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SATB chorus and soprano saxophone - Digital Download

SKU: BJ.1411

Composed by Kjell Perder. Octavo. 24 pages. Bo Ejeby Forlag - Digital #1411. Published by Bo Ejeby Forlag - Digital (BJ.1411).

8.27 x 11.7 inches.

Sometimes art and science are walking together. Coral Resurrection is not a political piece of music, but it is shaped when the climate situation is threatening us all, forcing every human to take action if we want to survive. The coral reefs are Mother Earth's nursery and what can be more crucial than to protect them?

Here the solo instrument and the choir voices interact on a journey from vibrations on the sea floor to dreams of resurrection on the water surface. Angels whisper words of warning and encouragement, the stone outside the tomb is moved. Life arise! - Kjell Perder

Coral Resurrection is composed for and dedicated to soprano saxophonist Anders Paulsson and the Chamber choir of Stockholm's Musikgymnasium, conductor Helene Stureborg.

Coral Resurrection
Chorale TTBB

$6.40 6.02 € Chorale TTBB PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download

SKU: A0.1217215

By Johann Sebastian Bach and Ottorino Respighi. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Contemporary,Contest,Festival,Film/TV,Instructional,Sacred. Score and Parts. 16 pages. FRC Music #813753. Published by FRC Music (A0.1217215).

Bach: Nun Komm'der Heiden Heiland - from 3 chorales, P. 167: No. 1. Lento assai, BWV 659 - Orchestral interpretation by Ottorino Respighi.

Nun komm, der Heiden Heiland (original: Nu kom der Heyden heyland, English: Savior of the nations, come, literally: Now come, Saviour of the heathen) is a Lutheran chorale of 1524 with words written by Martin Luther, based on Veni redemptor gentium by Ambrose, and a melody, Zahn 1174, based on its plainchant. It was printed in the Erfurt Enchiridion of 1524.

Nun komm, der Heiden Heiland continues to be used in modern settings. It appears in liturgically oriented Christian hymnals, for example the Lutheran Book of Worship, and as the cantus firmus for organ compositions.

The song was the prominent hymn for the first Sunday of Advent for centuries. It was used widely in organ settings by Protestant Baroque composers, most notably Johann Sebastian Bach, who also composed two church cantatas beginning with the hymn. Later settings include works by Ottorino Respighy, Max Reger, Brian Easdale and Siegfried Strohbach.

English versions include Savior of the nations, come by William Morton Reynolds, published in 1851.

for String Orchestra (Bassoon Optional).

from 3 Choirs: orchestral interpretation by Ottorino Respighi (3 corali : interpretazione orchestrale di Ottorino Respighi).

from Bach - 3 chorales, P. 167:   No. 1. Lento assai  (after J.S. Bach's Nun komm, der Heiden Heiland, BWV 659) for String Orchestra (with basson optional). Orchestration by Ottorino Respighi (1930).

Advanced Intermediate Level
Format: Concert, 9 x 12 inches
16 pages
Full Score and Orchestral Parts.

Bach: Nun Komm'der Heiden Heiland - from 3 Corali: Orchestral interpretation by Ottorino Respighi
Orchestre à Cordes
Johann Sebastian Bach and Ottorino Respighi
$49.99 47.03 € Orchestre à Cordes PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download

SKU: A0.1280391

By Johann Sebastian Bach and Ottorino Respighi. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Classical,Contemporary,Contest,Festival,Sacred,Wedding. Score and Parts. 32 pages. Flavio Regis Cunha #871838. Published by Flavio Regis Cunha (A0.1280391).

Wachet auf, ruft uns die Stimme (from 3 Corali - DAI CHORALVORSPIELE, PER ORGANO) from Bach - 3 chorales, P. 167, N.3.

Let your church, school and professional orchestra stand out with this unique and beautiful arrangement of 'Wachet auf, ruft uns die Stimme' composed in the traditional style of Johann Sebastian Bach and embellished by Ottorino Respighi. Resonating with complexity and elegance, it's perfect for special services, concerts or educational purposes. Let your performance envelope the auditorium in a peaceful warmth created by its grand choral accompaniment. Sumptuous and profound, it's an excellent way to touch the hearts of all your audiences. Make this timeless masterpiece the centerpiece of your repertoire with our exclusive sheet music and own a part of history!

Advanced Intermediate
Format: 9 x 12 inches
Full Score and Orchestral Parts
Size: 32 pages
Duration: 4min.


Instrumentation
CLARINET 1 IN Bb CLARINET 2 IN Bb BASSOON 1 BASSOON 2 CONTRABASSOON HORN 1 IN F HORN 2 IN F HORN 3 IN F HORN 4 IN F TRUMPET 1 IN Bb TRUMPET 1 IN Bb TRUMPET 1 IN Bb TROMBONE 1 TROMBONE 2 BASS TROMBONE VIOLIN 1 VIOLIN 2 VIOLA 1 VIOLA 2 VIOLONCELLO DOUBLE BASS

Notes

Bach's beloved Wachet auf, ruft uns die Stimme, is known for its solemn beauty and is often referred to as the first choral prelude. Written for organ, it has been composed by Johann Sebastian Bach and lovingly arranged by Otorino Respighy for a modern music audience. This timeless piece is a beautifully layered statement of faith, representing the Church of the Great Awakening that swept through northern Europe in the 17th century. From the opening of the Passion Choral to its closing codetta, Bach's devotion runs deep as his majestic and undulating organ structures propel the work towards its soaring climax. Whether you have heard this classic before or not, we invite to join us to experience the power of this musical devotion. You are bound to be moved and surprised by its radiant beauty.

Wachet auf, ruft uns die Stimme (from 3 Corali - DAI CHORALVORSPIELE, PER ORGANO)
Orchestre
Johann Sebastian Bach and Ottorino Respighi
$49.99 47.03 € Orchestre PDF SheetMusicPlus

Piano and voice; ukulele - Digital Download

SKU: LV.8949

Composed by Herb Brown. Supernatural beings, Bodies of water, Oceans, Love, Magic. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.8949).

Coral Sea. Words by King Zany. Music by Herb Brown. Published 1920 by Sherman, Clay & Co. in San Francisco. Composition of strophic with chorus with piano and voice; ukulele instrumentation. Subject headings for this piece include Supernatural beings, Bodies of water, Oceans, Love, Magic. First line reads Just within the pale of sunny southern seas..

About The Lester S. Levy Collection

The Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.

WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Coral Sea

$5.99 5.64 € PDF SheetMusicPlus

String Ensemble,String Trio Cello - Level 3 - Digital Download

SKU: A0.596493

Composed by Juan María Solare. 20th Century,Contemporary,Instructional,Standards. Score and parts. 43 pages. Juan Maria Solare #3088705. Published by Juan Maria Solare (A0.596493).

Six Thinking Hats for 3 violoncelli  (in the first position)

The title of these six pieces for cello trio refers to the theory of the Six Thinking Hats by Edward de Bono. This is a tool that provides a means for groups to think (plan and decide) together more effectively - or at least in a cohesive way.

Six distinct states are identified and assigned a hat color:

* Information (white hat): considering exclusively what information is available, what the facts are.

* Emotions (red hat): instinctive gut reaction or statements of emotional feeling (but not without any justification)

* Bad points judgment (black hat): logic applied to identifying flaws or barriers, seeking mismatch (the cons of an issue).

* Good points judgment (yellow hat): logic applied to identifying benefits, seeking harmony (the pros).

* Creativity (green hat): statements of provocation and investigation, seeing where a thought goes.

* Thinking (blue hat) - thinking about thinking, a control instance.

In my Trio, these color hats are assigned to different characters or moods. For instance the red hat is the most emotional last piece, very rhythmical. Or the black hat corresponds to a reflexive, rational piece which is not pessimistic but rather extreme reflexive, pondering. Or the blue hat, which should reflect the thinking about thinking and is therefore a canon.

Technically speaking, all pieces are written for cello in the first position (sometimes extended or stretched), which makes them quite suitable for young cellists or adult beginners.

The total duration of the work is about 12 minutes. The durations of the single pieces are:

  I = Enfática insistencia (white hat)           [1'00]

 II = Milonga serena (yellow hat)               [1'45]

III = Estado de alerta (green hat)               [1'45]

 IV = Canon arcaizante (blue hat)               [4'00]

  V = Coral en quintas (black hat)               [1'00]

 VI = Finale arrabbiato (red hat)               [2'30]

All these pieces can be performed individually.

These six pieces for three cellists were composed in Bremen (and Worpswede) between 20th and 29th February 2012. They are dedicated to Juliane Dehning (who also kindly made essential suggestions about the bowings). International Standard Musical Work Code (ISWC): T-803.196.242-3

Recorded in La Rioja, Argentina by Dora Heisecke, Roque González & Mariana Alcaraz:

https://www.youtube.com/watch?v=1DluACws6DE

More information: http://www.juanmariasolare.com/six_thinking_hats.html


Six Thinking Hats [3 celli]
Trio à Cordes: 3 violoncelles

$11.00 10.35 € Trio à Cordes: 3 violoncelles PDF SheetMusicPlus

Brass Ensemble Horn - Level 1 - Digital Download

SKU: A0.931261

Composed by Johannes Brahms. Arranged by Alessandro Macrì. Concert,Graduation,Instructional,Romantic Period,Standards. Score and parts. 10 pages. Music Macri Editions #5801363. Published by Music Macri Editions (A0.931261).

Johannes Brahms – Variazioni su un tema di Haydn op.56

Le Variazioni op.56 sono un momento fondamentale nell’evoluzione creativa di Johannes Brahms come compositore sinfonico, lo proiettano infatti verso la prima sinfonia; di questa, il primo movimento era già pronto da qualche anno ma si trovava relegato in un cassetto a causa del timore reverenziale nell’affrontare quel modello classico.

Le Variazioni sul tema di Haydn, scritte nella duplice versione per due pianoforti e per orchestra, appaiono espressioni di un unico momento creativo dato il breve lasso di tempo intercorrente tra l’una e l’altra; la versione per due pianoforti, inserita in catalogo dallo stesso autore come Opus 56b, viene eseguita a settembre del 1873 con Clara Schumann, quella per orchestra il 2 novembre 1873, con Brahms alla direzione della Filarmonica di Vienna. La versione orchestrale è quella oggi più conosciuta e molto più spesso eseguita.

L'arrangimento, si basa sul Corale di Sant’Antonio, composizione per ensemble di fiati, all’epoca attribuita erroneamente a Franz Joseph Haydn ed ancora oggi di origine incerta; i fiati e il pizzicato degli archi esaltano il suo carattere corale. Il tema è impostato su due periodi asimmetrici, entrambi con ripetizioni segnate da ritornelli: il primo periodo presenta due frasi di cinque battute ciascuna, il secondo è costituito da uno sviluppo in otto battute, una ripresa di quattro battute e un finale di sette. Il tema è chiuso da un accordo ripetuto.

Chorale St. Anthony from Variations on a theme by Haydn

$7.00 6.59 € PDF SheetMusicPlus

Choral Choir (SATB) - Digital Download

SKU: A0.876746

Composed by Tzvi Sherf, after 6 Hasidic Nigunim. Arranged by Tzvi Sherf. Folk,Jewish,Sacred. Octavo. 79 pages. Tzvi Sherf #6089971. Published by Tzvi Sherf (A0.876746).

A choral composition (about 17 minutes), based on 6 Hasidic Nigunim. The lyrics are from Psalms and other traditional sources.
This is a piano accompaniment version of the composition with the same name, originally composed for a klezmer band accompaniment (available in this site) and may be listened in https://www.youtube.com/watch?v=VFl-rV95MAA.
The composition begins as a very intimate prayer - and developed gradually into an enthusiastic public prayer. The soloist performance is the heart of the composition, as it can be heard in the recording , and a very good soloist is one of the keys for a successful performance.
https://coralensemble.bandcamp.com/track/kachomer-beyad-hayotzer-complete-composition-w-piano-accomp...

The original tunes are simply beautiful, and the arrangements try to maintain this natural beauty. It's a very communicative and touching music, excellent as a part of any choral concert, and, of course a concert of sacred or Jewish music.
May be sung by any good SATB ensemble of about 12 singers or more.

Kachomer Beyad Hayotzer (as the clay in the potter's hand) - w/piano accompaniment
Chorale SATB

$2.77 2.61 € Chorale SATB PDF SheetMusicPlus


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