SATB chorus divisi - Digital Download SKU: BJ.1370 Composed by Henrik Dahlgren. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1370. Published by Bo Ejeby Forlag - Digital (BJ.1370). 8.27 x 11.7 inches.In 2017, I was commissioned by the male voice choir Svanholm Singers to write a work for inclusion in a concert marking 70 years since the proclamation of the Universal Declaration of Human Rights. Choosing a text was difficult. I came across upon a poem by Maya Angelou, but it struck me as being too powerful and emotional for the music I was writing to carry it; everything I composed sounded banal next to Angelou's words. I soon realized that I could use silence to enhance the text, rather than heaping layers and layers of music upon it. Silence is both terrifying and serious - in a sense, it is the only adequate counterpoint to the poetry. So, I decided to build the piece on silence. Though the beginning of the piece is the opposite of silence - a scream of desperation -, I followed that outburst by cutting the poem's stanzas into single words, repeated in a different order each time, almost in the manner of a mantra. Finally, they end up in the right order and suddenly the words take on their rightful meaning. I hope, in this way, the music is equally powerful as the words. Son to Mother has been well-received and has gone on to become one of the most widely performed pieces I have written. It has been performed at various festivals and in various countries, including Taiwan, France and China - where it only just made it past the government censors. - Henrik DahlgrenThis version is an adaptation for mixed choir of the original male choir version. Henrik Dahlgren is a Swedish composer, born 1991. He has been studying at the Academy Of Music in Malmo with Prof. Rolf Martinsson and the Royal College Of Music in London with Dr. Haris Kittos. Henrik started his musical career as a drummer and has ever since worked in a very wide range of different genres and styles, both as a performer and as a composer.

Piano Solo - Level 3 - Digital Download SKU: A0.918293 By Nat Cole With N. Riddle Orch. By David Climie, Mel Torme, Robert Wells, and Stanley Myers. Arranged by Brenda Dillon. Contemporary. Score. 3 pages. Dillon's Music Group #6169471. Published by Dillon's Music Group (A0.918293). The Christmas Song, written in 1945 by Robert Wells and Mel Torme, has been subtitled as Chestnuts Roasting on an Open Fire. Even though it was written during a hot July, the lyrics began as a suggestion for thinking and staying cool. The Nat King Cole Trio first recorded it in June, 1946. The cool lyrics include: Chestnuts roasting on an open fire, Jack Frost nipping at your nose. Yuletide carols being sung by a choir, and folks dressed up like EskimosAbout the composer: Brenda Dillon is best known for her contributions to the Recreational Music Making movement. In addition to her contributions to the RMM Track for MTNA's Pedagogy Saturday, she also presented group piano and RMM sessions throughout the U.S. As well as serving as a teacher trainer, she has written extensive articles on both group piano and RMM teaching. She has publications with Hal Leonard and Alfred Music listed on her website. (www.brendadillon.com).

Baritone Horn TC/Euphonium,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.552852 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and individual part. 11 pages. Jmsgu3 #3491315. Published by jmsgu3 (A0.552852). Schwencke There are two popular versions of the Bach-Gounod Ave Maria to consider. Firstly, we have the version that exactly follows the harmonic scheme set forth by J. S. Bach in his Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Secondly, we have the arrangement introduced by the Choirmaster Christian Friedrich Gottlieb Schwencke in 1783 that introduces a controversial added measure designed to intensify the harmony in measure 27. Both versions employ the melody that Charles Gounod provided as an overlay to the Bach harmony. In either case, the convenient 1st & 2nd endings provide options for extended performance. The duration with the repeat runs about 4:50. This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Baritone Horn & Piano, S0.661783.  Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival               Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  

Instrumental Duet B-Flat Clarinet,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.552194 Composed by Bach-Gounod. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 11 pages. Jmsgu3 #6265157. Published by jmsgu3 (A0.552194). SchwenckeThere are two popular versions of the Bach-Gounod Ave Maria. Firstly, we have the version that faithfully follows the harmonic scheme set forth by J. S. Bach in his Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Secondly, we have the arrangement introduced by the Choirmaster Christian Friedrich Gottlieb Schwencke in 1783 that introduces a controversial added measure designed to intensify the harmony in measure 23. Both versions employ the melody that Charles Gounod provided as an overlay to the Bach harmony. In either case, the convenient 1st & 2nd endings provide options for extended performance. The duration with the repeat runs about 4:50. The score is 7 pages long. This version features the Schwencke measure. Ave MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewJohann Sebastian Bach was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. Bach HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Bach StyleIt seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Bach Revival              Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.

String Trio - Level 3 - Digital Download SKU: A0.552111 Composed by Bach-Gounod. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. 10 pages. Jmsgu3 #6120335. Published by jmsgu3 (A0.552111). SchwenckeThere are two popular versions of the Bach-Gounod Ave Maria to consider. Firstly, we have the version that exactly follows the harmonic scheme set forth by J. S. Bach in his Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Secondly, we have the arrangement introduced by the Choirmaster Christian Friedrich Gottlieb Schwencke in 1783 that introduces a controversial added measure designed to intensify the harmony in measure 27. Both versions employ the melody that Charles Gounod provided as an overlay to the Bach harmony. In either case, the convenient 1st & 2nd endings provide options for extended performance. The duration with the repeat runs about 4:50.  This version features the Schwencke measure (ms 27). Ave MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewJohann Sebastian Bach was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. Bach HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Bach StyleIt seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Bach Revival              Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.

Choral Choir (Mixed) - Level 2 - Digital Download SKU: A0.844486 Composed by Phil Beaman. Christian,Holiday,Sacred,World. Octavo. 43 pages. Phil Beaman #3428683. Published by Phil Beaman (A0.844486). Jubilee of Thanks was commissioned for the Grenada National Service of Thanksgiving to celebrate the Diamond Jubilee of the Coronation of Queen Elizabeth II of Great Britain. Although heavily based on traditional coronation music it is generic enough to be suitable for any service of Thanksgiving or Celebration.Here is the description found inside the cover of the conductor's score:In order to gain inspiration and insight into this commission I researched British Coronations past and present. One of the oldest traditions is the use of Handel's oratorio Zadok the Priest. This 144-page composition was written for the coronation of King George II in 1727 and has been used at every coronation since. Thus I began my composition with a Handelian style section, borrowing a phrase from Zadok the Priest and developing it into a fanfare opening. Into this section I interjected the traditional cry of Long live the Queen, but set it in the old church Latin.The middle section arranges the hymn Now Thank We All Our God, originally written in 1663. This hymn is regarded all across Europe as the official anthem for services of National Thanksgiving. I created different settings for all three verses. Another tradition of British coronations is the use of Psalms 100 and 120. I have taken just one line from each Psalm and woven it into the hymn as a descant or antiphon.The final section is a Hallelujah Chorus fusing tradition with local flavour by using soca rhythms. In a sly nod to the opening section the very last choral Alleluia is straight from Handel's Messiah.Phil BeamanMarch 2012The choir is in 2 part but much of it unison since it was intended for a massed choir with little rehearsal. Interest comes from the changing styles of each section, 7 key changes, 3 meter changes, and the 2 Trumpets accompanying. A 4 minute easy piece of thanks and celebration.This entry contains 30 pages of Conductors Score, 7 pages Keyboard Part, and 2 pages @ Trumpet Parts. For convenience a separate entry at SO.309227 contains the 10 pages of Choral Parts in a Lead Sheet format with just lyrics and melody of the Choir Parts.  

Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.844485 Composed by Phil Beaman. Christian,Holiday,Sacred,World. Octavo. 10 pages. Phil Beaman #3428681. Published by Phil Beaman (A0.844485). Jubilee of Thanks was commissioned for the Grenada National Service of Thanksgiving to celebrate the Diamond Jubilee of the Coronation of Queen Elizabeth II of Great Britain. Although heavily based on traditional coronation music it is generic enough to be suitable for any service of Thanksgiving or Celebration.Here is the description found inside the cover of the conductor's score:In order to gain inspiration and insight into this commission I researched British Coronations past and present. One of the oldest traditions is the use of Handel's oratorio Zadok the Priest. This 144-page composition was written for the coronation of King George II in 1727 and has been used at every coronation since. Thus I began my composition with a Handelian style section, borrowing a phrase from Zadok the Priest and developing it into a fanfare opening. Into this section I interjected the traditional cry of Long live the Queen, but set it in the old church Latin.The middle section arranges the hymn Now Thank We All Our God, originally written in 1663. This hymn is regarded all across Europe as the official anthem for services of National Thanksgiving. I created different settings for all three verses. Another tradition of British coronations is the use of Psalms 100 and 120. I have taken just one line from each Psalm and woven it into the hymn as a descant or antiphon.The final section is a Hallelujah Chorus fusing tradition with local flavour by using soca rhythms. In a sly nod to the opening section the very last choral Alleluia is straight from Handel's Messiah.Phil BeamanMarch 2012The choir is in 2 part but much of it unison since it was intended for a massed choir with little rehearsal. Interest comes from the changing styles of each section, 7 key changes, 3 meter changes, and the 2 Trumpets accompanying. A 4 minute easy piece of thanks and celebration.This entry contains the 10 pages of Choral Parts in a Lead Sheet format with just lyrics and melody of the Choir Parts. For convenience a separate entry at SO.309229 contains 30 pages of Conductors Score, 7 pages Keyboard Part, and 2 pages @ Trumpet Parts.

Choral Choir (SAB) - Level 2 - Digital Download SKU: A0.781344 Composed by Joanna Mills. Children,Christmas. Octavo. 8 pages. Joanna Mills Music #4834693. Published by Joanna Mills Music (A0.781344). This upbeat original SAB Christmas song is perfect for youth choirs (or adult choirs looking for something fun and fresh!) -- perfect for Christmas concerts and services. It tells the Christmas story in a bluesy, gospel style, and is pitched in an accessible key for most voices (Soprano Eb4-Eb5; Alto Bb3-C5; Baritone Bb2-C4). It also features an optional gospel-style descant near the end of the song. Approximate performance time: 1.51. (Also available for Unison Choirs, 2-part choirs, SATB and SSA Choirs!)Joanna Mills was the Gospel Choir Director at Roncesvalles United Church in Toronto, Canada for 20 years, and has been writing and arranging choral music for 15 years. Her compositions and arrangements are performed regularly by her own choir and others around the world and have won awards in songwriting competitions. She also teaches musical theatre, voice and piano.

Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.781345 Composed by Joanna Mills. Broadway,Children,Christmas,Holiday,Musical/Show,Sacred. Octavo. 8 pages. Joanna Mills Music #4834697. Published by Joanna Mills Music (A0.781345). This upbeat original SSA Christmas song is perfect for youth choirs (or adult choirs looking for something fun and fresh!) -- perfect for Christmas concerts and services. It tells the Christmas story in a bluesy, gospel style, and is pitched in an accessible key for most voices (Soprano Eb4-Eb5; Soprano 2 Bb3-C5; Alto Bb3-C5). It also features an optional gospel-style descant near the end of the song. Approximate performance time: 1.51. (Also available for Unison Choirs, 2-part choirs, SATB and SAB Choirs!)Joanna Mills was the Gospel Choir Director at Roncesvalles United Church in Toronto, Canada for 20 years, and has been writing and arranging choral music for 15 years. Her compositions and arrangements are performed regularly by her own choir and others around the world and have won awards in songwriting competitions. She also teaches musical theatre, voice and piano.

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.781346 Composed by Joanna Mills. Christmas,Holiday,Sacred,Spiritual,Traditional. Octavo. 8 pages. Joanna Mills Music #4835691. Published by Joanna Mills Music (A0.781346). This upbeat original SATB Christmas song is perfect for youth choirs (or adult choirs looking for something fun and fresh!) -- perfect for Christmas concerts and services. It tells the Christmas story in a bluesy, gospel style, and is pitched in an accessible key for most voices (Soprano Eb4-Eb5; Alto Bb3-C5; Tenor Eb3-Eb4; Bass Ab2-C4). It also features an optional gospel-style descant near the end of the song. Approximate performance time: 1.51. (Also available for Unison Choirs, 2-part choirs, SAB and SSA Choirs!)Joanna Mills was the Gospel Choir Director at Roncesvalles United Church in Toronto, Canada for 20 years, and has been writing and arranging choral music for 15 years. Her compositions and arrangements are performed regularly by her own choir and others around the world and have won awards in songwriting competitions. She also teaches musical theatre, voice and piano.

Woodwind Ensemble - Level 4 - Digital Download SKU: A0.747387 Composed by Wolfgang Amadeus Mozart. Arranged by Darrell Goforth. Classical,Instructional. 16 pages. Darrell Harrison Goforth #506605. Published by Darrell Harrison Goforth (A0.747387). This arrangement is part of a series for Flute Choir which will encompass Mozart's opera The Marriage of Figaro. The series will include the Overture (Sinfonia) and many of the arias, duets and ensembles from the opera. The work can be presented as a complete performance or as standalone pieces. In each of the vocal selections the solo voices will rotate among the entire group, making it ideal for student recitals and to build confidence among the players. In this Duettino, Marcellina, the maid of honor, and Susanna engage in a rather catty conversation, revealing their mutual disdain. Contact me with questions or comments at: dgoforth2@comcast.net My facebook page is: GoForth Music (https://www.facebook.com/goforthmusic?fref=ts) and my YouTube Channel is https://www.youtube.com/user/dgoforth2.

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.887673 Composed by Cat McGill. Folk. Octavo. 5 pages. Cat McGill #3508909. Published by Cat McGill (A0.887673). The Ballad of Flora and James is a re-working of a traditional broadside ballad, the original of which can be found in the archives at the Bodleian Library in Oxford. The original tells the story of Flora, a young girl who dresses as a man in order to follow her boyfriend to sea - but this modern day version has roles reversed, and it's James who joins the war to be with Flora.Cat's clever arrangement brings this story firmly in to the modern era, and affectionately pokes fun at the 'traditional' gender roles often featured in this type of song. It's a hearty song; funny, and fun to sing, and suitable for all ages.There is NO MINIMUM ORDER quantity on this arrangement, because I arrange all my songs to be taught by ear. I've taught this one myself to my community choir and they have really enjoyed singing it - I hope you do too!

Piano Solo - Level 3 - Digital Download SKU: A0.918278 Composed by Brenda Dillon. Sacred. Score. 4 pages. Dillon's Music Group #6053181. Published by Dillon's Music Group (A0.918278). If There Is Love was originally written for choir and was premiered during a service at St. Andrew United Methodist Church in Plano, Texas.  Brenda later transcribed it as a piano solo dedicated to the memory of her mother, Dorothy Duncan, who was a living embodiment of humility, grace, mercy and love.About the composer:  Brenda Dillon is best known for her contributions to the Recreational Music Making movement. She served on the RMM Committee that designed the RMM Track for MTNA's Pedagogy Saturday.  She also presented group piano and RMM sessions throughout the U.S.  In addition to serving as a teacher trainer, she has written extensive articles on both group piano and RMM teaching. She has publications with Hal Leonard and Alfred Music listed on her website (www.brendadillon.com).

Concert Band,Large Ensemble - Level 2 - Digital Download SKU: A0.522153 Composed by Ludwig van Beethoven (1770-1827). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 33 pages. Colin Kirkpatrick Publications #3517725. Published by Colin Kirkpatrick Publications (A0.522153). Colin Kirkpatrick’sNational Anthems ExpressThe European AnthemThis quick and easy national anthem arrangement is essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything!This arrangement is in five independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment.This arrangement consists of a three-page score with six instrumental staves and three percussion staves. The following parts are printed on separate pages. The score and all the parts are contained in the same 33-page pdf file.Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (flute, oboe, piccolo, glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band).Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (oboe, violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch) flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet), Part 2a in B flat (ninth above concert).Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band).Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn); Part 4 in F (French horn).Part 5 in B flat (B flat bass, bass clarinet); Part 5 in C (bass clef for bass trombone, bassoon, contr abassoon, tuba, double bass); Part 5 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction.The music is presented in pdf files at 1,200 dpi which can produce professional-looking printed copies. The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers and directing the instrumental teaching service. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA. 

Large Ensemble - Level 2 - Digital Download SKU: A0.522091 Composed by Pyotr Schurovsky (1850-1908). Arranged by Colin Kirkpatrick. Patriotic. Score and parts. 34 pages. Colin Kirkpatrick Publications #3226137. Published by Colin Kirkpatrick Publications (A0.522091). Colin Kirkpatrick’s National Anthems Express THAILAND: Royal Anthem (Phleng Sansoen Phra Barami) This quick and easy national anthem flexible arrangement is essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play this arrangement with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! This arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. This arrangement consists of the three page score with seven instrumental staves and three percussion staves. The following 28 parts are printed on separate pages. The score and all the parts are contained in the same pdf file. Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (flute, piccolo, oboe, glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band). Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (oboe, violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch) flute, oboe, violin); Part 2a in E flat (minor 3rd below concert for E flat alto clarinet). Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat       (tenor horn, alto sax); Part 3 in F (French horn);  Part 3a in B flat (8ve below concert for 3rd clarinets in band). Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn). Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon. Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction. The music is presented in pdf files at 1,200 dpi which can produce professional-looking printed copies on US letter-size paper. The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers and directing the instrumental teaching service.   He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.