EUROPE
397 articles
USA
671 articles
DIGITAL
1137 articles (à imprimer)
Partitions Digitales
Partitions à imprimer
1137 partitions trouvées


2 voices and piano - intermediate - Digital Download SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel version - fairy tale - Brothers Grimm - folk song - piano reduction - Hansel - Gretel - witch. Downloadable, Separate edition. Duration 55 minutes. Schott Music - Digital #Q47807. Published by Schott Music - Digital (S9.Q47807). German.When Engelbert Humperdinck’s fairy tale opera Hänsel und Gretel was premiered on 23 December 1893 in Weimar conducted by Richard Strauss, the work could look back on an extensive history of origin.Humperdinck’s younger sister Adelheid Wette (born in 1858) had displayed a great interest in literature in her youth and written a variety of poems for special occasions. In 1888, she wrote a fairy tale entitled Schneewittchen [Snow White] and her brother supplied some songs for this piece. Further fairy tale collaborations followed which were customarily performed within the family circle, and the first draft of the Hänsel und Gretel was begun in 1890. Adelheid’s husband would be celebrating his 34th birthday on 16 May of this year and his wife intended to surprise him with a performance of her version of this fairy tale. Her brother was allotted the task of composing the accompanying songs and, a month before the birthday, she wrote a letter to him in Mainz where Engelbert Humperdinck was among other activities working as an editor for the Schott publishing house, ordering a “very pretty folkloric†Tanzlied [Dance song], a Waldlied [Forest song] (or Echolied [Echo song]), a Schlummerlied [Lullaby] and a Kickericki-Lied [Cock-a-doodle-doo song] from her “dear sugar-sweet little brother... Engel-Bärtchen [angel beard]â€. She enclosed the corresponding verses with the letter and “for fun†also provided her own invented melody for the Schlummerlied and rhythmic suggestions for the Tanzlied. Humperdinck went straight to work and, as related in an entry in his diary, was already able to play the songs to the director of the publishing house, Dr Ludwig Strecker, by 19 April.This was the history of origin of the four songs published for the first time edited in form of their original versions in this edition Brüderchen komm’ tanz’ mit mir, Wer ruft mir im Walde doch alles nach, In den Zweigen die Vögelein und Tirelireli! ‘s ist nicht mehr früh “for two children’s voices and piano accompaniment†(see manuscript1). In his reply letter to his sister in which the fair copy of the songs were enclosed, Humperdinck wrote: “As you see, the pitch of the melodies is not too high and I have incorporated your melodies. Let me know soon whether you like the little songs. By the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord.â€The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles. Spurred on by the success of the family performance, initial plans were forged to adapt the song-play into a singspiel with numerous musical numbers and rhymed dialogues; Hermann Wette participated in a draft of the text. The particell of this singspiel had been completed by Christmas 1890. Hugo Wolf and a few others however advised the composer to extend the singspiel into a through-composed fairy tale opera. Humperdinck followed this advice and worked on what he ironically termed as a “Kinderstubenweihfestspiel“ [sacred festive play for the nursery] during the next two summers in Bayreuth. Tanzliedchen [Dance song] and Morgenweckruf [Cock-a-doodle-doo song] were eventually included in the opera in a modified form.Bevor Engelbert Humperdincks Märchenoper Hänsel und Gretel zum Welterfolg wurde, hatte das Werk bereits eine vielschichtige Entstehungsgeschichte hinter sich. Humperdincks Schwester Adelheid Wette schrieb 1890 ein gereimtes Märchenspiel gleichen Namens, welches sie gemeinsam mit ihren Töchtern im Familienkreis aufführte. Ihr Bruder hatte die entsprechenden vier Lieder dazu beigesteuert. Während Brüderchen, komm tanz mit mir und Tirelireli in veränderter Form auch in die spätere Märchenoper eingingen, existieren das Schlummerliedchen und das Echo im Walde exklusiv in dieser Urfassung von Humperdincks Hänsel und Gretel. Diese Ausgabe umfasst Humperdincks vier ursprüngliche Lieder, die in dieser Fassung erstmals in editierter Form veröffentlicht werden, ebenso wie den vollständigen Text von Adelheid Wettes Liederspiel aus dem Jahr 1890.
Hänsel und Gretel
Voix duo, Piano
the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord â€The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles
$23.99 20.51 € Voix duo, Piano PDF SheetMusicPlus

Flute,Piano - Level 5 - Digital Download SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168. Published by Jamie Farrow (A0.1042377). This is a piece for flute and piano duo. Fastnet Rock, home to the Fastnet Lighthouse, is Ireland’s most southerly point situated in the Atlantic Ocean, famous for massive waves that engulf the island during storms. Three photographs (see below) and the lighthouse’s history were my inspiration for this duet, with the different images and ideas that they created, influencing my composition’s structure, themes and ideas at play. The piece starts at sunset and finishes at sunrise, with four sections each representing a different moment that follow a gradually developing structure through the first three sections before a gentle reprise of the ideas from Section 1 (S1) in Section 4 (S4). This gives a cyclicity to the piece, furthered by the tonal regions explored in each of the sections; Ebmaj to Amin to Bmin to Amin to Ebmaj. S1 invokes thoughts of the colours of sunset It is divided into four sub-sections, characterised by either solo flute or flute with piano, with each section exploring a different range of colours generated by their keys. Throughout, accidentals provide additional colour reminiscent of light diffracted during a sunset with the piano in the duo section voiced low in its range adding warmth explored through pivot chords. The flute plays in a very free recitative style, allowing the flautist individual expression emphasising the organicity of sunset as each performer will express this section differently. Section 2 (S2) and Section 3 (S3) are closely related, focusing on night-time through to sunrise in S4, with S2 providing the build up to the events of S3. In S2 the piano plays at the extremes of its range with widely spaced chords and no sense of beat, creating stillness and a sense of uneasiness through the constantly and irregularly beating A. The flute represents the rising storm and wind playing an organically-evolving motif beginning low in range, before gradually adding more notes and slowly rising, eventually reaching a dramatic climax which explores the extremities of its range whilst accelerating into S3. The drama and large gestures of S3 represent an Atlantic storm, a wall of oscillating sound through repeated piano ostinatos and constant use of the sustain pedal. Coupled with the frequently changing time-signature creating a sense of wild waves rolling in the ocean, the chordal bars percussively suggesting waves hitting the island. The flute captures the drama and emotion of the storm and the whistling wind, with long rising and falling gestures exploring the instrument’s very extremities. S4 brings the morning after the storm. We hear the same flute idea as in S1, this time played in the sadder Amin, communicating a sense of loss and despair following the storm. The piano emulates the now gently lapping waves against the rocks of Fastnet with the triplet motif in the bass. The right-hand of the piano plays a chordal accompaniment as in S1 but much slower, representing the slowly emerging colours of a sunrise which become richer and richer like the chords before the sunrise in the final few bars with a move into Ebmaj.
Fastnet Rock
Flûte traversière et Piano

$2.99 2.56 € Flûte traversière et Piano PDF SheetMusicPlus

Cello,Piano - Level 2 - Digital Download SKU: A0.565497 By Sharon Wilson. By Benjamin R. Hanby. Arranged by Sharon Wilson. Children,Christmas,Folk,Standards,Traditional. Score and part. 6 pages. Sharon Wilson #4638871. Published by Sharon Wilson (A0.565497). Here is a straight-forward duet arrangement (for CELLO solo with PIANO accompaniment) of the famous Christmas tune Up On the Housetop. The CELLO plays the melody for the first verse and then for the second verse, the PIANO plays the melody while the CELLO adds broken-chord harmony.  All notes for the CELLO are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player. This fun-to-learn arrangement is a welcome addition to the repertoire for beginning cello students and suitable for recitals or just some family fun around the piano during the holiday season.  The purchase price includes a 4-page combined score with both CELLO and PIANO parts on each page plus a separate 1-staff score for the CELLO solo (1 page). This arrangement is one of the 10 songs in the collection Holiday Classics (A Collection of 10 Easy Cello Solos with Piano Accompaniment).Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
Up On the Housetop (Easy Cello Solo with Piano Accompaniment)
Violoncelle, Piano
Sharon Wilson
$4.99 4.27 € Violoncelle, Piano PDF SheetMusicPlus

Piano,Violin - Level 2 - Digital Download SKU: A0.565486 By Sharon Wilson. By Benjamin R. Hanby. Arranged by Sharon Wilson. Children,Christmas,Folk,Standards,Traditional. 6 pages. Sharon Wilson #4638643. Published by Sharon Wilson (A0.565486). Here is a straight-forward duet arrangement (for VIOLIN solo with PIANO accompaniment) of the famous Christmas tune Up On the Housetop. The VIOLIN plays the melody for the first verse and then for the second verse, the PIANO plays the melody while the VIOLIN adds broken-chord harmony.  All notes for the VIOLIN are playable in the first position making this arrangement an excellent choice for early-intermediate string players. The PIANO accompaniment is written for an intermediate player. This fun-to-learn arrangement is a welcome addition to the repertoire for beginning violin students and suitable for recitals or just some family fun around the piano during the holiday season.  The purchase price includes a 4-page combined score with both VIOLIN and PIANO parts on each page plus a separate 1-staff score for the VIOLIN solo (1 page). This arrangement is one of the 10 songs in the collection Holiday Classics (A Collection of 10 Easy Violin Solos with Piano Accompaniment).Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
Up On the Housetop (Easy Violin Solo with Piano Accompaniment)
Violon et Piano
Sharon Wilson
$4.99 4.27 € Violon et Piano PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1122718 Composed by Joseph Barlowe and Harriet Peck Buell. Arranged by Leonora Hardy. Christian,Religious,Sacred. Score. 3 pages. Leonora Hardy #723684. Published by Leonora Hardy (A0.1122718). An easily learned arrangement for the church pianist who wants to bring something more to the music than what most hymnals offer for congregational singing accompaniment. The melody is retained, as well as traditional timing to help singers even if a song leader is not present. It can be slowed down a bit for use as preludes, offertories or communion. Lyrics and chords for guitar are included. Christian. Worship. Intermediate level. Right hand melody.
A Child of the King (My Father is Rich in Houses and Land)
Piano, Voix et Guitare

$3.99 3.41 € Piano, Voix et Guitare PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0015137_WPBCBC (wp) B-flat Contrabass Clarinet. Composed by Barry Milner. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015137_wpBCBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015137_WPBCBC). UPC: 038081407913.A lighthouse stands upon a shoreline to be a beacon for all ships coming into a harbor. This beacon guides ships to safety that otherwise might have been destroyed by the rocks of the shoreline. This beacon also serves as a hope to those ships that are lost at sea. The light also refers to wisdom, compassion, and love. John 1:5 of the bible states that, The light shines in the darkness, but the darkness has not understood it (NIV). The light in this passage refers to Jesus who was trying to reach out to a world that did not understand and was looking for hope. The piece is a good choice to teach lyrical playing and intonation in sustained chords. -The InstrumentalistConcert/Contest.
The Light Shines in the Darkness: (wp) B-flat Contrabass Clarinet
Orchestre d'harmonie

$3.00 2.56 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0015137_WPEH1 (wp) 1st Horn in E-flat. Composed by Barry Milner. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015137_wpEH1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015137_WPEH1). UPC: 038081407913.A lighthouse stands upon a shoreline to be a beacon for all ships coming into a harbor. This beacon guides ships to safety that otherwise might have been destroyed by the rocks of the shoreline. This beacon also serves as a hope to those ships that are lost at sea. The light also refers to wisdom, compassion, and love. John 1:5 of the bible states that, The light shines in the darkness, but the darkness has not understood it (NIV). The light in this passage refers to Jesus who was trying to reach out to a world that did not understand and was looking for hope. The piece is a good choice to teach lyrical playing and intonation in sustained chords. -The InstrumentalistConcert/Contest.
The Light Shines in the Darkness: (wp) 1st Horn in E-flat
Orchestre d'harmonie

$3.00 2.56 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0015137_WPAC1 (wp) E-flat Alto Clarinet. Composed by Barry Milner. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015137_wpAC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015137_WPAC1). UPC: 038081407913.A lighthouse stands upon a shoreline to be a beacon for all ships coming into a harbor. This beacon guides ships to safety that otherwise might have been destroyed by the rocks of the shoreline. This beacon also serves as a hope to those ships that are lost at sea. The light also refers to wisdom, compassion, and love. John 1:5 of the bible states that, The light shines in the darkness, but the darkness has not understood it (NIV). The light in this passage refers to Jesus who was trying to reach out to a world that did not understand and was looking for hope. The piece is a good choice to teach lyrical playing and intonation in sustained chords. -The InstrumentalistConcert/Contest.
The Light Shines in the Darkness: (wp) E-flat Alto Clarinet
Orchestre d'harmonie

$3.00 2.56 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0015137_WPECBC (wp) E-flat Contrabass Clarinet. Composed by Barry Milner. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015137_wpECBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015137_WPECBC). UPC: 038081407913.A lighthouse stands upon a shoreline to be a beacon for all ships coming into a harbor. This beacon guides ships to safety that otherwise might have been destroyed by the rocks of the shoreline. This beacon also serves as a hope to those ships that are lost at sea. The light also refers to wisdom, compassion, and love. John 1:5 of the bible states that, The light shines in the darkness, but the darkness has not understood it (NIV). The light in this passage refers to Jesus who was trying to reach out to a world that did not understand and was looking for hope. The piece is a good choice to teach lyrical playing and intonation in sustained chords. -The InstrumentalistConcert/Contest.
The Light Shines in the Darkness: (wp) E-flat Contrabass Clarinet
Orchestre d'harmonie

$3.00 2.56 € Orchestre d'harmonie PDF SheetMusicPlus

Digital Download SKU: HX.454116 Christmas,Holiday,Winter. E-Z Play Today. 3 pages. Published by Hal Leonard - Digital (HX.454116). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
Up On The Housetop
Piano grosses notes

$2.99 2.56 € Piano grosses notes PDF SheetMusicPlus

Electronic Keyboard,Organ,Piano and Keyboard - Digital Download SKU: HX.725020 This edition: scorch. E-Z Play Today. Christmas,Holiday,Winter. Score. 2 pages. Hal Leonard - Digital #883500. Published by Hal Leonard - Digital (HX.725020). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
Up On The Housetop
Orgue

$2.99 2.56 € Orgue PDF SheetMusicPlus

Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Drum Set,Piano Accompaniment,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.765100 By Elvis Presley. By Jerry Leiber and Mike Stoller. Arranged by Jim Farley - www.arrangementsone.com. Rock. Score and parts. 54 pages. Jim Farley arrangementsone.com #3073545. Published by Jim Farley arrangementsone.com (A0.765100). Arranged for 7-10 piece horn band, including: Conductors Score, Piano/Vocal, Guitar (lead sheet chords only), Bass Guitar, Drums, Alto Sax, Tenor Sax, Bari Sax, Trumpets I & II & Trombone... ABOUT THE ARRANGER: Jim Farley has been a professional music arranger, transcriptionist and copyist since the mid 1970’s, and has thousands of works, spanning various genres in his catalog: musical theater, pep band, orchestra, show choir, cruise ship performers as well as arranging for dozens of classic rock horn bands across the U.S. and Europe. He thrives on creating arrangements and transcriptions that are true to the original versions and strives to produce clean, easy to read music. For questions or more information, please contact the arranger at: jfarley@arrangementsone.com and visit his website at www.arrangementsone.com.
Jailhouse Rock
Elvis Presley
$40.00 34.19 € PDF SheetMusicPlus

Piano,Violin - Level 3 - Digital Download SKU: A0.1108437 Composed by Sir Arthur Seymour Sullivan. Arranged by Piacere Music Sheets. Instructional,Romantic Period,Standards. 14 pages. Piacere Music Sheets #711078. Published by Piacere Music Sheets (A0.1108437). Opus/Catalog Number: IAS 42 Key/Tone: G Major Movements/Sections: Andante moderato Year/Date of Composition: 1858/1877 Difficulty: Grade 6/12 (Intermediate) Obs.: Sir Arthur Sullivan composed this song at the bedside of his brother Fred during Fred's last illness. Fred Sullivan died five days after, on January 18. This song has been recorded by many singers, including Enrico Caruso, who sang it at the Metropolitan Opera House on 29 April 1912 at a benefit concert for families of victims of the Titanic disaster. The Lost Chord is one of Sullivan's best-known songs, and it is still performed nowadays. This is an arrangement for Violin with piano accompaniment. The violin part is to be played in the first six positions. Included: Full score and separated parts for each instrument.
Sullivan - The Lost Chord in G Major - Intermediate
Violon et Piano

$8.95 7.65 € Violon et Piano PDF SheetMusicPlus






Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2025

Accueil - Version intégrale