Concert Band - Level 4 - Digital Download SKU: A0.1081763 Composed by Alan Silvestri. Arranged by Graham Boag. 20th Century,Broadway,Film/TV,Musical/Show. Score and parts. 187 pages. Graham Boag #685889. Published by Graham Boag (A0.1081763). Back to the Future is a 1985 American science fiction film directed by Robert Zemeckis, and written by Zemeckis and Bob Gale. It stars Michael J. Fox, Christopher Lloyd, Lea Thompson, Crispin Glover, and Thomas F. Wilson. Set in 1985, the story follows Marty McFly (Fox), a teenager accidentally sent back to 1955 in a time-traveling DeLorean automobile built by his eccentric scientist friend Doctor Emmett Doc Brown (Lloyd). Trapped in the past, Marty inadvertently prevents his future parents' meeting-threatening his existence-and is forced to reconcile the pair and somehow get back to the future. Back to the Future was conceived of in 1980 by Gale and Zemeckis. They were desperate for a successful film after numerous collaborative failures, but their idea was rejected over 40 times by studios because it was not considered raunchy enough to compete with the successful comedies of the era. A development deal was secured following Zemeckis' success directing Romancing the Stone (1984). Fox was the first choice to portray Marty, but he was unavailable; Eric Stoltz was cast instead. Shortly after principal photography began in November 1984, Zemeckis determined Stoltz was not right for the part and made the concessions necessary to hire Fox. This included re-filming scenes already shot with Stoltz and adding $4 million to the budget. Back to the Future was filmed in and around California and on sets at Universal Studios. Filming concluded the following April. Replacing Stoltz delayed production and the film's release date but, following highly successful test screenings, the date was brought forward to July 3, 1985, to give Back to the Future more time in theaters. This resulted in a rushed post-production schedule, and some incomplete special effects. Back to the Future was a critical and commercial success, earning $381.1 million to become the highest-grossing film of 1985 worldwide. Critics praised the story, comedy, and the cast-particularly Fox, Lloyd, Thompson, and Glover. It received multiple award nominations and won an Academy Award, Saturn Awards, and a Hugo Award. Its theme song, The Power of Love by Huey Lewis and the News, was a significant success globally. In the years since its release, Back to the Future has grown in esteem and is now considered to be among the greatest films of the 1980s, one of the best science-fiction films ever made, and one of the greatest films of all time. In 2007, the United States Library of Congress selected the film for preservation in the National Film Registry. The film was followed by two sequels, Back to the Future Part II (1989) and Back to the Future Part III (1990). With its effect on popular culture and a dedicated fan following, Back to the Future launched a multimedia franchise. This includes an animated television series, video games, comic books, board games, clothing, music, books, food, toys, collectibles, and theme park rides. Its enduring popularity has led to numerous books about its production, documentaries, and commercials. Back to the Future has been adapted into a 2020 stage musical.

Bass Guitar,Drum Set,Organ,Piano,Voice - Digital Download SKU: A0.1069403 Composed by The Cure. Arranged by Kostantinos Matzafleris. Pop,Rock. Accompaniment. Duration 258. Kostantinos M. #3492263. Published by Kostantinos M. (A0.1069403). Love Song by the New Wave band Cure.Arranged, recorded and mixed by Kostantinos Matzafleris.

By The Cure. Arranged by The Real Boss Hos Publishing. Lead Sheet, Tablature. 6 pages. Published by The Real Boss Hos

By The Cure. Arranged by Austin Ralphson. Score, Set of Parts. 24 pages. Published by Austin Ralphson

By The Cure. Arranged by Austin Ralphson. Score, Set of Parts. 29 pages. Published by Austin Ralphson

Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.725562 By Lady Gaga. By Lukas Nelson, Mark Nilan, Nick Monson, Paul Blair, and Stefani Germanotta. Arranged by Bryan Sharpe. A Cappella,Pop. 10 pages. Bryan Sharpe (BSharpe Music) #3560649. Published by Bryan Sharpe (BSharpe Music) (A0.725562). Contemporary a cappella arrangement of THE CURE by Lady Gaga for Solo + SATB and optional vocal percussion.

Small Ensemble High Voice,Low Voice,Medium Voice - Digital Download SKU: A0.929557 By Lady Gaga. By Lukas Nelson, Mark Nilan, Nick Monson, Paul Blair, and Stefani Germanotta. Arranged by Lee Stovall. A Cappella,Pop. Score and parts. 10 pages. Lee Stovall #3531409. Published by Lee Stovall (A0.929557). A cappella arrangement of The Cure by Lady Gaga for treble voices.

Drum Set,Drums - Level 4 - Digital Download SKU: A0.978086 By Megadeth. By Dave Mustaine. Arranged by Brian Hurst. Metal. Score. 2 pages. Brian Hurst #6876393. Published by Brian Hurst (A0.978086). Full drum sheet music for Poison Was the Cure by Megadeth.

Guitar Tab - Early Intermediate - Digital Download By The Cure. Arranged by Daryl Shawn. Lead Sheet, Score, Sheet Music Single, Solo Part, Tablature. 8 pages. Published by Daryl Shawn

Solo Guitar - Level 5 - Digital Download SKU: A0.1028737 Composed by Mateus Asato. Arranged by Mateus Asato. Pop,Rock. Individual part. 11 pages. Vinson Esteban #6696877. Published by Vinson Esteban (A0.1028737). Mateus Asato's, The Cure.

Acoustic Guitar,Instrumental Solo - Level 3 - Digital Download SKU: A0.1177767 Composed by Jan Antonin (comte de) Logy. Arranged by Socrates Arvanitakis. Baroque. Individual part. 11 pages. Socrates Arvanitakis #777729. Published by Socrates Arvanitakis (A0.1177767). Jan Antonin de Logy, count of Rosinthal (1650-1721) was an aristocrat of Bohemia and official ofthe Austrian empire. As a musician he was a lute player of professional level and seems to havebeen a refined and prolific composer of single pieces and suites in the French style for hisinstrument. His compositions are becoming known to us today through important academicresearch but a lot more work has to be made in this field. The present partita, (transcribed in A minor for guitar), was discovered early in this research and it is well known and loved amongstguitarist and lute players of today because of its ease in performance, but at the same timemaintaining a high compositional standard in terms of well-constructed movements incontrapuntal two-part writing.In these editions I prefer not to add any fingerings because I consider that they obscure the opticalresult rather than clarifying any particular way of playing the music. Instrumentalists have tomake their own fingering and choice of position decisions and in most cases they prefer it. My general suggestion for this partita is that open strings should be preferred whenever it is possible, as for example in the second half of the last movement where notes B and E are always sustainedas open strings in the upper part (indicated by the ties) and the required technique and sound result is that of an arpeggio rather than a scalic passage.Although here we have only a five movement partita and it is very easy to navigate from page to page, my usual procedure, followed for larger collections, is to give a thematic index in the beginning of the volume, with the first few bars of every piece given as photographs. If an electronic pad rather than printed music is used to play the music from these PDF archives, these photographs are clickable active links leading strait to the piece concerned, and the header of the page of any piece is another active link leading back to the index. External links to internet sources for further information on the pieces, live performances, etc may be added if considered of particular interest.

Jazz Ensemble Jazz Ensemble - Level 1 - Digital Download SKU: A0.1501135 By The Cure. By Robert Smith. Arranged by Tim Ferrier. 20th Century,Jazz,Pop,Rock. 50 pages. Tim Ferrier Music #1077091. Published by Tim Ferrier Music (A0.1501135). 80's hit tune 'The Lovecats' by Robert Smith, performed by 'The Cure', arranged for Jazz Ensemble. Easy - Grade 2.

Brass Ensemble - Level 3 - Digital Download SKU: A0.883606 By The Cure. By Robert Smith. Arranged by Chris Knapp. Pop,Rock. Score and parts. 19 pages. Chris Knapp #4290885. Published by Chris Knapp (A0.883606). This cheeky arrangement of a 'Cure' classic is a perfect concert item to get the audience going. This flexible arrangement includes parts for Horn in Eb as well as Trombone/Euphonium and Tuba in treble clef.

Piano,Vocal,Voice - Digital Download SKU: A0.818208 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Praise & Worship,Sacred. Score. 40 pages. Stephen R Dalrymple #3070553. Published by Stephen R Dalrymple (A0.818208). Song of the Recovering Perfectionist original song by Stephen R Dalrymple music © 1999 (© registered in 'Sacred Songs 1978-1999’ collection) recording ℗ 2020 Stephen R Dalrymple presentation © 2022 Stephen R Dalrymple sequenced by the composer ♫ At the age of 37, God used a good friend to reset my course in life and ministry. I learned a perfectionist is someone who is obsessed with doing things right so he or she can be accepted by others and that Jesus is not a perfectionist. I learned that perfectionism is one possible syndrome of rejection syndrome, and that the antidote to rejection syndrome is to learn to feel accepted in Jesus Christ. ♫ This journey has been extremely threatening but powerfully liberating. To be Christlike is to be accepting, not critical; to see potential in others, not continuously looking for flaws to pick; to be secure in my Heavenly Father, not trying to continuously please people and earn acceptance. ♫ I often sing this song to myself when I catch myself feeling rejected and/or acting in perfectionistic ways. ♫ Based on passages such as Romans 15:7 and Ephesians 1:3-6, this song celebrates the unconditional love of God and how learning to accept God's acceptance will help me pass acceptance and forgiveness on to others, allowing me to loosen the obsession to be 'perfect' and in control. ♫ This .pdf file includes 1) letter size lead sheet 2) vocal score with piano accompaniment, 3) lead sheet for 10 inch tablet, and vocal line with piano for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose parts you wish to print).

Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der Bühne: 3 Picc. (womöglich mehrfach besetzt) - 6 Hr. - Tamtam - Windschleuder - Digital Download SKU: S9.Q25915 Romantic Opera in 3 Acts. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 135' 0. Schott Music - Digital #Q25915. Published by Schott Music - Digital (S9.Q25915). German • English.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (Original version) With this edition, the original version of Wagner’s opera Der fliegende Holländer [The flying Dutchman] WWV 63 is made available to the public for the first time in piano score form. The score on which the edition is based was published in the Richard Wagner-Complete Edition 1983: Richard Wagner. Collected works Vol. 4, I-II, The Flying Dutchman. Romantic opera in three acts (original version 1841), edited by Isolde Vetter (Schott Music International, Mainz, RWA 104-10/RWA 104-20).� (Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenes�. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopski�, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).Les opéras de Richard Wagner paraissent pour la première fois sous forme de piano-chant chez Schott en version originale. Sont déjà publiés dans la série : L’Or du Rhin, Lohengrin, Parsifal et Le Vaisseau fantôme (première version de 1841 et version 1842-1880). Les autres opéras de Wagner représentés à Bayreuth paraîtront d'ici 2013, année anniversaire de la naissance du compositeur.