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Brass Ensemble - Level 3 - Digital Download SKU: A0.767279 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 38 pages. Lyons Music Services #3218699. Published by Lyons Music Services (A0.767279). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. This song, No 10 starts with the line Here Tirsi laughed and wriggled under the two(twin?) stars of the beautiful Clorinda I think you get the picture! We can see plenty of musical laughing and wriggling in the music with dotted rhythms and semiquaver runs. The top two voices are Clorinda (doing a fair amount of wriggling herself) while the bottom two take the part of Tirsi. There are places where all four voices give vent to an exclamation and where, presumably, the two lovers had to stop for breath! The original incorporates a very basic continuo part, which I have shared between the resting voices. As with all things madrigalian, the lyrics are rife with double entendres.
Monteverdi - The Sixth Book of Madrigals - 10. Qui rise Tirsi
Ensemble de cuivres

$4.99 4.28 € Ensemble de cuivres PDF SheetMusicPlus

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.782884 By Justin Cody. By Justin Cody. Arranged by Justin Cody. Contemporary,Jazz,New Age. Score. 20 pages. Justin Cody #390290. Published by Justin Cody (A0.782884). Written for the 2022 Aspire performance at the River Arts Center in Prairie du Sac, WI, this piece is a reflection of the power of water to influence and guide you through life if you only list for it. An immensely Transformative piece, I delved into water themes in tempo and harmony. All the tempos are derivitives of 212 Degrees and the constant changing tempos are reminiscent of how the flow of water changes all the time. Harmonically, the key centers from Eb, to G, to B, are all connected to each other through common tones just like bodies of water are interconnected.
Something in the Water
Piano, Voix
Justin Cody
$5.99 5.14 € Piano, Voix PDF SheetMusicPlus

Bass Guitar - Level 2 - Digital Download SKU: A0.937040 By The Darkness. By Daniel Hawkins, Ed Graham, Frankie Poullain, and Justin Hawkins. Arranged by The Bass Diaries. Rock. Score. 6 pages. The Bass Diaries #6302231. Published by The Bass Diaries (A0.937040). Song: I Believe in a Things Called LoveArtist: The DarknessAlbum: Permission to LandTab Information:This bass tab has been arranged by Pearce Hamblin from The Bass Diaries to provide you with the most accurate representation of the bass line from this song.For more information, please visit https://www.thebassdiaries.comA note about the author:Pearce started The Bass Diaries back in 2013 and has been transcribing bass lines to popular songs since 2015; currently in the top 100 highest rated tabbers over on Ultimate Guitar for the quality tabs posted to their website over the years.
I Believe In A Thing Called Love
Basse electrique
The Darkness
$4.99 4.28 € Basse electrique PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.566031 Composed by Aron Strobel, Curtis Briggs, Stefan Zauner, and Timothy Touchton. Arranged by Timothy Allen. Rock. Octavo. 14 pages. Timothy Allen Music Ltd #175432. Published by Timothy Allen Music Ltd (A0.566031). Combining the pomp of Queen with the harmonic intricacy of The Beatles, this song has a massive build to it. Musically, this follows the original single version, but structurally, it includes the false end from the orchestral album version, which can really wrong-foot an audience - if you go into the false end with the conviction that it's really the end, you'll get the audience to applaud - then surprise them with the coda! The backing track and learning tracks are available - contact the arranger via www.timothyallenmusic.co.uk.
Keeping The Dream Alive
Chorale SATB

$2.49 2.14 € Chorale SATB PDF SheetMusicPlus

Easy Piano - Level 3 - Digital Download SKU: A0.939556 Composed by Jeremy Cullen. 20th Century,Contemporary. Score. 6 pages. Jeremy Cullen #4800772. Published by Jeremy Cullen (A0.939556). This piece is part of a cycle of works composed as the soundtrack to an imaginary documentary called The World of Eugène Atget. If the film did exist, I’d like to think that this music would make a suitable accompaniment to the French photographer’s haunting images. In 2005 I saw an exhibition of Atget's work at the San Francisco Museum of Modern Art and was captivated by his photos of Old Paris in the early 20th Century. He viewed his images as documents rather than art but they are beautifully atmospheric and influenced the Surrealists. My recording of this piece can be found on the album Scenes Vol. 1 by Jeremy Cullen, available on on Spotify, Apple Music, iTunes and Amazon.
Valse Nostalgique (from The World of Eugène Atget)
Piano Facile

$3.99 3.42 € Piano Facile PDF SheetMusicPlus

String Bass - Digital Download SKU: AX.00-PC-0001292_SB String Bass. Composed by George Gershwin and Ira Gershwin. Arranged by Russell L. Robinson. Classical. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001292_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001292_SB). UPC: 038081294186.Here's a light, swinging arrangement of a cute George and Ira Gershwin song that's ideal for any age choir. High school groups can sink their teeth into it, middle school groups can really make music with it, and elementary groups can just have fun with it. The clever lyrics (you say ee-ther and I say eye-ther) are the focus of this piece. Great for jazz/pop groups, too.
Let's Call the Whole Thing Off: String Bass
Contrebasse (partie séparée)

$5.00 4.29 € Contrebasse (partie séparée) PDF SheetMusicPlus

Small Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Interactive Download SKU: A0.1135550 Composed by James M. Black. Arranged by J. Randolph Hall. This edition: Interactive Download. Classical,Folk,Praise & Worship,Standards. Score and parts. 10 pages. Duration 80. J. Randolph Hall #4IhTbwrIXtcEZqo6gyEKzy. Published by J. Randolph Hall (A0.1135550). Key: Eb major.James Milton Black was an American hymnist from the 19th and early 20th Centuries. An absentee from his Sunday School class got him to think about those absent from Heaven. Luke 10:20, 1 Thessalonians 4:16, and Revelation 20:15. Sections A and C are the verses. Section B and D are the refrain. A modulation to the new key between B and C with the help of an augmented sixth chord (French 6th). A descant is then added by yours truly. A few measures before the employs the use of a deceptive cadence.
When The Roll Is Called Up Yonder

$4.00 3.43 € PDF SheetMusicPlus

Instrumental Duet Alto Saxophone,Instrumental Duet,Soprano Saxophone - Level 5 - Digital Download SKU: A0.1016979 Composed by Lea Detlefs. Concert,Contemporary,Standards,World. Score and parts. 3 pages. Lea Detlefs #6114259. Published by Lea Detlefs (A0.1016979). A wide ranging, effervescent piece great for a recital or encore.  Cycles through the key of B flat, E flat, and E major.  While originally for soprano sax, alto can also play the music as written and it will simply sound in a lower range from the recording.  Trills, quick flourishes of ascending or descending scales, and bending of notes in the high range are some of the beautiful features of this music.  This piece was inspired by the many wonderful Indian classical music performances I was able to attend while living in Austin, TX. It is meant to sound like an improvisation, and at one point even invites the player to add their own improvisation. The melodic lines are meant to be evocative of the sitar, while the trills preceded or followed by a short staccato exclamation recall the energetic tabla. This piece is not derived from a raga, but the title pays homage to the idea in classical Indian music that the various raga each bring up certain feelings and associations in the minds of the audience, or in other words, colour the mind.
Colour the Mind - Solo for Soprano or Alto Saxophone with Improvisation (optional)
2 Saxophones (duo)

$3.95 3.39 € 2 Saxophones (duo) PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.902332 Composed by Will L. Thompson (1880). Arranged by J.B. Taylor. 20th Century,Christian,Contemporary,New Age,Sacred. Score. 4 pages. J.B. Taylor #5734007. Published by J.B. Taylor (A0.902332). This piano arrangement of the well known hymn features a lullaby like introduction that has an almost plaintive motive of the text Jesus is Calling. The composer takes liberties with the melody, shaping the text into a dream-like piano rhapsody. You will hear come home throughout. There is a short quote of the original hymn tune toward the end of the piece. This arrangement is appropriate for worship services, recitals, or personal devotional time at the piano. Duration: 3:28Appropriate for: Invitation, Memorial, Funeral, Personal Holiness This song appears on the album Down in My Heart (Hymns for Rest and Reflection) by J.B. Taylor. Available on Apple Music, Spotify, Amazon, and other retailers. 
Softly and Tenderly Jesus Is Calling
Piano seul

$3.99 3.42 € Piano seul PDF SheetMusicPlus






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