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String Ensemble Cello,Double Bass,Viola,Violin - Level 2 - Digital Download SKU: A0.1408274 Composed by Andre Previn. Arranged by Ernesto G. Rivas. 20th Century,Chamber,Contemporary,Video Game. 8 pages. Tiny Redhead Music #990854. Published by Tiny Redhead Music (A0.1408274). This is an arrangement for strings of Zelda's Theme (a.k.a. Zelda's Lullaby), from The Legend of Zelda, Orcarina of Time, © Nintendo 1998.  I arranged this work for my middle school orchestra, and would consider this for advanced beginner to intermediate level musicians.  While the violins have a fairly easy part, the cellos are working in 4th, 5th, and 6th positions.  This could be a good piece to introduce those higher positions to an intermediate level 3 cellist.  Enjoy!
Zelda's Theme

$12.99 11.13 € PDF SheetMusicPlus

Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.589216 Composed by Frederic Chopin. Arranged by Sherry Lewis. Classical,Romantic Period,Wedding. 10 pages. Sherry Lewis Publishing #198505. Published by Sherry Lewis Publishing (A0.589216). Chopin Piano Concerto No. 1, 2nd Movement - Romanza, first theme for String Duo STRING DUO Intermediate Level for violin and cello Score: yes Parts: 3 pages Time: 4.05 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through https://baysbest.com/contact/and I’ll give you the link back to Sheet Music Plus’s listing. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
Chopin Piano Concerto No. 1, 2nd Movement - Romanza-, first theme for String Duo
Violon, Violoncelle (duo)

$6.99 5.99 € Violon, Violoncelle (duo) PDF SheetMusicPlus

Brass Band Euphonium,Horn,Piccolo Trumpet,Trombone,Tuba - Level 5 - Digital Download SKU: A0.1046907 Composed by Samuel Coleridge-Taylor. Arranged by Richard Decker. 20th Century,Contest,Festival,Multicultural,Spiritual,World. 123 pages. Charles Decker Music Press #651405. Published by Charles Decker Music Press (A0.1046907). This brilliant brass choir arrangement captures the excitement of the composer’s 1911 orchestral showpiece. Born of an African father, Coleridge-Taylor was an early 20th century English composer and conductor who was an influential advocate for Black composers. Originating in Africa and developed in Haiti, the Bamboula was danced for festivals and ceremonies. The ten-minute arrangement is scored for four B-flat trumpets (1st trumpet doubles on piccolo B-flat), 4 horns, 3 trombones, euphonium and tuba and is a tour de force for ambitious brass choirs guaranteed to inspire performers and excite audiences.  The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!â€Â   Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.† Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
The Bamboula Rhapsodic Dance for Brass Choir

$39.99 34.25 € PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.527713 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. 8 pages. Diego Marani #3125219. Published by Diego Marani (A0.527713). Danse des petits cygnes is a famous dance from Tchaikovsky's Swan Lake, from the ballet’s second act, the fourth movement of No. 13. Translated from French, it means Dance of the Little Swans, also known as Dance of the cygnets. It is very challenging because all dancers must look the same.Ivanov's choreography—created for the famous revival of Swan Lake in 1895—was meant to imitate the way cygnets huddle and move together for protection. Four dancers enter the stage in a line and move across with their arms crossed in front of one another, grasping the next dancer's hand. They move sideways, doing sixteen pas de chat. Ideally the dancers move in exact or near-exact unison. At the very end, they break their chain and try to fly, only to drop to the ground.This arrangement for sax quartet includes the following parts: Bb Soprano, Eb Alto, Bb Tenor, Eb Baritone.
Dance of the Little Swans for Saxophone Quartet
Quatuor de Saxophones: 4 saxophones

$8.99 7.7 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1390514 Composed by P. I. Tchaikovsky. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards. 9 pages. Diego Marani #974040. Published by Diego Marani (A0.1390514). Danse des petits cygnes is a famous dance from Tchaikovsky's Swan Lake, from the ballet’s second act, the fourth movement of No. 13. Translated from French, it means Dance of the Little Swans, also known as Dance of the cygnets. It is very challenging because all dancers must look the same.Ivanov's choreography—created for the famous revival of Swan Lake in 1895—was meant to imitate the way cygnets huddle and move together for protection. Four dancers enter the stage in a line and move across with their arms crossed in front of one another, grasping the next dancer's hand. They move sideways, doing sixteen pas de chat. Ideally the dancers move in exact or near-exact unison. At the very end, they break their chain and try to fly, only to drop to the ground.This arrangement for brass quartet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, Trombone or F Horn, Tuba.
"Dance of the Little Swans" from Swan Lake Suite for Brass Quartet
Quatuor de Cuivres

$8.99 7.7 € Quatuor de Cuivres PDF SheetMusicPlus

Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158199 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,March,Patriotic. 32 pages. Https://gildedmusicpress.com/ #758476. Published by https://gildedmusicpress.com/ (A0.1158199). There is nothing more quintessentially military than the grand sound of marches at special military events. Hundreds of marches have served their purposes through the many decades of military tradition in the United States of America. This 3.5-minute march was composed for the occasion of the change of command of the 55th Wing—“The Fightin’ 55thâ€â€”under Air Combat Command, located at Offutt Air Force Base in Nebraska. The ceremony took place on June 14, 2019, which was also Flag Day. The new march served as a grateful tribute to the outgoing Commander, Colonel Michael H. Manion, and a welcoming gesture to the new Commander, Colonel Gavin P. Marks. Printed copies of the score were presented to the Commanders before the ceremony, and the march was premiered as the final pre-ceremony musical selection. The opening motifs are strongly reminiscent of the introductory measures of the “Air Force Song†most commonly played by Air Force brass quintets. Keeping in tradition with the form of most marches, the “Trio†section presents new material in a new key (down a fifth), with a contrastingly quiet dynamic. The opening motif of the Trio strain is a mutation, or a paraphrase, of “Anchors Aweighâ€, emphasizing the joint-force nature of the 55th Wing. The melody is repeated with a louder dynamic and a countermelody in the horn, and then is repeated once more with increased excitement in the accompaniment, variety of dynamics, and even a temporary key shift. Straying from the form most used by the “March Kingâ€, John Philip Sousa, Dr. Thrower omitted a fourth or final strain, and instead he modulated the key back to the original B-flat major and brought back the melodic content from the first strain. This form predates Sousa, and was more commonly used in Europe and early America. It smacks of “sonata formâ€, and even the modern formal designation of “recapitulating march†alludes to sonata form. The final recapitulating strain repeats with an obbligato soaring above it in the first trumpet part, now on piccolo trumpet. The march ends with a short coda that brings back the opening motivic allusion to the Air Force Song. Due to the selected formal structure, this march, “The Fightin’ 55thâ€, is much more unified than most typical marches. The very nature of military marches (including America’s beloved “Stars and Stripes Foreverâ€) displays four or even five completely unrelated melodies, or strains, throughout. The incorporation of thematic structure similar to that found in sonata form indeed makes “The Fightin’ 55th†an appropriate and even artistic concert march.
The Fightin' 55th (for Brass Quintet & Percussion)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$24.95 21.37 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Cello Solo - Level 1 - Digital Download SKU: A0.1095693 Composed by Julie Munkholm Bruun. Blues,Classical,Rock. Individual part. 41 pages. Julie Munkholm Bruun #699675. Published by Julie Munkholm Bruun (A0.1095693). There's a new cello lesson book on the market! In this book I've turned the normal way of learning to play the cello upside down. With a little bit of creativity, and a lot of knowledge and understanding about how the instrument works - and how students learn - I have created this book. I hope you will love it just as much as I do, and that it will help you build a good foundation for your cello playing. FROM THE INTRODUCTION: This lesson book was created with a new perspective in mind. My hope is, that this way of learning, will make it easier to learn to play the cello. I have chosen to include a few chapters in the beginning of the book, where you will play on open strings. That will help you establish a good, basic understanding for how the cello should sound. It will also give you the opportunity to build up strength in the left hand slowly – and concentrate on getting a good, basic bowing technique. I have included small chapters with music theory, that I find important in order to understand how the instrument works. The cello doesn't have any keys or frets to help you play in tune, so knowing a few tips and tricks will help you tremendously. As opposed to most cello lesson books, the first finger you will learn to use here is the 4th finger. The 4th finger is your little finger and usually the least strong finger of them all. Starting with 4th finger has 2 very important advantages: • When you use the 4th finger – especially in the beginning – you will use the other 3 fingers to help push the string down into the fingerboard. That will help you establish a good, healthy hand position for the left hand. And when you start with 4th finger, using the other 3 fingers will feel so easy! • 4th finger in the first position is the same note (an octave higher) as the open string below. It gives you the opportunity to use the open string to know if you play in tune. Once you have gone through this book you should be able to play with the bow, by plucking the strings (pizzicato) and use 1st, 3rd and 4th finger on the left hand. That means that you should be able to play songs in G Major and D Major in one octave. The last few chapters include duets for two cellos. I have chosen to include the duets to make it more fun to play and to start developing the students ability play chamber music. It is wonderful to be able to play an instrument, and playing with other people adds an extra dimension to that. Love, live, play! Julie.
The CelloWay 1
Violoncelle

$12.00 10.28 € Violoncelle PDF SheetMusicPlus

Small Ensemble Bass Voice,Piano,Tenor Voice - Level 2 - Digital Download SKU: A0.801045 Composed by Connie Boss. Easter,Sacred. Score and parts. 4 pages. Connie Boss #4285309. Published by Connie Boss (A0.801045). A song for Good Friday. I have one out there in treble clef. This one is in bass clef for men to sing it. It has piano accompaniment and guitar chords as well as written in duet. The ending is unique (my mp3 doesn't show it because I couldn't get it to play it right) but after Pound # 11 I'm no longer breathin', it ends in complete silence at that point.The attached video is in SA and cello. Questions or requests, email cdboss@cvalley.netLyrics:Refrain: How can it be, the pain that I feel, pounding through my hands be from the hammer and the nail? When as a child, so young, but aware, I watched Joseph use the hammer and the nail. To create things that were so beautiful. How can this pain be from the hammer and the nail? Verse Pound #1 What have I done Pound #2 They know not what they do Pound #3 I’m shaking in my knees Pound #4 Leads to many more Refrain: Verse Pound #5 I’m barely alive Pound #6 They poke me with a stick Pound #7 Soon I’ll be in heaven Pound #8 I’m feeling faint Refrain: Pound #9 I’m dying inside Pound #10 Father please forgive them Pound #11 I’m no longer breathin’.
The Hammer and the Nail - in bass clef - A Good Friday Song

$5.50 4.71 € PDF SheetMusicPlus

Brass Ensemble - Level 5 - Digital Download SKU: A0.792497 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque,Classical,Renaissance. Score and parts. 27 pages. Gordon Cherry #4988365. Published by Gordon Cherry (A0.792497). J. S. Bach’s massive work, The Art of Fugue, is a summation of his powers as a composer of contrapuntal music. Each fugue is a masterpiece in its own right. Number 15 is an unfinished four-voice, quadruple fugue. Only the first three subjects are introduced, the third being a chromatic subject built from the letters of Bach’s name-B (B-flat), A, C, H (B-natural). Just at the point where all three subjects are combined, the manuscript breaks off, and C. P. E. Bach wrote in the score that the composer has died. Bach clearly intended that the original Art of Fugue theme was to be the final subject and all four themes would combine in a glorious climax. Whether he intended to finish the work or leave it up to others to complete is conjecture. About 8 minutes in length.
Contrapunctus XV from "The Art of Fugue" for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$22.50 19.27 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus






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