Piano - Digital Download SKU: A0.1066771 Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 426. THEMIS KOUTRAS #5196763. Published by THEMIS KOUTRAS (A0.1066771). Another way to interpret this song is this is how the righteous people of GOD do seek for JESUS CHRIST for forgiveness so on of GOD so on they come to him for there wrongs to be exposed before him that he will help them overcome all wrongs as they trust him to the full and do find him those that do not seek for him never find him because they are too evil and are afraid to go to him because there evil will be exposed before him and they fear his judgment there can be other reasons also that they never seel for him like some of those that do seek for him but have not found  him yet well you have not sought hard enough do not give in the search and he will answer you at your right time JESUS CHRIST own words say seek and you shall find

5 saxophones (SAATBar) - intermediate - Digital Download SKU: S9.Q40419 Composed by Johannes Brahms. Arranged by Albert Loritz. This edition: score and parts. Quintett - Saxophon - Tänze. Downloadable, Score and parts. Advance Music GmbH - Digital #Q40419. Published by Advance Music GmbH - Digital (S9.Q40419). Key: G minor. German.Brahms’ Hungarian Dances are among the most popular compositions in the field of light classical music with dance no. 5 probably being the most well-known one of the altogether 21 pieces of the cycle. It is this dance the arrangement for saxophone quintet at hand is based on. Answers to the questions to what extent Brahms incorporated traditional Hungarian melodies into these pieces or whether the dances represent original creations of his own written in a “Hungarian style� might be found in specialist literature or on the internet. These sources may also be consulted to get further information on the history of origins of these compositions.The original version of the Fifth Hungarian Dance for Piano Four-Hands published in 1869 is written in F# minor. For most of the arrangements (for orchestra and for any other conceivable type of ensemble) created thereafter in rapid succession - but also for this present version written for saxophone quartet – the key of G minor was chosen.The markings for tempo and dynamics included are based on the original composition but also take into account certain performance practices. The individual voices take turns in executing the main melody. The brackets appearing in the score and in the individual parts mark the beginning and the end of those passages where the respective instrument takes the lead. The arrangement for quintet at hand can be performed soloistically or in chorus.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1281185 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. Christian,Easter,Lent,Praise & Worship,Sacred. Score. 9 pages. Kevin Longley #872527. Published by Kevin Longley (A0.1281185). He Will Lead Me Home (choral church anthem composed in 2023)The InspirationA few Easter seasons ago, during one of our Tuesday Choir rehearsals, we were preparing for “Good Shepherd Sunday�. Diane our Choir director commented “there are very few Good Shepherd pieces to choose from�. One of our sopranos replied “Let's write our own�. I made note of it and this past year finally found the time and inspiration to give it a try. I did my usual research on the subject matter and then found a drawing of a Shepherd standing at the top of a hill with his sheep lined up behind him. Leaning on his staff the Shepherd was contemplating the safest route home. Upon his decision he looked back and called to his sheep. The MusicThe music begins with a piano introduction depicting the Shepherd standing at the top of the hill contemplating the safest route home, as noted earlier. Stately in nature it features a simple melodic idea, played by the right hand, which is then answered by a series of majestic chords. This “back and forth� continues until it reaches its climax at a D flat major chord against a slur from a high G to F. At this point we hear what will be a reoccurring chordal theme of C major to F major and later C minor to F major. The accompaniment begins, now in three quarter time signifying the sheep beginning to move in response to the shepherds call. The verse melody is drawn from the opening three notes of the introduction but with a different rhythm and repeats it self with underlying harmonic changes. The melody and chord structure is somewhat impressionistic in nature. Lyrically a contrast is drawn between how the Shepherd (Jesus) provides for his sheep (followers) and how God provides for the “sheep� (animals) through nature. As the verse comes to an end we are lead to the realization that “the shepherd is the Lord our King, the Good Shepherd King�. The refrain begins with the tenor continuing to solo on the main melody. �He Will Lead Home� is realized and proclaimed! A soprano descant is added for contrast. Harmonically the music makes use of the various minor key options, “melodic, harmonic and natural�. The refrain concludes proclaiming “The Good Shepherds the Way He's our Life!�. The second verse shadows the thought pattern of verse one leading to the refrain once more but this time a bridge is introduced to add drama with the piano playing a significant role. A return to the refrain is varied with the tenor singing a portion of it against softly played chords; but then resumes its rhythmic drive to its ultimate conclusion by repeating “the Good Shepherds the Way He's our Life!�.Program NotesVoicing can be varied based on what types of singers are available. For example this could be sung by 2 tenors with one singing the descant down an octave. Finally as noted in the score, the intro is optional though I prefer it be played; the shepherd contemplating a safe route is important in the music with its contrast to the verse music and important in our life of faith. 

Concert Band - Level 3 - Digital Download SKU: A0.1237524 Composed by Helmut Kogler. 21st Century,Contemporary,Multicultural,New Age,World. 221 pages. Pentharmonics #833039. Published by Pentharmonics (A0.1237524). Arcanum - Grade 3 - Duration 8:00 min....the secret. Every day the knowledge in the world is continuously growing. In all fields of life, new findings are attained by science and research, more and more can be explained, a well-founded understanding of the things around is going to be achieved. However, the mysterious will still persist. Every new perception leads to further questions, new secrets are rising for being explored. Moreover, someone might perceive that in relation to the entire knowledge gained by mankind, the individual is shrinking. Thus, until the end of time the world will stay mysterious - the world seems to be a persistent secret, that wants to be discovered at all times anew.The musical motif of the Question begins with the very first sound of the piece - a dissonance that is harmoniously resolved again. This motif reflects the curiosity that lies dormant in all people. The dissonance creates a tension that can be seen as an impetus for the search for answers. The resolution to a major chord describes the confidence of being able to find an answer to the question. This musical motif runs through the entire work, both in the dreamy bliss of being and in the dramatic passages in which the flood of questions seems to become frightening. In such sections, the dissonance is turning into a minor chord. At the dramatic climax, a tense dominant seventh chord leads to the resolution to major, which finally describes the euphoria after the answer of a very difficult question. After a further phase of relaxation, the gaze wanders over nature in all its glory. Until towards the end of the piece, the awareness finally sets in that every answer found raises a new question and thus the mystery remains forever.The PDF contains the score and all parts, already multiplied accordingly for a common number of musicians in a concert band. No duplication of parts necessary - so, just print and go. The paper layout is actually designed for European A4 paper, but printing on 8.5 x 11 inches format has no effect on readability.More about the composer: www.helmut-kogler.comMore music by Helmut Kogler: www.pentharmonics.com

Percussion Ensemble Cello,Clarinet,Double Bass,Drum Set,Drums,Flute,Handbell,Marimba,Multi-Percussion,Timpani,Trombone,Trumpet,Viola,Violin - Digital Download SKU: A0.1073049 Composed by Pavel Karmanov. Arranged by Pavel Karmanov. 20th Century,Contemporary. Full Performance. Duration 679. PAVEL KARMANOV #5347689. Published by PAVEL KARMANOV (A0.1073049). - Музыка дл� �втоответчика edit 2020 synth version.

String Orchestra - Level 4 - Digital Download SKU: A0.1429395 Composed by Edward Elgar. Arranged by Ian Butterworth. 19th Century. 11 pages. Ian Butterworth #1010108. Published by Ian Butterworth (A0.1429395). This part song, composed in 1907 when Elgar was on holiday in Rome, is unusual in that the upper voices are written in the key of A flat major while the lower voices are in G major.  The composition is very suited to strings where the violins take the upper parts and the violas, cellos and basses take the lower parts.  Some of the writing is antiphonal with the two parts of the orchestra answering each other but they gradually come together and the work ends quietly.  4 minutes approx.Copying of individual string parts is permitted provided they are for sole use by the purchaser.Through his experience of teaching the violin and conducting youth orchestras over many years, Ian Butterworth's compositions and arrangements have been enjoyed by youth and amateur players.www.ianbutterworthmusic.co.uk

Piano Solo, Piano/Vocal/Chords - Advanced Intermediate - Digital Download Arranged by Mario Stallbaumer. 4 pages. Published by Mario Stallbaumer

Small Ensemble Cello,Clarinet,Flute,Piano,Violin - Level 4 - Digital Download SKU: A0.1028291 Composed by Felix Ventouras. 20th Century,Contemporary. Score and parts. 21 pages. Chicago, TX Publishing #3471345. Published by Chicago, TX Publishing (A0.1028291). 2018 Chamber Music Contest EntryFlute, Clarinet, Violin, Cello and Pianoduration: 6min 45secThis is a concert piece appropriate for modern chamber music concerts. The piece is in a Neo-Romantic and slightly modern style, although it only includes a few contemporary playing techniques. The title mystery derives from the dialogue between two opposing forces, the first, presented in the opening theme, is a beautiful locked box containing hidden gems of knowledge, while the second, heard in the development section, is an aggressive passionate voice seeking the answers to the sacred question: what is the meaning of life? These two voices go back and forth in a type of struggle before finally, at the end, there is a kind of opening or revelation, where the box is partially opened, perhaps to reveal another box inside containing a deeper layer of meaning.   The work is published by Chicago, TX Publishing 2018. All rights reserved. For more information regarding the composer, visit: http://www.chicagotxpublishing.onmicrosoft.com*parts available upon request

Clarinet,Piano - Level 4 - Digital Download SKU: A0.836709 Composed by Brian Joyce. Contemporary. Score and part. 27 pages. Brian Joyce #3074129. Published by Brian Joyce (A0.836709). A piece shrouded in mystery and intrigue. For myself, I mean: I don’t even know what the title means, nor why this particular piece should wear it. The music and the title came as a package deal, falling on me out of the blue one day. It wasn’t on my to-do list, nor was I looking for extra work. But perhaps that’s the answer: the piece itself is the Agent, breaking into my nicely ordered studio and disrupting things for the next few months. I’ll have to think about this some more.But I digress. Whatever its meaning or provenance, it’s an odd little sonatina. For instance, at its heart the second movement is a traditional scherzo and trio, but it is as misshapen as anything H. P. Lovecraft himself might have envisioned. Even I am not sure where the beginnings and endings of the sections are without a score in hand. Mystery upon mystery.  Another example: as I began to work on the third movement, I wasn’t sure if it would be a simple binary or ternary form, a rondo or a sonata-allegro. I never did find out, to be honest. All I know is that, to my ears, it sounds like what might have resulted if I had been asked to write the theme to The Simpsons. The audio sample will give you some idea of what I mean.More questions than answers.Performance time is a little under 14 minutes.

Piano Solo - Early Intermediate - Digital Download Composed by Dominic Meccia. 21st Century, Modern. Individual Part. 2 pages. Published by Dominic Meccia

Full Orchestra - Level 5 - Digital Download SKU: A0.1009811 Composed by Phillip S. Ledesma. 20th Century,Romantic Period. Score and parts. 11 pages. Phillip Steven Ledesma #1919003. Published by Phillip Steven Ledesma (A0.1009811). Full Orchestral Score. Marches is the 2nd movement to the 1st symphony.   In contrast to the more sublime Ruhevoll (and the 4th movement Molto Adagio) Marches utilizes many aspects of the march in various settings, from large brass and woodwind circus venues to trios of soloists, while also encompassing the somber funeral procession. Marches opens the brass and low strings in a dogfight; the brass fire short staccato blasts as 'cellos and basses answer with long lyrical lines setting the pace until the cat and mouse game ends with the low strings driving their way to the trio. When the three soloists finish their introductory theme they are answered by the full orchestra taking the theme and surrounding it with all the boisterous bells and whistles of a circus march! But the reality is that marches are - at their core - war music, and the waste that war causes has to be addressed in the funeral march. These themes are all cycled through once again, with a coda that cleverly ties things up.

Cello,Piano,Steel Pan,Violin - Level 4 - Digital Download SKU: A0.1095566 Composed by Aaron Gage. 20th Century,Chamber,Contemporary. 38 pages. Aaron Gage #699558. Published by Aaron Gage (A0.1095566). At the time this piece was conceived, the world had fallen into chaos. We were in the midst of a vast economic crisis leaving millions in poverty, racism had once again found its foothold in the foreground of US culture, climate change had decimated the west coast in flames while southern coastal cities were being bombarded with floods from storms. We have also been forced to see the ugliness of domestic terrorists establishing themselves in the hopes of hurting their fellow citizens. However, these issues pale in comparison to the utter devastation we have faced from COVID-19. As I write this note, we are just shy of nearly a quarter of a million people having senselessly died from COVID-19. The utter failure we’ve had in leadership and lack of empathy from our fellow citizens have caused countless families to now have empty seats at their table. There was no need for this. Hundreds of thousands of men, women, and children have died from means that could have been completely preventable. When I was asked to write this piece, I wanted to come up with a simple concept as an elegy to those lost to the virus. A simple question arose; What will we say? 50 years from now, how will we answer to those younger generations while we collectively sat by and did nothing to help each other? How are we going to excuse letting the rot that has sunk in go unpunished? How do we defend the indefensible? This question haunts me. The music you will hear channels my answer to that question. There is no true resolution. There is no happy ending. When we have finally moved on past this pandemic, we are still left in the wake of hundreds of thousands of dead citizens. One day it will hit us all how many lives we really lost. So I ask this; while you listen, reflect on every individual who suffered at the hands that did not act. Allow yourself to absorb the true gravity of what we have experienced. Give those victims a few minutes of your time. When the time comes for you to be asked, what will you say?

B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.746816 Composed by Giacomo Puccini. Arranged by Keith Terrett. 20th Century,Multicultural,Opera,Patriotic,World. Score and part. 5 pages. Keith Terrett #3578629. Published by Keith Terrett (A0.746816). An arrangement of Puccinin’s beautiful aria ’Nessun Dorma’’ from Turandot arranged for Bb Trumpet, Cornet, Flugelhorn & Piano.In the act before this aria, Calaf has correctly answered the three riddles put to all of Princess Turandot’s prospective suitors. Nonetheless, she recoils at the thought of marriage to him. Calaf offers her another chance by challenging her to guess his name by dawn. (As he kneels before her, the Nessun dorma theme makes a first appearance, to his words, Il mio nome non sai!) If she does so, she can execute him; but if she does not, she must marry him. The cruel and emotionally cold princess then decrees that none of her subjects shall sleep that night until his name is discovered. If they fail, all will be killed.As the final act opens, it is now night. Calaf is alone in the moonlit palace gardens. In the distance, he hears Turandot’s heralds proclaiming her command. His aria begins with an echo of their cry and a reflection on Princess Turandot.

Horn in E-Flat,Instrumental Duet,Piano - Digital Download SKU: A0.746808 Composed by Giacomo Puccini. Arranged by Keith Terrett. 20th Century,Opera,Patriotic,World. 5 pages. Keith Terrett #3578223. Published by Keith Terrett (A0.746808). An arrangement of Puccinin’s beautiful aria ’Nessun Dorma’’ from Turandot arranged for Eb Tenor (Alto) Horn & Piano. In the act before this aria, Calaf has correctly answered the three riddles put to all of Princess Turandot’s prospective suitors. Nonetheless, she recoils at the thought of marriage to him. Calaf offers her another chance by challenging her to guess his name by dawn. (As he kneels before her, the Nessun dorma theme makes a first appearance, to his words, Il mio nome non sai!) If she does so, she can execute him; but if she does not, she must marry him. The cruel and emotionally cold princess then decrees that none of her subjects shall sleep that night until his name is discovered. If they fail, all will be killed. As the final act opens, it is now night. Calaf is alone in the moonlit palace gardens. In the distance, he hears Turandot’s heralds proclaiming her command. His aria begins with an echo of their cry and a reflection on Princess Turandot.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701688 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3245851. Published by Kevin G. Pace (A0.701688). An original hymn with text by Mark Fotheringham below.YouTube video: https://youtu.be/hUjLejbDhXoOh, day by day we battle for souls As the search for true doctrine goes on, goes on Questions fill the mind and the heart will ponder Where we came from and the purpose of life. CHORUS The Spirit whispers unto each heart That God is Father to all, His Son, our Savior, came to help us be whole, And to show us the pathway to joy.   The scriptures hold the answers we seek As the search for true doctrine goes on, goes on. We will know His Word when in truth we seek it With a prayer and with intent to obey. CHORUS   A prophet’s voice is stable and sure As the search for true doctrine goes on, goes on. As a warning voice, he will ne’er mislead us. Through His servant, God will watch o’er the world. CHORUS   The still, small voice, is felt in the heart As the search for true doctrine goes on, goes on. It will pierce the soul with a voice of mildness But with power it will fill us with light. CHORUS