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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.844328 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Easter,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #3115903. Published by Dan Cutchen Music (A0.844328). This arrangement of And Can It Be That I Should Gain? is for alto saxophone solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Alto Sax - And Can It Be? Theme and Variations-Accompaniment Track, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year. This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/BSX9yYcNY2E
Alto Sax - "And Can It Be?" Theme and Variations
Saxophone Alto et Piano

$7.00 6.68 € Saxophone Alto et Piano PDF SheetMusicPlus

Cello,Piano - Level 3 - Digital Download SKU: A0.844351 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Gospel,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4281895. Published by Dan Cutchen Music (A0.844351). This arrangement of And Can It Be That I Should Gain? is for cello solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Cello - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00And Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/xCpG9mpfSFk
Cello - "And Can It Be?" Theme and Variations
Violoncelle, Piano

$6.00 5.73 € Violoncelle, Piano PDF SheetMusicPlus

Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used.  For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
Tuba solo - "And Can It Be?" Theme and Variations
Tuba

$6.00 5.73 € Tuba PDF SheetMusicPlus

C Instrument - Level 1 - Digital Download SKU: A0.1511772 By The Wolfe Tones. By Fred Fisher, Jesse Lasky, and Sam Stern. Arranged by Thomas Degan. 20th Century,Celtic,Comedy,Folk,Irish,Traditional. Lead Sheet / Fake Book. 2 pages. Thomas Degan #1086922. Published by Thomas Degan (A0.1511772). My Brother Sylvest' also known as Big Strong Man, is an American song, but often performed by English folk singers and Irish bands.My Brudda Sylvest' was written in 1908, words by Jesse Lasky and Sam Stern, music by Fred Fisher.The song is written in an Italian-American dialect about the singer's eponymous brother, described in hyperbolic terms as a man of legendary strength capable of extraordinary feats. The original lyric has him blowing out a house fire, pushing the ocean away to allow him to walk to Italy, killing fifty thousand [native American] Indians, and drinking the ocean dry.Subsequent versions changed the references from the boxer John L. Sullivan to the Jeffries-Johnson fight of 1910, to American boxer Jack Dempsey, who started boxing in 1914, and even to John Conteh of Great Britain, who fought in the 1970s. Other changes have included the saving of the RMS Lusitania, sunk during the first World War, and swimming from New York to Italy, drinking all the water in the sea, playing every instrument in a brass band in a visit to Japan.
Big Strong Man (My Brother Sylvest)
Instruments en Do
The Wolfe Tones
$3.99 3.81 € Instruments en Do PDF SheetMusicPlus

Bass Guitar - Level 1 - Digital Download SKU: A0.1131998 By The Blues Brothers. By Robert Johnson. Arranged by Yuri Noronha. Blues,Country,Early Music,Instructional,Rock. Score. 4 pages. Yuri Noronha #732237. Published by Yuri Noronha (A0.1131998). Simplified Bass Line of Sweet Home Chicago by The Blues Brothers. In this The Blues Brothers arrangement the bass line has been simplified to make it easier for beginners to learn. Sheet Music and Tablature. 4 Pages. #sweethomechicago #thebluesbrothers #bluesbrothers #robertjohnson #blues #bassblues #basscover #easybassline #simplified #howtoplayblues #howtoplaybass #howtoplaybluesonthebass #bassguitar #bassguitarblues #bluesbassguitar #basstab #basstabs #tablature.
Sweet Home Chicago
Basse electrique
The Blues Brothers
$4.99 4.76 € Basse electrique PDF SheetMusicPlus

Alto Saxophone Solo - Level 1 - Digital Download SKU: A0.546140 Composed by Luther Johnson. Arranged by Stefan Lamml. Blues,Broadway,Jazz,Musical/Show,Pop. Individual part. 5 pages. Stefan Lamml #156238. Published by Stefan Lamml (A0.546140). Best Blues for Saxes. Here transribtion for Alto Sax. A Blues Brother Party Tune. Blues Nr. 1 . Suitable to the Backing/Playalong from Sax Coach Stefan Lamml. See the Video and listen to the mp3. Bester Blues für Saxophone. Hier für Alto Sax. Wunderbare Party-Musik im Stil von den Blues Brothers. Blues Nr.1 Passend zum Backing/Playalong vom Sax Coach Stefan Lamml Schau das Video ! Le meilleur blues pour saxophones. Ici pour alto sax. Magnifique musique de fête dans le style des Blues Brothers. Blues Nr.1 Adapté au Backing/Playalong du Sax Coach Stefan Lamml Regarde la vidéo ! El mejor blues para saxofones. Aquí para el saxo alto. Maravillosa música de fiesta al estilo de los Blues Brothers. Blues No.1 Matching Backing/Playalong por el entrenador de saxofón Stefan Lamml ¡Mira el vídeo! I migliori blues per sassofoni. Qui per il sassofono contralto. Meravigliosa musica da festa nello stile dei Blues Brothers. Blues No.1 Matching Backing/Playalong da Sax Coach Stefan Lamml Guarda il video!
Back At The Chicken Shack
Saxophone Alto

$4.99 4.76 € Saxophone Alto PDF SheetMusicPlus

Trombone Solo - Level 3 - Digital Download SKU: A0.1093124 Composed by African-American Spiritual. Arranged by Todd Marchand. Folk,Sacred,Spiritual,Traditional. Individual part. 8 pages. Con Spirito Music #697221. Published by Con Spirito Music (A0.1093124). “Let Us Break Bread Together” is an African-American folk song passed down through oral tradition in South Carolina’s coastal communities. First transcribed by Nicholas George Ballanta-Taylor, an African ethnomusicologist, and published in his Negro Spirituals of Helena’s Island (1925), it has become a hymn sung in many churches throughout the United States and beyond.The tune became widely known after publication in The Second Book of Negro Spirituals (1926), compiled by brothers James Weldon Johnson and Rosamond Johnson, and it grew in popularity with its inclusion in many 20th-century hymnals and through various choral arrangements.In this arrangement, trombone and organ each take a turn at the verse and refrain, then join together after a modulation up one step on verse, refrain and conclusion.©Copyright 2013 Todd Marchand / Con Spirito Music. Visit www.conspiritomusic.com
Let Us Break Bread Together — trombone, organ
Trombone

$5.99 5.72 € Trombone PDF SheetMusicPlus

Alto Voice,Bass Voice,Choir,Soprano voice,Tenor Voice - Digital Download SKU: A0.1072461 Composed by Michael James Karasis. Contemporary,Folk,Holiday,Patriotic. Full Performance. Duration 651. Michael Karasis #3044859. Published by Michael Karasis (A0.1072461). An American Civil War Memorial  10. Anthem to BrotherhoodAn Oratorio in Nine Parts for Orchestra, Chorus and Narratorby Michael James KarasisProduced and Conducted by James MacDonaldNarrated by Senator Paul SimonChristine Schultze, Soprano; Brooke Tippett Thompson, Alto; Lawrence Johnson, Tenor; Ray Kasman, BassThe Chicago Businessmen's Orchestra and ARS Musica ChicagoRecorded and edited by Lincoln Music Productions, Ken Abeling, EngineerRecorded March 17 & 31, 2001 at Elmhurst CollegeCopyright 1997 Michael Karasis All Rights Reserved.
An American Civil War Memorial - 10. Anthem to Brotherhood

$1.99 1.9 € PDF SheetMusicPlus

Tenor Saxophone Solo - Level 1 - Digital Download SKU: A0.546141 Composed by Luther Johnson. Arranged by Stefan Lamml. Blues,Broadway,Film/TV,Jazz,Musical/Show,Pop. Individual part. 4 pages. Stefan Lamml #156239. Published by Stefan Lamml (A0.546141). Bester Blues für Saxophone. Hier für Alto Sax. Wunderbare Party-Musik im Stil von den Blues Brothers. Blues Nr.1 Passend zum Backing/Playalong vom Sax Coach Stefan Lamml Schau das Video ! Best blues for saxophones. Here for Alto Sax. Wonderful party music in the style of the Blues Brothers. Blues No.1 Matching Backing/Playalong by Sax Coach Stefan Lamml Watch the Video ! El mejor blues para saxofones. Aquí para el saxo alto. Maravillosa música de fiesta al estilo de los Blues Brothers. Blues No.1 Matching Backing/Playalong por el entrenador de saxofón Stefan Lamml ¡Mira el vídeo! Le meilleur blues pour saxophones. Ici pour alto sax. Magnifique musique de fête dans le style des Blues Brothers. Blues Nr.1 Adapté au Backing/Playalong du Sax Coach Stefan Lamml Regarde la vidéo ! I migliori blues per sassofoni. Qui per il sassofono contralto. Meravigliosa musica da festa nello stile dei Blues Brothers. Blues No.1 Matching Backing/Playalong da Sax Coach Stefan Lamml Guarda il video!
Back At The Chicken Shack
Saxophone Tenor

$4.99 4.76 € Saxophone Tenor PDF SheetMusicPlus


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