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Jazz Ensemble - Digital Download SKU: AX.00-PC-0015233_TX2 2nd B-flat Tenor Saxophone. Arranged by Michael Story. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015233_TX2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015233_TX2). ISBN 9780757934193. UPC: 029156934441.James Bond was back in the theaters this year and once again captivated audiences around the world. This swingin' theme, in the very capable hands of Mike Story, works really very well for younger groups. Use this to teach the swing style, and keep your players interested with a song they know. Mike Story strikes again with another great arrangement! (1:48).
James Bond Theme: 2nd B-flat Tenor Saxophone
Saxophone (partie séparée)

$3.00 2.88 € Saxophone (partie séparée) PDF SheetMusicPlus

Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation.   Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
Orchestre de chambre

$54.00 51.87 € Orchestre de chambre PDF SheetMusicPlus

Piano and voice - Digital Download SKU: LV.5389 Composed by William B. Glenroy. Fathers & children, Poor persons, Widows, Runaways, Aged persons, Love. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5389). I'll Not Forget You, Daddy. Pathetic Song and Chorus. Words and Music by Wm. B. Glenroy. Published 1893 by Spaulding & Gray, 16 West 27th St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Fathers & children, Poor persons, Widows, Runaways, Aged persons, Love. First line reads A man both old and feeble tottered slowly up the stoop.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
I'll Not Forget You, Daddy. Pathetic Song and Chorus
Piano, Voix

$5.99 5.75 € Piano, Voix PDF SheetMusicPlus

Harp - Level 3 - Digital Download SKU: A0.1077773 Composed by Martin Nystrom. Arranged by Stephanie Claussen. 20th Century,Contemporary,Praise & Worship,Sacred,Wedding. Score. 7 pages. Stephanie Claussen #681955. Published by Stephanie Claussen (A0.1077773). As the Deer is a beautiful sacred piece that works well as a solo in a church service, or background music during a prelude or communion. It also works well for weddings. My arrangement is fairly simple, with two verses and a final repeat of the refrain. On lever harp there is one B lever change that happens three times. This version includes both the lever and pedal harp arrangement which are exactly the same except for the B lever change vs. and A pedal. For lever or pedal harp Chord symbols and some fingerings included. Intermediate The lowest note is the D two octaves below middle C. The highest note is the B two octaves above middle C. ✦Sign up for my newsletter - https://www.stephanieclaussen.com/albums/free-mp3/ ✦Join me on Facebook - https://www.facebook.com/stephanieclaussenharpist/ ✦And Instagram - https://www.instagram.com/stephanieclaussenharp/.
As The Deer
Harpe

$5.99 5.75 € Harpe PDF SheetMusicPlus

Unison/Two-part chorus - Digital Download SKU: C7.CGA899 Composed by Walter L Pelz. General. With Congregation, organ and Bb clarinet (or other treble instrument). Sacred Anthem. Octavo. 12 pages. Chorister's Guild - Digital #CGA899. Published by Chorister's Guild - Digital (C7.CGA899). UPC: 749193006856.Narrator and choir combine together in this powerful new anthem to recount the Palm Sunday event as told in the gospel of Mark. The narrator begins the story which is soon continued by the choir as it builds to the triumphant Hosannas! The piece includes sections that may be sung by younger children as well as the older elementary children. Intended to be sung at the beginning of the service (Year B in the Lectionary cycles, but appropriate for any Palm Sunday,o the piece ends quietly and reflectively.
Joyful, Joyful, We Adore Thee
Chorale Unison

$2.10 2.02 € Chorale Unison PDF SheetMusicPlus

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1210354 Composed by Thomas Newman. Arranged by Robert Luke Thompson. Classical,Contemporary,Film/TV. Brass Band. 33 pages. Monkspath Music #808128. Published by Monkspath Music (A0.1210354). The Night Window is a hauntingly beautiful instrumental piece that features in Sam Mendes’ World War I film, 1917. Composed by Thomas Newman, the score is a masterpiece of orchestration that captures the emotional intensity of war.This arrangment for Brass Band will work perfectly in any film music concert, or even a Remembrance related event. The Night Window is featured in a pivotal scene where the film's protagonist, Lance Corporal Schofield, takes refuge in an abandoned house during a tense night-time sequence. As Schofield takes a moment to rest and recover from his harrowing journey, he notices a window covered in beautiful stained glass that casts an ethereal glow over the room. The haunting melody of The Night Window begins to play as Schofield reflects on his experiences and contemplates the task ahead of him – saving the lives of sixteen-hundred men. As the title suggests, the music conveys the image of a night scene. The piece begins softly, with a gentle motif that evokes the stillness of the night. As the piece progresses, the music gradually builds in intensity and texture, whilst the camera slowly zooms in on the window, highlighting its beauty and fragility. The piece reaches its climax as Schofield gazes out of the window, and the camera pulls back to reveal the ruins of a once-beautiful town, now ravaged by war. The Night Window perfectly captures the sense of loss and devastation that war brings, while also conveying a glimmer of hope and beauty amid the darkness. A powerful piece of music that perfectly captures the emotions and themes of 1917. Its haunting beauty and evocative melodies make it a standout track in the film's score, and a piece that will linger in the listener's mind long after the credits have rolled.For further pieces, view the Monkspath Music catalogue and click here!
The Night Window

$39.99 38.41 € PDF SheetMusicPlus

Piano and voice - Digital Download SKU: LV.24054 Composed by C.A. White. Barrooms, Fathers & children, Bartenders, Intoxication, Poor persons, Distress. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.24054). Please Sell No More Drink To My Father. Temperance Song & Chorus. Words by Mrs. Frank B. Pratt. Music by C.A. White. Published 1884 by White, Smith & Co. in Boston. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Barrooms, Fathers & children, Bartenders, Intoxication, Poor persons, Distress. First line reads Please Sir will you listen a moment.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
Please Sell No More Drink To My Father. Temperance Song & Chorus
Piano, Voix

$5.99 5.75 € Piano, Voix PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.939492 Composed by George Frideric Handel. Arranged by Adam Trotman. A Cappella,Classical,Contemporary,Opera,Sacred,Spiritual. Octavo. 6 pages. Adam Trotman #2918345. Published by Adam Trotman (A0.939492). This is a four part acapella SATB arrangement of Thus Saith The Lord from Handel's Messiah. This arrangement keeps very true to the original melody and overall sound of the piece. The dynamics are very important throughout the piece as they highlight the melody as it jumps from voice to voice. The B section of the song is meant to be conducted freely, so that the original sound is comprised. This piece is accessible to upper level high school choirs and above. It is sure to be an audience pleaser and a favorite among students. If you would like to contact me about anything feel free to at adamtrotman53@gmail.com.
Thus Saith The Lord
Chorale SATB

$1.99 1.91 € Chorale SATB PDF SheetMusicPlus

Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158199 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,March,Patriotic. 32 pages. Https://gildedmusicpress.com/ #758476. Published by https://gildedmusicpress.com/ (A0.1158199). There is nothing more quintessentially military than the grand sound of marches at special military events. Hundreds of marches have served their purposes through the many decades of military tradition in the United States of America. This 3.5-minute march was composed for the occasion of the change of command of the 55th Wing—“The Fightin’ 55thâ€â€”under Air Combat Command, located at Offutt Air Force Base in Nebraska. The ceremony took place on June 14, 2019, which was also Flag Day. The new march served as a grateful tribute to the outgoing Commander, Colonel Michael H. Manion, and a welcoming gesture to the new Commander, Colonel Gavin P. Marks. Printed copies of the score were presented to the Commanders before the ceremony, and the march was premiered as the final pre-ceremony musical selection. The opening motifs are strongly reminiscent of the introductory measures of the “Air Force Song†most commonly played by Air Force brass quintets. Keeping in tradition with the form of most marches, the “Trio†section presents new material in a new key (down a fifth), with a contrastingly quiet dynamic. The opening motif of the Trio strain is a mutation, or a paraphrase, of “Anchors Aweighâ€, emphasizing the joint-force nature of the 55th Wing. The melody is repeated with a louder dynamic and a countermelody in the horn, and then is repeated once more with increased excitement in the accompaniment, variety of dynamics, and even a temporary key shift. Straying from the form most used by the “March Kingâ€, John Philip Sousa, Dr. Thrower omitted a fourth or final strain, and instead he modulated the key back to the original B-flat major and brought back the melodic content from the first strain. This form predates Sousa, and was more commonly used in Europe and early America. It smacks of “sonata formâ€, and even the modern formal designation of “recapitulating march†alludes to sonata form. The final recapitulating strain repeats with an obbligato soaring above it in the first trumpet part, now on piccolo trumpet. The march ends with a short coda that brings back the opening motivic allusion to the Air Force Song. Due to the selected formal structure, this march, “The Fightin’ 55thâ€, is much more unified than most typical marches. The very nature of military marches (including America’s beloved “Stars and Stripes Foreverâ€) displays four or even five completely unrelated melodies, or strains, throughout. The incorporation of thematic structure similar to that found in sonata form indeed makes “The Fightin’ 55th†an appropriate and even artistic concert march.
The Fightin' 55th (for Brass Quintet & Percussion)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$24.95 23.97 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus






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