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Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549490 Composed by Felix Mendelssohn (1809 –1847. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500665. Published by jmsgu3 (A0.549490). BARITONE SAX & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words.  Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
Mendelssohn: Song Without Words Op. 109 for Baritone Sax & Piano
Saxophone Baryton, Piano

$32.95 28.27 € Saxophone Baryton, Piano PDF SheetMusicPlus

Flute,Piano - Level 3 - Digital Download SKU: A0.549493 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3500855. Published by jmsgu3 (A0.549493). ALTO FLUTE & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words.  Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
Mendelssohn: Song Without Words Op. 109 for Alto Flute & Piano
Flûte traversière et Piano

$32.95 28.27 € Flûte traversière et Piano PDF SheetMusicPlus

Piano and voice (solo and SATB chorus) - Digital Download SKU: LV.3993 Composed by J.P. Webster. Birds, Spouses, Youth, Nostalgia, Human life cycle, Children, Death. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3993). Songs of the Present Time. Melodies of Beauty, Ideas of Progress, Words of Sense. The Past We Can Never Recall. Song and Chorus. Response to When You & I Were Young, Maggie. By J.P. Webster. Words by Luke Collin. Published 1868 by Root & Cady, 67 Washington Street in Chicago. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Birds, Spouses, Youth, Nostalgia, Human life cycle, Children, Death. First line reads The past we can never recall, Jamie, it fled with our youth long ago.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
The Past We Can Never Recall. Song and Chorus. Response to "When You & I Were Young, Maggie.
Chorale SATB
J P
$5.99 5.14 € Chorale SATB PDF SheetMusicPlus

Large Ensemble Choir - Level 3 - Digital Download SKU: A0.1494991 Composed by Johannes Brahms. Arranged by R. G. Huff. Christian,Classical,Jewish,Religious,Romantic Period. 8 pages. RG Huff #1071556. Published by RG Huff (A0.1494991). CLASSIC MINIATURESThe opening theme statement of the Brahms How Lovely reduced to just 29 measures for use as a Call to Worship or Hymn Introduction.TWO SETTINGS:1) Fully set for SATB with original voicings with organ/piano in the original key of E-flat. Full score and choral only provided.2) Set for unison singing with organ/piano in the lowered key of C. Full score and voices only provided.Every church choir needs to sing at least this much of this classic, and choirs who could tackle the full anthem might need to sing just the opening section for a brief worship element.The unison would work for the small choir OR to introduce the theme to a children's choir.Purchase one download and make as many copies as you need for your situation.
"How Lovely Is Thy Dwelling Place" from Brahms REQUIEUM abbreviated for Call to Worship

$12.00 10.3 € PDF SheetMusicPlus

Large Ensemble Flute,Handbell - Level 3 - Digital Download SKU: A0.917211 By Julie Fowlis. By Alexander L. Mandel. Arranged by Kurt Meyer. Celtic,Contemporary,Film/TV,Irish,New Age,Pop. Score and parts. 16 pages. Kurt Meyer Self-Publishing #6495083. Published by Kurt Meyer Self-Publishing (A0.917211). This catchy and upbeat tune from the Disney movie BRAVE has now been scored for 3 to 6 octaves Handbells with optional Flutes 1 & 2. With a driving malleted bass unison line to start, the musical textures slowly build upon one another, metamorphosing into a joyful legato texture for the main melody, and ending with a soft and transparent musical setting. The addition of the optional Flutes adds a vibrant flare to the Celtic-like feel of the song and intrinsically enhance the overall musical experience for both listeners and performers alike. A most welcome addition for a concert or school music program. Level 3+.(If only one flutist is available, then the Flute 1 part should be played, omitting the Flute 2 part.)Purchase of this arrangement includes both a reproducible Handbell part and individual combined Flute part, allowing for enough copies to be made for one handbell ensemble.Kurt Meyer Self-Publishing (KMSP) Code: KMSP-0016.
Touch The Sky
Julie Fowlis
$45.00 38.61 € PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1416984 By Ian Isaac Oliver. By Ian Isaac Oliver. 20th Century,Blues,Jazz,Standards. Score. 2 pages. Ian Isaac Oliver #998574. Published by Ian Isaac Oliver (A0.1416984). An original composition, this moody jazz ballad now arranged for solo piano emphasizes unique chord structures & classic melody lines. Wonderful for any club, restaurant, or lobby setting, and sure to melodically appeal to even the most commercial listeners.What defines a classic? Back when I was 19 years old or so, I sat at my piano while looking at The Real Book, a famous anthology of jazz standards. It occured to me that its canon seemed closed. These songs had endured through decades, and meant something new to each generation. We don't see much of that anymore... I figured there wasn't a good reason as to why new jazz standards weren't being introduced, so I thought I would have my go at it. I want the children of 2080 to be able to slowdance to one of my songs playing on the jukebox; what resulted was A Toast to the Sky.- Ian Isaac Oliver, 2024.
A Toast to the Sky
Piano seul
Ian Isaac Oliver
$3.99 3.42 € Piano seul PDF SheetMusicPlus

Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015770 By Gloria Estefan. By George Gershwin and Ira Gershwin. Standards. 11 pages. Alfred Music - Digital Sheet Music #00-PS-0015770. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015770). ISBN 9781470610388. UPC: 038081471044.Few artists have turned out as many powerhouse albums as Gloria Estefan. With her newest release, The Standards, she has managed to capture the essence of some of the most popular and timeless songs and transform them into entirely new experiences. Now pianists can explore the rich harmonies in each original arrangement as performed by the artist. Titles: Call Me Irresponsible * Embraceable You * Eu Sei Que Vou Te Amar * For All We Know * Good Morning Heartache * How Long Has This Been Going On * I've Grown Accustomed to His Face * SonrAe * The Day You Say You Love Me * The Way You Look Tonight * They Can't Take That Away from Me * What a Difference a Day Makes * What a Wonderful World * You Made Me Love You * Young at Heart.
They Can't Take That Away from Me
Piano, Voix et Guitare
Gloria Estefan
$3.99 3.42 € Piano, Voix et Guitare PDF SheetMusicPlus

Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0015775 By Gloria Estefan. By Carlos Gardel. Standards. 8 pages. Alfred Music - Digital Sheet Music #00-PS-0015775. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0015775). ISBN 9781470610388. UPC: 038081471044. Alfredo le Pera; Gloria M. Estefan.Few artists have turned out as many powerhouse albums as Gloria Estefan. With her newest release, The Standards, she has managed to capture the essence of some of the most popular and timeless songs and transform them into entirely new experiences. Now pianists can explore the rich harmonies in each original arrangement as performed by the artist. Titles: Call Me Irresponsible * Embraceable You * Eu Sei Que Vou Te Amar * For All We Know * Good Morning Heartache * How Long Has This Been Going On * I've Grown Accustomed to His Face * SonrAe * The Day You Say You Love Me * The Way You Look Tonight * They Can't Take That Away from Me * What a Difference a Day Makes * What a Wonderful World * You Made Me Love You * Young at Heart.
They Day You Say You Love Me
Piano, Voix et Guitare
Gloria Estefan
$3.99 3.42 € Piano, Voix et Guitare PDF SheetMusicPlus

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.1284893 By Stevie Wonder. By Bryan Wells and Ronald N. Miller. Arranged by Alison Gillies. Country,Film/TV,Pop,R & B,Soul. 7 pages. Quartetpad.com #876073. Published by quartetpad.com (A0.1284893). A Place In The Sun by Stevie Wonder arranged for string quartet by Alison Gillies.One of Stevie's earlier songs, calling for equality and justice for all. It has been covered by numerous artists, including Englebert Humperdinck, Diana Ross & The Supremes. The Gabe Dixon Band cover was used in the end credits of the 2006 film Charlotte's Web. Stevie Wonder also recorded an Italian version of the song entitled Il Sole è di Tutti.Other quartetpad Stevie Wonder arrangements include:·       Signed, Sealed, Delivered·       I Just Called To Say I Love You·       Isn’t She Lovely·       Ebony And  IvoryBrowse all arrangements by Alison Gillies at quartetpad.comInstagramFacebookTikTok
A Place In The Sun
Quatuor à cordes: 2 violons, alto, violoncelle
Stevie Wonder
$16.99 14.58 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus






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