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Chamber Orchestra - Level 4 - Digital Download SKU: A0.530721 Composed by Traditional. Arranged by Daniel Kelley. Baroque,Christmas,Standards. Score and parts. 19 pages. Last Resort Music Publishing #4887799. Published by Last Resort Music Publishing (A0.530721). An amazing resource for any musician, Music for Four is perfect for String Quartet, Mixed Quartet, Three Violins & Cello, Piano Quartet & More! Comes with score and 6 interchangeable parts - the keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played.The following 6 parts plus score are included in the set:Part 1 Flute or Oboe or ViolinPart 2 Flute or Oboe or ViolinPart 3 ViolaPart 3 ViolinPart 4 Cello or BassoonKeyboard or GuitarScoreDon't miss our other Christmas & Nutcracker arrangements including Dance of the Sugar Plum Fairy, March, Overture & Trepak, Silent Night, The First Noel, Handel's Messiah, We Wish You a Merry Christmas and more! Available on SheetMusicPlus and  www.lastresortmusic.comPublished by Last Resort Music Publishing www.lastresortmusic.com
I Saw Thee Ships for String Quartet (or Mixed Quartet or Piano Quintet)
Orchestre de chambre

$9.95 8.51 € Orchestre de chambre PDF SheetMusicPlus

Small Ensemble Flute,Harp,Piano,Piccolo - Level 5 - Digital Download SKU: A0.1032136 Composed by Aleksander Czarnecki. Contemporary. Score and parts. 162 pages. Aleksander Norbert Czarnecki #4411649. Published by Aleksander Norbert Czarnecki (A0.1032136). Aleksander Czarnecki (1993-2018) was a Polish polymath, pianist - composer, mathematician and a philosopher. His research focused on the Calabi Yau manifold. He left an astonishing musical legacy, unprecedently rich, diverse  and impressive for his young age, including several large scale works as well as piano/orchestra miniatures, chamber music, pieces for piano solo etc. His unmistakingly personal compositional style could be easiest described as post-classical/post - tonal, and is instantly recognizable by its highly intrinsic, intellectually refined idiom of Scriabinesque, modernist/ avant guarde, New Complexity , later minimalist/repetitive music influences married with frequent appeals to historic techniques (contrapunctus, Gregorian plain chant, French harpsichordists, ethnic modality), a dense emotional drive and a profound sensitivity, all in the best of the resolutely post-Romantic tradition further enhanced with a super-human - as if machine induced - level of  pianistic/structural difficulty, typically far beyond the one represented by the most demanding examples of, say, Godovsky's/Cziffra's transcriptions or Sorabji's works.  (Jozef Kapustka, pianist)Aleksander Czarnecki on his scientific research: My research work concentrates on the modularity conjecture for Calabi-Yau manifolds according to which the Galois representation is isomorphic ( exact to the semisimplification and the finite number of Euler factors) to the Galois representation assigned to an automorphic form -equivalently the L-series of the Calabi-Yau manifold should be equal to the L-series of a certain modular form. The modularity conjecture has been extensively studied by many algebraic geometricians (Dieulefait, van Straten, Yuri, Schoen, Hulek, Verrill, Schuett, Meyer) however these studies have not  resulted in producing  a  sufficiently representative number of  examples of small level modular forms. In the best understood, rigid case of Calabi-Yau threefolds defined over the field of rational numbers, the modularity conjecture delivers from a more general Serre conjecture, as proven by Wirtemberger and Khare. Additionally, the modularity has been known a property only for certain particular Calabi-Yau varieties. For some non rigid Calabi-Yau threefolds (certain double octics) defined over rationals ( or more generally over particular number fields) the existence of modular or Hilbert modular forms has been hypothetically suggested. I am mainly interested in Frobenius polynomials of non-rigid double octics and have been extensively working with variants of Dwork's deformation method, monodromy and selected p-adic methods including algorithms by Kedlaya, Lauder, Tuitman et al. , Picard-Fuchs operators etc. (Aleksander Czarnecki, 2018)
Aleksander Czarnecki - Tales of the Hidden Kingdom, Op. 15

$99.00 84.7 € PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.1414027 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 43 pages. MA Lass & I Lass #995794. Published by MA Lass & I Lass (A0.1414027). Martin Lass is an Australian violinist, composer, arranger, and teacher. He is most well known for his performance career as a classical crossover and popular music artist with 11 CD recordings, numerous awards and accolades, and performances with the likes of Luciano Pavorotti, Julio Iglesias, and Joan Baez. Before this, he was a founding member of the Australian Chamber Orchestra, as well as playing with the Sydney Symphony Orchestra and the Australian Opera and Ballet Orchestra. When he is not spending time with his wife of 46 years, his three middle-aged children, and his two grandchildren, he spends his time and energy teaching, writing, arranging, and performing.Five Australian Scenes for String Orchestra was conceived with specific iconic Australian places in mind, as well as with the intention to convey the experience of these places programmatically through the music. From this point of view, the pieces could have just as successfully been called Australian Days. As such, each piece represents a kind of day journey in microcosm, like a travel diary set to music. The points of interest in each day are indicated sequentially in the music.The pieces were written with the intermediate student string orchestra in mind. As such, they explore a wide variety of string techniques, dynamic and tonal contrasts, styles, and moods. Although the writing never takes a student out of first position barring a few cello passages, and the fingering avoids the use of cello forward extensions and minimises high 3s for the upper strings, the technical, rhythmic, ensemble, and intonational challenges put these pieces at the intermediate level. There are ossias and other alternatives for greater challenge or greater ease. Fingering has been offered where appropriate. And bowing has been meticulously indicated.This particular piece, “A Day at the Beach,†is set in Surfers Paradise on the Gold Coast in QLD. On a perfect summer day, one heads for the beach where fun and games, swimming, surfing, sun-baking, a picnic, and more games are the order of the day before heading home, full of sand, sun, food, and tired satisfaction.
Five Australian Scenes for String Orchestra - 5. A Day at the Beach
Orchestre à Cordes

$39.00 33.37 € Orchestre à Cordes PDF SheetMusicPlus

Bass Guitar - Level 4 - Digital Download SKU: A0.1133698 Composed by Fred Hammond, Kim Rutherford, and Noel Christopher Hall. Arranged by Daniel Roberts. Christian,Hip-Hop,Praise & Worship,R & B,Religious,Spiritual. Score. 4 pages. Daniel P Roberts #733810. Published by Daniel P Roberts (A0.1133698). Arranged for 4 string Bass with TAB. Put your hands together You're Lord of the Harvest And we worship You we worship You this day You're Lord of the Harvest And we worship You Let me hear the people of God say (Chorus) You're Lord of the Harvest And we worship You we worship You this day You're Lord of the Harvest and we worship You We worship You (Verse) Eternal Lord remains the same Age to age All our love, all our praise Night and day With this song and our lives Now we prove There's no one to take Your place Lord You rule We come to worship You (Repeat Chorus) (Repeat Verse) (Chorus be Intro) Put your hands together You're Lord of the harvest And we worship You we worship You this day (Chorus B) You're Lord of the harvest And we worship You we worship You this day You're Lord of the harvest And we worship You we worship You this day (Vamp A) You are my Daily, Daily Bread You are my Living, Living Well You are my Present, Present Help You are, You are, You are (repeat) (Vamp B) You are, You are, You are, You are (repeat) (Repeat Vamp A 2x) (Repeat Vamp B) (Special) You are, You are Oh Lord, Oh Lord You are Oh Lord You are Oh Lord You are (Repeat Vamp be -Out).
Lord Of The Harvest
Basse electrique

$4.99 4.27 € Basse electrique PDF SheetMusicPlus

French Horn,Piano - Level 3 - Digital Download SKU: A0.523926 Composed by Traditional Celtic Melody. Arranged by John A. Dempsey. Celtic,Easter,Irish,Spiritual,Traditional,Wedding. Score and part. 11 pages. John A. Dempsey #4332931. Published by John A. Dempsey (A0.523926). Give me a boat that van carry two and both shall row - my love and I.  From a rich, vibrant Celtic tradition comes the classic The Water is Wide, lovingly crafted to evoke misty Scottish landscapes with rolling green hills (you can almost smell the heather).  This unabashedly romantic duet for horn in F and piano is perfect for weddings, ceilidhs, other Celtic-themed music events, recitals and concerts.  Suggested wedding uses: prelude, unity candle music, bridal march and bridesmaid processional.          This arrangement is also recommended as sacred music, such as a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music for traditional church services and other worship events, as this melody has been used for multiple hymn settings, including The Gift of Love,  Though I May Speak of Bravest Fire, and as an alternate melody for When I Survey the Wondrous Cross.  7 pages of music (that includes a separate two-page pullout horn in F part).  Concert Key (Piano): F major.  Horn Key: C major.
The Water is Wide (Horn in F and Piano)
Cor et Piano

$6.99 5.98 € Cor et Piano PDF SheetMusicPlus

French Horn,Piano - Level 3 - Digital Download SKU: A0.1408028 Composed by Traditional Scottish Melody. Arranged by John A. Dempsey. Celtic,Film/TV,Irish,Spiritual,Traditional,Wedding. Score and part. 12 pages. John A. Dempsey #990594. Published by John A. Dempsey (A0.1408028). Give me a boat that van carry two and both shall row - my love and I.  From a rich, vibrant Celtic tradition comes the classic The Water is Wide, lovingly crafted to evoke misty Scottish landscapes with rolling green hills (you can almost smell the heather).  This unabashedly romantic duet for horn in F and piano is perfect for weddings, ceilidhs, other Celtic-themed music events, recitals and concerts.  Suggested wedding uses: prelude, unity candle music, bridal march and bridesmaid processional.          This arrangement is also recommended as sacred music, such as a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music for traditional church services and other worship events, as this melody has been used for multiple hymn settings, including The Gift of Love,  Though I May Speak of Bravest Fire, and as an alternate melody for When I Survey the Wondrous Cross.  8 pages of music (that includes a separate two-page French horn part).  Concert Key: F major.
The Water is Wide (Horn in F and Piano)
Cor et Piano

$6.99 5.98 € Cor et Piano PDF SheetMusicPlus

Oboe,Piano - Level 3 - Digital Download SKU: A0.523940 Composed by Traditional Celtic Melody. Arranged by John A. Dempsey. Celtic,Easter,Irish,Spiritual,Traditional,Wedding. Score and part. 12 pages. John A. Dempsey #4352595. Published by John A. Dempsey (A0.523940). Give me a boat that can carry two - and both shall row, my love and I.  Lovingly crafted to evoke misty Scottish landscapes with rolling green hills (you can almost smell the heather), this romantic duet for oboe and piano is recommended for recitals, concerts, weddings, ceilidhs, and other Celtic-themed music events.  As wedding music, The Water is Wide stirs the heart as a prelude, bridal march, bridesmaid processional and unity candle accompaniment.            As sacred music, This duet is recommended as a prelude, postlude, an offertory, interlude, silent prayer accompaniment and special music for traditional church services and other worship events; this melody has been used in multiple hymn settings, including The Gift of Love, Though I May Speak with Bravest Fire and as an alternate melody for When I Survey the Wondrous Cross.  8 pages of music (that includes a separate two-page pullout oboe part).  Key: F major.
The Water is Wide (Oboe and Piano)
Hautbois, Piano (duo)

$6.99 5.98 € Hautbois, Piano (duo) PDF SheetMusicPlus

Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.784819 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Octavo. 27 pages. DF McCorkle Music and eBook Publications #11651. Published by DF McCorkle Music and eBook Publications (A0.784819). ACT ONE: Song 6. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 9:1-2 - Now there was a man of Benjamin, whose name was Kish, the son of Abiel, the son of Zeror, the son of Becorath, the son of Aphiah, the son of a Benjamite, a mighty man of valour. 2 And he had a son, whose name was Saul, young and handsome, and there was not among the children of Israel a more handsome person than he: from his shoulders and upward he was taller than any of the people.] The next day, SAMUEL returns to the town and assembles the people by their clans. The ELDERS, who have already decided who they want as king, go from clan-to-clan making a pretense in their selection. When their pick, SAUL, cannot be found they broaden their search and finally find him asleep in the cart that had arrived in with the caravan. Waking him, he stands up and is ‘a head taller’ than everyone else. They shout, Look whom God has chosen as our king, there is no one else like him here. [A Head Above the Rest – Elders]. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
A Head Above the Rest (Elders) from "The Kings" - ACT 1:Song 6
Chorale SATB

$2.99 2.56 € Chorale SATB PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download SKU: A0.1512881 Composed by Monty Norman. Arranged by John Langley (Studio Orchestrations). 20th Century,Film/TV,Standards,Thriller. 117 pages. Www.studio-orchestrations.com #1087819. Published by www.studio-orchestrations.com (A0.1512881). Bass and guitar player Monty Norman created this world famous theme / riff on the very first James Bond film soundtrack sessions alongside composer John Barry, thereby creating an enduring soundworld that has stayed current and almost unchanged thoughout all of the many Bond films to the present day.This orchestration pays tribute to the original soundtrack as closely as possible and will always be a welcome addition to any concert of film and soundtrack music with orchestra. Instrumentation:2 FlutesPiccolo2 Oboes2 Clarinets2 Bassoons4 Horns3 Trumpets3 TrombonesTubaTimpani2 Percussion  [Tambourine / Vibraphone]HarpPianoStringsLook out for other arrangements and orchestrations by John Langley and Paul Campbell on www.studio-orchestrations.com
James Bond Theme
Orchestre

$100.00 85.56 € Orchestre PDF SheetMusicPlus






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