Alto Saxophone Solo - Digital Download SKU: A0.503376 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Antônio S. Fernandes. Multicultural,Pop,Rock,Traditional,World. Individual part. 1 pages. Published by Antônio S. Fernandes (A0.503376). The Winner Takes It All is a song recorded by the Swedish pop group ABBA. Released as the first single from the group's seventh studio album, Super Trouper, it is a ballad in the key of G-flat major, reflecting on the end of a relationship. The single's B-side was the non-album track Elaine. The song peaked at No.1 in several countries, including the UK, where it became their eighth chart-topper. It was also the group's final top 10 hit in the United States. It was written by Björn Ulvaeus and Benny Andersson, with Agnetha Fältskog singing the lead vocal. The Winner Takes It All - ABBA Gold (sheet music) Alto Sax Voice, The Winner Takes It All - ABBA Gold (sheet music) Alto Sax #TheWinnerTakesItAll #ABBA #AltoSax.

Tenor Saxophone Solo - Digital Download SKU: A0.503378 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Antônio S. Fernandes. Multicultural,Pop,Rock,Traditional,World. Individual part. 1 pages. Published by Antônio S. Fernandes (A0.503378). The Winner Takes It All is a song recorded by the Swedish pop group ABBA. Released as the first single from the group's seventh studio album, Super Trouper, it is a ballad in the key of G-flat major, reflecting on the end of a relationship. The single's B-side was the non-album track Elaine. The song peaked at No.1 in several countries, including the UK, where it became their eighth chart-topper. It was also the group's final top 10 hit in the United States. It was written by Björn Ulvaeus and Benny Andersson, with Agnetha Fältskog singing the lead vocal. The Winner Takes It All - ABBA Gold (sheet music) Tenor Sax Voice, The Winner Takes It All - ABBA Gold (sheet music) Tenor Sax #TheWinnerTakesItAll #ABBA #TenorSax.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,English Horn,Flute - Level 4 - Digital Download SKU: A0.1419166 Composed by Johann Sebastian Bach. Arranged by Daniel Kaplan. Baroque,Chamber,Classical. 33 pages. Daniel Kaplan #1000598. Published by Daniel Kaplan (A0.1419166). Arrangement by Daniel Kaplan for woodwind quintet of Bach's Prelude and Fugue No. 24 in B minor from Book 1 of The Well Tempered Clavier. The prelude is in an unusual (for a Bach prelude) binary form. The fugue is remarkably chromatic and complex, based on a subject employing all 12 notes of the chromatic scale (prefiguring Schoenberg's 12-tone system, to come two centuries later!). Kaplan is engaged in a project to make classics from other genres available to woodwind players and has arranged several other great works for this ensemble, including many of his favorites from The Well Tempered Clavier (also available on this website). The woodwind quintet is especially well suited for contrapuntal music since the distinctive tone colors of the wind instruments bring out the contrapuntal lines and make them clearer to the listener.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1419105 Composed by Johann Sebastian Bach. Arranged by Daniel Kaplan. Baroque,Chamber,Classical. 25 pages. Daniel Kaplan #1000535. Published by Daniel Kaplan (A0.1419105). Arrangement by Daniel Kaplan for woodwind quintet of Bach's Prelude and Fugue No. 23 from Book 1 of The Well Tempered Clavier. Being in B Major, this is the quintessential Prelude and Fugue that couldn't be played in tune in standard baroque keyboard temperament, thus making the case for Bach's preferred temperament system (the details of which remain a mystery!). Kaplan is engaged in a project to make classics from other genres available to woodwind players and has arranged several other great works for this ensemble, including many of his favorites from The Well Tempered Clavier (also available on this website). The woodwind quintet is especially well suited for contrapuntal music since the distinctive tone colors of the wind instruments bring out the contrapuntal lines and make them clearer to the listener.

Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.754535 By Tony Bennett. By Bart Howard and Stuart Aaron Hart. Arranged by Nick Raspa. Jazz,Standards,Wedding. Score and part. 10 pages. NJR Music #6191103. Published by NJR Music (A0.754535). This is a setting of Fly Me to the Moon (In Other Words) is for B Flat Tenor Sax and Piano.  The arrangement starts out with a slow rendition of the song and then transitions to a swing version.  This arrangement is for the intermediate level saxophonist incorporating some syncopation and no note smaller than the 16th.  Included is the full score (doubling for the piano part) and the tenor sax part.

Guitar - Level 3 - Digital Download SKU: A0.1177383 By Frederic Chopin. By Fre�de�ric Chopin. Arranged by Brian Streckfus. 19th Century,Classical,Contemporary,Instructional,Romantic Period. Guitar Tab. 6 pages. Brian Streckfus #776814. Published by Brian Streckfus (A0.1177383). Key: Changed from B minor to A minorCapo: 2 (If you want original key, but I wasn't a fan of capo 2; it felt like there was no bass notes.)1. Arranged for guitar. 2. Piano pedal markings removed 3. Phrase markings removed and opted for commas. 4. Re-harmonized 5. Key changed from B minor to A minor. 6. Slurs 7. Left hand fingers 8. Tablature9. Harmonics added when advantageous, but playing the regular note would work as well.10. Piano pedal markings removed and replaced with commas. It's a flaw of sheet music that slurs, ties, and phrase markings are all the same symbol, and having all three happening can clutter a score.Compromises This may sound obvious, but of course I had to make some alterations to make this flow properly on guitar. Many of the original chord inversions on the piano were not kept. However, many harmonies were kept intact as far as following the chord nomenclature name. Measure 50 was originally an A minor chord, the irony is that the F major suprise is an homage to Chopin anyways, suprised he didn't opt for it. To be honest, I don't like how there is a perfect authentic cadence in measure 50. I think modern audiences would want to clap too badly, so I believe that ending needs to be slightly messed up to propel the music forward, and give a sense that there is still a problem. The other chord that was changed was an E7b9 to a Ddim7 in measure 78. If you know your theory well, you'll realize these chords have the same exact function and nearly the same notes, it's just that Ddim7 flowed a bit better on guitar. I'd rather have guitarists play the rhythms correctly and with musicality, than have guitarist clunkily go though overly large chords in order to mantain historical accuracy.  Measure 15 was hard to keep the original chord intact. A Bb/D with a G in the melody as a suspension sounds more like a g minor chord. That is cliche Chopinesque neopolitan moment so the Bb is crucial to mantain. Having some rough sort of Bbmaj7 or G minor chord while mantaining the melody seemed to sound the best even though the name of the chord might have gotten a little off. I tried chord charts, but they seemed messier than what it was worth. I also could have the denser tablature in the sheet music, but that does make it look 10x more intimidating. So this version is unique in that the tablature is my denser arrangement, whereas the sheet music would allow someone to quickly make a new arrangement. I like this ethos because most guitarists are likely to be much better at playing chord quickly when they don't have to have an exact voicing. This makes this arrangement easier to further perfect since I am naming the harmonies, which often isn't done in classical music.BackstoryThis is one of my favorite pieces, and also my favorite composer. I feel classical guitar repertoire is lacking easily playable music in the romantic style. Often, if it is romantic guitar music, it is extemely difficult and therefore only a select few can enjoy performing it. Also, I sometimes get my hopes up to find a romantic guitar composer, but then after listening, there's nothing quite like Chopin. Obviously, you will have to have some chops to play this since it's one of the most ambitious undertakings a guitarist could take, but it's also not so hard that you have to be train for a decade because I changed the key.

Piano Solo - Level 3 - Digital Download SKU: A0.697532 Composed by William B. Pitts. Arranged by Sandy McIntire. Country,Instructional,Sacred,Standards,Traditional. Score. 5 pages. Sandy McIntire #4761951. Published by Sandy McIntire (A0.697532). The Church in the Wildwood was composed by William S. Bradford in 1857 in Iowa. This hymn is about a church he imagined near Bradford, but the hymn wasn't published until years later after the little brown church was built in the place he imagined it. The church exists today and is a popular place for weddings and other celebrations. This piano arrangement is an intermediate piano solo and is in McIntire's series, Gospel Piano Classics. Other pieces in the series are Sunshine in the Soul, Bring Them In, He Keeps Me Singing, and Beulah Land, all available at sheetmusicplus.

B-Flat instrument,Bass Clef Instrument,C Instrument,E-Flat Instrument,Viola - Level 4 - Digital Download SKU: A0.512980 By Adam Clayton And Larry Mullen. By Lalo Schifrin. Arranged by Roger Wallace. Christmas,Film/TV,Pop. 33 pages. Roger Wallace #6073721. Published by Roger Wallace (A0.512980). Mission: Immanuel - O Come, O Come, Immanuel (Emmanuel) & Mission: Impossible Theme Christmas Trio with Multiple Part Options. Features all parts. Begins with O Come, O Come, Immanuel (in a slow tempo) and transitions to the faster rhythmic and melodic lines from the Mission: Impossible theme. The second section is a blending of O Come, O Come, Immanuel and the Mission: Impossible theme. Designed mainly for family groups such as brass, woodwinds and strings. Mixing voice types can be done with care. See cover sheet on arrangement for instrumentation. NOTE: Audio sample clip begins 3 measures before Letter B. A full length audio version can be heard in the YouTube video. The audio sample represents a String Trio (Violin, Viola, Cello).This arrangement is also available for many other ensembles and soloists. Look for more arrangements by Roger Wallace.

Baritone Horn TC,Euphonium,Tuba - Level 4 - Digital Download SKU: A0.512961 By Adam Clayton And Larry Mullen. By Lalo Schifrin. Arranged by Roger Wallace. Christmas,Film/TV,Pop. 22 pages. Roger Wallace #6049327. Published by Roger Wallace (A0.512961). Mission: Immanuel - O Come, O Come, Immanuel (Emmanuel) & Mission: Impossible Theme Tuba Trio.  Bass and Treble Clef.  Features all parts. Begins with O Come, O Come, Immanuel (in a slow tempo) and transitions to the faster rhythmic and melodic lines from the Mission: Impossible theme. The second section is a blending of O Come, O Come, Immanuel and the Mission: Impossible theme. Part 1: Euphonium BC and TC, E-Flat Bass Part 2: Euphonium BC/Tuba, Euphonium TC, E-Flat Bass Part 3: Tuba, E-Flat Bass, B-Flat Bass NOTE: The Audio sample represents Euphonium/Tuba/Tuba. NOTE: Audio sample clip begins 3 measures before Letter B. A full length audio version can be heard in the YouTube video.This arrangement is also available for many other ensembles and soloists. Look for more arrangements by Roger Wallace.

Piano and voice - Digital Download SKU: LV.5821 Composed by Fred Cape. Stores & shops, Toys, Dolls, Soldiers, Courtship, Love, Storytelling. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5821). The Tin Gee-Gee. Song. Written and Composed by Fred Cape. Published 1894 by T.B. Harms & Co., 18 East 22nd St. in New York. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Stores & shops, Toys, Dolls, Soldiers, Courtship, Love, Storytelling. First line reads I was strolling, one day, down the Lowther Arcade.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1036814 By ... Arranged by J. Randolph Hall. This edition: Interactive Download. Classical,Folk,Praise & Worship,Standards,World. Score and parts. 9 pages. Duration 115. J. Randolph Hall #7DnbudMSEW1XiCCbrKdV7K. Published by J. Randolph Hall (A0.1036814). Key: F major.This spiritual makes reference to Revelation 6:15-17. While the wicked cry to the rocks and mountains for cover, the song encourages the listeners to give their hearts to God and they will have a new hiding place. Section A does the exposition. The trombone has the solo/leader part. The piece segues to a new key in section B with the use of an augmented sixth chord (Italian 6th) for modulation. Section B also includes a descant by yours truly.

B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.731624 Composed by L. v. Beethoven. Arranged by Diego Marani. Classical,Film/TV,Instructional,Romantic Period,Standards. Score and part. 7 pages. Diego Marani #339884. Published by Diego Marani (A0.731624). Ludwig van Beethoven's Piano Sonata No. 8 in C minor, Op. 13, commonly known as Sonata Pathétique, was written in 1798 when the composer was 27 years old, and was published in 1799. It has remained one of his most celebrated compositions. The famous cantabile melody is played three times, separated by two modulating episodes. Several rock artists have also sampled the adagio, like Kiss and Billie Joel. The 2nd Movement were featured and played by Schroeder in the 1969 animated films A Boy Named Charlie Brown and It's the Pied Piper, Charlie Brown. This arrangement for trumpet with piano accompaniment is suitable for classroom, repertoire and recital.

B-Flat Trumpet,Piano - Level 2 - Digital Download SKU: A0.549220 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468158. Published by jmsgu3 (A0.549220). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.   Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.   Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands            Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and indeed the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival                Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.

B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549229 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468706. Published by jmsgu3 (A0.549229). J. S. Bach BWV 508.  Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.   Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.   Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands            Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival                Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1285537 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Brendan James Elliget MAGA 537. Pop,Singer/Songwriter. Brass Band. 39 pages. BJE Music #876642. Published by BJE Music (A0.1285537). Massachusetts (The Lights Went Out In) is a song by the Bee Gees, written by Barry, Robin & Maurice Gibb and released in 1967. Robin Gibb sang lead vocals on this song and it would become one of his staple songs to perform during both Bee Gees concerts and his solo appearances. It later appeared on their 1968 album, Horizontal. This is an arrangement for the Brass Band. There are parts for both Horns in Eb and F, Trombones 1-2 in TC and BC, Euphonium in TC and BC, and Tubas in Eb, Bb, and C. There is an optional Piano Accompaniment part (Not shown on the score) Grade = 3 Duration = 3:10 mins  MP3 was recorded with NotePerformer 4.