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Alto Voice,Bass Voice,Soprano voice,Tenor Voice - Level 3 - Digital Download

SKU: A0.1318619

Composed by Phillips Brooks and Lewis H Redner. Arranged by Connie Boss. A Cappella,Christian,Christmas,Holiday. 9 pages. Connie Boss #907297. Published by Connie Boss (A0.1318619).

This version is for SATB voices. It has the original melody with pretty harmonies added. There are solo, duet and complete choir singing the words. Humming and ahhs are used for the solo and duets. The melody is more for an alto range. I have also added additions to each verse that is different than the original with new lyrics and music. It adds a little bit to this iconic song. For any questions or requests, email cdboss@cvalley.net

Lyrics below:
O little town of Bethlehem
How still we see Thee lie
Above Thy deep and dreamless sleep
The silent stars go by

Yet in thy dark streets shineth
The everlasting light
The hopes and fears of all the years
Are met in Thee tonight

 Shepherds watching o’re their flocks
Saw a light star down
Then they noticed that it’s light
Lit up a little town

For Christ is born of Mary
And, gathered all above
While mortals sleep, the angels keep
Their watch of wondering love

O morning stars, together
Proclaim the Holy birth
And praises sing to God the King
And peace to men on earth

Shepherds followed the bright star
And they were so amazed
People gathered all around
Singing hymns of praise

O Holy Child of Bethlehem
Descend to us, we pray
Cast out our sin and enter in
Be born for us today

We hear the Christmas angels
The great glad tidings tell
O come to us, abide with us
Our Lord Emmanuel

In a stable was a child
Born for all to see
His mother always by His side
The newborn Prince of peace

O little town of Bethlehem
How still we see Thee lie
Above Thy deep and dreamless sleep
The silent stars go by.

O Little Town of Bethlehem - SATB a cappella
Chorale SATB

$5.99 5.64 € Chorale SATB PDF SheetMusicPlus

Cello,Piano Accompaniment,Violin - Level 3 - Digital Download

SKU: A0.1324502

Composed by Phillips Brooks and Lewis H Redner. Arranged by Connie Boss. Children,Christian,Holiday,Religious. 21 pages. Connie Boss #912700. Published by Connie Boss (A0.1324502).

This version starts with just strings.   It is for Strings quartet and piano. Parts are included with this purchase. I have also added additions to each verse that is different than the original with new lyrics and music. It adds a little bit to this iconic song. I have other arrangements of this song on sale here as well including choir pieces. 

This can be played without the piano accompaniment if desired.

For any questions or requests, email cdboss@cvalley.net

Lyrics below:
O little town of Bethlehem
How still we see Thee lie
Above Thy deep and dreamless sleep
The silent stars go by

Yet in thy dark streets shineth
The everlasting light
The hopes and fears of all the years
Are met in Thee tonight

 Shepherds watching o’re their flocks
Saw a light star down
Then they noticed that it’s light
Lit up a little town

For Christ is born of Mary
And, gathered all above
While mortals sleep, the angels keep
Their watch of wondering love

O morning stars, together
Proclaim the Holy birth
And praises sing to God the King
And peace to men on earth

Shepherds followed the bright star
And they were so amazed
People gathered all around
Singing hymns of praise

O Holy Child of Bethlehem
Descend to us, we pray
Cast out our sin and enter in
Be born for us today

We hear the Christmas angels
The great glad tidings tell
O come to us, abide with us
Our Lord Emmanuel

 In a stable was a child
Born for all to see
His mother always by His side
The newborn Prince of peace

O little town of Bethlehem
How still we see Thee lie
Above Thy deep and dreamless sleep
The silent stars go by.

O Little Town of Bethlehem - Strings quartet and Piano

$7.99 7.52 € PDF SheetMusicPlus

Choral Choir (2-Part) - Digital Download

SKU: A0.844330

Composed by Dan Cutchen. Sacred. Octavo. 13 pages. Dan Cutchen Music #3121697. Published by Dan Cutchen Music (A0.844330).

Easy to learn but fun to sing!  
For 2-part women/men choir with piano accompaniment and optional children's melody.

The presence of children in a choir presentation can be quite charming and encouraging for the congregation.  

These kind of experiences for children can prepare them for a love of choral and exposure to singing with the big choir.  

Plus, as Psalm 8:2 informs us, children can have a ministry that silences the negative influence of the enemy and bring strength and encouragement to all who hear them sing praise!

The children's part in this piece of music is a simple counter melody, no parts.  You do not need an established children's choir, only a few good singers will do nicely.
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This is a wonderful expression of praise based on an amazing story in the Bible.

In II Chronicles 20, word comes to King Jehoshaphat that three nations are coming to attack Jerusalem and the people of Judah.  After prayer, the Lord reveals to them what to do:  Don’t be afraid and don’t panic because of this huge army! For the battle is not yours, but God’s...You will not fight in this battle. Take your positions, stand, and watch the Lord deliver you, O Judah and Jerusalem. Don’t be afraid and don’t panic! Tomorrow march out toward them; the Lord is with you!

The people marched out the next day with choir of ministers leading the way ahead of the warriors.  This is the song they sang, Give thanks to the Lord, for his loyal love endures.

God caused the enemy to attack each other in confusion and they destroyed each other.  The Israelites just picked up the plunder!

The Scriptures tell us in II Chronicles 20,
22 When they began to shout and praise, the Lord suddenly attacked the Ammonites, Moabites, and men from Mount Seir who were invading Judah, and they were defeated.
 23 The Ammonites and Moabites attacked the men from Mount Seir and annihilated them. When they had finished off the men of Seir, they attacked and destroyed one another.
24 When the men of Judah arrived at the observation post overlooking the desert and looked at the huge army, they saw dead bodies on the ground; there were no survivors!
25 Jehoshaphat and his men went to gather the plunder; they found a huge amount of supplies, clothing, and valuable items. They carried away everything they could. There was so much plunder, it took them three days to haul it off.

Choral - "O Give Thanks to the Lord" with children's vocal part (children's choir)
Chorale 2 parties

$1.99 1.87 € Chorale 2 parties PDF SheetMusicPlus

Choral Choir (TTBB) - Level 1 - Digital Download

SKU: A0.522333

Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333).

This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes:   I am a poor, wayfaring stranger Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger.   Wandering through this world of woe Matthew 18:7: Woe to the world because of the things that cause people to sin!  Such things must come, but woe to the man through whom they come!
 And there's no sickness, toil or danger John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it.   Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me.  Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God,  In that bright land to which I go James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.
I'm going home to see my Father John 6:40 -  For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day.   I'm only going over Jordan Joshua 22:4:  Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD  gave you on the other side of the Jordan.   Yet though dark clouds will gather round me -  2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak,  then I am strong.   I know my way is rough and steep Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand.   Proverbs 15:24:  The path of life leads upward for the wise to keep him from going down to the grave.
But beauteous fields lie just before me Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey.   Where God's redeemed their vigil's keep - Exodus12:42:  Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD  for the generations to come.  I'm going home to see my mother Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me  and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.

WAYFARING STRANGER (Poor Wayfaring Stranger)
Chorale TTBB

$4.59 4.32 € Chorale TTBB PDF SheetMusicPlus

Clarinet Choir,Woodwind Ensemble Bass Clarinet,Contra Alto Clarinet,E-Flat Clarinet - Level 4 - Digital Download

SKU: A0.764956

Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. 50 pages. Lori Archer Sutherland #4597193. Published by Lori Archer Sutherland (A0.764956).

For clarinet choir (Eb, 4 Bb, Alto, Bass, Eb Contra, Bb Contra. Alternate Bb parts included for Eb and Alto. Basset horn part included (doubles Alto)).

You may print multiple parts as needed for your ensemble.

The Monk’s Turned Topsy-Turvy is an original fantasy for clarinet choir, based on the old French-Canadian children’s song, Ah! Si mon moine voulait danser! (Danse, mon moine, danse). The title is a play on words: moine means both monk and spinning top in French. The lyrics speak of persuading mon moine to dance by offering various articles of clothing, such as a hood or cap.

After a brief, yet bold, introduction, the piece jumps into a straightforward rendition of the tune. From there, the melody is repeated, bringing in other voices and added flourishes. While the tune starts to repeat a third time, it doesn’t get to finish its full statement. It’s interrupted by a run up through the ensemble into a rollicking 7/8 section.

With a rhythmic accompaniment underneath, the jaunty melody begins in the third clarinets. The upper instruments take over briefly in 6/8, then the tune returns to 7/8. After a quick breather, the accompaniment introduces an upward sweep motif. This alternates with the accompaniment pattern heard at the beginning of the 7/8 section.

The lower voices then take control, driving downward into a different tonality and mood. An undulating accompaniment sets a dreamlike feel, with different voices quoting fragments of the theme. The accompaniment transfers between voices throughout the section, eventually changing back into a 3/4, then a 2/4 feel, resulting in a transition back to the original feel of the piece.

The low voices get the melody, with rhythmic accompaniment and racing runs throughout the other sections. The melody goes a bit topsy-turvy before the group comes together in the descending quarter note motif from the beginning of the piece, bringing us to the coda. There’s one final quote of the opening of the main theme from the low voices, leading to a whirlwind in the first and Eb with accented notes and suspensions underneath. The Eb pipes up with one last comment and the group closes out the piece.

Also available for concert band (S0.708971)

The Monk's Turned Topsy-Turvy
Ensemble de Clarinettes

$25.00 23.52 € Ensemble de Clarinettes PDF SheetMusicPlus

Woodwind Ensemble Flute - Level 3 - Digital Download

SKU: A0.549859

Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Wedding. 24 pages. Jmsgu3 #3556989. Published by jmsgu3 (A0.549859).

Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 10 pages, Program this for church services during the Easter season, weddings, or as a recital encore.

Wachet auf, ruft uns die Stimme

(Awake, the Voice is calling us) also known as: Sleepers Awake

Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera.

Fourth Movement

Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales.

Bach Overview

First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.

 History

Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.

 Style

It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.

Revival              

Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.

 Voyager      

Bach: Wachet auf for Flute Choir
Ensemble de Flûtes

$39.95 37.59 € Ensemble de Flûtes PDF SheetMusicPlus

Choral Choir (SAB) - Level 3 - Digital Download

SKU: A0.1120365

By Philip Le Bas. By J-B Lully / G Bizet. Arranged by Philip Le Bas. Christmas,Praise & Worship,Religious,Sacred,Traditional. Octavo. 8 pages. Philip Le Bas #721616. Published by Philip Le Bas (A0.1120365).

A new arrangement by Philip Le Bas of a thirteenth century French Christmas carol from Provence harmonized by Jean-Baptiste Lully (1632-87, attrib.) and, more famously, by Georges Bizet (1838-75, in his L'Arlesienne Suite of 1872.) In France the melody is still tightly associated with Christmas, and French audiences start singing their own Christmas words whenever they hear the melody (the arranger has heard it himself!) The English translation used here is adapted from a variety of sources. The three kings (or more precisely the magi from St Matthew's gospel) are seen marching towards Bethlehem with their fantastic golden wealth and grandeur. But why are they going to see a low-born baby and why do they worship this child who will die on a cross? The organ sets the scene from the beginning with its marching accompaniment, and the first verse is sung in unison by all three parts. The second begins with a canon, as used by Bizet, and then breaks into harmony. The first section of the third verse is much quieter and legato, sung by the sopranos and altos, using wonderful chromatic harmonies based on another section from Bizet's suite. The lyrics express wonder at the beautiful music heard from the camp of the kings. The second section, sung in differentiated unison then begins to wonder why the kings stoop so low to a baby in a manger. Finally the fourth verse, sung in full harmony, returns to the marching accompaniment and reiterates the amazement of meeting these kings with their mysterious mission. The carol is aimed at parish choirs with limited resources, but a good organist. The melody is well-known, much of it is in unison, and other sections are relatively easy to sing. Care should however should be taken to sing the dotted rhythms accurately - this is what gives the carol its marching character.

March of the Kings
Chorale 3 parties
Philip Le Bas
$1.99 1.87 € Chorale 3 parties PDF SheetMusicPlus

Clarinet - Digital Download

SKU: A0.1071177

Composed by Lori Archer Sutherland. Contemporary,Folk,Standards. Full Performance. Duration 224. Lori Archer Sutherland #4804263. Published by Lori Archer Sutherland (A0.1071177).

The Monk’s Turned Topsy-Turvy is an original fantasy for clarinet choir, based on the old French-Canadian children’s song, Ah! Si mon moine voulait danser! (Danse, mon moine, danse). The title is a play on words: moine means both monk and spinning top in French. The lyrics speak of persuading mon moine to dance by offering various articles of clothing, such as a hood or cap.

After a brief, yet bold, introduction, the piece jumps into a straightforward rendition of the tune. From there, the melody is repeated, bringing in other voices and added flourishes. While the tune starts to repeat a third time, it doesn’t get to finish its full statement. It’s interrupted by a run up through the ensemble into a rollicking 7/8 section.

With a rhythmic accompaniment underneath, the jaunty melody begins in the third clarinets. The upper instruments take over briefly in 6/8, then the tune returns to 7/8. After a quick breather, the accompaniment introduces an upward sweep motif. This alternates with the accompaniment pattern heard at the beginning of the 7/8 section.

The lower voices then take control, driving downward into a different tonality and mood. An undulating accompaniment sets a dreamlike feel, with different voices quoting fragments of the theme. The accompaniment transfers between voices throughout the section, eventually changing back into a 3/4, then a 2/4 feel, resulting in a transition back to the original feel of the piece.

The low voices get the melody, with rhythmic accompaniment and racing runs throughout the other sections. The melody goes a bit topsy-turvy before the group comes together in the descending quarter note motif from the beginning of the piece, bringing us to the coda. There’s one final quote of the opening of the main theme from the low voices, leading to a whirlwind in the first and Eb with accented notes and suspensions underneath. The Eb pipes up with one last comment and the group closes out the piece.

The Monk's Turned Topsy-Turvy

$1.99 1.87 € PDF SheetMusicPlus

Woodwind Ensemble Flute - Level 3 - Digital Download

SKU: A0.548649

Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 34 pages. Jmsgu3 #3407871. Published by jmsgu3 (A0.548649).

Jesu, Joy of Man's Desiring from Bach's Cantata 147, arranged for flute choir: piccolo, 3 flutes, alto flute, bass flute, double contrabass flute (optional) and cello (optional). Score: 19 pg. Parts: 2 pg. Duration with optional repeat: 7:36


Jesu, Joy of Man’s Desiring

Bach composed a cantata called Herz und Mund und Tat und Leben. Though it is the 32nd cantata, it is listed as BWV 147. Jesu, Joy of Man’s Desiring is the 10th movement of the cantata. It was customary to use previous melodies as a basis for a new work - a practice called Cantus prius factus. So, the chorale melody for this piece is a historic tune called Werde munter, mein Gemüthe. Jesu, Joy of Man’s Desiring is customarily performed at weddings, and during major church seasons such as Easter and Christmas.

Bach Overview

First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.

 History

Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.

 Style

It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, in addition to his complete mastery of counterpoint and motivic development, his sense of harmonic organization probably propelled him to the top.

Revival               

Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.

Bach: Jesu, Joy of Man's Desiring for Flute Choir
Ensemble de Flûtes

$49.95 46.99 € Ensemble de Flûtes PDF SheetMusicPlus

Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 4 - Digital Download

SKU: A0.551498

Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and parts. 62 pages. Jmsgu3 #5306303. Published by jmsgu3 (A0.551498).

DESCRIPTION

1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain King

Grieg Background

In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia.

Legacy

Grieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.

Peer Gynt Suite No. 1 (Op. 46)

Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.

Holberg Suite and Misc. Summary

It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.

Grieg: Peer Gynt Suite Complete for Bassoon & Piano
Basson, Piano (duo)

$59.95 56.4 € Basson, Piano (duo) PDF SheetMusicPlus

Flute,Piano - Level 4 - Digital Download

SKU: A0.551503

Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306331. Published by jmsgu3 (A0.551503).

1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain King

Grieg Background

In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia.

Legacy

Grieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.

Peer Gynt Suite No. 1 (Op. 46)

Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.

Holberg Suite and Misc. Summary

It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.

Grieg: Peer Gynt Suite Complete for Flute & Piano
Flûte traversière et Piano

$59.95 56.4 € Flûte traversière et Piano PDF SheetMusicPlus

Piano,Viola - Level 4 - Digital Download

SKU: A0.551513

Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306365. Published by jmsgu3 (A0.551513).

1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain King

Grieg Background

In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia.

Legacy

Grieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.

Peer Gynt Suite No. 1 (Op. 46)

Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.

Holberg Suite and Misc. Summary

It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.

Grieg: Peer Gynt Suite Complete for Viola & Piano
Alto, Piano

$59.95 56.4 € Alto, Piano PDF SheetMusicPlus

Euphonium,Piano - Level 4 - Digital Download

SKU: A0.551502

Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 61 pages. Jmsgu3 #5306329. Published by jmsgu3 (A0.551502).

1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain King

Grieg Background

In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia.

Legacy

Grieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.

Peer Gynt Suite No. 1 (Op. 46)

Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.

Holberg Suite and Misc. Summary

It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.

Grieg: Peer Gynt Suite Complete for Euphonium & Piano
Euphonium, Piano (duo)

$59.95 56.4 € Euphonium, Piano (duo) PDF SheetMusicPlus

Instrumental Solo,Oboe d'Amore,Piano - Level 4 - Digital Download

SKU: A0.551506

Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and individual part. 62 pages. Jmsgu3 #5306343. Published by jmsgu3 (A0.551506).

1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain King

Grieg Background

In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia.

Legacy

Grieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.

Peer Gynt Suite No. 1 (Op. 46)

Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.

Holberg Suite and Misc. Summary

It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.

Grieg: Peer Gynt Suite Complete for Oboe d'Amore & Piano

$59.95 56.4 € PDF SheetMusicPlus

Alto Saxophone,Piano - Level 4 - Digital Download

SKU: A0.551493

Composed by Edvard Grieg. Arranged by James Guthrie, ASCAP. Concert,Halloween,Instructional,Romantic Period,Standards. Score and part. 62 pages. Jmsgu3 #5306287. Published by jmsgu3 (A0.551493).

1. Morning Mood, 2. Ase's Death, 3. Anitra's Dance, 4. In the Hall of the Mountain King

Grieg Background

In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and BedÅ™ich Smetana in Bohemia.

Legacy

Grieg is celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen.

Peer Gynt Suite No. 1 (Op. 46)

Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain.

Holberg Suite and Misc. Summary

It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.

Grieg: Peer Gynt Suite Complete for Alto Sax & Piano
Saxophone Alto et Piano

$59.95 56.4 € Saxophone Alto et Piano PDF SheetMusicPlus


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