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Choral Choir,Choral (SATB) - Digital Download SKU: A0.818364 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Christian,Sacred. 26 pages. Stephen R Dalrymple #6668479. Published by Stephen R Dalrymple (A0.818364). The Claims of the Son 5: I Am the Road♫ original song for SATB choir and piano by Stephen R Dalrymple♫ based on John 14♫ This collection of songs focuses on the Claims of Jesus Christ based on the “I Am’s of the Gospel of John. ♫ On the night of His arrest, Jesus told the disciples that He was going away, leaving them, and they could not follow Him. ♫ He further explained that they knew the road He was taking. Philip asked His destination so he could figure out the route. ♫ But His claim “I Am the Road, the Truth, and the Life” was not speaking of a destination with latitude and longitude coordinates. Jesus is plainly claiming that He alone is the only path to God, the path to truth, and the path to eternal life.♫ “I Am the Road” has a dual listing. It is also used as a worship song.♫ music © 1999, 2022 Stephen R Dalrymple♫ recording ℗ 2022 Stephen R Dalrymple♫ presentation © 2024 Stephen R Dalrymple♫ sequenced by the composer♫ This.pdf file includes 1) full score 2) SATB choir parts on 2 staves 3) full score for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ YouTube Channel: @Dalrymple Designs.
I Am the Road, The Claims of the Son 5
Chorale SATB
Stephen R Dalrymple
$2.00 1.7 € Chorale SATB PDF SheetMusicPlus

Handbell,Piano Accompaniment - Level 4 - Digital Download SKU: A0.1300675 Composed by Jason W. Krug. Christian,Contest,Festival,Religious,Sacred,Traditional. 8 pages. Grassy Meadow Music #890420. Published by Grassy Meadow Music (A0.1300675). For those wanting a deeper tonal experience than just 12 bells can provide comes this piano accompaniment for the Eternal Light 12-bell composition!  Accessible for intermediate pianists, it adds a richer, fuller sound while still letting the handbells shine!Note this is the piano version ONLY; the reproducible 12-bell version is available separately.Purchase of this PDF grants permission to broadcast or live stream performances.
Eternal Light – piano accompaniment to 12 bell version
Accompagnement Piano

$6.95 5.92 € Accompagnement Piano PDF SheetMusicPlus

C Instrument - Level 3 - Digital Download SKU: A0.1237803 Composed by John Meola Lindhorst. Country,Folk,Multicultural,Pop,Singer/Songwriter,World. Lead Sheet / Fake Book. 3 pages. John Meola Lindhorst #833288. Published by John Meola Lindhorst (A0.1237803). “The river flows through me, like the blood of my people. Above the river I will stand”. High above the banks of the Rock River in Oregon, Illinois, stands an impressive 48-foot-tall statue created by famed artist Lorado Taft. The official name is The Eternal Indian, but it is known to local folk as Black Hawk. It stands “proud and strong” as a tribute to the Native Tribes who flourished in the area before settlers occupied the region. This original song by John Meola Lindhorst pays homage to those tribes. The story is told through three poignant verses, written from the statue’s perspective. The opening lines: “I have stood for many years, as a constant reminder, of the strength of my tribe. I have shed a thousand tears, for the loss of a nation, and the killing of our pride:” introduces the theme and sets the tone for your impactful vocal performance. The second verse tells the heart of the story. The final verse: “I will stand her forever and I’ll stand proud and strong, I will fly with the eagle, and I will soar beyond the stars.” closes the song with a feeling of hope. The powerful chorus drives home the emotional message. Your audience will be deeply moved by your performance of this song.This song is suitable for singers of any genre. It can be interpreted as Pop, Broadway Ballad, Country or Folk.
The River Flows Through Me
Instruments en Do

$4.99 4.25 € Instruments en Do PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.958601 Composed by Casey Crosby. 20th Century,Celtic,Contemporary,New Age. Score. 5 pages. Casey Crosby #4320309. Published by Casey Crosby (A0.958601). This solo piano song is from Casey Crosby's album November. The album is a personal collection of memories and landscapes of Casey growing up in the Blue Ridge Mountain region of Northern Virginia and a small farming community in rural Upstate New York. The songs are images and observations of Casey's personal experiences of autumn, particularly November. It was a common event between Casey and his older brother to try to capture fireflies in glass jars as the sun set. Being only 4 or 5 years old, you can imagine how magical it must have been for a young boy to see his brother catch these flying creatures in a jar and stare in wonder at how they lit up the night. Sometimes his brother let Casey carry the jar through the forrest before letting them go free. Sometimes Casey got lucky and caught his own and his brother then would exaggerate his level of skill and stealth and hunting technique to their parents on arriving home. It’s the first time Casey remembers feeling a sense of accomplishment. The magical wonder of creation and nature and the eternal bond between brothers – both so easily taken for granted and yet both so easily lost. Surely on Smith Mountain road, Lynchburg, Virginia, even now, those fireflies are putting on their show for free to an enraptured child. The song Chasing Fireflies is about this memory of Casey. Reviewers say that the nostalgic yet hopeful song perfectly captures the flying fireflies and the innocence of a time long since passed.
Chasing Fireflies
Piano seul

$3.99 3.4 € Piano seul PDF SheetMusicPlus

Instrumental Solo,Piano,Vibraphone - Level 3 - Digital Download SKU: A0.925602 By Judy Garland. By Harold Arlen. Arranged by Roman Wagner. Broadway,Film/TV,Musical/Show. Score and individual part. 3 pages. Swetlana Paul #6424675. Published by Swetlana Paul (A0.925602). The eternal classic Over the Rainbow from the musical film The Wizard of Oz, written for vibraphone and piano. The chorus is repeated three times, each time differently. Duration: 00:02:30. The arrangement underlines all the different facets of the song, both verse and chorus being interpreted in various ways. Instead of the vibraphone playing the melody and the piano accompanying throughout the whole piece, the melody switches between the two instruments and is complemented by a second voice in places. The piece contains intermediate passages for both instruments.
Over The Rainbow
Violon et Piano
Judy Garland
$4.99 4.25 € Violon et Piano PDF SheetMusicPlus

Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure 
” and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.”It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them 
 and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
On That Cross (Piano part ONLY)
Stuart Richard Brown
$1.99 1.69 € PDF SheetMusicPlus

Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise and Worship,Religious,Sacred. 12 pages. Stuart Brown Music #782616. Published by Stuart Brown Music (A0.1182868). Re-published specially for Easter 2023, this is a profoundly beautiful piece for 6-part choir and piano. The composer writes:'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that. One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only â??crimeâ?? was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were â??Oh men who dare to call on gods to justify your hatred â?? of this be sure â?Šâ? and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. â??Of this be sure â?? I love you still, my cross your salvation from all the sin of man.â?It doesnâ??t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isnâ??t. He created them, he sent his Son to die for them â?Š and he is even now ready to save them, as he is you and me. Thatâ??s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
On That Cross
Chorale SSATBB
Stuart Richard Brown
$3.00 2.55 € Chorale SSATBB PDF SheetMusicPlus

Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure 
” and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.”It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them 
 and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
On That Cross (choir pack + piano part + licence)
Stuart Richard Brown
$16.00 13.63 € PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1370107 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religious,Sacred. 3 pages. Kevin G. Pace #954499. Published by Kevin G. Pace (A0.1370107). A beautiful, sacred Christmas hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:On one silent Christmas Eve, Mary bore her sonin a dark and lonely place . . . God’s first beloved One.This new Baby born to be King of all mankindwould deliver love abroad . . . His love for all to find.Like the star of Bethlehem in dark Judean skies,Jesus’ love can ever shine through mortal’s dim disguise.In a shadowed weary world, peace may wear a veil.Seeking true tranquility allows light to prevail.Searching only earthly gems blinds a common face,‘Til we grasp our Savior’s love and feel his warm embrace.Like the star of Bethlehem that glowed in dark of night,Jesus is the guiding One, our true eternal Light.As we search submissively; as we watch and pray,God will light each path ahead like on that Christmas day.He was born in dark of night, Mary’s newborn son.He was born as Son of God; He is our saving One!Like the star of Bethlehem, in heav’n to find the King,Jesus Christ will guide us home when purest love we bring.
Like the Star of Bethlehem, a sacred Christmas hymn
Chorale SATB

$1.99 1.69 € Chorale SATB PDF SheetMusicPlus






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