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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download

SKU: A0.1044425

By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425).

I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.

We Must Learn to Walk Together
Piano, Voix et Guitare
Lisa Waites
$3.99 3.79 € Piano, Voix et Guitare PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download

SKU: A0.1267939

By Christina Bond. By Christina Bond. 21st Century,Classical,Contemporary. Score. 4 pages. Christina Bond #860491. Published by Christina Bond (A0.1267939).

‘The Three Sisters’ is inspired by the beautiful Australian landmark of the same name, located in the beautiful Blue Mountains in New South Wales. This piano piece echoes the vastness and beauty of this iconic landscape. 

Aboriginal dream-time legend tells of three sisters, 'Meehni', 'Wimlah', and 'Gunnedoo,' who were revered members of the Katoomba tribe. The three sisters dared to fall in love with three brothers from the neighbouring Nepean tribe, despite their union being forbidden. The witchdoctor from the Katoomba tribe intervenes to protect the sisters by turning them into stone, preserving them for eternity. 

The music transports listeners to the heart of this beautiful place. Perhaps you will hear the longing and melancholy of the sisters, locked in their magnificent rock formation, standing tall as a testament to their love and the enduring consequences of a long-forgotten battle.

The Three Sisters
Piano seul
Christina Bond
$5.10 4.84 € Piano seul PDF SheetMusicPlus

Piano,Vocal,Voice - Level 2 - Digital Download

SKU: A0.1513002

By African-American Spiritual. By Traditional, first cited in Old Plantation Hymns by William Barton (1861-1930). Arranged by Teresa Young. 19th Century,Blues,Early Music,Folk,Traditional. Score. 2 pages. Teresa Young #1087887. Published by Teresa Young (A0.1513002).

Teresa Young's arrangement of the hauntingly beautiful African-American hymn (Sometimes I Feel Like a) Motherless Child for piano and voice is spare but powerful. Set in G minor, the piano accompaniment sets the mood and complements the sung melody rather than doubling it. The left-hand part uses the lowest register of the piano, helping to convey the heavy weight of this lament first sung unaccompanied by enslaved workers in the American South. Teresa's version in A minor is available here too. Just search Motherless Child Teresa Young to see both.

(Sometimes I Feel Like a) Motherless Child African-American Spiritual
$5.99 5.69 € PDF SheetMusicPlus

Piano,Vocal,Voice - Level 2 - Digital Download

SKU: A0.1509433

By African-American Spiritual. By Traditional, first cited in Old Plantation Hymns by William Barton (1861-1930). Arranged by Teresa Young. 19th Century,Blues,Early Music,Folk,Traditional. Score. 2 pages. Teresa Young #1084672. Published by Teresa Young (A0.1509433).

Teresa Young's arrangement of the hauntingly beautiful African-American hymn (Sometimes I Feel Like a) Motherless Child for piano and voice is spare but powerful. Set in A minor, the piano accompaniment sets the mood and complements the sung melody rather than doubling it. The left-hand part uses the lowest register of the piano, helping to convey the heavy weight of this lament first sung unaccompanied by enslaved workers in the American South.

(Sometimes I Feel Like a) Motherless Child African-American Spiritual
$5.99 5.69 € PDF SheetMusicPlus

Piano,Vocal,Voice - Level 2 - Digital Download

SKU: A0.1509404

By African-American Spiritual. By Traditional, first cited in Old Plantation Hymns by William Barton (1861-1930). Arranged by Teresa Young. 19th Century,Blues,Early Music,Folk,Traditional. Score. 2 pages. Teresa Young #1084643. Published by Teresa Young (A0.1509404).

Teresa Young's arrangement of the hauntingly beautiful African-American hymn (Sometimes I Feel Like a) Motherless Child for piano and voice is spare but powerful. Set in A minor, the piano accompaniment sets the mood and complements the sung melody rather than doubling it. The left-hand part uses the lowest register of the piano, helping to convey the heavy weight of this lament first sung unaccompanied by enslaved workers in the American South.

Motherless Child African-American Spiritual
$5.99 5.69 € PDF SheetMusicPlus

Piano/Vocal/Chords - Digital Download

SKU: AX.00-XS-0000275

Composed by Johnny Mercer and Paul Lincke. Standard. 3 pages. Alfred Music - Digital Sheet Music #00-XS-0000275. Published by Alfred Music - Digital Sheet Music (AX.00-XS-0000275).

ISBN 9780739074770. UPC: 038081404509.

Johnny Mercer (1909--1976) was not only one of America's greatest lyricists---he helped define the American South from the outside in. His words paint rich and vivid portraits of life in his native Georgia. Mercer wrote a wide variety of songs, from lush, dreamy ballads to plays on colloquial American expressions. He joined forces with some of the most talented composers of his day, including Harold Arlen, Hoagy Carmichael, and Henry Mancini, to fashion one of the most startlingly original catalogs in American popular music. This songbook commemorates the centennial of his birth with piano/vocal sheet music arrangements (including guitar chord frames) for 46 of his most famous and best-loved classics. Titles: Ac-cent-tchu-ate the Positive * And the Angels Sing * Any Place I Hang My Hat Is Home * Autumn Leaves * Bless Yore Beautiful Hide * Blues in the Night * Charade * Come Rain or Come Shine * Day In---Day Out * Days of Wine and Roses * Dream * Drinking Again * Emily * Fools Rush In (Where Angels Fear to Tread) * G.I. Jive * The Glow-Worm * Goody-Goody * Hooray for Hollywood * I Thought About You * I Wanna Be Around * If I Had My Druthers * I'm an Old Cowhand (from the Rio Grande) * I'm Old Fashioned * In the Cool, Cool, Cool of the Evening * Jeepers Creepers * Laura * Lazybones * Legalize My Name * Moon River * My Shining Hour * Namely You * On the Atchison, Topeka and the Santa Fe * One for My Baby (and One More for the Road) * Satan's Li'l Lamb * Satin Doll * Skylark * Something's Gotta Give * Strip Polka * Summer Wind * The Sweetheart Tree * That Old Black Magic * Too Marvelous for Words * Two of a Kind * When the World Was Young * You Must Have Been a Beautiful Baby * You Were Never Lovelier.

The Glow Worm
Piano, Voix et Guitare

$3.99 3.79 € Piano, Voix et Guitare PDF SheetMusicPlus

Soprano voice,Vocal Solo - Level 1 - Digital Download

SKU: A0.837340

Arranged by Garth M. Williams (Socan). Concert,Folk,Instructional,Standards. 8 pages. Garth M. Williams (Socan) #6663829. Published by Garth M. Williams (Socan) (A0.837340).

This is a traditional air from North England.  The original arrangement was written by John Stobbs.  This arrangement is written for a young  solo soprano.  The accompanist creates a  delicate support for the
young  voice.  The  composition opens with a chorus, which then leads into Verse #1.  Verse #1 is followed by a lovely Interlude in the soprano voice while the melody is  played an octave higher by the piano.  The Interlude is then followed by Verse #2 and a final chorus.  A beautiful composition for the young singer.

BLOW THE WIND SOUTHERLY FOR SOLO SOPRANO WITH PIANO ACCOMPANIMENT
Accompagnement Piano

$15.99 15.19 € Accompagnement Piano PDF SheetMusicPlus

High Voice,Vocal Solo - Level 5 - Digital Download

SKU: A0.730185

Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. 9 pages. James Nathaniel Holland #370921. Published by James Nathaniel Holland (A0.730185).

Mariana's (Soprano) Aria When there is my mansion by the sea...
from On the Wings of the Scarlet Messenger An Opera in 4 Acts, Based on the Henry James novel, On the Wings of a Dove
Music, Adaptation and Libretto by James Nathaniel Holland

Composer website:
http://www.lacoronadelossantos.net/jamesnathanielholland.html 
YouTube presentation: https://www.youtube.com/watch?v=dl4l8KeTfic 

A beautiful and virtuosic contemporary aria for a Gilda Rigoletto type lyric soprano with orchestral accompaniment. Has never been premiered before.

Setting: The Fictional Southeast Asian island of Soon Rafa, present day, night, the garden behind Leila's mansion. Mariana (Soprano) niece and ward of her rich Aunt Leila. She cannot marry her love, Kai (bass), due to his lack of money. Mariana has just received a tongue lashing from her Aunt Leila in front of Leila's friends and has left for the garden. Alone and frustrated, Mariana sings of the day when she will have the freedom to do what she wants and execute revenge on all her critics. Fits requirement for contemporary aria in English.

Duration: 5:15
Range: C4 to C6

Soprano Aria When there is my mansion by the Sea... from the opera On the Wings of the Scarlet Messe Voix haute

$4.95 4.7 € Voix haute PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download

SKU: A0.730471

Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. Score and parts. 40 pages. James Nathaniel Holland #3872343. Published by James Nathaniel Holland (A0.730471).

Mariana's (Soprano) Aria When there is my mansion by the sea...
from On the Wings of the Scarlet Messenger An Opera in 4 Acts, Based on the Henry James novel, On the Wings of a Dove
Music, Adaptation and Libretto by James Nathaniel Holland
Composer YouTube presentation:
https://www.youtube.com/watch?v=dl4l8KeTfic 

A beautiful and virtuosic contemporary aria for a Gilda Rigoletto type lyric soprano with orchestral accompaniment.  Has never been premiered before.

Setting: The Fictional Southeast Asian island of Soon Rafa, present day, night, the garden behind Leila's mansion. Mariana (Soprano) niece and ward of her rich Aunt Leila. She cannot marry her love, Kai (bass), due to his lack of money. Mariana has just received a tongue lashing from her Aunt Leila in front of Leila's friends and has left for the garden. Alone and frustrated, Mariana sings of the day when she will have the freedom to do what she wants and execute revenge on all her critics. Fits requirement for contemporary aria in English.

Instrumentation:  picc, fl12, ob, eh, clBb, bscl, ts, bsn 12, hrn 1234, tpt12, trm, btrm, timp/tri, vocal part, hrp, strings

Duration: 5:15
Range: C4 to C6.

When there is my mansion by the Sea... Opera On the Wings of the Scarlet Messenger Orchestra Accompa Orchestre

$13.95 13.25 € Orchestre PDF SheetMusicPlus

Small Ensemble Clarinet,Piano - Level 4 - Digital Download

SKU: A0.790005

Composed by Richard Rodgers. Arranged by W. Brent Sawyer. Broadway,Musical/Show. Score and part. 18 pages. Diamond S Music #3533739. Published by Diamond S Music (A0.790005).

THIS NEARLY WAS MINE from South Pacific. For SOLO Bb CLARINET AND PIANO ACCOMPANIMENT (with optional Double Bass).This beautiful and exciting arrangement is from the beloved Rodgers & Hammerstein ground-breaking 1949  Broadway musical, South Pacific. This arrangement begins very simply with the soloist unaccompanied. Then the piano comes in with a dream-like delicacy with expands into a rich and lush accompaniment. The bridge gets a little spicier with a jazz waltz feel and then expands back to a warmth before a final key change that turns into a big theatrical ending. This is sure to be a real crowd pleaser. The piano accompaniment is quite difficult but there are alternate passages included to simplify the most difficult passages. There is an optional BASS part included that would add to the performance. There is no drum part included, but a drummer could easily improvised from the Bass part which would add a lot as well. Other similar arrangements from this publisher can be found at: 

https://www.sheetmusicplus.com/publishers/diamond-s-music/6940

This Nearly Was Mine from South Pacific
Clarinette et Piano

$10.00 9.5 € Clarinette et Piano PDF SheetMusicPlus

Small Ensemble Piano,Tenor Saxophone - Level 4 - Digital Download

SKU: A0.790007

Composed by Richard Rodgers. Arranged by W. Brent Sawyer. Broadway,Musical/Show. Score and part. 18 pages. Diamond S Music #3533743. Published by Diamond S Music (A0.790007).

THIS NEARLY WAS MINE from South Pacific. For SOLO TENOR SAX AND PIANO ACCOMPANIMENT (with optional Double Bass).This beautiful and exciting arrangement is from the beloved Rodgers & Hammerstein ground-breaking 1949  Broadway musical, South Pacific. This arrangement begins very simply with the soloist unaccompanied. Then the piano comes in with a dream-like delicacy with expands into a rich and lush accompaniment. The bridge gets a little spicier with a jazz waltz feel and then expands back to a warmth before a final key change that turns into a big theatrical ending. This is sure to be a real crowd pleaser. The piano accompaniment is quite difficult but there are alternate passages included to simplify the most difficult passages. There is an optional BASS part included that would add to the performance. There is no drum part included, but a drummer could easily improvised from the Bass part which would add a lot as well. Other similar arrangements from this publisher can be found at: 

https://www.sheetmusicplus.com/publishers/diamond-s-music/6940

This Nearly Was Mine from South Pacific
Saxophone Tenor et Piano

$10.00 9.5 € Saxophone Tenor et Piano PDF SheetMusicPlus

Instrumental Duet,Piano Alto Saxophone,Double Bass,Instrumental Duet,Piano - Level 4 - Digital Download

SKU: A0.790006

Composed by Richard Rodgers. Arranged by W. Brent Sawyer. Broadway. Score and parts. 18 pages. Diamond S Music #3533741. Published by Diamond S Music (A0.790006).

THIS NEARLY WAS MINE from South Pacific. For SOLO ALTO SAX AND PIANO ACCOMPANIMENT (with optional Double Bass).This beautiful and exciting arrangement is from the beloved Rodgers & Hammerstein ground-breaking 1949  Broadway musical, South Pacific. This arrangement begins very simply with the soloist unaccompanied. Then the piano comes in with a dream-like delicacy with expands into a rich and lush accompaniment. The bridge gets a little spicier with a jazz waltz feel and then expands back to a warmth before a final key change that turns into a big theatrical ending. This is sure to be a real crowd pleaser. The piano accompaniment is quite difficult but there are alternate passages included to simplify the most difficult passages. There is an optional BASS part included that would add to the performance. There is no drum part included, but a drummer could easily improvised from the Bass part which would add a lot as well. Other similar arrangements from this publisher can be found at: 

https://www.sheetmusicplus.com/publishers/diamond-s-music/6940

This Nearly Was Mine from South Pacific
Saxophone Alto et Piano

$10.00 9.5 € Saxophone Alto et Piano PDF SheetMusicPlus


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