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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.533710 Composed by Carson Cooman. Contemporary. Score and parts. 83 pages. Musik Fabrik Music Publishing #3041105. Published by Musik Fabrik Music Publishing (A0.533710). I. Murky WatersII. The ForgottenIII. Casting InfinityEnchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble was commissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble, Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor, conductor. These three marvelous piano soloists served as the inspiration for the work. The concerto bears the dedication “for Walter Simmons, a hero for the cause of American music.†Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeserved attention. The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, and as a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonal constructs that are a preoccupation of my music. The concerto’s title provided the poetic idea behind the musical development. Though more or less equal with the ensemble in the first movement, the piano clearly takes over as leader in the second and third movements as the goaldirected formal narrative of the movements becomes more obvious. The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†the musical potential of the basic material. A number of melodic ideas emerge—some lyrical and some disjunct. A brief coda prepares for the next movement. The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass. The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spiky melodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should the work be performed with any substitutions, doublings, or increase of players on individual parts.)This is the full score and the solo part.  The complete parts and seperate parts are available for sale on this site.
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
$29.95 25.68 € PDF SheetMusicPlus

Piano Quartet,String Ensemble - Level 5 - Digital Download SKU: A0.775997 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 75 pages. Musik Fabrik Music Publishing #2035303. Published by Musik Fabrik Music Publishing (A0.775997). Quartet for Piano and Strings (A Sea Liturgy) (2009) was jointly commissioned for the Moscow Studio for New Music and the Arcturus Chamber Ensemble (Sarah Darling, artistic director). It is dedicated to the Arcturus Chamber Ensemble on its 10th anniversary. The work is cast in a single movement and is conceived as a sea liturgy. It attempts to conjure up an imagined set of spiritual rituals (not connected to any specific religion)-a ceremony of transformation and renewal performed in the context of a sea landscape. Though not broken into movements, the formal design of the work could be seen as follows: Processional - (Ritornello) - Invocation - Offering - (Ritornello) - Baptism - Rebirth - Recessional As with so many of my works, much of the initial musical planning took place in the context of the oceanscapes of Nantucket Island, Massachusetts. Those particular sea landscape were foremost in my mind while writing. The listener may also discard the imagined liturgical apparatus and simply listen to the work as a series of seascapes. (For the purposes of narrative clarity, the above section descriptors will be used in the below narrative.) The opening Processional begins with focused, austere intensity: the instruments unfold from a single pitch (E) into a more rich harmonic landscape. A Ritornello of pulsating string harmonics leads into Invocation, a warmly lyrical discourse. The Offering is a faster, jubilant development of the Invocation, where the prayerful melodies of the Invocation are transformed into a gift for the sea. A return of the Ritornello leads to the Baptism. In this section, heterophonic melodies unfold out of the new substrate pitch (D). In the transforming crucible of the water, these lines becomes more and more extended harmonically. The Rebirth is a dancing development of the Baptism; the harmonic extensions are pushed from dissonance into chords of pure joy. Emerging out of the afterglow of the Rebirth is the Recessional, in which the music of the Processional is revisited, now transformed by the ritual to center on the pitch D. The Recessional fades away peacefully, yet fervently.
Carson Cooman : Quartet for Piano and Strings (A Sea Liturgy) (2009) for violin, viola, cello and pi
$38.95 33.39 € PDF SheetMusicPlus

String Ensemble,String Quintet - Level 5 - Digital Download SKU: A0.775995 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 73 pages. Musik Fabrik Music Publishing #2035285. Published by Musik Fabrik Music Publishing (A0.775995). Viola Quintet (Unquiet Parables) (2009) was commissioned by the Vienna Soloists and is dedicated to Jack Melby and Jane Thompson. The work is in three movements, each sharing the same basic musical material. The starting point for the music is dissonant cadential figuration centered on Ab (taken from the voice leading of American colonial-era music). Spinning out from this idea, the material extends to incorporate a sonority formed from perfect 5ths one semitone apart. Irregular phrase lengths and cadences are used as the basis of the work’s large-scale structures. The first movement, Recitatives and Chorales, consists of free, recitative-like material for the instruments in solo. These recitatives often erupt into fast spirals. This texture is interrupted periodically by chorale-like ideas presented by the full quintet. The second movement, Serenata, is a song-like with each instrument taking the melody in turn. Some of the recitative-ideas of the first movement re-emerge, as well as a re-articulation of the cadential figuration. The third movement, Ductia, is energetic and driving. A ductia is a Medieval stamping dance resembling the estampie. The driving (yet sometimes off-kilter) character of the dance is interrupted by a recollection of the first movement’s material. The final resolution of the extended cadential figurations occurs at the end, and the work ends exuberantly with a flourish in Ab major.
Carson Cooman - Viola Quintet (Unquiet Parables) (2009) for two violins, two violas and cello
$32.45 27.82 € PDF SheetMusicPlus

Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 5 - Digital Download SKU: A0.533642 Composed by Carson Cooman. Contemporary. Score and parts. 58 pages. Musik Fabrik Music Publishing #3035193. Published by Musik Fabrik Music Publishing (A0.533642). Solar Visions (2004) for woodwind quintet was commissioned by and is dedicated to theArcadian Winds of Boston, Massachusetts, at the specific request of John Paul Aubrey,hornist. Hearing the Arcadian Winds perform contemporary music on numerous occasionswas an inspiration to the writing of this piece.The work is in three movements, each sharing the same basic musical material. The startingpoint for the work's conception is a dissonant cadential figuration from early American music,centered on Ab. Spinning out from this idea, the material extends to incorporate patterns ofperfect 5ths one semitone apart. This sense of cadence is extended in the work to makelarger-scale structures.The first movement, Recitatives and Chorales, consists of free, recitative-like material for theinstruments in solos. These recitatives often erupt into fast spirals. This texture is interruptedperiodically by chorale-like ideas presented by the full quintet.The second movement, Serenata, is a song-like with each instrument taking the melody inturn. Some of the recitative-ideas of the first movement re-emerge, as well as a rearticulationof the cadential figuration.The third movement, Dance, is energetic and driving. The dance is interrupted by arecollection of the first movement's material. The final resolution of the extended cadentialfigurations occurs at the end, and the work ends exuberantly with a flourish in Ab major.
Carson Cooman: Solar Visions (2004) for woodwind quintet Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$29.95 25.68 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Violin Solo - Level 5 - Digital Download SKU: A0.533566 Composed by Carson Cooman. Concert,Contemporary,Standards. 4 pages. Musik Fabrik Music Publishing #3022371. Published by Musik Fabrik Music Publishing (A0.533566). The Doors in the Sky (2007) for violin commissioned by and is dedicated to violinist PiotrSzewczyk. It was written as a part of his ViolinFutura commissioning project. The missionof the project seeks to commission pieces connected to the deep historical traditions ofsolo violin literature. The work takes its inspiration thus from these historical works and alsofrom a brief poem by American poet Elizabeth Kirschner.The work begins with slow, melodic music in firm tonality. A fast, dancing section emergesand becomes gradually wilder – abandoning its tonal grounding through chromaticalternation. After this fast music stops, the initial slow music returns to conclude the piece,with darker interjections now inserted into the tonal texture before ending in quiet repose.
Carson Cooman: The Doors in the Sky (2007) for violin Violon

$7.75 6.64 € Violon PDF SheetMusicPlus

French Horn Solo - Level 4 - Digital Download SKU: A0.533556 Composed by Carson Cooman. Concert,Contemporary,Standards. Individual part. 3 pages. Musik Fabrik Music Publishing #3018605. Published by Musik Fabrik Music Publishing (A0.533556). River Song: Remembering Dennis Abelson (2007) for solo horn was composed in memory of DennisR. Abelson, horn performer and teacher who died on September 1, 2007 at the age of 56 after aprotracted battle with cancer. Abelson served as long-time professor of horn at Carnegie MellonUniversity in Pittsburgh, Pennsylvania. The work is inscribed “in memory of Dennis Abelson and for hismany students and friends to remember him.â€Dennis commissioned two works from me for the Carnegie Mellon Horn Choir and was alwaysencouraging and interested in what I was doing with his instrument. He leaves behind a verydistinguished legacy of horn students who have held many significant orchestra and teachingpositions throughout the world. When one heard Dennis talk about his students (both current andformer), it was immediately obvious how much he rejoiced in their successes and achievements.This work is founded upon the pitches of D and A, taken from the initial letters of Abelson’s names.It is a rhapsodic elaboration of that basic material – as the melodic material is constantly developedand expanded. The “river†of the title refers both to the flowing character of the music’sdevelopment and to the three rivers of Pittsburgh, the city in which Abelson spent his entire life.
Carson Cooman: River Song: Remembering Dennis Abelson for horn Cor

$9.10 7.8 € Cor PDF SheetMusicPlus






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