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Piano Trio - Level 3 - Digital Download SKU: A0.549883 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Wedding. 33 pages. Jmsgu3 #3601997. Published by jmsgu3 (A0.549883). Score: 18 pages, piano part: 6 pages, cello part: 4 pages, violin part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra, then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words.  Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic o.
Mendelssohn: Wedding March for Piano Trio
Piano Trio: piano, violon, violoncelle

$36.95 32 € Piano Trio: piano, violon, violoncelle PDF SheetMusicPlus

Recorder - Level 2 - Digital Download SKU: A0.831390 Composed by Leo Friedman. Arranged by James Grush. Folk. Recorder Ensemble. 23 pages. JGJG Sheet Music LLC #3435019. Published by JGJG Sheet Music LLC (A0.831390). Meet Me Tonight in Dreamland (1909) and Let Me Call You Sweetheart (1910) are popular love songs in 3/4 time. Audiences enjoy these arrangements, especially when performed as Name That Tune pieces or for sing-along. Songs are arranged for SSATB or AAATB Recorders from the original piano/vocal scores. The first eight measures are the instrumental introduction. The melody is a duet shared between the top two lines. Conductor’s score plus individual parts for each piece. Lyrics are provided.
Sweetheart and Dreamland for Recorder Quintet
5 Flûtes à bec

$14.00 12.13 € 5 Flûtes à bec PDF SheetMusicPlus

Recorder - Level 2 - Digital Download SKU: A0.831389 Composed by Leo Friedman. Arranged by James Grush. Folk. Recorder Ensemble. 21 pages. JGJG Sheet Music LLC #3435031. Published by JGJG Sheet Music LLC (A0.831389). Meet Me Tonight in Dreamland (1909) and Let Me Call You Sweetheart (1910) are popular love songs in 3/4 time. Audiences enjoy these arrangements, especially when performed as Name That Tune pieces or for sing-along. Songs are arranged for AATB and SATB Recorders from the original piano/vocal scores. The first eight measures are the instrumental introduction. The melody is a duet shared between the top two lines. Conductor’s score plus individual parts for each piece. Lyrics are provided.
Sweetheart and Dreamland for Recorder Quartet
Quatuor de Flûtes à bec

$12.00 10.39 € Quatuor de Flûtes à bec PDF SheetMusicPlus

Solo Guitar - Level 2 - Digital Download SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individual part. 5 pages. Richard Hirsch #203776. Published by Richard Hirsch (A0.594506). An arrangement of the Flamenco Soleares style (palo) for the dance (baile). The musical material for the arrangement is taken from standard traditional themes for the Soleares style of Flamenco. The arrangement is meant for guitarists and students of guitar that are new to Flamenco and want to learn the basics for one of the most important palos in Flamenco. The arrangement can be used to accompany a solo dance, customary in serious (jondo) Flamenco, often performed by a woman dancer. The Soleares rhythm consists of a repetition of a twelve beat phrase the Flamencos refer to as a compás where accents fall on the third, sixth, eight, tenth, and twelfth beats of the phrase (1 2 3 4 5 6 7 8 9 10 11 12). I notate the compás as a series of five measures that comprises two 3/4 measures followed by three 2/4 measures. Throughout the notation there is, therefore, a fluctuating between two measures in 3/4 and three measures in 2/4 time. The first beat of the compás falls on the second beat of the first 3/4 measure in the series and the first accented beat falls on the first beat of the second 3/4 measure. The sixth, eight, and tenth accented beats fall on the first beats of the 2/4 measures in the series. The twelfth beat falls on the first beat of the next series beginning with a 3/4 measure. Notating the compás in this manner allows the guitarist a total grasp of the underlying structure of the music, something that is often lost in other notations I have studied for Soleares. A command of the compás is essential for the guitarist to be able to work with Flamenco singers and dancers. The Soleares is a stately dance that moves at a moderate pace, but often ends in a finale (macho por Bulerías) that is more than twice as fast as the first sections of the dance. The finale also contains a key change from the Phrygian mode of the llamadas and corridas to the key of E major. The arrangement contains essential basic techniques for Flamenco guitar, the rasqueado, the legato with hammering on, the four finger tremolo that rips at the strings before a full chord with the thumb, alzapúa where the thumb strikes in triplets down, up, down in rapid succession, etc. Students should dedicate themselves to a close and careful study of the notation to gain full mastery of these techniques. The arrangement consists of several sections, the llamadas which are calls to the dancer to take the stage, corridas where the dancer moves in a circle executing various heel and toe steps together with hand, arm, and body gestures, and the macho where the dance ends in a storm of stamping and a fit of wild abandon. The corrida sections consist of melodies Flamencos call “falsetasâ€. One of these is simply a series of broken chords while another is a melody taken from a song called “Caña†that is a member of the Soleares family. The notation ends, as is prescribed for the dance, on the tenth beat of the last compás (the first beat of the last 2/4 measure in the last five measure series). The Soleares was the first palo my maestro Juan González “Triguito†introduced me to in my studies with him in Madrid in the late 1960’s and is considered to be the “mother†of true forms of Flamenco. The title of the arrangement is in celebration of the beautiful patios of Córdoba, home of the Flamenco palo Soleares.
Patios de Córdoba
Guitare

$3.99 3.46 € Guitare PDF SheetMusicPlus

Recorder - Level 2 - Digital Download SKU: A0.831391 Composed by Leo Friedman. Arranged by James Grush. Folk. Recorder Ensemble. 17 pages. JGJG Sheet Music LLC #3435041. Published by JGJG Sheet Music LLC (A0.831391). Meet Me Tonight in Dreamland (1909) and Let Me Call You Sweetheart (1910) are popular love songs in 3/4 time. Audiences enjoy these arrangements, especially when performed as Name That Tune pieces or for sing-along.Songs are arranged for three Alto Recorders from the original piano/vocal scores. The first eight measures are the instrumental introduction. The melody is shared amongst all three lines. Conductor’s score plus individual parts for each piece. Lyrics are provided.
Sweetheart and Dreamland for Recorder Trio
3 Flûtes à bec (trio)

$10.00 8.66 € 3 Flûtes à bec (trio) PDF SheetMusicPlus

Piano Solo - Digital Download SKU: A0.818245 Arranged by Stephen R. Dalrymple (Dalrymple Designs). Sacred. Score. 9 pages. Stephen R Dalrymple #3457493. Published by Stephen R Dalrymple (A0.818245). Softly and Tenderly Jesus is Calling Hymn arrangement for left hand alone piano solo by Stephen R Dalrymple performed by the composer © 2017,  â„—  2020 Stephen R Dalrymple    This hymn, often used by Dwight Moody as a hymn of invitation was composed by Will Lamartine Thompson 1880. On Moody’s deathbed, he told Thompson Will, I would rather have written Softly and Tenderly Jesus is Calling than anything I have been able to do in my life. Combined with Lord, I’m Coming Home (lyrics and melody by William J Kirkpatrick 1892) and Amazing Grace lyrics by John Newton 1779 and melody first published in Virginia Harmony 1831, arranged by Edwin O. Excell 1900    Updated November 2020. Suitable for preludes, offertories, concerts, personal meditation. Includes 2 versions 1) piano score, letter size 2) piano score, small page format for performing from 10.1 inch tablet  (Note: Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)
Softly and Tenderly Jesus is Calling
Piano seul

$4.45 3.85 € Piano seul PDF SheetMusicPlus

Jazz Combo - Level 5 - Digital Download SKU: A0.778984 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Blues,Christian,Gospel,Jazz. Score and parts. 3 pages. Don Hodell Chilcote #3686629. Published by Don Hodell Chilcote (A0.778984). Only A Step, Heaven's Call.  A setting of a hymn tune with great funky bebop riff which is simple and groovin at times and also harmonically daring and rich. Big Chords and great nonfunctional Gospel sounding voice leading produces a striking example of the beauty qualities of this astounding gem. Piece includes distinct and unique ideas and vamps and a setting of the hymn tune before concluding. 2 page arrangement is challenging but not overly so, and well worth the effort to learn. Deeply funky tune draws from inspiration in Hezekiah Walker, Chick Corea, Ricky Dillard, Charlie Parker, and Theolonious Monk. It was used for a piano and drum prelude in church, for a moment in time.
Only A Step, Heaven's Call
Jazz combo

$2.99 2.59 € Jazz combo PDF SheetMusicPlus

Choir Sacred bass, drumset, B-3 organ, dir. score - Digital Download SKU: JX.00-24249 Shall We Gather at the River / When the Saints Go Marchin' In. Arranged by Larry Shackley. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Sacred Choral Series. All Saints Day; Sacred; Spring; Summer; Transfiguration. Part(s); Score. 39 pages. Jubilate Music Group - Digital #00-24249. Published by Jubilate Music Group - Digital (JX.00-24249). English. Psalm 46, Psalm 50, Psalm 84, Daniel 7:1-18, Ezekiel 47:1-6, 1 Corinthians 1:1-3, Ephesians 3:8-13, 2 Thessalonians 1:1-10, Revelation 7:9-17, Revelation 21:1-6a, Revelation 22:1-5.Gospel excitement! Opening in a slow, relaxed gospel style, the choir sings Robert Lowry's 19th century gospel masterpiece, Shall We Gather at the River. Shifting gears into a bright 2-beat, the choir sings an inspired pairing of Lowry's hymn and When the Saints Go Marchin' In. Highlights include energetic call and response and blues harmonies, plus an optional soloist. Add the brass and rhythm for extra fun. InstruPax includes parts for bass, drumset, B-3 organ, director score.
Gather with the Saints

$20.00 17.32 € PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.511472 Composed by W.L.Thompson. Arranged by Han-Ki Kim. Contemporary,Instructional,Sacred. Score and parts. 17 pages. Han-Ki Kim #3449531. Published by Han-Ki Kim (A0.511472). 1. Main Theme is rotated by parts, to give interest for all the listener and player 2. This music is for Church and Educational purpose. 3. Arranger is very experienced(with I Musici), and his works are very loved world widely. 4. Shown Bowing sign and Fingering(Vn,Va) will be very helpful to player. 5. Instead of Viola, optional Violin 3 part is included. 6. attached Music file is recorded as S. Orchestra, it's just for a reference. Han-Ki KimArranger, Violinist. He earned his Master's degree from the Michigan State University (Majored in Violin). Kim has formerly been concertmaster of Daegu City Sym. Orchestra as well as for the Michigan State University Orchestra. He was an advising professor for the Czech Republic's Dobřichovice International Music Camp, and now Korean Suzuki Association Music Camp.Since 2004, his compositions have been periodically performed by I Musici. His compositions have also been performed and recorded by the Vienna Waltz Orchestra, in Austria, the French Chamber Orchestra in France, and the Sophia Chamber Orchestra in Russia. Mr. Kim is a former Dean of Changwon National University's College of Performing Arts. Currently he is Emeritus professor of Changwon National University. https://www.sheetmusicplus.com/publishers/han-ki-kim/7032    
Softly and Tenderly Jesus is Calling (For String Quartet)
Orchestre à Cordes

$11.99 10.38 € Orchestre à Cordes PDF SheetMusicPlus

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.528389 By Metallica. By Ennio Morricone. Arranged by Diego Marani. Contemporary,Film/TV,Instructional,Rock,Standards. Score and parts. 11 pages. Diego Marani #5954901. Published by Diego Marani (A0.528389). The Ecstasy of Gold (Italian: L'estasi dell'oro) is a musical composition by Ennio Morricone, part of his score for the 1966 Sergio Leone film The Good, the Bad and the Ugly. It is played while Tuco (Eli Wallach) is frantically searching a cemetery for the grave that holds $200,000 in gold coins. Sung by Edda Dell'Orso, it stands as one of the most well known of Morricone's themes. American metal band Metallica has used The Ecstasy of Gold as the introductory music for its concerts since 1984. New York City-based punk rock band Ramones used this theme as the outro music for their concerts since 1991. This arrangement for brass quartet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, Trombone or F Horn, Tuba.It is suitable for classroom, repertoire and recital.
The Ecstasy Of Gold from THE GOOD, THE BAD AND THE UGLY
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Metallica
$19.99 17.31 € Quatuor de Cuivres : 2 trompettes, trombone, tuba PDF SheetMusicPlus






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