Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Cello,Clarinet,English Horn,Euphonium,Flute,Oboe,Recorder,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 2 - Digital Download SKU: A0.926757 By Jimmy Grafton. By James Grafton. Arranged by Micron Music. Contemporary. Score and parts. 12 pages. Janet Ivers #3865069. Published by Janet Ivers (A0.926757). This is a traditional fun Christmas tune - I have transposed the tune into various keys to allow different instruments to play together - C instruments are in key of C, Musci includes transpositions into F, Bb, A and Eb in treble clef and In C in bass clef. A viola part is also included. Note this is just the tune - no chords or accompaniment.. But allows multiple instruments to play together. A word sheet is also included so people can sing along with the group.

Small Ensemble Piano,Violin,Voice - Level 3 - Digital Download SKU: A0.829365 Composed by Charles H. Gabriel. Arranged by Lyndell Leatherman. Christian,Contemporary,Sacred. Score and parts. 14 pages. Leatherman Music Services #5866445. Published by Leatherman Music Services (A0.829365). This gospel hymn is a marvelous resource for traditional funerals/memorial services. Here's a solo version with piano accompaniment. The icing on the cake, so to speak, is the addition of four violins or a keyboard playing their parts as a string pad. The arrangement is approximately 3:10 in duration. Of course, you will want to perform it with much more expression than my computer did!

Two-part chorus - Digital Download SKU: C7.CGA1541 Composed by Greg Gilpin. General. Sacred Anthem. Octavo. 12 pages. Chorister's Guild - Digital #CGA1541. Published by Chorister's Guild - Digital (C7.CGA1541). This new hymn from Tom Porter is an inspiring call to community and service, especially appropriate for the church festivals of Reformation and All Saints', Global Missions, or a Stewardship series. The piece has flexible use as a choir anthem, a concertato, or congregational song. A reproducible congregational page and parts for an optional brass quartet are included.

Cello,Horn,Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.1271337 Composed by Ben Fielding and Brooke Ligertwood. Arranged by Elisha Calderón and Iohan Calderón. Religious. 10 pages. Calderonmusic #863454. Published by Calderonmusic (A0.1271337). What a Beautiful Name is a popular contemporary Christian worship song by Hillsong Worship, an Australian Christian music group. The song was written by Ben Fielding and Brooke Ligertwood and was released in 2016. It has since become one of the most well-known and beloved worship songs in churches around the world.The lyrics of the song focus on the beauty and power of the name of Jesus Christ and the significance of His sacrifice and resurrection. The song's uplifting and heartfelt melody, combined with its meaningful lyrics, makes it a favorite for many worship gatherings and events.As of my last update in September 2021, the song was still widely used and appreciated in the Christian worship community. Since then, there may have been further developments or new releases, so I recommend checking for the latest information to stay up-to-date with the song's status.

Concert Band - Level 4 - Digital Download SKU: A0.1239680 Composed by David M. Stewart. March. Score and Parts. 92 pages. DMStewart Music #835071. Published by DMStewart Music (A0.1239680). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Florida on the St. John’s River. It was once a target for ships venturing out to find the New World. It has been used to ferry barges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fish to provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to be so in the future.   The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, this represents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is a linear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you can picture the ships coming from Europe across the ocean and the excitement they felt when they reached it. The second strain is more playful and represents the life that the river has provided for people for centuries. The Trio represents the calmness and civility when Palatka was discovered, and the happiness the settlers must have felt knowing they had found their perfect place to call home. The break strain represents the hard work and efforts that were put forth to secure the land and build a community. There would have been many triumphs and many successes, but the journey would have not been easy. The final strain is the culmination of the piece. This is the celebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building a city. I hope you enjoy, The Palatka Port March!

Concert Band - Level 4 - Digital Download SKU: A0.1239681 Composed by David M. Stewart. March. 15 pages. DMStewart Music #835072. Published by DMStewart Music (A0.1239681). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Floridaon the St. John’s River. It was once a target for ships venturing out to find the New World. It has been used to ferrybarges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fishto provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to beso in the future. The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, thisrepresents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is alinear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you canpicture the ships coming from Europe across the ocean and the excitement they felt when they reached it. Thesecond strain is more playful and represents the life that the river has provided for people for centuries. The Triorepresents the calmness and civility when Palatka was discovered, and the happiness the settlers must have feltknowing they had found their perfect place to call home. The break strain represents the hard work and efforts thatwere put forth to secure the land and build a community. There would have been many triumphs and manysuccesses, but the journey would have not been easy. The final strain is the culmination of the piece. This is thecelebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building acity. I hope you enjoy, The Palatka Port March!

Piano Solo - Level 5 - Digital Download SKU: A0.784713 Composed by William Knapp. Arranged by setting by P. F. Tillen. Christian,Concert,Contemporary,Sacred. Score. 5 pages. PFTMusic #6360593. Published by PFTMusic (A0.784713). A Little Toccata on an English Hymn is an arrangement of William Knapp's hymn tune WAREHAM, which is found in contemporary hymnals under many titles, including O Wondrous Type, O Vision Fair, O Spirit of the Living God, Creating God, We Give You Thanks, and several others.  A brilliant arrangement that gives the skilled pianist a chance to show off, it is accessible to an advanced player. This arrangement is suitable for general worship, or as a recital selection. Please check for more piano music, sacred and secular choral and vocal selections, and arrangements for instrumental ensembles, at pftmusic.com.

Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.578646 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Contemporary,Folk,World. Score and parts. 8 pages. David Warin Solomons #2059781. Published by David Warin Solomons (A0.578646). A combination of German and Australian wandering folk songs (Es es es und es and Waltzing Matilda) Journeymen (young craftsmen) in Germany used to be required by law to go from town to town to practise their skills rather than stay in one town, which gave rise to many songs, of which Es es es und es is the best known - (the words of that song mean it is a hard conclusion but I have to leave this town). These journeys were referred to as Walz so these workers went auf der Walz. The idea of travelling auf der Walz was also taken up in Australia (where they called it on the Waltz or on the Wallaby) and it gave rise to the famous song Waltzing Matilda, although, in the Ozzie song, the traveller was a swagman rather than a craftsman. So I have called this arrangement On the Wallaby.

Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.578645 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Contemporary,Folk,Multicultural,World. Score and parts. 8 pages. David Warin Solomons #2059779. Published by David Warin Solomons (A0.578645). A combination of German and Australian wandering folk songs (Es es es und es and Waltzing Matilda) Journeymen (young craftsmen) in Germany used to be required by law to go from town to town to practise their skills rather than stay in one town, which gave rise to many songs, of which Es es es und es is the best known - (the words of that song mean it is a hard conclusion but I have to leave this town). These journeys were referred to as Walz so these workers went auf der Walz. The idea of travelling auf der Walz was also taken up in Australia (where they called it on the Waltz or on the Wallaby) and it gave rise to the famous song Waltzing Matilda, although, in the Ozzie song, the traveller was a swagman rather than a craftsman. So I have called this arrangement On the Wallaby.

Piano Solo - Level 5 - Digital Download SKU: A0.1260544 Composed by William H. Doane. Arranged by Judith L. Maggs. 19th Century,Christian,Religious,Sacred. Score. 6 pages. Maggs #853734. Published by Maggs (A0.1260544). To God Be the Glory is a rousing hymn tune, written by William H. Doane for words by Fanny Crosby. This arrangement begins quite majestically, then changes moods several times before ending again majestically. It begins in the key of G, and modulates to Ab and then A. It is appropriate for any church service and very playable by and advanced level pianist.

C Instrument - Level 2 - Digital Download SKU: A0.1504106 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Advent,Christian,Christmas,Religious,Sacred. Lead Sheet / Fake Book. 2 pages. Anastace #1079561. Published by Anastace (A0.1504106). Here is a beautiful, simple advent song I wrote to serve churches through the season of Advent, particularly during the candle lighting portion of each Sunday the weeks leading up to Christmas. I recommend singing verse 1 on week 1, verse 1 and 2 on week 2, and so on, but you can also just use a different verse each week depending on your service needs and time constraints. There are recordings available for each of the weeks of Advent on all streaming platforms as of November 1, 2024, in case that is helpful to your service preparation or to choirs who are learning the song. This version is in C Major, with a vocal range of C4-A4, a very comfortable range for congregational singing. Also available, by searching Stacey Plays Hymns and the song title on this site, is a full piano vocal accompaniment version and a piano solo that is perfect for a prelude or postlude any time this song is used congregationally, to tie the whole service together muscially.Purchase includes a free license for four church services with under 300 people, with proper attribution and credit to Stacey Plays Hymns in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!

Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 4 - Digital Download SKU: A0.1083633 Composed by Henry Mancini and Leslie Bricusse. Arranged by Uwe Roessler / Rössler / Rassler. Film/TV,Jazz,Pop,Standards,Wedding. Score and parts. 13 pages. Uwe Roessler #687840. Published by Uwe Roessler (A0.1083633). Another Mancini Classic: “Two For The Road� - an all time great! This arrangement follows the form of the original soundtrack (hence the youtube link). Original keys: Starting in C Major, going to G Major. Starts with an optional intro (bars 1-7) from another Mancini version. You can skip this intro, and start the song in bar 8. Form of the song is: (A) theme in violin, (B) theme in cello, (A) theme in violin, (A) first half of the theme in piano, second half joined by tutti. Duration: approx 3.00 min. For Piano Trio / Quartet / Quintet. Minimal instrumentation: violin1, cello, piano. Optional voices for violin2, and bass included. Comes with full score, and complete individual parts. Level: intermediate/advanced. I´ve arranged quite a lot of Mancini songs, as well as other Movie Themes and classic Pop songs for this kind of instrumentation. And I´m working on other Mancini classics, as well. Browse ;-) Have fun with my arrangements!

Concert Band - Level 3 - Digital Download SKU: A0.1192329 Composed by Traditional Irish. Arranged by Ernie E Biggs. Celtic,Contest,Festival,Historic,Irish,Traditional. Score and Parts. 44 pages. Ernie E Biggs #791765. Published by Ernie E Biggs (A0.1192329). The Parting Glass is an Irish traditional song, often sung at the end of a gathering of friends.  The parting glass, or stirrup cup, was the final hospitality offered to a departing guest. Once they had mounted, they were presented one final drink to fortify them for their long travels.The Parting Glass should be played with emotion.The musicians need to perform the composition with expression and rubato tempos. Tastefully stretching, slowing, and hurrying the tempo imparting flexibility and emotion to the performance. Bass drum should be more of feel than a sound.Grade level 3.Full Score in 8 1/2 x 11 and 8 1/2 x 14 included. All parts 8 1/2 x 11.

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1504104 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Advent,Christian,Christmas,Religious,Sacred. Score. 4 pages. Anastace #1079559. Published by Anastace (A0.1504104). Here is a beautiful, simple advent song I wrote to serve churches through the season of Advent, particularly during the candle lighting portion of each Sunday the weeks leading up to Christmas. I recommend singing verse 1 on week 1, verse 1 and 2 on week 2, and so on, but you can also just use a different verse each week depending on your service needs and time constraints. There are recordings available of each of the weeks on all streaming platforms as of November 1, 2024, in case that is helpful to your service preparation or to choirs who are learning the song. This version is in C Major, with a vocal range of C4-A4, with an optional descant that reaches E5. Also available, by searching Stacey Plays Hymns and the song title on this site, is a guitar lead sheet version and a piano solo that is perfect for a prelude or postlude any time this song is used congregationally, to tie the whole service together muscially.Purchase includes a free license for four church services with under 300 people, with proper attribution and credit to Stacey Plays Hymns in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!