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Ukulele - Level 3 - Digital Download SKU: A0.1149540 By Michael P Walker. By Various. Arranged by Michael P Walker. 19th Century,Romantic Period. Score. 168 pages. Michael P Walker #749686. Published by Michael P Walker (A0.1149540). These sixty-six compositions were arranged for the Low G ukulele and represent some of the greatest composers of the 19th Century – The Romantic Era as a movement does not refer to romantic love, though that theme was prevalent in many works composed during this time period. Romanticism describes the expansion of formal structures within a composition, making the pieces more passionate and expressive. The Romantic period contradicted the Classical period by introducing freedom, artistic creativity, and experimentation. Expressing an emotion or an idea was the most important, therefore the melody was the dominant feature Along with this book, there are more than 80 books of arrangements of Renaissance, Baroque, Classical, and Romantic era music for the baritone ukulele and there are more than Sixty-five others with arrangements for the Low G ukulele. You can find them here: https://morgancomusic.com.
ROMANCE! Compositions from the 19th Century Romantic Movement for Low G Ukulele
Ukulele
Michael P Walker
$19.95 19.06 € Ukulele PDF SheetMusicPlus

Rhythm Section SATB Chorus divisi,Voice - Level 5 - Digital Download SKU: A0.1453743 Composed by Chris Jasper, Ernie Isley, Marvin Isley, O'Kelly Isley, Ronald Isley, and Rudolph Isley. Arranged by Kerry Marsh. Funk,Jazz,Pop,Soul. Vocal Jazz Ensemble. 52 pages. Kerry Marsh #1032960. Published by Kerry Marsh (A0.1453743). This arrangement, sold at SheetMusicPlus.com and SheetMusicDirect.com at a much lower price than the standard flat-fee range ($60 to $75), does NOT come with a demo recording or any rehearsal audio aids. Visit KerryMarsh.com and purchase the All Tracks Pack with SkyTracks (No Sheet Music) package and receive access to: 1. Arrangement Demo, 2. SkyTracks Mixer access, 3. Vocal Part Tracks, 4. Minus-One Tracks, 5. Rhythm Track, 6. Recording Stems (for those who wish to use their own Digital Audio Workstation)Them Changes is a standout track by Thundercat, featuring a funky, bass-driven groove that highlights Thundercat's virtuosic bass playing and unique blend of jazz, funk, and R&B influences. The lyrics explore themes of heartbreak and emotional turmoil, delivered with Thundercat's signature falsetto vocals.Kerry Marsh's vocal jazz arrangement begins with an a cappella rendition of the song's bridge, serving as a teaser before launching into the now-iconic drums and bass groove. A hallmark of neo-soul, the dissonance between the chord changes and the melody can present challenges for vocal harmonies. This arrangement skillfully navigates these tricky spots, employing octaves and unison writing to minimize clashes, and then breaking out into lush, dense harmonies where they are most effective.The chart concludes with a space for vocal or instrumental improv, accompanied by vocal backgrounds, ending the piece in a sudden and unconventional manner. This modern-day classic will be a hit with your vocal jazz ensemble, offering something for singers, instrumentalists, and the audience alike to enjoy.Perfect for advanced ensembles looking to explore contemporary jazz-funk, this arrangement captures the essence of Thundercat's innovative style while providing a fresh and exciting challenge. Check out the Scoreflipper preview to see how this arrangement can elevate your group's performance and captivate your audience.
Them Changes
Chorale SATB

$49.99 47.77 € Chorale SATB PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano,Tenor Saxophone - Level 5 - Digital Download SKU: A0.837493 Composed by Brett L. Wery. Concert,Contemporary. Score and parts. 38 pages. Sonata Grendel Publishing #5741825. Published by Sonata Grendel Publishing (A0.837493). Making the Darkness Conscious was commissioned by my friend, Jonathan Hulting-Cohen. Jonathan is the Professor of Saxophone at the University of Massachusetts, Amherst. He is an amazing artist and a technical wizard. The piece was premiered in its original version as a solo for tenor saxophone and wind ensemble. The present version for piano is not intended to be a reduction of the wind ensemble accompaniment but is a reworking of the piece as an addition to the saxophone/piano duo repertoire. The anti-heroes in film, TV, and literature who feel themselves pushed to do very bad things for very noble reasons inspired this sonata in one movement. These characters often are themselves corrupted by their efforts.  One trope of scripted television anti-hero vehicles like Breaking Bad is the cold opening presented out of sequence. The main character is shown in the moment of highest tension or deepest desperation then the story backs up to explain the events that led to that moment. Making the Darkness Conscious uses the same device by starting with a mysterious, disoriented setting full of strange groans and weird echoes. The scene ends in a terrified scream and cuts directly to a happier, jolly portrayal of the solo tenor saxophone’s character. By the end of the piece, the soloist’s character is transformed into something more ruthless and tortured. One does not become enlightened by imagining figures of light, but by making the darkness conscious. The latter procedure, however, is disagreeable and therefore not popular. C.G. Jung
Making the Darkness Conscious
Saxophone Tenor et Piano
the end of the piece, the soloist’s character is transformed into something more ruthless and tortured

One does not become enlightened by imagining figures of light, but by making the darkness conscious
$14.95 14.29 € Saxophone Tenor et Piano PDF SheetMusicPlus

Congregation, SATB choir, brass quintet, timpani, suspended cymbal, organ - Moderately Easy - Digital Download SKU: MQ.60-6015-E Composed by Normand Gouin. Cathedral Series. Ordination, Pentecost, Confirmation, Ordination/Installation, 21st Century. Instrument parts. 12 pages. MorningStar Music Publishers - Digital Sheet Music #60-6015-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.60-6015-E). English.This new hymn, with words by Andrew Ciferni and music by Normand Gouin, was chosen as the official hymn of the World Meeting of Families 2015, and it will be used at the liturgies in Philadelphia during Pope Francis' first visit to the United States. This festive concertato features brass and percussion, and includes a special introduction appropriate for a solemn procession. The arrangement may also be pared down to fit available musical resources and liturgical use. It includes a second text, by Anthony Corvaia, that invokes the Holy Spirit and is appropriate for general use and for Pentecost. A special optional verse is provided for use at Confirmation and Ordination.Instrumental parts packet includes: Trumpets I and II C and in B-flat, Trombones I and II, Horn in F (sub for Trombone I), Bass Trombone/Tuba, Timpani, Suspended Cymbal, OrganNotes regarding Congregation Card Pack, 60-6015C: Printed on white card stock and are sold in quantities of 50 packs. Dimensions: 5.5†width; 8.5†length. Notes regarding Downloadable Congregation Part, file_60-6015C-E:Purchaser may reproduce this page for the congregation under these circumstances:-With valid license from OneLicense or LicenSing. -Usage must be reported to either OneLicense or LicenSing. -Copyright notice must be included. -If the purchaser does not have a license from OneLicense or LicenSing, one may be obtained directly from the publisher. Click here to email the MorningStar Music Publishers Copyright Department. -If the purchaser does not wish to purchase a license, then they should purchase the printed congregational cards, product 60-6015C. Notes regarding SATB/Accompaniment Hymn Only:This publication serves as the accompaniment to the hymn Sound the Bell of Holy Freedom. The publication may also be used as a simple SATB version for the choir. If used by the choir, multiple copies need to be purchased. -Reprint permission is not included with the purchase of this publication.-Multiple copies must be purchased for additional instrumentalists, or the choir.-This publication is available in two forms, either as a downloadable publication, or as a printed publication.
Sound the Bell of Holy Freedom: Come to Us, O Holy Spirit (Downloadable Concertato Choral Score)
Chorale SATB

$2.65 2.53 € Chorale SATB PDF SheetMusicPlus

Guitar - Level 4 - Digital Download SKU: A0.1321470 Composed by Joseph Harnell. Arranged by Terry Carpenter. Film/TV. Guitar Tab. 2 pages. Terry Carpenter #909928. Published by Terry Carpenter (A0.1321470). By Joseph Harnell, The Lonely Man is the closing theme of the TV series The Incredible Hulk, adapted for classical guitar, in Em.The mp3 was made by software and therefore doesn't convey all the emotion that the performance should. Listen to the original piano version on the YouTube link I've added.
The Lonely Man
Guitare notes et tablatures
Joseph Harnell, The Lonely Man is the closing theme of the TV series The Incredible Hulk, adapted for classical guitar, in Em

The mp3 was made by software and therefore doesn't convey all the emotion that the performance should

$4.99 4.77 € Guitare notes et tablatures PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.1491758 By Keith Terrett. By Roy Williamson. Arranged by Keith Terrett. Classical,Contemporary,Contest,Festival,Instructional,Multicultural,World. 10 pages. Keith Terrett #1068437. Published by Keith Terrett (A0.1491758). As of February 2024, the Scottish Government have not yet formally adopted an official national anthem of Scotland, despite having the legal competence in order to do so. ] During a meeting of the Enterprise and Culture Committee on 9 May 2006 in the Scottish Parliament, MSP Michael Matheson raised the question about the status of Scotland's national anthem, citing during the recent Commonwealth Games in Melbourne, there was some debate about a Scottish national anthem, largely because a number of songs were being used as our national anthem. However, in recent discussions on the matter, no consensus was reached, other than on the point that we should have a national anthem. At that time, there was suggestions that the incumbent First Minister of Scotland Jack McConnell had claimed that a debate on an official national anthem for Scotland should take place to address the issue.MSP Murdo Fraser expressed concerns over the three most popular candidates for an official national anthem of Scotland – Flower of Scotland, Scotland the Brave and Highland Cathedral. In his speech to the committee, he claimed Flower of Scotland is inappropriate because some of the sentiments that are expressed in it are jingoistic and anti-English; Scotland the Brave is inappropriate because, although it is a good tune, it does not have words that match the upbeat nature of the music; and Highland Cathedral is a good tune, but it has no words at all.
Scottish Anthem for String Orchestra
Orchestre à Cordes
Keith Terrett
$8.99 8.59 € Orchestre à Cordes PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1200229 By Skeeter Davis. By Arthur Kent and Sylvia Dee. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,Pop,Rock,Standards. Score. 6 pages. Timothy Stapay #799031. Published by Timothy Stapay (A0.1200229). An arrangement of The End Of The World,  a song covered by many famous artists. includingThe Carpenters; thanks to the phenomenal singing of Karen Carpenter.  The End of the World was written by composer Arthur Kent and lyricist Sylvia Dee, who often worked as a team.The Carpenters (officially known as Carpenters were an American vocal and instrumental duo consisting of siblings Karen (1950–1983) and Richard Carpenter (born 1946). They produced a distinctive soft musical style, combining Karen's contralto vocals with Richard's harmonizing, arranging, and composition skills. During their 14-year career, the Carpenters recorded 10 albums along with many singles and several television specials. Karen possessed a powerful singing voice, and close miking brought out many nuances in her performances.  Richard arranged their music to take advantage of this, though Karen had a three-octave vocal range.  Richard's work with Karen was influenced by the music of Les Paul, whose overdubbing of the voice of wife and musical partner Mary Ford allowed her to be used as both the lead and harmony vocals.[6] By multi-tracking, Richard was able to use Karen and himself for the harmonies to back Karen's lead. The overdubbed background harmonies were distinctive to the Carpenters, but it was the soulful, engaging sound of Karen's lead voice that made them so recognizable.  Record executive Mike Curb said it was Karen's voice that took the Carpenters above straight pop music into pop rock.   She was known as a one take wonder and could deliver a strong performance on the first attempt.Richard Carpenter was the creative force behind the Carpenters' sound. An accomplished keyboard player, composer and arranger, music critic Daniel Levitin called him one of the most gifted arrangers to emerge in popular music.  The duo's smooth harmonies were not in step with contemporary music, which was dominated by heavy rock.  Instead, the Carpenters strove for a rich and melodic sound, along the same vein as the Beach Boys and the Mamas & the Papas, but with greater fullness and orchestration including frequent use of small string and horn sections and introspective lyrics centred around relationships.  Richard also admired the musicianship and arranging skills of Frank Zappa, and the two briefly met backstage at the Billboard Forum in 1975.End Of The World: Lyrics:Why does the sun go on shining?Why does the sea rush to shore?Don't they know it's the end of the world?'Cause you don't love me any moreWhy do the birds go on singing?Why do the stars glow above?Don't they know it's the end of the world?It ended when I lost your love[Bridge]I wake up in the morning and I wonderWhy everything's the same as it wasI can't understand, no, I can't understandHow life goes on the way it doesWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you said goodbyeWhy does my heart go on beating?Why do these eyes of mine cry?Don't they know it's the end of the world?It ended when you
The End Of The World
Piano seul
Skeeter Davis
$6.99 6.68 € Piano seul PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Digital Download SKU: A0.893851 Composed by David Kai. Children,Christian,Sacred. Score. 3 pages. David Kai #5322227. Published by David Kai (A0.893851). This song teaches the stories from the first chapters of the book of Genesis.With the purchase of this music, you may make copies of the lead sheet or lyrics for your church school or choir. Please report any congregational use to One License or CCLI.Stories of the Early Days   by David Kai ©2000  (with thanks and apologies to W.A. Mozart)1. Creating, creating, a thing that God does well, God planted a garden, and everything was swellStories of the early days, people learning of God’s ways, Creating, creating, a thing that God does well.2. A garden and creatures, just when the world began, The first of the humans, according to God’s plan,Stories of the early days, people learning of God’s ways, A garden and creatures, just when the world began.3. With Noah, and fam’ly, a covenant was made, They built a great ark and his family was saved, Stories of the early days, people learning of God’s ways, With Noah, and fam’ly, a covenant was made.4. A rainbow, a rainbow, the sign God sent to show, That there was a cov’nant, there’d be a flood no more,Stories of the early days, people learning of God’s ways, A rainbow, a rainbow, the sign God sent to show.5. Oh Abram and Sarai, went to the Promised Land, God changed both their names and God changed all of their plans.Stories of the early days, people learning of God’s ways, Oh Abram and Sarai, went to the Promised Land.6. Oh Sarah, oh Sarah, though she was very old, Gave birth to her Isaac, just as she had been told,Stories of the early days, people learning of God’s ways, Oh Sarah, oh Sarah, though she was very old.7. Rebecca, Rebecca, her well of kindness showed that she was the right one, and so she chose to go,Stories of the early days, people learning of God’s ways, Rebecca, Rebecca, her well of kindness showed.8. Old Isaac, gave Jacob, the blessing that was saved for Esau, his brother, who then began to rage,Stories of the early days, people learning of God’s ways, Old Isaac, gave Jacob, the blessing that was saved.9. Oh Jacob, and Esau, they met again at last, And all was forgiven, the feud was in the past,Stories of the early days, people learning of God’s ways, Oh Jacob, and Esau, they met again at last.
Stories of the Early Days (accompaniment and lead sheet)
Piano, Voix et Guitare

$4.00 3.82 € Piano, Voix et Guitare PDF SheetMusicPlus

Choral Choir (TTBB) - Level 1 - Digital Download SKU: A0.522333 Composed by Unknown - traditional. Arranged by Paul A. Jorg. Christian,Spiritual,Traditional. Octavo. 4 pages. Paul A. Jorg #5869331. Published by Paul A. Jorg (A0.522333). This song is public domain, written in the 1850's, during a time - pre-civil war - when the nation was being torn apart. The writer calms his anxiety by holding on to God's promises. Here are some lyric notes:   I am a poor, wayfaring stranger -  Wayfaring: traveling especially on foot; peripatetic country preachers; a poor wayfaring stranger.   Wandering through this world of woe -  Matthew 18:7: Woe to the world because of the things that cause people to sin!  Such things must come, but woe to the man through whom they come! And there's no sickness, toil or danger -  John 11:4: When he heard this, Jesus said, This sickness will not end in death. No, it is for God's glory so that God's Son may be glorified through it.   Ecclesiastes 2:18-19: I hated all the things I had toiled for under the sun, because I must leave them to the one who comes after me.  Acts 14:22: strengthening the disciples and encouraging them to remain true to the faith. We must go through many hardships to enter the kingdom of God,  In that bright land to which I go -  James 1:17 Every good and perfect gift is from above, coming down from the Father of the heavenly lights, who does not change like shifting shadows.I'm going home to see my Father -  John 6:40 -  For my Father's will is that everyone who looks to the Son and believes in him shall have eternal life, and I will raise him up at the last day.   I'm only going over Jordan -  Joshua 22:4:  Now that the LORD your God has given your brothers rest as he promised, return to your homes in the land that Moses the servant of the LORD  gave you on the other side of the Jordan.   Yet though dark clouds will gather round me -  2 Corinthians 12:10: That is why, for Christ's sake, I delight in weaknesses, in insults, in hardships, in persecutions, in difficulties. For when I am weak,  then I am strong.   I know my way is rough and steep -  Psalm 16:11: You have made known to me the path of life; you will fill me with joy in your presence, with eternal pleasures at your right hand.   Proverbs 15:24:  The path of life leads upward for the wise to keep him from going down to the grave.But beauteous fields lie just before me -  Numbers 13:25: We arrived in the land you sent us to see, and it is indeed a magnificient country, a land flowing with milk and honey.   Where God's redeemed their vigil's keep - Exodus12:42:  Because the LORD kept vigil that night to bring them out of Egypt, on this night all the Israelites are to keep vigil to honor the LORD  for the generations to come.  I'm going home to see my mother -  Mark 10:29-31: I tell you the truth, Jesus replied, no one who has left home or brothers or sisters or mother or father or children or fields for me  and the gospel will fail to receive a hundred times as much in this present age (homes, brothers, sisters, mothers, children and fields-and with them, persecutions.
WAYFARING STRANGER (Poor Wayfaring Stranger)
Chorale TTBB

$4.59 4.39 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.914719 Composed by Annie Routley. 20th Century,Christian,Christmas,Contemporary,Sacred. Octavo. 9 pages. Annie Routley #4301147. Published by Annie Routley (A0.914719). This is the full score - piano accompaniment, drum and SATB choir.  A choir score is available separately  This carol is designed to be very easy to learn and perform.  It needs to be accompanied by piano (simple part) and drum (no snare).  A bodhran or cajon would work just as well.  There is one minor-key tune for both the men and ladies to learn.  (This works as a 4-part round later in the carol)  Â·        The men start, accompanied just by the piano ostinato.  The drum doesn’t enter until bar 7, when the men finish their ‘drums drumming’  Â·        While the ladies sing verse 2, the men sing ‘Drum, drum’ in consecutive 5ths.  NB, the melody is slightly different at the end of the ladies’ verse, since the words ‘poor and lowly stable’ need the melody to come down rather than go up  Â·        Then the ladies sing the ‘Drum, drum’ 5ths whilst the men sing verse 3  Â·        Everyone sings verse 4 in unison and joyously  Â·        Everyone then sings verse 4 twice in a round – basses, altos, tenors then sopranos  Â·        Everyone repeats the last line of verse 4 ‘The child we’ve waited for is born …’ together (the piano and drum cut out so that the voices are unaccompanied in bar 35 – and then resume for bar 36)  Â·        ‘O hear the angels singing’ (unaccompanied) – then a loud chord and drum on beat 3 of the last bar Enjoy!  A high-definition video of the carol is available on YouTube – type in ‘Carol of the Wise Men – CMM Choir’ and select the picture with the choir ladies in white blouses and red scarves
Carol of the Wise Men
Chorale SATB

$4.51 4.31 € Chorale SATB PDF SheetMusicPlus

Brass, Guitar, Percussion, Rhythm - Level 3 - Digital Download SKU: H1.C5539RDP Composed by Brian Doerksen. Arranged by Arnold B. Sherman. Sing & Ring Series. Contemporary, Gathering, General Worship, Call To Worship, Worship. Parts. 37 pages. Hope Publishing - Digital #C5539RDP. Published by Hope Publishing - Digital (H1.C5539RDP). By Brian Doerksen. Psalms 29:2 - Psalms 95:6 - Psalms 95:9 - Psalms 100:2 - Isaiah 55:1 - Philippians 2:5 - Philippians 2:6 - Philippians 2:7 - Philippians 2:8 - Philippians 2:9 - Philippians 2:10 - Philippians 2:11 - 2 Corinthians 6:1 - 2 Corinthians .Popular praise and worship song by Brian Doerksen Utilizing handbells, SATB choir and praise band, Arnold Sherman brings both traditional and contemporary elements together in this dynamic new setting of Brian Doerksen's popular praise and worship song. The combination of these forces in this ring & sing arrangement is the perfect opportunity to bring all of your church musicians together for a powerful worship presentation. The 3-5 octave handbell accompaniment and rhythm parts are optional. The bell setting can be performed alone or with the guitar, bass, drums and alto sax, which are included in the separate Rhythm Parts. The Rehearsal/Performance CD includes two tracks, one of bells and rhythm and the other of just the rhythm that can be used to accompany a bell choir.
Come, Now Is the Time to Worship
Brian Doerksen Psalms 29:2 - Psalms 95:6 - Psalms 95:9 - Psalms 100:2 - Isaiah 55:1 - Philippians 2:5 - Philippians 2:6 - Philippians 2:7 - Philippians 2:8 - Philippians 2:9 - Philippians 2:10 - Philippians 2:11 - 2 Corinthians 6:1 - 2 Corinthians
$34.95 33.4 € PDF SheetMusicPlus

Handbells 3-5 octave handbell choir with optional rhythm - Level 3 - Digital Download SKU: H1.2453DP Composed by Brian Doerksen. Arranged by Arnold B. Sherman. Sing & Ring Series. Contemporary, Jazz / Swing, Praise & Worship, Gathering, General Worship, Call To Worship, Worship. Handbell score. 12 pages. Hope Publishing - Digital #2453DP. Published by Hope Publishing - Digital (H1.2453DP). By Brian Doerksen. Psalms 29:2 - Psalms 95:6 - Psalms 95:9 - Psalms 100:2 - Isaiah 55:1 - Philippians 2:5 - Philippians 2:6 - Philippians 2:7 - Philippians 2:8 - Philippians 2:9 - Philippians 2:10 - Philippians 2:11 - 2 Corinthians 6:1 - 2 Corinthians .Popular praise and worship song by Brian Doerksen Utilizing handbells, SATB choir and praise band, Arnold Sherman brings both traditional and contemporary elements together in this dynamic new setting of Brian Doerksen's popular praise and worship song. The combination of these forces in this ring & sing arrangement is the perfect opportunity to bring all of your church musicians together for a powerful worship presentation. The 3-5 octave handbell accompaniment and rhythm parts are optional. The bell setting can be performed alone or with the guitar, bass, drums and alto sax, which are included in the separate Rhythm Parts. The Rehearsal/Performance CD includes two tracks, one of bells and rhythm and the other of just the rhythm that can be used to accompany a bell choir.
Come, Now Is the Time to Worship
Cloches
Brian Doerksen Psalms 29:2 - Psalms 95:6 - Psalms 95:9 - Psalms 100:2 - Isaiah 55:1 - Philippians 2:5 - Philippians 2:6 - Philippians 2:7 - Philippians 2:8 - Philippians 2:9 - Philippians 2:10 - Philippians 2:11 - 2 Corinthians 6:1 - 2 Corinthians
$7.00 6.69 € Cloches PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1376536 By Brooke Griffin Carpenter. By Brooke Griffin Carpenter. Arranged by Brooke Griffin Carpenter. Christian,Praise & Worship,Religious,Sacred,Spiritual. 8 pages. Brooke Griffin Carpenter #961065. Published by Brooke Griffin Carpenter (A0.1376536). I wrote this song to describe my feelings about the atonement of Jesus Christ. It's a conversation with the Savior about His role in my life and my desire to follow Him. It was greatly inspired by the October 2012 General Conference address The First Great Commandment by Elder Jeffrey R. Holland. Elder Holland states: My beloved brothers and sisters, I am not certain just what our experience will be on Judgment Day, but I will be very surprised if, at some point in that conversation, God does not ask us exactly what Christ asked Peter: 'Did you love me?' I think He will want to know if in our very mortal, very inadequate, and sometimes childish grasp of things, did we at least understand one commandment, the first and greatest commandment of them all—'Thou shalt love the Lord thy God with all thy heart, and with all thy soul, and with all thy strength, and with all thy mind' (Luke 10:27; see also Matthew 22:37–38). And if at such a moment we can stammer out, 'Yea, Lord, thou knowest that I love thee,' then He may remind us that the crowning characteristic of love is always loyalty. This song is a testament of the words I want to say when that day comes for me.*Please note that this is the choral version of this composition.
I Walk Beside Thee
Chorale SATB
Brooke Griffin Carpenter
$2.75 2.63 € Chorale SATB PDF SheetMusicPlus


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