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Full Orchestra - Level 5 - Digital Download SKU: A0.1076412 Composed by Isaac Albeniz. Arranged by A. Leytush. 20th Century. Score and parts. 96 pages. Arkady Leytush #680568. Published by Arkady Leytush (A0.1076412). Orchestra: Piccolo, Flute, Oboe, English Horn, Clarinet in B flat, Soprano Saxophone, Bass Clarinet, 2 Bassoons, 4 Horns in F, 2 Trumpets in B flat, 2 Trombones, Bass Trombone, Tuba, Timpani, Percussion: Triangle, Castanets, Maracas, Snare drum, Cymbals, Gong, Tam-tam, Bass drum, Harp and Strings. - Advanced Intermediate - Digital Download Composed by Isaac Albeniz (1860-1909). Arranged by Arkady Leytush. Romantic Period, Impressionistic, Repertoire, European. 96 pages. Published by Arkady Leytush (S0.616185). Item Number: S0.616185 The composition of La Vega completed in 1897. It is interesting to note that Albeniz almost completely abandoned the composition of piano works after La Vega, although his fame was mainly focused on the works for this instrument. Although La Vega was planned as part of a cycle of melodies written on poems by his patron Money-Coutts and was therefore used as an independent piece of an orchestra suite, this work was originally composed for piano. According to the autographed dating found on the last page of the manuscript, Albeniz finished La Vega at first on January 26, 1897 in Auteuil, in a Paris neighborhood. In the course of the following weeks, decided to make profound changes. He deleted the last five pages of the Vega, added six at the beginning and composed a different ending of seven more pages. This revision ended in Paris on February 14, 1897, and Albeniz wrote down on the last page: La Alhambra, symphonic suite on poems by F. B. Money-Coutts: nº 1: La Vega. La Vega is an evocation of the Granada plains on the edge of the city, a musical reflection, as the composer put it, contemplated from the Alhambra Palace. Claude Debussy, on hearing Albeniz play the piece, enthusiastically told him of his wish to immediately go and discover Granada.
Albeniz/Leytush – “La Vega”, (The Alhambra)
Orchestre

$60.00 51.18 € Orchestre PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1085375 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 9 pages. Kevin G. Pace #689522. Published by Kevin G. Pace (A0.1085375). Sacred music for SATB choir with an Easter theme. Music by Kevin G. Pace. Text by Mary Ann Snowball. See text below: Why did the Savior die for me on Calvary’s mount? Why did He suffer readily with never a doubt? How could his Father bear to view as He hung with pain? Was there a cov’ring then He drew like sun over rain? The Savior died for me on Calvary’s hill. He loved his Father; He acknowledged pure will. The only purpose there was true charity. The sole intention then was His love for me. Why did the Savior suffer for a sinner like me? How could his off’ring open doors to let me go free? How could He be alone that day when blood ran like tears? Why would He bear this cross to say there are no more fears? The Savior suffered more than any will know, So He could be with me wherever I go. I’ll never be alone; His focus I’ll be. He’ll never leave His child, a sinner like me.
Why Did the Savior Die For Me? - sacred music for SATB choir
Chorale SATB

$1.99 1.7 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.918668 Composed by Jenni Brandon. Contemporary. Octavo. 28 pages. Jenni Brandon Music #2007299. Published by Jenni Brandon Music (A0.918668). Dancing Naked at the Edge of Dawn for SSAA choir, percussion, piano (JB 118) by Jenni Brandon. Poems by Kris Radish. Commissioned by Sistrum, Lansing, Michigan's Women's Chorus under the direction of Meredith Bowen. The lovely poetry by Ms. Radish is simple and gorgeous, exploring dark to light, love and possibility, and the ability to achieve anything. A three-movement work for SSAA choir with piano and percussion, this work is recorded by Sistrum on their CD Dancing Naked at the Edge of Dawn on the Blue Griffin Recording label. The audio clip comes from the third movement of this work.Three movements: I. the dark line II. morning prayer II. Dancing Naked at the Edge of Dawn (also available as an individual movement (JB 151)Programming: Concert and ContestJenni Brandon Musicwww.jennibrandon.comASCAP
Dancing Naked at the Edge of Dawn for SSAA choir, percussion, and piano
Chorale SSAA

$4.00 3.41 € Chorale SSAA PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.896262 Composed by Christina Misso. Contemporary. Score and parts. 21 pages. Christina Misso #3367991. Published by Christina Misso (A0.896262). This duet for two pianos is meant to imitate the sensation of drifting into a dream of falling. Imagine climbing to the top of the highest mountain and standing on the edge. Looking out, you wonder, What would happen if I fell? Now look down...feel your heart clench in your chest and your blood flow. Then take a step back, realise your feet are firmly planted, but the adrenaline is coursing through you… The recording is by Kylie Cassidy and Dani Fenske at Lewis & Clark College in March 2012.
…if I should fall… (standing on the edge)

$10.95 9.34 € PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.976038 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 27 pages. Lior Navok Music #4725307. Published by Lior Navok Music (A0.976038). AT THE EDGE OF A SPIRAL - for Piano Four-Hands (2004) DURATION: 10 Minutes PROGRAM NOTES: The composer writes about his work: At the Edge of a Spiral for one piano, four hands is a short journey of a built intensity. It is based on few fragments, motives that are lit in different light each time. The piece starts slow, but increases its intensity and speed as it progresses, utilizing the same motives. While composing the piece, I heard about a young man that threw himself to the river. I tried to imagine that went in his mind and what brought to this dead-end. And again the idea of a built intensity, obsessive and uncompromising came to my mind. At the very end of the piece, there is a sudden drop of intensity followed by a music box passage, as if describing what is going on in the person's mind right after the jump, right after reaching the edge of his life's spiral. At the Edge of a Spiral was written and dedicated for the Silver-Garburg Piano Duo - Sivan Silver and Gil Garburg. It was funded by the generous support of Miriam and Eliezer Benbassat. INFO: Item: Performance Score Edition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok Music Pages: 27 Binding: Ink: Black & White Paper Size: Folio / Legal.
"At The Edge Of A Spiral" - for Piano Four-Hands [Performance Score]
1 Piano, 4 mains

$18.00 15.35 € 1 Piano, 4 mains PDF SheetMusicPlus

Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.865879 Composed by Leroy Brathwaite. Arranged by Charles Beale. Contemporary. Octavo. 24 pages. Charliebmusic #5313675. Published by charliebmusic (A0.865879). ‘Togetherness’ is a Soca Carnival hit from the 2007 Trinidad carnival, and was sung originally by Alison Hinds on her ‘Soca Queen’ album, with music and lyrics by Leroy Brathwaite, who happens to be Rhianna’s uncle.Suitable for Pride, a Holiday celebration or any show about community, the song contains powerful lyrics about unity, community and togetherness, as well as mentions of stopping the fighting and gun violence. The half time reggae in the middle 8 leads to a defiant unison section where the entire ensemble declares ‘They can’t be believe that we love one another’. This leads to a final explosion of joy. Especially infectious, this tune demands audience participation and choir movement of some kind.The song itself is relatively repetitive and builds in energy with every return of the main chorus. It is vocally demanding and high energy throughout, demanding some vocal stamina and knowledge of Trinidad pronunciation. It could also be an opportunity to learn about the history and practice of carnival across the world, both as celebration of individuality and also as fighting oppression.
Togetherness
Chorale TTBB

$1.99 1.7 € Chorale TTBB PDF SheetMusicPlus

Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1018115 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Praise & Worship,Sacred,Spiritual. Octavo. 2 pages. Kevin G. Pace #623698. Published by Kevin G. Pace (A0.1018115). A sacred hymn with music by Kevin G. Pace and text by Mark R. Fotheringham. Text: Tread the strait and narrow path, though the goal seems far from sight. Walk with knowledge through the day; walk with faith throughout the night. Confidently take each step. You're marching for the right. When following our Savoir Lord, you're walking in the light. Step by step we make our way, knowing we are never lost Jesus Christ has paid our toll, counting it but little cost. Travel through the heat of day, or struggle on through frost. Our Lord will be there by your side through calm or tempest tossed. When the path is strewn with stones, obstacles hedge up the way, Hold a true course if you can. Wander not nor go astray. Bid the saints to render aid, support you in the fray. One day you'll walk back unto God to rest and ever stay.
Walk the Walk, a sacred hymn
Chorale SATB

$1.99 1.7 € Chorale SATB PDF SheetMusicPlus






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