Piano Solo - Level 2 - Digital Download SKU: A0.490197 By Emma Theresa. By Emma Theresa. Classical. Score. 6 pages. Emma Theresa #105497. Published by Emma Theresa (A0.490197). This song is called ‘Breathe’ because it is for everyone who feels like they can’t breathe right now. Some people feel like they can’t breathe because they have covid, have to wear a mask, have lost their job, are experiencing abuse or mental illness, and the list could go on and on. I hope that through listening to this piece they will be encouraged.

Piano Solo - Level 3 - Digital Download SKU: A0.1027006 Composed by Denis Kleimenov. Classical,Jazz,Latin. Score. 40 pages. Vechera #632491. Published by Vechera (A0.1027006). The themes included in this collection were kept for a long time in a music manuscript notebook that traveled with me around the globe (Astrakhan - Turku - Vladivostok - Qingdao) and crossed the equator twice. The spirit of travel impregnated the pages of this notebook and inspired me for the search of fresh musical ideas. These different themes sound close to near-jazz style, and they are written for free performance. Based on harmony and melodic line, the performer is free to improvise and interpret themes to his liking, add new instruments and create his own arrangements. Historically, in jazz, the main melodic idea of ​a piece is called a theme. There is a theme, so you can improvise. Following this tradition, I have named my collection 7 Silver Themes.

Small Ensemble Flute,Harp,Violin - Level 3 - Digital Download SKU: A0.797341 Arranged by Beth Kolle. Concert,Folk,World. Score and parts. 40 pages. Afghan Press Music for the Harp #4808447. Published by Afghan Press Music for the Harp (A0.797341). Songs for the Midnight Sun comprises fifteen Nordic folk melodies, dance tunes, songs and ballads that have captured the arranger's imagination over the years. For Beth Kolle, Scandinavian music is the expression of the unparalleled beauty of the Nordic countries. The exotically different modes and harmonies evoke wild nature, and unseen beings of the ancient folk beliefs. This is music meant to be sung, danced to, or crooned to sleepy children, preferably in an age-old log cabin redolent of sweet, mellow resin and many years of comforting fires. As with all her other books, these arrangements are meant to be adjusted to your own playing style. Use them as a stepping-off point for making the arrangement your own, or use some of my ideas in a different song. Consider yourself warned: many Scandinavian tunes are addictive and tend to roll around in your head. The cure for that, of course, is to find another tune to replace the one in your head. And so on....good luck with that.Contains:  Song from Venjan, Traditional Song, Dalarna, Sweden, The Dream, Göran ‘Freddy’ Fredriksson, Sweden (also has flute/fiddle part), Polska from Hälleforsnäs, Traditional Polska, Sweden, Ball Polska, Traditional Polska, Sweden, Funk Fars Polska, Traditional Polska, Rättvik, Sweden, Marjankukka (Berry Flower), Lauri Keskinen, Finland (Flute or Fiddle part included), Springtime Waltz, Traditional Waltz, Sweden (Flute or Fiddle included), Walking Tune (GÃ¥nglÃ¥t efter Hamare), Traditional GÃ¥nglÃ¥t, Sweden, The Lost Sheep, Traditional Melody, Telemark, Norway, Waltz from Denmark, Traditional Waltz, Denmark, Amanda, Roger Tallroth, Sweden ,Waltz from Folldal, Traditional Waltz, Norway (Flute or Fiddle part included), Bridal March from Äppelbo, Traditional Wedding March, Sweden, Griffenfeldt, Traditional Reinlender, Norway, La Folia, Traditional Polska, Sweden (Flute or Fiddle part included)

Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality.   As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1164132 Composed by Arianna Cunningham. Classical,Romantic Period. 55 pages. Arianna Cunningham #764482. Published by Arianna Cunningham (A0.1164132). A couple or a few years ago during the Pandemic, there was a Discord Server vs Server Competition going on, and one of the online virtual group communities out of all the other servers took part in a theme called Dreams. When the event started, I immediately started composing this beautiful composition, and chose the instrumentation for Uncommon Woodwinds (Alto Flute, English Horn, and Sopranino Sax), Strings, Harp, and Crotales. However, my submission entry didn't make it to the final Dreams EP as expected. But the admins of the online orchestra group told me that I can still host it as a community project, and it just so happens that I actually did do that, and I've gotten a good amount of submissions from the members themselves, went through all the mixing and editing, etc, before releasing the final performance.This piece is meant to be described about dreaming to a wonderful place you might've remembered, and haven't forgotten in a long time, experiencing the deja vu moments of what you think might've happened long time ago, hence the title, of course.

Easy Piano - Digital Download SKU: A0.985114 Composed by Marko Stev. 20th Century,Contemporary,Instructional. Score. 2 pages. Marko Stevanovic #5968183. Published by Marko Stevanovic (A0.985114). Cinematic Piano Etudes series is made having emotional experience and motivation of piano players in mind.Etudes are usually either emotionally compelling but technically hard (like Chopin’s), or other way around - technically reachable but emotionally dull. Both options can influence pianists' motivation, not in a good way. Cinematic Piano Etudes try to provide compelling emotional experiences at the technically reachable level. Each ‘Episode’ should evoke a sense of a scene with easy enough technique requirements. As the series progresses, so will the technical level.Of course, hopefully they could be compelling listening experience to the general public too.Marko Stev - Cinematic Piano Etudes, Season 01 ‘Intimate Moments’, Episode 04 ‘Waiting for the Clock’Technique focus: playing melody with left hand.Audio available on:.

Brass Ensemble Euphonium,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802608 By Steve Green. By Greg Nelson and Phill McHugh. Arranged by Peet du Toit. Christian,Gospel. Score and parts. 11 pages. Peet du Toit #5983089. Published by Peet du Toit (A0.802608). Steve Green is the son of missionaries. It therefore seemed natural that this song written by Greg Nelson and Phil McHugh which pictures hungry, hurting people who are unaware of the Christian message, would resonate with him. However, Green had a life-changing experience when he realized he'd been living a fake and phoney life, where he'd been doing the right things but with the wrong motives. He'd therefore understood his desperate need for a Saviour and ran to Jesus for what He alone can provide. As a consequence, when this song was pitched to him, Green had just come through a pretty significant life turn-around. The singer recalled to CCM Magazine presents 100 Greatest Songs In Christian Music: It resonated for two reasons - first, because my parents had given their lives to evangelize, and their love for the people they were serving around the world was motivated by Christ's love for them; so that was definitely one of the reasons why I gravitated to the song. The other reason was that for the for the first time, I suppose, I was realizing that it isn't just those who never heard about the Lord who needed him. I knew that I was surrounded by people just like me who were living kind of an external, performance-based Christianity, but they had no light. I started thinking of us as the 'elder brothers' - those who never ran away from home but were just as lost as the prodigal.Watch Steve Green singing this heartfelt song on YouTube at https://www.youtube.com/watch?v=Nbxvc6eeXso .I found this music and lyrics so inspiring and beautiful, I just had to translate it to brass instruments. Enjoy!

Easy Piano - Level 2 - Digital Download SKU: A0.1259525 Composed by Antonio Vivaldi. Arranged by Darek. Baroque,Children,Classical,Early Music,Traditional. Score. 2 pages. Darek #852830. Published by Darek (A0.1259525). Spring (EASY PIANO) from the Four Seasons [Antonio Vivaldi]Simplified arrangement for pianists of Spring from the Four Seasons by Antonio Vivaldi. Easy version for beginner pianists / Easy piano arrangement. Included: Fingering, Dynamics, and video Youtube tutorial.  Step into the mesmerizing world of classical music with my exceptional creation, the Spring (for piano, easy version, for beginner pianists), an enchanting rendition derived from the timeless masterpiece, the Four Seasons by the esteemed composer Antonio Vivaldi. Immerse yourself in the harmonious melodies of this renowned composition, now accessible to pianists of all levels. I have meticulously crafted this sheet music to cater specifically to beginner pianists, ensuring a seamless and enjoyable musical experience. This captivating arrangement embraces the essence of Vivaldi's Spring while accommodating those who are new to the piano. Within this remarkable package, you will discover a wealth of invaluable resources. Fingering markings gracefully guide your hands across the keys, fostering proper technique and facilitating effortless navigation throughout the piece. These markings empower pianists of all skill levels to approach the music with confidence and finesse. Furthermore, the inclusion of detailed Dynamics markings breathes life into the composition, infusing each note with the appropriate intensity and expression. This attention to detail allows pianists to fully convey the emotions and nuances embedded within Vivaldi's Spring, delivering a captivating and authentic rendition. To enrich your learning experience, I have thoughtfully curated a comprehensive video YouTube tutorial that accompanies the sheet music. This tutorial acts as your personal mentor, providing in-depth guidance and expert insights into the performance and interpretation of this beloved classical piece. Embrace the opportunity to cultivate your musical prowess as you explore the harmonious tapestry of Vivaldi's Spring. This sheet music, designed specifically for beginner pianists, is a gateway to the captivating realm of classical music. Whether you aspire to serenade loved ones, captivate audiences, or simply indulge in the sheer joy of playing, the Spring (for piano, easy version, for beginner pianists) is an invaluable addition to your sheet music collection. Unlock your musical potential, and allow the timeless melodies of Vivaldi to resonate through your fingertips. Join the league of accomplished pianists and embark on a delightful journey through the classical era. Invest in this extraordinary musical treasure today and witness your passion for music flourish like never before.

Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March   Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score).  There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC.  The MP3 was recorded with NotePerformer 3.Grade = 3.5  Duration =.

Recorder Solo,Soprano Recorder - Level 3 - Digital Download SKU: A0.1012509 Composed by Markus Lappalainen. Contemporary. Individual part. 2 pages. Markus Lappalainen #4352329. Published by Markus Lappalainen (A0.1012509). A small collection of themes for solo soprano recorder based around the theme of grass green toes, that all should be familiar with. As you play these, recall your childhood happiness, curiosity and lust for adventure.

Piano,Recorder Solo,Soprano Recorder - Level 3 - Digital Download SKU: A0.1012508 Composed by Markus Lappalainen. Contemporary. Individual part. 6 pages. Markus Lappalainen #4352331. Published by Markus Lappalainen (A0.1012508). Now, with an arrangement for a piano accompaniment!A small collection of themes for solo soprano recorder based around the theme of grass green toes, that all should be familiar with. As you play these, recall your childhood happiness, curiosity and lust for adventure.

Concert band - Grade 2 - Digital Download SKU: IZ.CBS1611-S Composed by Michael Smith. Score. 25 pages. Imagine Music - Digital #CBS1611-S. Published by Imagine Music - Digital (IZ.CBS1611-S). 9 x 12 in inches.Into the Wild was inspired by Jack London's classic novel, the Call of the Wild. It is the musical portrayal of a dog named Buck moving away from civilization and into the wilderness, but it's really about anyone taking a journey into the unknown. This piece is full of wolf calls (in the trombone), anvils depicting the gold rush, and the sounds of whips and sleigh bells from the dog sled. It opens with a dozen strikes from the percussion section imitating the striking of the club, which was Buck's introduction into captivity and the reign of primitive law. What follows is a majestic theme showing the beauty and strength of the dog. His development or retrogression is rapid as depicted in a faster section based on material from the original theme. Then Buck hears the call and joins the pack of wolves, resulting in a weird and eerie chant, in which it was Buck's delight to join. All the elements are combined in a triumphant conclusion.

Concert band - Grade 2 - Digital Download SKU: IZ.CBS1611 Composed by Michael Smith. Score and Parts. 80 pages. Imagine Music - Digital #CBS1611. Published by Imagine Music - Digital (IZ.CBS1611). 9 x 12 in inches.Into the Wild was inspired by Jack London's classic novel, the Call of the Wild. It is the musical portrayal of a dog named Buck moving away from civilization and into the wilderness, but it's really about anyone taking a journey into the unknown. This piece is full of wolf calls (in the trombone), anvils depicting the gold rush, and the sounds of whips and sleigh bells from the dog sled. It opens with a dozen strikes from the percussion section imitating the striking of the club, which was Buck's introduction into captivity and the reign of primitive law. What follows is a majestic theme showing the beauty and strength of the dog. His development or retrogression is rapid as depicted in a faster section based on material from the original theme. Then Buck hears the call and joins the pack of wolves, resulting in a weird and eerie chant, in which it was Buck's delight to join. All the elements are combined in a triumphant conclusion.

Choral 2-Part Chorus,Choir,Choral - Level 2 - Digital Download SKU: A0.1458567 Composed by Peter Spinney. Arranged by Peter Spinney. Christian,Praise & Worship,Religious,Sacred. 8 pages. Peter Spinney #1037497. Published by Peter Spinney (A0.1458567). A two part Choral Anthem, a Soloist or Soprano part and a unison part with accompianment, about finding strength in the Father, Son, and Holy Spirit.  It begins with a hint of melancholy, asking the Father for mercy, and asking the Son for healing and salvation.  Then, calling upon the Holy spirit for courage and strength, the song ends with a strong affirmation of God providing hope and strength.