Choral Choir,Choral (SAB) - Level 2 - Digital Download SKU: A0.889215 Composed by Chris Hutchings. Contemporary,Sacred. 3 pages. Chris Hutchings #27733. Published by Chris Hutchings (A0.889215). A short and highly effective introit or anthem for SABar - would be ideal for the start of a service, or just before communion or prayers of confession. Would also work well in a concert setting. Available for ATB also (the recording you can hear here is the ATB version).Ranges: soprano B3-F#5 (optional A3, doubled by altos and can be omitted or very quiet)alto G3-A4baritone G2-D4 (optional E4, doubled by other parts and can be omitted or very quiet)Come I this day to the Father,Come I this day to the Son,Come I this day to the Holy Spirit powerful;Come I this day with God,Come I this day with Christ,Come I with the Spirit of kindly balm.God, and Spirit, and Jesus,From the crown of my head to the soles of my feet;Come I with my reputation,Come I with my testimony,Come I to Thee, Jesu:Jesu, shelter me..

Piano Solo - Level 4 - Digital Download SKU: A0.597602 Composed by Ludwig van Beethoven. Arranged by Flavio Regis Cunha. Concert,Graduation,Holiday,Romantic Period,Standards. Score. 12 pages. Flavio Regis Cunha #6712473. Published by Flavio Regis Cunha (A0.597602). It probably comes as a surprise to many to know that Beethoven wrote variations on the current British national anthem, as well as on a jingoistic tune sung every year at the BBC Proms. But indeed he did. In 1803 he was approached by George Thomson, a civil servant living in Edinburgh who was passionate about collecting folk songs from his own country. He wanted Beethoven to compose six sonatas on Scottish melodies-a project which never materialized, but which started a business relationship that lasted until 1820. For Thomson, Beethoven completed some 150 arrangements of Scottish, Welsh and Irish folk songs (including Auld lang syne). Towards the end of 1803, he sent him these two sets of variations for piano, saying they weren’t too difficult and hoping they would have much success.Concerning the 7 Variations on ‘God save the King’, WoO78, Beethoven made the comment that he wanted to ‘show the English what a blessing they have’ with that tune. We don’t really know who wrote it, but it became very popular in 1745 when it started being sung at Drury Lane and Covent Garden to celebrate the putting-down of the Jacobite rising. It travelled over to the Continent where in 1795 it became the royal anthem of Prussia (‘Heil dir im Siegerkranz’).It makes a great theme for variations, and Beethoven has a lot of fun with it. If ever you needed proof of humour in his music, here it is. After some counterpoint in variation 1, he gives us some nimble fingerwork to deal with before an expressive minor-mode variation that can also be played a bit tongue-in-cheek. He changes metre for variation 6, a perky march, and stays in that time signature for variation 7. A lot of the difficulty of this piece depends on the tempo you choose at this point. The coda is inspired: a brief cadenza-like descent of F major broken chords leads us into a solemn return of the theme, but with some piquant and mischievous harmonies. The final allegro brings the work to a bravura conclusion.

Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.987756 Composed by John Baptiste Calkin, Henry Wadsworth Longfellow. Arranged by Dana Taylor. Christian,Christmas,Contemporary. 14 pages. Dana Taylor Music #3056201. Published by Dana Taylor Music (A0.987756). Here is the fifth of five Christmas carols for woodwind quintet, in various styles. They share the themes of coming together and heeding the call of bells to celebrate the holidays.They would work separately running between 2 and 3 minutes or all together for about 13 minutes. So they would give your winds a chance to shine in contrast to your full ensemble. They would also fit nicely as holiday music at the local airport or in the lobby before your concert.They are intended for advanced high school, college or community musicians.Check out my other works here at SMP or on my website: DanaTaylorMusic.com.2017 Chamber Music Contest Entry - PD Arrangement

Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.987753 Composed by Leontovich (1916). Arranged by Dana Taylor. Christian,Christmas,Contemporary. 18 pages. Dana Taylor Music #3056067. Published by Dana Taylor Music (A0.987753). Here is the second of five Christmas carols for woodwind quintet, in various styles. They share the themes of coming together and heeding the call of bells to celebrate the holidays.They would work seperately running between 2 and 3 minutes or all together for about 13 minutes. So they would give your winds a chance to shine in contrast to your full ensemble. They would also fit nicely as holiday music at the local airport or in the lobby before your concert.They are intended for advanced high school, college or community musicians.Check out my other works here at SMP or on my website: DanaTaylorMusic.com.2017 Chamber Music Contest Entry - PD Arrangement

Choral Choir,Choral,SATB Chorus divisi - Level 3 - Digital Download SKU: A0.1452649 By Simon And Garfunkel. By Paul Simon. Arranged by Gabriel J. Hill. A Cappella,Contemporary,Pop. 6 pages. Gabriel J. Hill #1031940. Published by Gabriel J. Hill (A0.1452649). SATB arrangement of Simon & Garfunkel's classic Sound of Silence. This version is full of deep and rich chords with a variety of sections to the song that makes it perfect for a big building ballad!  This song has a variety of key changes and three different solo lines for ample soloist representation. This song's range is E5-E2.Practice tracks are available for each part upon request!Want more information on arrangements and special arrangements? Visit www.thegabrieljhill.weebly.com and navigate to the A Cappella & Arrangements section!

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1151832 Composed by Alan Silvestri. Arranged by Graham Boag. Contemporary,Film/TV,Wedding. Score and parts. 15 pages. Graham Boag #752035. Published by Graham Boag (A0.1151832). The opening musical theme for the 1994 movie Forrest Gump is sometimes called the Feather Theme. It was composed by Alan Silvestri who scored the movie. It is one of the movie's four major musical themes, each composed to convey a specific emotion. The soundtrack reached number-2 on the Billboard album chart, sold twelve-million copies, and is one of the top selling albums in the United States. For his work in Forrest Gump, Alan Silvestri received an Academy Award nomination (Best Original Score) and a Golden Globe nomination (Best Score).

Solo Guitar - Level 4 - Digital Download SKU: A0.947497 Composed by George Arvola, Virginia Mathews. Blues,Concert,Holiday,Instructional,Standards. Individual part. 7 pages. George Arvola and Virginia Mathews #496617. Published by George Arvola and Virginia Mathews (A0.947497). Includes piano accompaniment and bass parts. arpeggioartistry.com shows all 12 inspiring arpeggio studies and full recordings from our book, Delicious Licorice. A 2015 new release, 2:30 in length, In the Outhouse Blues is a fun, relaxed 12 bar blues which explores the outer fringes of the standard chords. Each verse is slightly farther removed from the basic 7th chords. Roll up the newspaper and take careful aim at the flies!

Small Ensemble Choir,Voice - Digital Download SKU: A0.961991 Composed by Ma Shui Long 馬水�. Contemporary. Score and parts. 47 pages. SpringAutumnmusic #47107. Published by SpringAutumnmusic (A0.961991). 《無形的神殿》，管弦樂與男�大�唱 　 　　2003年11月間一個美好的機緣，�與文化總會中部辦公室路寒袖先生所推展的「玉山學�，造訪了��精神�地，體驗群嶽之冠「玉山�的雄�與寬容。誠如作家路寒袖先生所言：「無論登頂與�，既入山中，�為山所包容�。的確，登山�僅是觀賞美景讚嘆山的壯麗與險峻，而更��的在空�的山中隱�禪機，讓我們學習到真正的謙�。當作曲者親臨時刻，心中�一片茫然而無語，瞬間，想起詩人��賢先生一首詩作「無形的神殿�言： 　　我高高在上 　　�在乎看得� 　　�方茫茫 　　什麼也看�見 　　我堅�冷 　　�我內部岩層的 　　 世界，我�立 　　在喧囂的紅塵外 　　熱氣騰騰的人 　　來我這裡無形的神殿 　　回到世間還是熱氣騰騰 　 　什麼也沒體會 　　作曲者經詩人��賢先生的��，借用詩�「無形的神殿�作為本曲之標題，譜寫作曲者親臨拜訪「玉山�，心中的悸動與感�。本曲創作素�中，亦引用幾首鄒�與布農�原�民之歌，在男生大�唱與管弦樂交織中，分為(一)夜話排雲(二)日出(三)祭神等三大部份，以連樂章形�呈�。 ※(1)本曲為邱�興文教基金會委託創作之作�，完�於2005~2006年，2007年12月中旬分別於�中國立��交響樂團演�廳�高雄市文化中心至德堂��北國家音樂廳，指�家邱�強指�國立��交響樂團��北愛樂�唱團��舉行世界首演。 (2)鄒�與布農�之歌旋律，資料來自於雲門舞集�浩�出版社（高山的禮讚）所出版之CD，並由我的作曲學生蔡欣微�寫整��供，在此一併表示感�之�。 The Invisible Temple - for male chorus and orchestra 　　 In November 2003, by a chance of attending the Yushan Studies offered by Mr. Han-Hsu Lu at the General Association of Culture, the composer then visited the highest mountain and also the Holy spirit land of Taiwan, Yushan, and experienced its sublime grandeur. Just as Mr. Lu has said: No matter whether you climb to the top of the mountain or not, we are all embraced by it. It is true that we admire it not only for its great majesty and steep scenery, but, more importantly, for the spiritual meaning behind it, from which we learn humility. When visiting the mountain, the composer was moved to be lost and speechless, and soon reminded of the poem by the poet Kuei-Shien Lee, The Invisible Temple, as follows: I stand high, having no fear of seeing very far. It is blurry far away from here, and nothing can’t be seen. I insist on coldness, silencing the world in my inner rock strata. I am independent of the uproarious world of mortals. Those who are frantic come here, the invisible temple. Still frantic, they return to the world, without appreciating anything. With Lee’s consent, the title of the poem was applied to this work, to represent the composer’s feelings of visiting the Yu-shan Mountain. In this work, several songs from the aboriginal Tsou and Bunun tribes are adopted for the large male chorus and orchestra. It comprises three parts: 1. The talk in the night staying at the Inn Paiyun, 2. The Sunrise, and 3. The Worship, which are to be performed attacca (without pause or interruption). P.S. 1. The work was commissioned by Chew’s Culture Foundation, and was composed in 2005-2006. In December 2007, it was premiered by Chun-Chiang Chiu conducting the Taiwan National Symphony Orchestra and the Taipei Philharmonic Chorus at the Kaohsiung City Cultural Center and the National Concert Hall in Taipei, respectively. 2. The source of the folk melodies of Tsou and Bunun tribes is from the CD released by the Cloud Gate Dance Theatre of Taiwan and.

Choir,Piano - Digital Download SKU: A0.1069505 Composed by Joanna Mills. Arranged by Joanna Mills. Christian,Christmas,Gospel,Pop,Sacred. Accompaniment. Duration 175. Joanna Mills Music #6570999. Published by Joanna Mills Music (A0.1069505). This contemporary Christmas anthem sets updated lyrics (adapted from the traditional poem/hymn 'There's a Song in the Air' by Josiah G Holland) into a stirring, pop/gospel-feel melody. Perfect for Christmas concerts, Advent, Lessons & Carols, or Christmas pageants and services. Arranged for SSA choir, it includes piano accompaniment and guitar chords, with an approximate performance time of 3 minutes. Also available for 2 - part and  unison choir. THIS PIANO ACCOMPANIMENT TRACK IS FOR USE WITH THE SSA VOICING ONLY.Joanna Mills was the Gospel Choir Director at Roncesvalles United Church in Toronto, Canada for 20 years, and has been writing and arranging choral music for 15 years. Her compositions and arrangements are performed regularly by her own choir and others around the world and have won awards in songwriting competitions. She also teaches musical theatre, voice and piano.

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534500 Composed by Johann Sebastian Bach. Arranged by Paul Wehage. Baroque,Concert,Standards. 429 pages. Musik Fabrik Music Publishing #3573587. Published by Musik Fabrik Music Publishing (A0.534500). J. S. Bach completed the 24 preludes and fugues that make up the first book of the Well-Tempered Clavier in 1722 in Cöthen, where much of his other important instrumentalchamber music was written. The twenty-four segments go through all of the major and minor keys, with an prelude which explores a single texture or figuration and a contrasting fugue in either 2, 3, 4 or 5 voices. In this arrangement, the different voices are either shared by the four instruments or, in the case of the five voices of the Fugue in Bb minor, implied through arpeggios in the alto and tenor voices. Care must be taken to make these implied chordssound through discretely sustaining these voices through resonance.The preludes are generally in relatively free improvisatory forms which explore different types of baroque devises, including italianate keyboard figuration, “arioso� ornamented melodies with ostinato accompaniments, and more abstract forms. Two of the preludes are especially notable: the stately harmonic progression of the First prelude in C major, one of Bach’s most well-known works, and the gigantic prelude and double fugue of the Eb Major prelude.The fugues represent an exploration of all styles, ranging from the Ricacare in the Fugue no. 4 in c# minor and the use of augmentation, canon and inversion in no. 8 in Eb minor.

SSAA choir unaccompanied - Moderately Difficult - Digital Download SKU: MQ.7351-E Composed by Steven Sametz. Wedding. 8 pages. Duration 2 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #7351-E. Published by E. C. Schirmer Music Company - Digital (MQ.7351-E). Spanish.Set to the poetry of the 16th-century Spanish Carmelite priest, San Juan de la Cruz (St. John of the Cross,) this piece (and its companion, 7350) can appear to be a secular love song. But it is actually religious allegory in which the Soul is singing to God. He is strong and magnificent as a mountain; comforting as the cool, shady woods; filled with unexpected delights like an exotic island; possesses her powerfully like a roaring river; thrills her with a touch like a breeze on the skin; fills her and satisfies her like a delicious meal; opens her eyes to the unexpected, like the dawn. As they rest together in the tranquil night, the soul delights in these feelings like being filled with glorious music that can truly be heard only in silence. In that moment, we are given a luxurious silence, surrounded by gorgeous music, in which we, too, may simply breathe, delight and rest in the presence of Love.Duration: 2:30.

Choral Choir,Choral (SAB) - Level 2 - Digital Download SKU: A0.889203 Composed by Chris Hutchings. Contemporary,Folk,Sacred. 5 pages. Chris Hutchings #22945. Published by Chris Hutchings (A0.889203). An ancient prayer from Scotland, this short anthem/introit is suitable for any occasion, but will fit particularly well as a closer for an evening service or concert.For 3-part choir (SABar). Also available for ATB choir (a minor third lower).Ranges:soprano: Bb3-Eb5alto: G3-Ab4baritone: C3-Eb4Relieve Thou, O God, each oneIn suffering on land or sea,In grief or wounded or weeping,And lead them to the house of Thy peace this night.I am weary, weak and cold,I am weary of travelling land and sea,I am weary of traversing moorland and billow,Grant me peace in the nearness of Thy repose this night.Beloved Father of my God,Accept the caring for my tears ;I would wish reconcilement with Thee,Through the witness and the ransom of Thy Son;To be resting with JesusIn the dwelling of peace,In the paradise of gentleness;Lead me, Lord, to the house of thy peace this night..

Rhythm instruments - Level 3 - Digital Download SKU: H1.C5559RDP Composed by Lenny Leblanc and Paul Baloche. Arranged by Arnold B. Sherman. Sing & Ring Series. Classics, Contemporary, General Worship. Rhythm Parts. 32 pages. Hope Publishing - Digital #C5559RDP. Published by Hope Publishing - Digital (H1.C5559RDP). By Lenny LeBlanc & Paul Baloche. John 1:1 - John 1:2 - John 1:3 - Philippians 2:8 - Philippians 2:9 - Philippians 2:10 - Philippians 2:11 - Mark 15:16 - Mark 15:17 - Mark 15:18 - Mark 15:19 - Mark 15:20.Medley of classic tunes by Lenny LeBlanc & Paul Baloche Utilizing handbells, SATB choir and rhythm, Arnold Sherman brings both traditional and contemporary elements together in this dynamic new anthem for blended worship. The combination of these forces is the perfect opportunity to bring all of your church musicians together for a powerful worship presentation. The 3-5 octave handbell accompaniment and rhythm parts are optional. The bell setting can be performed alone or with the guitar, bass guitar, synth. , and drums. The CD track includes a rhythm only track for use with handbell choir. The Rhythm packet contains a Full Score and parts for: Electric Guitar, Electric Bass, Synthesizer and a Drum Kit.

Choral, Handbell (Handbells, Rhythm) - Level 3 - Digital Download SKU: H1.C5559DP Composed by Lenny Leblanc and Paul Baloche. Arranged by Arnold B. Sherman. Sing & Ring Series. Classics, Contemporary, Ring & Sing, General Worship. Octavo. 8 pages. Hope Publishing - Digital #C5559DP. Published by Hope Publishing - Digital (H1.C5559DP). By Lenny LeBlanc & Paul Baloche. John 1:1 - John 1:2 - John 1:3 - Philippians 2:8 - Philippians 2:9 - Philippians 2:10 - Philippians 2:11 - Mark 15:16 - Mark 15:17 - Mark 15:18 - Mark 15:19 - Mark 15:20.Medley of classic tunes by Lenny LeBlanc & Paul Baloche Utilizing handbells, SATB choir and rhythm, Arnold Sherman brings both traditional and contemporary elements together in this dynamic new anthem for blended worship. The combination of these forces is the perfect opportunity to bring all of your church musicians together for a powerful worship presentation. The 3-5 octave handbell accompaniment and rhythm parts are optional. The bell setting can be performed alone or with the guitar, bass guitar, synth. , and drums. The CD track includes a rhythm only track for use with handbell choir. The Rhythm packet contains a Full Score and parts for: Electric Guitar, Electric Bass, Synthesizer and a Drum Kit.

Choral Choir (SATB) - Digital Download SKU: A0.1001485 Composed by 17th Century Christmas Carol. Arranged by Jeremy McLeod. Baroque,Christmas,Hanukkah,Sacred,Spiritual. Octavo. 23 pages. Friends of Henry Archer #6261059. Published by Friends of Henry Archer (A0.1001485). This 17th c. English Christmas Carol Celebrates the Spirit that fills us during the holiday season.It's as if a 17th c. Madrigal and a Doo-Wah Ditty birthed a child that just loves singing ascending minor tenths. It revels in the warmth and goodwill surrounding us while giving us the opportunity to nail that ascending minor 10th in the melody!