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1 16 31 ....136

Vocal Solo,Voice - Level 1 - Digital Download

SKU: A0.719770

Composed by Various. Arranged by Curtis Hanson. Sacred. 10 pages. Curtis Hanson #6069399. Published by Curtis Hanson (A0.719770).

As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have mostly elected to use the older texts as that is the way they were first written and the way I first learned them. (*See below for more comment on the texts in this set.) There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set are Children of the Heavenly Father, Day by Day, Thy Holy Wings, and Beautiful Savior. This collection of arrangements is also available for SATB voices and piano or piano solo.

*A note on the texts in this set: Having grown up in a Swedish Lutheran church, the grandson of Swedish/Norwegian immigrants, and currently being choir director of another Swedish Lutheran church, these hymns have a special place for me. This medley of hymns was originally arranged for my church choir with the first verse of each in Swedish. Being under copyright, permission was obtained to use the more familiar English translations of the first three songs for local use. For this edition, I have opted to create my own texts for the first and third hymns while the second hymn is a translation in public domain. I have also provided a verse in English in lieu of the Swedish for those Nordically challenged. The fourth hymn is not a Swedish melody but for obvious reasons is a mainstay of the Lutheran hymnal. Like the other hymns, the first verse is in Swedish while the other traditional verses are also public domain.

Hymns from Childhood - Set 10 (solo)
Piano seul

$5.99 5.38 € Piano seul PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download

SKU: A0.719738

Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 13 pages. Curtis Hanson #4573123. Published by Curtis Hanson (A0.719738).

As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have mostly elected to use the older texts as that is the way they were first written and the way I first learned them. (See below for more comment on the texts in this set.) There is a reverence and beauty in the language enriching the vocal/choral tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The hymns in this set are Children of the Heavenly Father, Day by Day, Thy Holy Wings, and Beautiful Savior.

A note on the texts in this set: Having grown up in a Swedish Lutheran church, the grandson of Swedish/Norwegian immigrants, and currently being choir director of another Swedish Lutheran church, these hymns have a special place for me. This set was originally arranged for my church choir with the first verse of each in Swedish. Being under copyright, permission was obtained to use the more familiar English translations of the first three songs for local use. For this edition, I have opted to create my own texts for the first and third hymns while the second is a translation in public domain. I have also provided a verse in English in lieu of the Swedish for those Nordically challenged. The fourth hymn is not a Swedish melody but for obvious reasons is a mainstay of the Lutheran hymnal. Like the other hymns, the first verse is in Swedish while the other traditional verses are also public domain.


Hymns from Childhood - Set 10 (SATB)
Chorale SATB

$2.25 2.02 € Chorale SATB PDF SheetMusicPlus

Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download

SKU: A0.876447

Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 24 pages. JoeCopio Music LLC #53323. Published by JoeCopio Music LLC (A0.876447).

LILLY’S DANCE (THE TUMBLER) Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio LILLY’S DANCE (THE TUMBLER) is a delightful Latin flavored dance that was inspired by Little Miss Lilly who could tumble on command all by her big self when she was only 15 months old. When I first saw her dance and tumble at such a young age, I was so moved that I wrote this piece to celebrate her ability to amaze everyone with her dancing and tumbling. LILLY’S DANCE (THE TUMBLER) was originally written and arranged for a small ensemble, band, stage band or combo with flexible instrumentation so that it may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of LILLY’S DANCE (THE TUMBLER) makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, LILLY’S DANCE (THE TUMBLER) has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece is composed in the same style of the other dances in the set - all of which have been performed by College and High School students in many major concert events along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 1 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for LILLY’S DANCE (THE TUMBLER) includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Depart.

LILLY'S DANCE (THE TUMBLER)
Saxophone Tenor et Piano

$4.99 4.49 € Saxophone Tenor et Piano PDF SheetMusicPlus

B-Flat Trumpet,Horn,Organ,Timpani,Trombone,Tuba - Level 3 - Digital Download

SKU: A0.1272749

Composed by Felix Mendelssohn / W.H. Cummings. Arranged by Todd Marchand. Christmas,Holiday,Sacred,Traditional. 23 pages. Con Spirito Music #864944. Published by Con Spirito Music (A0.1272749).

One of the “Great Four” Anglican hymns of the 19th century, Charles Wesley’s (1707-1788) “Hark! The Herald Angels Sing” first appeared in the 1739 collection, Hymns and Sacred Poems, by Wesley and his brother John (1703-1791) under the title “Hymn for Christmas-Day.”

Based on a verse from the Gospel of Luke (“Glory to God in the highest, and on earth peace, good will toward men.” — 2:14), the hymn tells of an angelic host singing praises from Heaven above to Christ — the God incarnate, Savior and Redeemer of the world.
 
George Whitefield, a fellow Anglican cleric and founder with the Wesley brothers of the evangelical movement known as Methodism, adapted the hymn and published it in his 1754 Collection of Hymns for Social Worship. Additional revisions were made by other editors, including the repetition of the opening lines, “Hark! the herald angels sing / glory to the new-born king” at the end of each stanza, as it is commonly sung today.

Wesley envisioned his hymn being sung to the same tune as his “Christ the Lord is Risen Today” (published as “Hymn for Easter-Day” in Hymns and Sacred Poems). However, the tune MENDELSSOHN, an adaptation by English musician William H. Cummings (1831-1915) of music from Felix Mendelssohn’s 1840 secular cantata, Festgesang, is overwhelmingly associated with Wesley’s text today. This arrangement proceeds as follows:

•  Introduction: brass, organ, timpani 
•  Verse 1: organ 
•  Verse 2: brass, timpani
•  Interlude
•  Verse 3: organ, brass, timpani, with alternate harmonization

Includes full score, parts for Organ, Bb Trumpets 1-2, F Horn, Trombone, Tuba, Timpani, and reproducible bulletin insert for voices.

©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit
www.conspiritomusic.com

Hark! The Herald Angels Sing — festival hymn accompaniment for organ, brass quintet, timpani
$25.00 22.47 € PDF SheetMusicPlus

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download

SKU: A0.946355

Composed by Jimmy Giuffre. Arranged by Benjamin Karaca. 20th Century,Contemporary,Instructional,Jazz,Standards. 17 pages. Benjamin Karaca #6409831. Published by Benjamin Karaca (A0.946355).

Jimmy Giuffre composed Four Brothers for Woody Herman's Second Herd. This band was famous for its saxophone section, which featured the unusual lineup of three Tenor Saxophones and one Baritone Saxophone (TTTB). This saxophone quartet arrangement is often referred to as the Four Brothers” lineup. Four Brothers (the piece) is now a jazz standard and a showcase piece for any saxophone section.

This version is a transcription (or leadsheet) of the main theme. The key matches the original. In addition to the original TTTB lineup, I've added as many additional parts as possible. This version can be played with any sensible combination of Soprano, Alto, Tenor, Baritone and even Bass Saxophones.
The main theme of Four Brothers provides the quartet with a perfect opportunity to focus on various important aspects of ensemble playing, including phrasing, articulation, timing, volume (balance), and tone. Additionally, I've added an intonation exercise based on the chord progression of the [A] section.

Saxophone Quartet in various lineups (SATB, AATB, TTTB etc.). Level 4/5.

Part 1: Soprano Sax / Alto Sax / Tenor Sax
Part 2: Alto Sax / Tenor Sax / Baritone Sax
Part 3: Alto Sax / Tenor Sax / Baritone Sax
Part 4: Tenor Sax / Baritone Sax / Bass Sax
Score in C

A high-quality arrangement by a professional musician. It also includes interesting information about the piece and helpful tips for interpretation. For more information, please visit my website:
www.benjaminkaraca.com.

Four Brothers Quatuor de Saxophones: 4 saxophones

$19.95 17.93 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Recorder Solo - Level 2 - Digital Download

SKU: A0.1051006

Composed by John Turner. 20th Century,Classical. Individual part. 20 pages. Forsyth Brothers Ltd #655335. Published by Forsyth Brothers Ltd (A0.1051006).

The Four Diversions were written by recorder virtuosi, composer and arranger, John Turner, in 1968/9, and they have since become one of the best known works in the recorder repertoire. The Waltz was composed first, as a Christmas present for a pupil, Jane Hall, and the set as a whole was dedicated to David Munrow and his wife Gill. The first performance of the complete set was given by David Munrow and Christopher Hogwood at Adlington Hall, Macclesfield, shortly after they were completed. The beguiling Waltz is preceded by a gentle but active Pastoral. The other two movements are a Celtic sounding Aubade and an alert and dashing Hornpipe with a central cantabile section in varying quintuple rhythms. Other recorder works by John Turner include Six Bagatelles, A Short Sprint, Serenade, and Three Salutes and a Whirl.

Four Diversions
Flűte ŕ Bec

$14.99 13.48 € Flűte ŕ Bec PDF SheetMusicPlus

Choral Choir (TTBB) - Level 4 - Digital Download

SKU: A0.928974

By The Beach Boys. By Brian Wilson and Gary Usher. Arranged by Donald A. Mills, 2019. A Cappella,Pop,Rock. Octavo. 3 pages. Donald A Mills #4351149. Published by Donald A Mills (A0.928974).

In My Room, by The Beach Boys. 

This gentle song may be sung as a prayer, with tenderness. Your audiences will love the melody and harmonies.

This arrangement by Donald A. Mills is for barbershop as a quartet or chorus. It is TTBB (TLBB) a cappella, sung softly, sweetly, legato, singing the four dotted quarter notes as a 3/4 time. The Beach Boys have mentioned that they wrote In My Room in 12/8 time because they had tired of the 3/4 time many songs of the day were written in.

From Wikipedia, Gary Usher explained that 'In My Room found us taking our craft a little more seriously. Brian and I came back to the house one night after playing 'over-the-line' (a baseball game). I played bass and Brian was on organ. The song was written in an hour... Brian's melody all the way. The sensitivity... the concept meant a lot to him. When we finished, it was late, after our midnight curfew. In fact, Murry [the Wilson brothers' father] came in a couple of times and wanted me to leave. Anyway, we got Audree [the Wilson brothers' mother], who was putting her hair up before bed, and we played it for her. She said, 'That's the most beautiful song you've ever written.' Murry said, 'Not bad, Usher, not bad,' which was the nicest thing he ever said to me.

Gary Usher (who co-wrote the lyrics with Brian Wilson) further describes that Brian was always saying that his room was his whole world. Brian seconds this opinion: I had a room, and I thought of it as my kingdom. And I wrote that song, very definitely, that you're not afraid when you're in your room. It's absolutely true.

In 1990, Brian wrote, I also enjoyed producing 'In My Room'. There is a story behind this song. When Dennis, Carl and I lived in Hawthorne as kids, we all slept in the same room. One night I sang the song 'Ivory Tower' to them and they liked it. Then a couple of weeks later, I proceeded to teach them both how to sing the harmony parts to it. It took them a little while, but they finally learned it. We then sang this song night after night. It brought peace to us. When we recorded 'In My Room', there was just Dennis, Carl and me on the first verse...and we sounded just like we did in our bedroom all those nights. This story has more meaning than ever since Dennis' death.

In My Room
Chorale TTBB
The Beach Boys
$1.99 1.79 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (SATB) - Level 1 - Digital Download

SKU: A0.854740

Composed by Traditional. Arranged by Jake Alexander. A Cappella,Children,Folk,Multicultural,Traditional,World. Octavo. 4 pages. Jake Alexander #4580059. Published by Jake Alexander (A0.854740).

A simple, four-part, unaccompanied choral arrangement of the haunting American folk song made famous by its appearance in the Coen Brothers' movie, O Brother Where Art Thou? Approximately 2'15 in length. Also available in SSAA on this site.

My name is Jake Alexander - I’m a composer, arranger and choir leader based in London. I create accessible arrangements that play to the strengths of community choirs. If you would like to offer any feedback, or just want to say hi, please get in touch at jake@jakealexander.org. Also, feel free to get in touch if you would like to be sent rehearsal tracks - these are available for all of my scores. Happy singing!

jakealexander.org
quaggycommunitychoir.com

Didn't Leave Nobody but the Baby - SATB a cappella
Chorale SATB

$1.99 1.79 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SSAA) - Level 1 - Digital Download

SKU: A0.854739

Composed by Traditional. Arranged by Jake Alexander. A Cappella,Children,Folk,Multicultural,Traditional,World. Octavo. 4 pages. Jake Alexander #4580057. Published by Jake Alexander (A0.854739).

A simple, four-part, unaccompanied choral arrangement of the haunting American folk song made famous by its appearance in the Coen Brothers' movie,  O Brother Where Art Thou? Approximately 2'15 in length. Also available in SATB on this site.

My name is Jake Alexander - I’m a composer, arranger and choir leader based in London. I create accessible arrangements that play to the strengths of community choirs. If you would like to offer any feedback, or just want to say hi, please get in touch at jake@jakealexander.org. Also, feel free to get in touch if you would like to be sent rehearsal tracks - these are available for all of my scores. Happy singing!

jakealexander.org
quaggycommunitychoir.com

Didn't Leave Nobody but the Baby - SSAA a cappella
Chorale SSAA

$1.99 1.79 € Chorale SSAA PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download

SKU: A0.1438260

By Dua Lipa. By Andrew Wyatt Blakemore, Caroline Ailin, Dua Lipa, and Mark Ronson. Arranged by Simone Orsini. 21st Century,Pop. 87 pages. Simone Orsini #1018311. Published by Simone Orsini (A0.1438260).

DANCE THE NIGHT performed by Duo Lipa
For Concert Band - Performance Time 4:02 - Digital Download

Composed By Mark Ronson, Andrew Wyatt Blakemore, Dua Lipa, Caroline Ailin

Arranged by Simone Orsini

Instrumentation:
Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Tuba, El. Bass, Drum Set, Percussion 1 (Tamb., Shaker), Percussion 2 (Wind Chimes, Hand Clap), El. Guitar, keyboard.

Additional Parts:
Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., Bb Bass Trombone T.C., Bb Euphonium T.C., Bb Bass T.C.

Dance the Night is a song by English-Albanian singer Dua Lipa from Barbie the Album, the soundtrack of the film Barbie (2023). Lipa and Caroline Ailin wrote it with its producers Andrew Wyatt and Mark Ronson, and the Picard Brothers also contributed production. Atlantic and Warner Records released it as the soundtrack's lead single on 25 May 2023. A pop and disco song that features cello, violin, viola, guitar and bass in its instrumentation, Dance the Night is about dancing throughout the night despite enduring sadness. Its release was accompanied by a music video, which features a cameo appearance of Barbie writer and director Greta Gerwig. Dua Lipa performed Dance the Night at the 66th Grammy Awards.

Dance the Night reached number one on the UK Singles Chart, becoming Dua Lipa's fourth number-one single in the country. In the United States, the song peaked at number six on the Billboard Hot 100, becoming the singer's fifth top-ten single in the country. Elsewhere, Dance the Night reached number-one in Ireland, Belgium, Bulgaria, Croatia, Israel, Luxembourg, and the Commonwealth of Independent States, while it peaked within the top-ten in Australia, Austria, Canada, Denmark, France, Germany, the Netherlands, New Zealand, and Switzerland. The song also peaked at number three on the Billboard Global 200. It was nominated for Song of the Year and Best Song Written for Visual Media at the 66th Annual Grammy Awards and for Best Original Song at the 81st Golden Globe Awards.

Dance The Night
Orchestre d'harmonie
Dua Lipa
$68.00 61.13 € Orchestre d'harmonie PDF SheetMusicPlus

Flute,Piano - Level 2 - Digital Download

SKU: A0.1434991

Composed by Dorothy Pilling. 20th Century,Classical,Contest,Festival. Score and part. 22 pages. Forsyth Brothers Ltd #1015095. Published by Forsyth Brothers Ltd (A0.1434991).

These short but perfectly formed pieces are intended for flautists of about a year's standing. It is hoped that this small album will also help to foster in young players a taste for ensemble playing: the two simple trios also include oboe and clarinet, but if these instruments are not available the parts may be played on a violin.

  1. Buffoon
  2. The Cuckoo
  3. Ländler
  4. Jig
  5. Bercuse (Trio for Flute, Oboe and Piano)
  6. Sarabande (Trio for Flute, Clarinet and Piano)
Pilling was a much loved figure in the Mancunian musical world, known to generations of young pianists for her imaginative piano teaching pieces. Most famous for classic 'Harmonization of Melodies at the Keyboard' series, Dorothy Pilling also composed many piano duets and solos, as well as songs and other works. According to the Voxturturis blog:

'Her music remains fresh and light; characterised by strong melodies and late romantic harmony which she improvised well and the pieces are, in the main, short.  Instantly appealing to players and audiences alike, most of her work shows a high degree of compositional craft'.

Four Simple Pieces for Flute
Flűte traversičre et Piano

$9.99 8.98 € Flűte traversičre et Piano PDF SheetMusicPlus


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