Ltd. #117896. Published by Sherman Theatrical Entertainment Ltd. (A0.529570). The Sharpest Smile is from the musical Love Birds. This song pays homage to “Honey Bun� from the classic 1949 Rodgers & Hammerstein musical: South Pacific. Like its forerunner, “The Sharpest Smile� represents a “show within a show� moment. Both “Honey Bun� and “The Sharpest Smile� derive their comedy from the age-old, vaudevillian gimmick of a girl pretending to be a boy and vice versa. In the context of the Love Birds script, “Vera� (a female parrot) is costumed as a 1920s (male) gangster talking to “his� gangster friends. “The Gangster� character explains that “he� has met a wonderful girl (named “Pearl�), so don’t expect to see “him� around as much; or lyrics to that effect. Later in the number, we learn that “Pearl� is in fact a hungry crocodile dressed in a lady’s bikini costume (i.e. two coconuts strung together for the top – also an homage to “Honey Bun�). Pearl constantly tries to take a bite out of the Gangster Parrot who is blissfully unaware of the threat. This is a comedy song about mismatched relationships, but it also serves as meta-commentary on the dangers that pursuing such relationships can pose. In other words, “Pearl� is “Peril� (at least according to the thinking of the time). Despite the implicit risk, this unconventional love story seems to work out in the end. When printing, please scale to fit for standard US Letter and A4 size.

Piano,Vocal,Voice - Digital Download SKU: A0.556054 Composed by Robert J. Sherman. Arranged by Original Piano/Vocal Arrangement by Robert J. Sherman. Broadway,Instructional,Musical/Show. Score. 6 pages. Sherman Theatrical Entertainment Ltd. #165526. Published by Sherman Theatrical Entertainment Ltd. (A0.556054). The Sharpest Smile is from the musical Love Birds. This song pays homage to “Honey Bun� from the classic 1949 Rodgers & Hammerstein musical: South Pacific. Like its forerunner, “The Sharpest Smile� represents a “show within a show� moment. Both “Honey Bun� and “The Sharpest Smile� derive their comedy from the age-old, vaudevillian gimmick of a girl pretending to be a boy and vice versa. In the context of the Love Birds script, “Vera� (a female parrot) is costumed as a 1920s (male) gangster talking to “his� gangster friends. “The Gangster� character explains that “he� has met a wonderful girl (named “Pearl�), so don’t expect to see “him� around as much; or lyrics to that effect. Later in the number, we learn that “Pearl� is in fact a hungry crocodile dressed in a lady’s bikini costume (i.e. two coconuts strung together for the top – also an homage to “Honey Bun�). Pearl constantly tries to take a bite out of the Gangster Parrot who is blissfully unaware of the threat. This is a comedy song about mismatched relationships, but it also serves as meta-commentary on the dangers that pursuing such relationships can pose. In other words, “Pearl� is “Peril� (at least according to the thinking of the time). Despite the implicit risk, this unconventional love story seems to work out in the end. When printing, please scale to fit for standard US Letter and A4 size.

Composed by Traditional Gospel Tune. Arranged by John A. Dempsey. Christian, Gospel, Blues, Country, Bluegrass. Score, Set of Parts. 16 pages. Published by John A. Dempsey

Piano Solo, Piano/Vocal/Chords - Advanced Intermediate - Digital Download By SLANDER ft. Dylan Matthew. Arranged by Mario Stallbaumer. 5 pages. Published by Mario Stallbaumer

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1470292 By Bruno Mars. By Ari Levine, Bruno Mars, Khalil Walton, Khari Cain, and Philip Lawrence. Arranged by Tabitha Beaven. A Cappella,Children,Instructional,Pop. Score. 6 pages. Tabitha Beaven #1048055. Published by Tabitha Beaven (A0.1470292). Part of a 'Pop Song Layer-Up' series - these arrangements are designed to be fun, warm-up songs for choirs, singing or vocal groups or a quick, easy-win fun filler song. A #PopSongLayerUp is designed to be experimented with, taking elements of a song and layering them to see what new harmonies and rhythms can be created. There are multiple ways it can be explored to build confidence, listening skills and focus. Vocal group leaders can experiment with dynamics, tempo, key changes, different genres/styles of singing using a familiar song as a foundation. Two versions have been provided, Version 1 shows each part stacked to play around with layering and Version 2 is a single part flow with four entry points and an optional finish section ('long-form round'). We know that rounds and partner songs provide great brain training and stretch for singers to concentrate on their part, understand where it fits into the whole and not be swayed by the multiple notes and rhythms moving around their line. A 'Key Chart' with chords / note range is provided in four different keys to help decide which is the most suitable for your vocal group and see if you need to drop an octave for lower voices. Although a starter structure is provided, group leaders are encouraged to mess around with it, try different layers together and have fun creating something new from something familiar. Huge scope for adding fun body percussion beats to keep time, or simple finger clicks. Most important is to have fun with a #PopSongLayerUp! And if you share your group on social media, please add the hashtags #PopSongLayerUp #PopRound and tag @tunefultabitha - would love to hear what you come up with! #PopSongLayerUp #PopRound #Round #PartnerSong #ListeningSkills #Concentration #BrainTraining #Synergy #Dynamics #VocalSkills #WarmUp #ChoirWarmUp.

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.999556 By Sushi. By Keren Woodward, Matt Aitken, Matthew Aitken, Michael Stock, Mike Stock, Pete Waterman, Peter Alan Waterman, Peter Waterman, Sarah Dallin, Siobhan Fahey, and Siobhan Maire Deirdre Fahey. Arranged by Russell Ward. Contemporary. 8 pages. Russell Ward #6047135. Published by Russell Ward (A0.999556). This is the First Movement from my Saxophone Quartet tribute to popular 1980'/90's UK songwriting team Stock, Aitken and Waterman. The work features four of Stock, Aitken and Waterman's best known tunes from their Golden Era in the late 1980's arranged for Saxophone Quartet in the form of a 4 movement work, with elements of Pachelbel's canon underpinning many of the themes throughout. The opening movement here features the Bananarama hit Love in the First Degree Be sure to check out the other movements also available here on my Sheet Music Plus publisher page https://www.sheetmusicplus.com/publishers/russell-ward/17598: I: Allegro Moderato - Love in the First Degree II: Scherzo – I Should Be So Lucky III: Adagio – Never Gonna Give You Up IV: Vivace – Together Forever Please email me if you happen to perform this work in it's entirety - I'd love to hear from you. I hope you enjoy performing it as much as I've enjoyed arranging it. Russell Ward rgeward@yahoo.com.au 

Concert Band - Digital Download SKU: AX.00-PC-0014305_SYN Synthesizer. Composed by Jerry Brubaker. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0014305_SYN. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014305_SYN). UPC: 038081351186.This piece for symphonic band by Jerry Brubaker is a musical excursionA into the American driving experience. From majestic mountain vistas and wide open spaces to the hustle and bustle of rush hour traffic. There is even a section about the beloved covered bridge. Find one and there's bound to be an interesting little two lane country road leading up to it. The piece is designed around just two themes which are tied together in the final section which the composer calls Our Favorite Road. This can be the road to the beach, to the mountains or just simply cruisin' with the top down on a summer afternoon! Enjoy this delightful taste of Americana. (7:11) This title is available in SmartMusic.Concert/Contest.

Choral Choir (SATB) - Digital Download SKU: A0.891208 Composed by Wolfgang Amadeus Mozart. Arranged by Gunnar Madsen, Laurie Betts Hughes. Children,Classical,Contemporary. Octavo. 18 pages. Dandelion Music Press #3106157. Published by Dandelion Music Press (A0.891208). If you are looking to lighten your concert, to program real music, or a piece with rapid text delivery satisfying to mid-level HS choirs and community choirs with adult choral beginners, bring this hilarious 3 minute piece to your outstanding accompanist-pianist and your developing ensemble.  Debuted for choir during an educational outreach concert for children with families, Mozart's At the Window is also an effective selection or encore for a Mozart concert, or standing on its own.  Piece features lots of vocal doubling and is fully supported by a pianistic reduction-- this piece shines with an amazing accompanist.The choral arranger writes: After getting absolutely sick of the inane music I'd been playing for my young children in the car, I was elated to discover Gunnar Madsen's CD I'm Growing featuring Mozart's At the Window.  The kids were delighted with this funny song about some naughty kid, and my husband and I were delighted with the enormous improvement of musical quality in our vehicle.  It was shortly thereafter that this choral arrangement was born.Gunnar writes: In my first music theory class in college, the teacher and the students were recalling the silly ways they'd been taught to remember classical melodies when they were young.  One of them was for Mozart's 40th symphony (which I'd never heard) which consisted of Now Mozart's at the window - Let him in, Let him in, Let him in.  What an ear-worm!  For 25 years now I've dreamt of expanding that ditty into something more substantial, and now I'm proud to present the finished piece.  I'm really going to get a kick of sending this one to my teacher!Also available in Two-Part Treble voicing.Music abridged from W. A. Mozart's Symphony No.40 in G minor, K.550 IV. Allegro assai2017 Choral Contest EntryText and concept by Gunnar Madsen, ASCAP | http://www.gunnarspot.com/Arranged for choir by Laurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com