Piano Solo - Level 4 - Digital Download SKU: A0.1097282 Composed by Elton M. Roth/Luther B. Bridgers. Arranged by Christi Stills. Jazz,Praise & Worship,Religious,Sacred,Spiritual. Score. 2 pages. Christi Stills #701235. Published by Christi Stills (A0.1097282). Enjoy these classic hymns arranged in a cheerful, jazzy swing. The mood will perhaps take you back in time! For information about more hymn arrangements, please reach out at christistillsmusic@gmail.com. You can also follow the latest on Facebook at Christi Stills - Composer's Diary page.

B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549444 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3494745. Published by jmsgu3 (A0.549444). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  

B-Flat Trumpet,Piano - Level 4 - Digital Download SKU: A0.549457 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497259. Published by jmsgu3 (A0.549457). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  

Jazz Ensemble - Digital Download SKU: AX.00-PC-0017268_TX1 B-flat Tenor Saxophone. Composed by Henry Mancini. Arranged by Mike Lewis. Jazz; Movie. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017268_TX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017268_TX1). ISBN 9780757997624. UPC: 029156962598.Some tunes just live forever, and students always love to play them. PINK PANTHER is a perfect example. Arranger Mike Lewis gives the less experienced jazz groups an opportunity to play this all-time favorite. A few triplet and swing figures, along with a lot of unison scoring, make this a natural for young jazz ensembles. Give this chart a look! Very Easy (3:04).

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.956650 Composed by C M von Weber. Arranged by Catriona Melville-Mason. Concert,Holiday,Romantic Period,Standards,Wedding. 8 pages. C Melville-Mason #6505727. Published by C Melville-Mason (A0.956650). March of the Hunters features in the opera Der Freischütz, which is possibly the best known work by the German Romantic composer Carl Maria von Weber (1786 – 1926).  The story is based on an old folk tale and tells of a marksman who, desperate to win the hand of the lady he loves in a shooting contest, obtains some magic bullets which cannot fail to hit their target.  One of these, however, is entirely under the control of the Devil…This arrangement is for semi-flexible mixed woodwind quartet of 2 flutes, oboe and either B-flat clarinet or bassoon.  Well within the scope of intermediate-level players, it can be used as a recital piece, as part of a programme of light background music at a wedding or function, or just enjoyed as general repertoire.

Brass Band Bass Trombone,Euphonium,Flugelhorn,Piccolo Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1132715 Composed by Samuel Coleridge-Taylor. Arranged by Richard Decker. 20th Century,Contest,Festival,March,Multicultural,World. 110 pages. Charles Decker Music Press #732911. Published by Charles Decker Music Press (A0.1132715). This multi-movement brass choir arrangement adapted from Samuel Coleridge-Taylor's orchestral Othello Suite, Op. 79 provides a technical and musical showpiece to highlight any performance. Four distinctive movements in this Suite include a driving Dance, melancholy Funeral March, languid Willow Song featuring a flugelhorn solo and a rousing Military March to conclude.  Every player gets an opportunity to shine and display not only their technical expertise but also their musicianship as well. The work is arranged for a brass choir of four B-trumpets with trumpet I doubling on piccolo B-flat trumpet and flugelhorn, 4 F horns, 3 trombones, euphonium and tuba. The recording is of the entire edition.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!�   Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music“I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.�  Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series� in the search box at Charles Decker Music Press for arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.

Instrumental Duet,Lever Harp - Level 2 - Digital Download SKU: A0.803867 Composed by Elder Joseph Brackett, Jr. Arranged by Serena O’Meara. Folk,Sacred,Spiritual,Traditional,Wedding. 6 pages. O'Meara Music #5318331. Published by O'Meara Music (A0.803867). This famous Shaker quick dance has many names including Tis a Gift to be Simple, Simple Gifts, and Lord of the Dance. Aaron Copland included the melody in his ballet, Appalachian Spring (1944). Arrangements of Simple Gifts has been sung at three US Presidential Inaugurations (1985, 1993 and 2009).   The Multi-level pieces were initially arranged in an A Version. When that was completed, it was then simplified to form the B Version.  The B Version has thinner lines and allows more time for placing the fingers. The purpose is to permit harpists of various playing levels to enjoy performing together. In the key of D, the melody is divided evenly between parts. There are no pedal or lever changes. Dynamics are clearly marked. Shaker songs were quite often sung in rounds.

Instrumental Duet,Lever Harp - Level 2 - Digital Download SKU: A0.803866 Composed by Elder Joseph Brackett, Jr. Arranged by Serena O’Meara. Folk,Sacred,Spiritual,Traditional,Wedding. 6 pages. O'Meara Music #5318329. Published by O'Meara Music (A0.803866). This famous Shaker quick dance has many names including Tis a Gift to be Simple, Simple Gifts, and Lord of the Dance. Aaron Copland included the melody in his ballet, Appalachian Spring (1944). Arrangements of Simple Gifts has been sung at three US Presidential Inaugurations (1985, 1993 and 2009).   The Multi-level pieces were initially arranged in an A Version. When that was completed, it was then simplified to form the B Version.  The B Version has thinner lines and allows more time for placing the fingers. The purpose is to permit harpists of various playing levels to enjoy performing together. In the key of D, the melody is divided evenly between parts. There are no pedal or lever changes. Dynamics are clearly marked. Shaker songs were quite often sung in rounds.

Guitar - Level 4 - Digital Download SKU: A0.1511467 Composed by Traditional. Arranged by Danny Crocome. 21st Century,Contemporary,Instructional,Jazz,Rock. Tablature. 4 pages. Danny Crocome Music #1086621. Published by Danny Crocome Music (A0.1511467). These info sheets teach guitarists how to play the B Melodic Minor scale using the technique known as two handed tapping (sounding the notes by a combination of hitting both your fretting, and picking, hands onto the fretboard). It teaches guitarists how to play a 3-octave B Melodic Minor scale, in both ascending and descending forms, as well as the various diatonic chords produced from both forms of the scale. Additionally, it features a mode/chord connection exercise, showing how the related modes are produced from the different scale forms. A brilliant resource for guitarists looking to extend their technical and theoretical vocabulary and enter the world of two handed tapping.

B-Flat Trumpet,Baritone Horn TC/Euphonium,Choir,Trombone - Level 3 - Digital Download SKU: A0.1156067 Composed by Samuel Coleridge-Taylor. Arranged by Richard Decker. 20th Century,Christmas,Contest,Easter,Festival,Praise & Worship. 42 pages. Charles Decker Music Press #756379. Published by Charles Decker Music Press (A0.1156067). Samuel Coleridge-Taylor was an early 20th century English composer and conductor who was an influential advocate for Black composers. His numerous choir anthems offer dramatic performance opportunities for church or the concert hall.  His festival anthem SATB choral anthem Lift Up Your Heads is an expressive and dramatic work enhanced with brass quartet accompaniment of two B-flat trumpets and two trombones with alternate F horn and treble clef euphonium parts provided for the trombone parts. The organ/piano part can be used for chorus preparation as well as additional support for performances if desired. However, not using the keyboard part in its entirety for a performance in addition to the brass group will create a more interesting interplay of different timbres. Conductors should ensure accompaniment parts don't overwhelm the chorus especially if the keyboard part is added with the brass. The recording is of the entire edition.Use this link to see all the Charles Decker Music Press Christmas holiday music for mixed brass and homogeneous groups.“The Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!� Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Music “I was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composers’ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.�  Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs. See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series� in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.

Flute, altoflute in G (violin, cor anglais, clarinet) and piano - intermediate to advanced - Digital Download SKU: S9.Q582559 5 pieces by Giacomo Rossini, Carl Maria vonWeber, Abbé Vogler. Composed by Theobald Boehm. Downloadable. Duration 14 minutes. Musikverlag Zimmermann - Digital #Q582559. Published by Musikverlag Zimmermann - Digital (S9.Q582559). German • English • French.Searching for an instrument which should fulfill the need for deep, powerful and at the same time sonorous flute tones, the ingenious flute maker Theobald Böhm created the first alto flute in 1858. Literature was needed for the new instrument, and therefore Böhm arranged the pieces mentioned above (originally, the Rossini pieces are meant for 2 voices and piano, Weber op. 3 was written for piano for four hands). Alternatively, the alto flute part can also be played by the violin, English horn or clarinet. The corresponding parts are also included.

C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level 2 - Digital Download SKU: A0.565912 By Sharon Wilson. By Lowell Mason. Arranged by Sharon Wilson. Easter,Folk,Praise & Worship,Sacred,Traditional. Score and individual part. 7 pages. Sharon Wilson #6574783. Published by Sharon Wilson (A0.565912). The beloved hymn Nearer My God, to Thee by Lowell Mason is presented here as a flowing, peaceful instrumental duet (for BOWED PSALTERY solo with PIANO accompaniment). The PSALTERY part was designed for a beginning psaltery player and includes only 2 flats; B♭ below middle C and B♭ above middle C. The piano accompaniment is at the early-intermediate level. To assist those new to reading music notation, two solo parts are included: one is the standard music notation and includes the lyrics for sing along enjoyment. The second solo part is identical to the standard music but instead of lyrics, the note names are provided below each note (example A, B, C…). The PSALTERY plays the melody for the first verse and most of the second verse. There are a couple short phrases during the second verse where the PIANO plays the melody and the PSALTERY provides the harmony. The first verse is in the key of C major. For the second verse, the PIANO transitions up to the key of F major during a short interlude. A piano accompaniment and/or rehearsal track (MP3 format) is available for this arrangement as a separate purchase: Nearer My God, to Thee (Piano Accompaniment Track for Easy Bowed Psaltery Solo).The range of a typical soprano psaltery is two octaves beginning with the G above middle C (G4). However, since some psalteries have fewer than 25 strings, the range for this song is only 1-1/2 octaves. Also, the notes are written an octave lower on the staff so they are easier to read and learn for beginner musicians. The notated range for this song is G3 (first G below middle C) to D5 (second D above middle C).The purchase price includes a combined score (grand staff, 3-stave) with both parts (PSALTERY and PIANO) on each page, plus 2 options for the 1-staff solo part (one with lyrics, one with alphabetic note names). The solo part could also be played by other instruments with the same range such as a violin.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic

Rhythm Section SATB Chorus divisi,Voice - Level 5 - Digital Download SKU: A0.1453743 Composed by Chris Jasper, Ernie Isley, Marvin Isley, O'Kelly Isley, Ronald Isley, and Rudolph Isley. Arranged by Kerry Marsh. Funk,Jazz,Pop,Soul. Vocal Jazz Ensemble. 52 pages. Kerry Marsh #1032960. Published by Kerry Marsh (A0.1453743). This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a much lower price than the standard flat-fee range ($60 to $75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the All Tracks Pack with SkyTracks (No Sheet Music) package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation)Them Changes is a standout track by Thundercat, featuring a funky, bass-driven groove that highlights Thundercat's virtuosic bass playing and unique blend of jazz, funk, and R&B influences. The lyrics explore themes of heartbreak and emotional turmoil, delivered with Thundercat's signature falsetto vocals.Kerry Marsh's vocal jazz arrangement begins with an a cappella rendition of the song's bridge, serving as a teaser before launching into the now-iconic drums and bass groove. A hallmark of neo-soul, the dissonance between the chord changes and the melody can present challenges for vocal harmonies. This arrangement skillfully navigates these tricky spots, employing octaves and unison writing to minimize clashes, and then breaking out into lush, dense harmonies where they are most effective.The chart concludes with a space for vocal or instrumental improv, accompanied by vocal backgrounds, ending the piece in a sudden and unconventional manner. This modern-day classic will be a hit with your vocal jazz ensemble, offering something for singers, instrumentalists, and the audience alike to enjoy.Perfect for advanced ensembles looking to explore contemporary jazz-funk, this arrangement captures the essence of Thundercat's innovative style while providing a fresh and exciting challenge. Check out the Scoreflipper preview to see how this arrangement can elevate your group's performance and captivate your audience.

Piano and voice - Digital Download SKU: LV.12413 Composed by Carl Thomas. Portraits--Rutherford B. Hayes, Presidential elections. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.12413). We'll Vote For The Buckeye Boy. By Carl Thomas. Published 1876 by G.D. Russell & Company, 126 Tremont St. in Boston. Composition of strophic with SATB chorus with piano and voice instrumentation. Subject headings for this piece include Portraits--Rutherford B. Hayes, Presidential elections. First line reads The Presidential course is four years long.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

String Orchestra - Level 4 - Digital Download SKU: A0.799741 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by Grant Gilman. 20th Century,Romantic Period. Score and parts. 147 pages. Dr. Grant Gilman #3511981. Published by Dr. Grant Gilman (A0.799741). Nikolai Rimsky-Korsakov Scheherazade - I. The Sea and Sinbad’s Ship Pick-A-Part Arrangement  for String Orchestra by Dr. Grant Gilman String Orchestra Parts in This  Pick-A-Part Arrangement Violin 1A Violin 1B Violin 1C Violin 2A Violin 2B Violin 2C Viola A Viola B Viola C Cello A Cello B Cello C Bass A Bass B Bass C Harp/Keyboard (optional)About Pick-A-Part Arrangement This arrangement system employs simultaneous, multi-level difficulty parts for each string section. The goal is to accommodate all levels of playing in the preparation and performance of a symphonic masterwork. In this arrangement, there are 3 difficulty levels for each individual string section, labeled A, B, and C, respectively. Each level is a decreasing level of technical and musical difficulty, level A being the highest level of difficulty. The A level is close to, if not exactly the same as, the original string part, plus the integration of wind parts when applicable. B and C follow in a proportional reduction of difficulty level.  For this solution to be most effective, some students should be encouraged to play the most challenging parts simultaneously with those playing the simpler parts. This presents the opportunity to participate in a performance that includes most of the original material. The B and C parts cover enough of the surface material while maintaining a modicum of independence from the A part. In other words, the B and C parts are able to hold their own in performance without the A parts. For example, let’s say you have a couple of talented violinists and a few more that are well below their playing level, only two violists that need a great deal of help, a plethora of cellists with a wide range of abilities, and one single bass player that is a beginner. Your distribution of parts may look something like this: Violin 1 - two on Violin 1A, one on Violin 1C, and the rest on Violin 1B Violin 2 - one on Violin 2B, the rest on Violin 2C Viola - both on Viola C Cello - three on Cello A, one on Cello B, and the rest on Cello C Bass - one on Bass C This potential setup will challenge each player at their current level of development while creating the context for a moving experience with a major orchestral work.  A Note about the Score and Printing The full score is designed to be printed in portrait orientation on 17x11 tabloid size paper. Even at this size, the score can be confusing to read, especially if you are not covering every difficulty level part. If you would like a custom score showing only the parts you are using, please email me: conductor@grantgilman.com. I will be happy to work with you!www.grantgilman.comwww.americanmusepodcast.com