Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1037640 By Sandra Schlink. By Sandra Schlink. Arranged by Sandra Schlink. Instructional. Score. 15 pages. Sandra schlink #642542. Published by sandra schlink (A0.1037640). Theory Book 4 Note Names. This series of books have been written to help musicians improve note recognition and sight-reading skills. They start simply and become progressively more difficult. Theory Book 6 Note Names. This series of books have been written to help musicians improve note recognition and sight-reading skills. They start simply and become progressively more difficult. It is a companion book to the Theory Book 4 Sight Singing and Theory Book 4 Counting. With these books you will be able to sight read with greater ease and speed. Please also look at my Jazz Duet book 3, jazz duets book 2, jazz duets book 2, Jazz and classical duets, jazz duets book and viola and piano duets books. You can also play any of these books with other instruments. Just buy the book for the other instrument, start playing together with the corresponding book and enjoy playing music with your friends. Thank you so much.

Easy Piano - Level 1 - Digital Download SKU: A0.1106174 By Sandra Schlink. By Sandra Schlink. Arranged by Sandra Schlink. Classical,Contemporary,Instructional,Jazz. Score. 14 pages. Sandra schlink #709288. Published by sandra schlink (A0.1106174). Theory Book 7 Note Names. This series of books have been written to help musicians improve note recognition and sight-reading skills. They start simply and become progressively more difficult. Theory Book 1 Note Names. This series of books have been written to help musicians improve note recognition and sight-reading skills. They start simply and become progressively more difficult. It is a companion book to the Theory Book 1 Sight Singing and Theory Book 1 Counting. With these books you will be able to sight read with greater ease and speed. Please also look at my Jazz Duet book 3, jazz duets book 2, jazz duets book 2, Jazz and classical duets, jazz duets book and viola and piano duets books. You can also play any of these books with other instruments. Just buy the book for the other instrument, start playing together with the corresponding book and enjoy playing music with your friends. Thank you so much.

Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1110009 By Sandra Schlink. By Sandra Schlink. Arranged by Sandra Schlink. Christmas,Classical,Contemporary,Instructional,Jazz. Score. 14 pages. Sandra schlink #712358. Published by sandra schlink (A0.1110009). Theory Book 11 Note Names. This series of books have been written to help musicians improve note recognition and sight-reading skills. They start simply and become progressively more difficult. Theory Book 6 Note Names. This series of books have been written to help musicians improve note recognition and sight-reading skills. They start simply and become progressively more difficult. It is a companion book to the Theory Book 4 Sight Singing and Theory Book 4 Counting. With these books you will be able to sight read with greater ease and speed. Please also look at my Jazz Duet book 3, jazz duets book 2, jazz duets book 2,Jazz and classical duets, jazz duets book and viola and piano duets books. You can also play any of these books with other instruments. Just buy the book for the other instrument, start playing together with the corresponding book and enjoy playing music with your friends. Thank you so much.

Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1037636 By Sandra Schlink. By Sandra Schlink. Arranged by Sandra Schlink. Instructional. Score. 18 pages. Sandra schlink #642537. Published by sandra schlink (A0.1037636). Theory Book 1 Note Names. This series of books have been written to help musicians improve note recognition and sight-reading skills. They start simply and become progressively more difficult. Theory Book 1 Note Names. This series of books have been written to help musicians improve note recognition and sight-reading skills. They start simply and become progressively more difficult. It is a companion book to the Theory Book 1 Sight Singing and Theory Book 1 Counting. With these books you will be able to sight read with greater ease and speed. Please also look at my Jazz Duet book 3, jazz duets book 2, jazz duets book 2, Jazz and classical duets, jazz duets book and viola and piano duets books. You can also play any of these books with other instruments. Just buy the book for the other instrument, start playing together with the corresponding book and enjoy playing music with your friends. Thank you so much.

Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1111832 By Sandra Schlink. By Sandra Schlink. Arranged by Sandra Schlink. Classical,Contemporary,Hindi,Instructional,Jazz. Score. 15 pages. Sandra schlink #714042. Published by sandra schlink (A0.1111832). Theory Book 12 Note Names. This series of books have been written to help musicians improve note recognition and sight-reading skills. They start simply and become progressively more difficult. Theory Book 12 Note Names. This series of books have been written to help musicians improve note recognition and sight-reading skills. They start simply and become progressively more difficult. It is a companion book to the Theory Book 1 Sight Singing and Theory Book 1 Counting. With these books you will be able to sight read with greater ease and speed. Please also look at my Jazz Duet book 3, jazz duets book 2, jazz duets book 2, Jazz and classical duets, jazz duets book and viola and piano duets books. You can also play any of these books with other instruments. Just buy the book for the other instrument, start playing together with the corresponding book and enjoy playing music with your friends. Thank you so much.

Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1111941 By Sandra Schlink. By Sandra Schlink. Arranged by Sandra Schlink. Broadway,Instructional,Jazz,March,Musical/Show,Praise & Worship. Score. 14 pages. Sandra schlink #714118. Published by sandra schlink (A0.1111941). Theory Book 13 Note Names. This series of books have been written to help musicians improve note recognition and sight-reading skills. They start simply and become progressively more difficult. Theory Book 13 Note Names. This series of books have been written to help musicians improve note recognition and sight-reading skills. They start simply and become progressively more difficult. It is a companion book to the Theory Book 13 Sight Singing and Theory Book 13 Counting. With these books you will be able to sight read with greater ease and speed. Please also look at my Jazz Duet book 3, jazz duets book 2, jazz duets book 2, Jazz and classical duets, jazz duets book and viola and piano duets books. You can also play any of these books with other instruments. Just buy the book for the other instrument, start playing together with the corresponding book and enjoy playing music with your friends. Thank you so much.

Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1108574 By Sandra Schlink. By Sandra Schlink. Arranged by Sandra Schlink. Christian,Classical,Instructional,Jazz,Singer/Songwriter. Score. 14 pages. Sandra schlink #711220. Published by sandra schlink (A0.1108574). Theory Book 9 Note Names. This series of books have been written to help musicians improve note recognition and sight-reading skills. They start simply and become progressively more difficult. Theory Book 9 Note Names. This series of books have been written to help musicians improve note recognition and sight-reading skills. They start simply and become progressively more difficult. It is a companion book to the Theory Book 4 Sight Singing and Theory Book 4 Counting. With these books you will be able to sight read with greater ease and speed. Please also look at my jazz Duet book 3, jazz duets book 2, jazz duets book 2, Jazz and classical duets, jazz duets book and viola and piano duets books. You can also play any of these books with other instruments. Just buy the book for the other instrument, start playing together with the corresponding book and enjoy playing music with your friends. Thank you so much.

Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1037638 By Sandra Schlink. By Sandra Schlink. Arranged by Sandra Schlink. Instructional. Score. 14 pages. Sandra schlink #642539. Published by sandra schlink (A0.1037638). Theory Book 2 Note Names. This series of books have been written to help musicians improve note recognition and sight-reading skills. They start simply and become progressively more difficult. Theory Book 2 Note Names. This series of books have been written to help musicians improve note recognition and sight-reading skills. They start simply and become progressively more difficult. It is a companion book to the Theory Book 2 Sight Singing and Theory Book 2 Counting. With these books you will be able to sight read with greater ease and speed. Please also look at my Jazz Duet book 3, jazz duets book 2, jazz duets book 2, Jazz and classical duets, jazz duets book and viola and piano duets books. You can also play any of these books with other instruments. Just buy the book for the other instrument, start playing together with the corresponding book and enjoy playing music with your friends. Thank you so much.

Brass Ensemble - Level 3 - Digital Download SKU: A0.767307 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 39 pages. Lyons Music Services #3456329. Published by Lyons Music Services (A0.767307). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts.The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring  them down.)The opening of this book is a short (very short) sinfonia followed by a fairly simple song for solo voice with plain accompaniment Tempro la cetra. Because the sinfonia is so short, I have bundled them together. Once again, these songs are exquisitely crafted and travel well onto brass.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - Digital Download SKU: A0.912070 By The Beatles. By John Lennon and Paul McCartney. Arranged by Ray Thompson. 20th Century,Broadway,Musical/Show,Pop. 11 pages. RayThompsonMusic #518001. Published by RayThompsonMusic (A0.912070). Arranged standard wind quintet Your Mother Should Know is a song by the English rock band the Beatles from their 1967 EP and LP Magical Mystery Tour. It was written by Paul McCartney and credited to Lennon–McCartney.Titled after a line in the 1961 film A Taste of Honey, its lyrical premise centres on the history of hit songs across generations. McCartney said he wrote it as a plea for generational understanding and respect for a mother's life experience. In the Magical Mystery Tour television film, the song serves as a big production number in the style of a 1930s Hollywood musical. Some commentators view the sequence as cultural satire, as the Beatles are seen dancing and dressed in white evening tails. Your Mother Should Know is in the music hall style, further to McCartney's earlier composition When I'm Sixty-Four.He first offered it as the Beatles' contribution to the Our World satellite broadcast in June 1967, but the band favoured John Lennon's All You Need Is Love for its social significance. The initial sessions for the song took place at Chappell Recording Studios in London towards the end of August. The group were visited there by their manager, Brian Epstein, a visit that marked the last time he joined them in the studio before his death on 27 August.

Cello,Piano - Level 3 - Digital Download SKU: A0.549440 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494673. Published by jmsgu3 (A0.549440). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.    

Piano,Viola - Level 3 - Digital Download SKU: A0.549441 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494681. Published by jmsgu3 (A0.549441). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.    

Flute,Piano - Level 4 - Digital Download SKU: A0.549456 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497233. Published by jmsgu3 (A0.549456). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs.   School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  

Bass Clarinet,Piano - Level 4 - Digital Download SKU: A0.549451 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497171. Published by jmsgu3 (A0.549451). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.