EUROPE
862 articles
USA
1833 articles
DIGITAL
51134 articles ( imprimer)
Partitions Digitales
Partitions à imprimer
51134 partitions trouvées

1 ....31 46 61 76 91 ....9991

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1293980 By Daniel Carter. By Daniel Carter. Arranged by Daniel Carter. Christian,Praise & Worship,Religious,Sacred. 6 pages. Daniel Carter #884462. Published by Daniel Carter (A0.1293980). A musical blessing of healing and safety for those who have experienced difficulty and trauma in their lives. Arranged for intermediate-advanced choir and piano with flowing accompaniment and memorable melodic lines. Suitable for worship, farewells, homecomings, concert events, and many other settings. The text uses powerful images to strengthen and reassure:Safety of a mother’s womb to you. / Strength of a father’s love to you; / May the breath of each word that you speak and hear / Be a breath of affirming life in your ears, / Be the winds of grace in your wings, / Be grace in your wings as you soar.When stones of abuse and deceit are hurled / May you catch them and drop them before they harm. / But when your wounds are too much to bear, / May you offer no harm in return.Healing of a mother’s love to you. / Wisdom of a father’s heart to you. / And may your damaged wings heal once again / By the winds of grace as you soar.And so it is. / So be it. / AmenFor other choral, instrumental, vocal solo, and duet works by Daniel Carter, visit Daniel Carter Music.
The Winds of Grace As You Soar—SATB Choir and Piano
Chorale SATB
Daniel Carter
$1.99 1.7 € Chorale SATB PDF SheetMusicPlus

High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
The Unquiet Grave from American Death Ballads (Downloadable)
Voix haute

$3.50 2.99 € Voix haute PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.597602 Composed by Ludwig van Beethoven. Arranged by Flavio Regis Cunha. Concert,Graduation,Holiday,Romantic Period,Standards. Score. 12 pages. Flavio Regis Cunha #6712473. Published by Flavio Regis Cunha (A0.597602). It probably comes as a surprise to many to know that Beethoven wrote variations on the current British national anthem, as well as on a jingoistic tune sung every year at the BBC Proms. But indeed he did. In 1803 he was approached by George Thomson, a civil servant living in Edinburgh who was passionate about collecting folk songs from his own country. He wanted Beethoven to compose six sonatas on Scottish melodies-a project which never materialized, but which started a business relationship that lasted until 1820. For Thomson, Beethoven completed some 150 arrangements of Scottish, Welsh and Irish folk songs (including Auld lang syne). Towards the end of 1803, he sent him these two sets of variations for piano, saying they weren’t too difficult and hoping they would have much success.Concerning the 7 Variations on ‘God save the King’, WoO78, Beethoven made the comment that he wanted to ‘show the English what a blessing they have’ with that tune. We don’t really know who wrote it, but it became very popular in 1745 when it started being sung at Drury Lane and Covent Garden to celebrate the putting-down of the Jacobite rising. It travelled over to the Continent where in 1795 it became the royal anthem of Prussia (‘Heil dir im Siegerkranz’).It makes a great theme for variations, and Beethoven has a lot of fun with it. If ever you needed proof of humour in his music, here it is. After some counterpoint in variation 1, he gives us some nimble fingerwork to deal with before an expressive minor-mode variation that can also be played a bit tongue-in-cheek. He changes metre for variation 6, a perky march, and stays in that time signature for variation 7. A lot of the difficulty of this piece depends on the tempo you choose at this point. The coda is inspired: a brief cadenza-like descent of F major broken chords leads us into a solemn return of the theme, but with some piquant and mischievous harmonies. The final allegro brings the work to a bravura conclusion.
Beethoven: 7 Variations on 'God save the King', WoO78 (for Piano Solo)
Piano seul

$4.99 4.27 € Piano seul PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.1030742 Composed by Jesus J. Martinez. Contemporary. Score and parts. 1 pages. Jesus Martinez Music #2019881. Published by Jesus Martinez Music (A0.1030742). PROGRAM NOTES: The Spear of Destiny is titled and inspired by the supposed spear that was used to kill Jesus Christ. The spear is said to have extraordinary powers. He who possesses it will rule the world and he who loses it thereafter will die an untimely death. The last person recorded to have had it was Adolf Hitler. This musical composition journeys through the time of Hitler and his obsession to obtain the spear, his atrocious acts during his tenure of the spear, and the loss of the spear. The spears main thematic motions are the glissandos in the violin that represent the spears anger and tortuous ways. I. Spear Found takes place during his times as an understudy of Dietrich Eckart, a dedicated satanist and figure in the Occult Thule Society and founding member of the Nazi party. Dietrich said: Follow Hitler! He will dance, but it is I who have called the tune! I have initiated him into the Secret Doctrine' opened his centres in vision and given him the means to communicate with the Powers. Do not morn for me; I shall have influenced history more than any other German. Hitler became enamored with the Spear of Destiny, which claimed it called to him. Spear Found, is Hitler's journey to capturing the spear to rule the world. II. Spear Possessed begins with no time meter or key signature. It is ad liberty of the performers and is a musical representation of the spears possessive powers towards evil. This movement takes place during the time of the Holocaust and the actions committed during Hitler's reign of world domination. The movement infers a jewish folk song titled, Dayeinu, a jewish Passover song meaning it would have been enough. This song is set in context of freedom. The movement goes through variations of Dayeinu and the spears version of a possessed Dayeinu. The violin has fast and rapid rhythms with small thematic material of the folk tune. At the end of the movement, the piano strikes the low end of the piano with a soft yarn mallet to symbolize the bombs dropping and the start of World War II. III. Spear Lost takes place during WWII and the Marines efforts to take down Hitler's reign. During the 3rd movement, the Marine Corps music comes to life as they take control of the spear and ultimately end the war. The Spear however, takes its last stand as the spears motif soars over the possessed marine tune. At the end of the movement, the spear is once again screeching as it survives and goes missing once again.
The Spear of Destiny
Violon et Piano

$32.99 28.22 € Violon et Piano PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus divisi - Level 3 - Digital Download SKU: A0.1485320 By Scottish Folk Song. By Scottish Folk Song. Arranged by Flavio Regis Cunha. Contest,Early Music,Festival,Film/TV,Instructional,Wedding. 9 pages. Flavio Regis Cunha #1062384. Published by Flavio Regis Cunha (A0.1485320). Skye Boat Song - Outlander Main Title Theme - for SSATB and Piano AccompanimentArtist Traditional Scottish FolksongComposer Traditional Scottish FolksongArranger Flavio Regis CunhaDescriptionDo you want to bring a bit of Scotland to your choir? Look no further than our sheet music of Skye Boat Song - from Outlander Main Title Theme - for SSA and Piano Accompaniment. Perfect for churches, school choirs, and professional SSA ensembles, this traditional Scottish folksong is full of energy and history. With this sheet music, you can add a unique flavor to your performance and transport your choir to the highlands! Stop searching for the right song and get ready to take your choir on an unforgettable musical journey. Get your sheet music now and experience the rich culture of Scotland in no time.This arrangement, featuring a solo Soprano and SSA choir with Piano accompaniment, reharmonizes the traditional folk song with a contemporary twist. This arrangement would work well for any a cappella high school, college, or community choir looking for modern arrangements of traditional folk songs.Level: Intermediate.Format: OctavoSize: 9 pages.Engraved with Urtext Kappelmeister FontsDuration: 2:30 min.NotesSkye Boat Song is one of my favoryte folk songs from the British Isles. Skye refers to the Island of Skye, a large island off the northwest coast os Scotland. There are several texts to this song; all refer, more or less, to an uprising of Scottish dissidents against the English is 1745-46. After their defeat, they fled to the Island of Skye. The text used here by the poet Robert Louis Stevenson. Scholars attribute the first half of the melody to an old se chantey and suspect thea the second half may have benn written by Annie MacLeod.ARRANGEMENT DETAILSVoicing SSATB Choir and Piano AccompanimentDifficulty IntermediateGENRE DETAILSGenres A Cappella, Classical, Film/TV, Holiday, Wedding.
Skye Boat Song - Outlander Main Title Theme - for Choir SSATB and Piano Accompaniment
Chorale SATB
Scottish Folk Song
$2.99 2.56 € Chorale SATB PDF SheetMusicPlus

Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859660 Composed by Sydney Stevens. Country,Folk,New Age,Pop. 7 pages. Sydney Stevens, Water Music #2942889. Published by Sydney Stevens, Water Music (A0.859660). Contact: sydneystevenspianostudio@gmail.comAnother Day: Refreshing, passionate piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords.Sounds like: Christina Perri, Enya, Judy CollinsFrom Album: Cycles of Life   Theme: New love, love's longing. Mood: Passionate, romantic, heartfelt. Musical Traits: Strong melody in right hand piano that reflects the vocal line. Performance Time: 3:41 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.In addition to being a prolific composer, Stevens runs a.
Another Day
Voix Alto, Piano

$4.95 4.23 € Voix Alto, Piano PDF SheetMusicPlus

Large Ensemble - Level 5 - Digital Download SKU: A0.1044258 Composed by An-lun Huang. 20th Century,Folk,Multicultural,Traditional,World. Score and parts. 145 pages. DoReMi Edition #648168. Published by DoReMi Edition (A0.1044258). To the New Century Rhapsody to the Rising sun 中國暢想曲第四號《布農之歌》 An Ensemble for Flute, Clarinet, Strings, Piano,Erhu, Yangqin, Ruan and Zheng in Bunungese Style by An-lun Huang, Op.59[April, 2000] Commissioned by the MusicCanadaMusique2000 Dedicated to James Campbell, “Rhapsody to the Rising Sun” is a commission of the MusicCanadaMusique 2000. The five Chinese traditional instruments being used for this ensemble, are: Erhu 二胡 - “Chinese Violin” Yangqin 揚琴 - “Chinese Ducimer” Ruan 中阮 - “Chinese Lute” 2 Zhengs 古箏 - “Chinese Zither” The composition of this piece is based on the original musical materials of Bunung布農. The Bunungese is a minority group of natives who live on the island of Formosa台灣. Ethnically speaking, they originated from the Micronesian race rather than from the “Han”, the Chinese majority who accounts for ninety-seven percent of the population. The pentatonic mode is often found in Chinese folk tunes, in which a triad chord is seldom found. However, the Bunungese actually “enjoy” the sonority (the pitch and the tone) of the major triad. The modern civilization has yet to adapt to their wild and natural style. Usually, their folk song would be a chorale led by a leading singer, followed by the crowd. In the morning, facing the rising sun, the people with their colourful clothes, gather in a circle and dance to the rhythmic music. Located in far east Asia, the Bunungese may well be the first people to praise the rising sun to celebrate the new century with songs and dances. This is the reason why the composer chose to complete the commission in the Bunugese style. 此录音为2000年黄安伦指挥加拿大室内乐团在帕里桑音乐节首演的实况.钢琴是欧阳瑞丽,民乐部份由多伦多的敦煌室乐团担任.
Rhapsody to the Rising sun 中國暢想曲第四號《布農之歌》(parts)

$29.99 25.65 € PDF SheetMusicPlus

Large Ensemble - Level 5 - Digital Download SKU: A0.1044257 Composed by An-lun Huang. 20th Century,Folk,Multicultural,Traditional,World. Score and parts. 64 pages. DoReMi Edition #648167. Published by DoReMi Edition (A0.1044257). To the New Century Rhapsody to the Rising sun 中國暢想曲第四號《布農之歌》 An Ensemble for Flute, Clarinet, Strings, Piano,Erhu, Yangqin, Ruan and Zheng in Bunungese Style by An-lun Huang, Op.59[April, 2000] Commissioned by the MusicCanadaMusique2000 Dedicated to James Campbell, “Rhapsody to the Rising Sun” is a commission of the MusicCanadaMusique 2000. The five Chinese traditional instruments being used for this ensemble, are: Erhu 二胡 - “Chinese Violin” Yangqin 揚琴 - “Chinese Ducimer” Ruan 中阮 - “Chinese Lute” 2 Zhengs 古箏 - “Chinese Zither” The composition of this piece is based on the original musical materials of Bunung布農. The Bunungese is a minority group of natives who live on the island of Formosa台灣. Ethnically speaking, they originated from the Micronesian race rather than from the “Han”, the Chinese majority who accounts for ninety-seven percent of the population. The pentatonic mode is often found in Chinese folk tunes, in which a triad chord is seldom found. However, the Bunungese actually “enjoy” the sonority (the pitch and the tone) of the major triad. The modern civilization has yet to adapt to their wild and natural style. Usually, their folk song would be a chorale led by a leading singer, followed by the crowd. In the morning, facing the rising sun, the people with their colourful clothes, gather in a circle and dance to the rhythmic music. Located in far east Asia, the Bunungese may well be the first people to praise the rising sun to celebrate the new century with songs and dances. This is the reason why the composer chose to complete the commission in the Bunugese style. 此录音为2000年黄安伦指挥加拿大室内乐团在帕里桑音乐节首演的实况.钢琴是欧阳瑞丽,民乐部份由多伦多的敦煌室乐团担任.
Rhapsody to the Rising sun 中國暢想曲第四號《布農之歌》 - Score Only

$19.99 17.1 € PDF SheetMusicPlus

Level 3, Level 4 - Digital Download SKU: C7.CGRP56 Composed by Sandra Eithun. General. Bay View Week of Handbells. With with optional flute or violin, drum, chime tree and suspended cymbal. Set of parts. 8 pages. Chorister's Guild - Digital #CGRP56. Published by Chorister's Guild - Digital (C7.CGRP56). The word Michigan originally referred to the lake itself, and is believed to come from the Ojibwe word michi-gami meaning great water. Commissioned for the Bay View Week of Handbells, which is held on the shores of Lake Michigan, composer Sandra Eithun chose to offer an homage to this beautiful lake and its rich history. Tales of the Great Water is comprised of three short stories. Kinship -The Gathering is a tale of friendship conjuring up images of a place where cultures merged, and people from all over gathered. Shoreline Poem is a tale of longing. So many who settled near the shores of the Great Water, once had a life in another place, perhaps in a distant land. Standing on these remote shores, they can only imagine other places or times. Boundless is a tale of sailing. An adventurous romp on the water awaits our hearty sailors in this tale with stories to tell upon their return. The delightful stories are enhanced with optional flute or violin, drum, chime tree and suspended cymbal.
Tales of the Great Water (Set of Instrument Parts)

$11.95 10.22 € PDF SheetMusicPlus

4, 5, 6, 7 or 8 octaves handbells with optional flute or violin, drum, chime tree, suspended cymbal and 3, 4, 5, 6 or 7 octaves handchimes - Level 3, Level 4 - Digital Download SKU: C7.CGB1192 Composed by Sandra Eithun. General. Bay View Week of Handbells. With optional flute or violin, drum, chime tree and suspended cymbal. Score. 28 pages. Chorister's Guild - Digital #CGB1192. Published by Chorister's Guild - Digital (C7.CGB1192). The word Michigan originally referred to the lake itself, and is believed to come from the Ojibwe word michi-gami meaning great water. Commissioned for the Bay View Week of Handbells, which is held on the shores of Lake Michigan, composer Sandra Eithun chose to offer an homage to this beautiful lake and its rich history. Tales of the Great Water is comprised of three short stories. Kinship -The Gathering is a tale of friendship conjuring up images of a place where cultures merged, and people from all over gathered. Shoreline Poem is a tale of longing. So many who settled near the shores of the Great Water, once had a life in another place, perhaps in a distant land. Standing on these remote shores, they can only imagine other places or times. Boundless is a tale of sailing. An adventurous romp on the water awaits our hearty sailors in this tale with stories to tell upon their return. The delightful stories are enhanced with optional flute or violin, drum, chime tree and suspended cymbal.
Tales of the Great Water

$7.50 6.42 € PDF SheetMusicPlus

Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.767355 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 25 pages. Lyons Music Services #3543455. Published by Lyons Music Services (A0.767355). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts. S'el vostro cor, Madonna is set as a tenor and bass duet. Monteverdi tries out many different combinations of voices in this book as he works to build the different tools which will eventually all find their way into opera. The first lines translate as If your heart, Lady, So soft towards others and is a plea from an obviously love-stricken young man to the object of his desires who favours another. The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.) Once again, these songs are exquisitely crafted and travel well onto brass.
Monteverdi - The Seventh Book of Madrigals (1619) - 16. S'el vostro cor Madonna a7
Flte, Hautbois, Clarinette, Basson

$5.99 5.12 € Flte, Hautbois, Clarinette, Basson PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1300859 By Johnson Gao. By Johnson Gao. Arranged by Johnson Gao. 21st Century,Multicultural,Patriotic,World. 11 pages. Johnson Gao #890537. Published by Johnson Gao (A0.1300859). Anthem of the “All nations will be perished, and the world must unite” Colorful Number One Scholar October 3, 2023 The world was originally no any nations.The land was plundered and divided into territories.Colonize first after occupying a frontier;If you had formed a country, you must raise an army.Warfare is a deadly killing weapon,The saints use it when there are no other satisfied ways.Today's world is in ruins.The United States, China, Russia, and European Union compete. Each of them wants to dominate the world.They don't want to be cooperative diligently;They use the dirty tricks instead;They use every possible means for cunning.When the saint raises only one foot high,While the devil has already jumped ten feet tall.They are blind at what the Doomsday is coming,They still love to rob and snatch.They would like to die together;You die and I die, too.What a shame.The human body contains cells.All cells have membranes.With membranes they know how to be selfish.Selfish genes have played an important role in evolution.Love yourself and your country is only a low level of selfishness; Sacrifices oneself and destroys countries are the high level of selfishness: The world must be for the global public welfare.It is really a kind of selfish seeking benefit only for human beings. Looking at the world today, Among Emperors, Empresses, Presidents and Chairmen,No one is worthy of become a future world leader.They only know how to love themselvesAnd their countries’ benefits in a naive way;They dislike to destroy all the countries,They don’t practice the rule for world population’s commonwealth, Knowing not the brilliance patriotism in the past Has becoming the hurdles on the road to globalization. How sad, how sad!Preparing to establish the “World Leadership Education Institute”. It should be put to the top priority.I advise you not to be too innocent,All nations will be perished;This is a historical march.Ah, ha, oh, eh, yah!Home sapiensism needs to be promoted.The world must be unified. 萬國消亡, 世界一統歌 七彩狀元 2023 年 10 月 3 日 世界原無國。 掠地割為疆。 開疆先殖民; 有國必建軍。 兵乃凶器也, 聖人不得意而用之。 如今世道悪。 美, 中, 俄, 歐爭。 各想稱霸雄; 不思合作勤。 反用拆臺術。 刁鑽觸押計, 無所不用其極。 道高才一尺, 魔高已一丈。 不見末日近, 還要搶與奪。 情願同歸盡; 你死我不活。 恥笑何等絕。 人體含細胞。 細胞皆有膜。 有膜知自私。 自私基因在進化中功勳卓著。 小私愛己愛國; 大私捨己滅國, 天下為公。 蓋實為捧人類之大私也。統觀當今世界,皇, 后, 總統, 主席, 無一配當未來世界領袖。 唯其只知小私愛己愛國; 勿崇大私滅國, 天下為公。 孰不知昔日辉煌的爱国主义 正在成为全球化道路上的攔路虎。 悲哉, 悲哉! 籌建世界領袖教育學院。 可謂當務之急。 勸君莫太蠢, 萬國必消亡; 此乃歷史規律。啊, 哈, 哦, 依, 呀! 智人主義需提創; 世界必歸一。.
Anthem of World United
Chorale SATB
Johnson Gao
$1.99 1.7 € Chorale SATB PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet - Digital Download SKU: A0.886719 Composed by Panagiotis Theodossiou. 20th Century,Children,Concert,Contemporary,Standards. 76 pages. Panagiotis Theodossiou #4780999. Published by Panagiotis Theodossiou (A0.886719). The Flying Hat Scenes of a Fairy Tail, for orchestra op.34 (2006)a. A Little Fanfareb. The Hatlandc. Dad, the Giant Hatd. Dance of the Little Hatse. The Windf. The Flightg. FarewellA fairy tale full of inspiration written by a child was the stimulus for the creation of this polytonal work for orchestra. With humor and innocence, piquant orchestration and cinematic use of the sound, the work is dedicated to the child, Michalis Tillianakis and to Eleftherios Geitonas, director of Geitonas School who gave the idea for this project. The work has been transcribed for piano, 4 hands op.34b, for the Duo Pianismo recital in Benetatou Cultural Center of Psihiko in 2010 and for wind quintet op.34c for the Q innegal Wind Quintet Concerts in Athens in 2011 (Attikon OdeionConservatory, Art Gallery Café, Athens, Perigiali Theater, Korinthos). Excerpts of the work has been transcribed for Chamber Orchestra op.34d and performed by Psychiko Youth Orchestra conducted by the composer at Arssakeion Educational Institute Theater in 2016.
The Flying Hat (Woodwind Quintet version)
Quintette Vent: flte, Hautbois, basson, clarinette, Cor

$20.00 17.11 € Quintette Vent: flte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus


1 ....31 46 61 76 91 ....9991




Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2025

Accueil - Version intégrale