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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.782884 By Justin Cody. By Justin Cody. Arranged by Justin Cody. Contemporary,Jazz,New Age. Score. 20 pages. Justin Cody #390290. Published by Justin Cody (A0.782884). Written for the 2022 Aspire performance at the River Arts Center in Prairie du Sac, WI, this piece is a reflection of the power of water to influence and guide you through life if you only list for it. An immensely Transformative piece, I delved into water themes in tempo and harmony. All the tempos are derivitives of 212 Degrees and the constant changing tempos are reminiscent of how the flow of water changes all the time. Harmonically, the key centers from Eb, to G, to B, are all connected to each other through common tones just like bodies of water are interconnected.
Something in the Water
Piano, Voix
Justin Cody
$5.99 5.2 € Piano, Voix PDF SheetMusicPlus

Bass Guitar - Level 2 - Digital Download SKU: A0.937040 By The Darkness. By Daniel Hawkins, Ed Graham, Frankie Poullain, and Justin Hawkins. Arranged by The Bass Diaries. Rock. Score. 6 pages. The Bass Diaries #6302231. Published by The Bass Diaries (A0.937040). Song: I Believe in a Things Called LoveArtist: The DarknessAlbum: Permission to LandTab Information:This bass tab has been arranged by Pearce Hamblin from The Bass Diaries to provide you with the most accurate representation of the bass line from this song.For more information, please visit https://www.thebassdiaries.comA note about the author:Pearce started The Bass Diaries back in 2013 and has been transcribing bass lines to popular songs since 2015; currently in the top 100 highest rated tabbers over on Ultimate Guitar for the quality tabs posted to their website over the years.
I Believe In A Thing Called Love
Basse electrique
The Darkness
$4.99 4.33 € Basse electrique PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.566031 Composed by Aron Strobel, Curtis Briggs, Stefan Zauner, and Timothy Touchton. Arranged by Timothy Allen. Rock. Octavo. 14 pages. Timothy Allen Music Ltd #175432. Published by Timothy Allen Music Ltd (A0.566031). Combining the pomp of Queen with the harmonic intricacy of The Beatles, this song has a massive build to it. Musically, this follows the original single version, but structurally, it includes the false end from the orchestral album version, which can really wrong-foot an audience - if you go into the false end with the conviction that it's really the end, you'll get the audience to applaud - then surprise them with the coda! The backing track and learning tracks are available - contact the arranger via www.timothyallenmusic.co.uk.
Keeping The Dream Alive
Chorale SATB

$2.49 2.16 € Chorale SATB PDF SheetMusicPlus

Easy Piano - Level 3 - Digital Download SKU: A0.939556 Composed by Jeremy Cullen. 20th Century,Contemporary. Score. 6 pages. Jeremy Cullen #4800772. Published by Jeremy Cullen (A0.939556). This piece is part of a cycle of works composed as the soundtrack to an imaginary documentary called The World of Eugène Atget. If the film did exist, I’d like to think that this music would make a suitable accompaniment to the French photographer’s haunting images. In 2005 I saw an exhibition of Atget's work at the San Francisco Museum of Modern Art and was captivated by his photos of Old Paris in the early 20th Century. He viewed his images as documents rather than art but they are beautifully atmospheric and influenced the Surrealists. My recording of this piece can be found on the album Scenes Vol. 1 by Jeremy Cullen, available on on Spotify, Apple Music, iTunes and Amazon.
Valse Nostalgique (from The World of Eugène Atget)
Piano Facile

$3.99 3.46 € Piano Facile PDF SheetMusicPlus

String Bass - Digital Download SKU: AX.00-PC-0001292_SB String Bass. Composed by George Gershwin and Ira Gershwin. Arranged by Russell L. Robinson. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001292_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001292_SB). UPC: 038081294186.Here's a light, swinging arrangement of a cute George and Ira Gershwin song that's ideal for any age choir. High school groups can sink their teeth into it, middle school groups can really make music with it, and elementary groups can just have fun with it. The clever lyrics (you say ee-ther and I say eye-ther) are the focus of this piece. Great for jazz/pop groups, too.
Let's Call the Whole Thing Off: String Bass
Contrebasse (partie séparée)

$5.00 4.34 € Contrebasse (partie séparée) PDF SheetMusicPlus

Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1135550 Composed by James M. Black. Arranged by J. Randolph Hall. This edition: Interactive Download. Classical,Folk,Praise & Worship,Standards. Score and parts. 10 pages. Duration 80. J. Randolph Hall #4IhTbwrIXtcEZqo6gyEKzy. Published by J. Randolph Hall (A0.1135550). Key: Eb major.James Milton Black was an American hymnist from the 19th and early 20th Centuries. An absentee from his Sunday School class got him to think about those absent from Heaven. Luke 10:20, 1 Thessalonians 4:16, and Revelation 20:15. Sections A and C are the verses. Section B and D are the refrain. A modulation to the new key between B and C with the help of an augmented sixth chord (French 6th). A descant is then added by yours truly. A few measures before the employs the use of a deceptive cadence.
When The Roll Is Called Up Yonder

$4.00 3.47 € PDF SheetMusicPlus

Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549893 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603411. Published by jmsgu3 (A0.549893). Score: 12 pages, piano part: 6 pages, baritone sax part: 4 pages. duration: ca. 5'. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words.  Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.Register for free lifetime revisions and updates at www.jamesguthrie.com     &n.
Mendelssohn: Wedding March for Baritone Sax & Piano
Saxophone Baryton, Piano

$24.95 21.66 € Saxophone Baryton, Piano PDF SheetMusicPlus

Flute,Piano - Level 3 - Digital Download SKU: A0.549486 Composed by Felix Mendelssohn (1809 –1847). Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500637. Published by jmsgu3 (A0.549486). CONCERT FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words.  Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
Mendelssohn: Song Without Words Op. 109 for Flute & Piano
Flûte traversière et Piano

$32.95 28.61 € Flûte traversière et Piano PDF SheetMusicPlus






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