Full Orchestra - Level 4 - Digital Download

SKU: A0.1208496

Composed by Johann Strauss Sr. Arranged by Marek Czekala. 19th Century,Classical. Score and Parts. 83 pages. Marek Czekala #806610. Published by Marek Czekala (A0.1208496).

Johann Strauss I (German: Johann Baptist Strauß, Johann Strauss (Vater); also Johann Baptist Strauss, Johann Strauss Sr., the Elder, the Father; 14 March 1804 – 25 September 1849) was an Austrian Romantic composer. He was famous for his waltzes, and he popularized them alongside Joseph Lanner, thereby setting the foundations for his sons to carry on his musical dynasty. He is best known for his composition of the Radetzky March (named after Joseph Radetzky von Radetz).

In 1835 he composed one of his most beautiful waltzes – Elisabethen Walzer.

Strauss died in Vienna on 25 September 1849 at the age of 45 from scarlet fever contracted from one of his illegitimate children. He was buried at the Döblinger cemetery beside his friend Joseph Lanner. In 1904, both of their remains were transferred to the graves of honour at the Zentralfriedhof. The former Döbling Cemetery is now a Strauss-Lanner Park. Hector Berlioz himself paid tribute to the 'Father of the Viennese Waltz' by commenting that Vienna without Strauss is like Austria without the Danube.

SATB choir and Organ 3-staff - Digital Download

SKU: LX.10-5362S

Composed by Stephen Burtonwood. Sacred Anthem, General. Octavo. 16 pages. Sacred Music Press #e10/5362S. Published by Sacred Music Press (LX.10-5362S).

ISBN 9780787768751.

One of the most dramatic and powerful texts in the Old Testament is Isaiah’s vision in chapter 6. Stephen Burtonwood has made a stunning anthem from this vivid scene, employing a very active and significant organ part. And the foundations of the threshold shook at the voice of him who called, and the house was filled with smoke. And I said: 'Woe is me! Woe is me! For I am lost.'.

SATB choir, organ (3-staff)

SKU: LO.10-5362S

Composed by Stephen Burtonwood. Choral. Sacred Anthem. Octavo. Sacred Music Press #10/5362S. Published by Sacred Music Press (LO.10-5362S).

ISBN 9780787768751.

One of the most dramatic and powerful texts in the Old Testament is Isaiah’s vision in chapter 6. Stephen Burtonwood has made a stunning anthem from this vivid scene, employing a very active and significant organ part. And the foundations of the threshold shook at the voice of him who called, and the house was filled with smoke. And I said: 'Woe is me! Woe is me! For I am lost.'�.

Choral Choir (SATB) - Level 2 - Digital Download

SKU: A0.1021019

Composed by David Taylor II. Arranged by David Taylor II. Christian,Sacred. Octavo. 3 pages. HOUSE OF DT INC. #6348821. Published by HOUSE OF DT INC. (A0.1021019).

Hymn #11 - If the Foundations Be Destroyed, perfect Sunday morning hymn, encouraging and challenging. To be sung by a simple SATB chorus or a full four part choir.

By The Foundations. Pop; Rock. Piano/Vocal/Guitar. 4 pages. Published by Hal Leonard - Digital Sheet Music

Clarinet - Digital Download

SKU: IZ.9780976508106

Composed by Phillip Paglialonga. Score. 111 pages. Imagine Music - Digital #9780976508106. Published by Imagine Music - Digital (IZ.9780976508106).

9 x 12 in inches.

Squeak Big teaches aspiring clarinetists the fundamentals necessary for success on the instrument through conceptual development and practical exercises. It will undoubtedly become an important resource for aspiring clarinetists and educators worldwide.


For years, Dr. Paglialonga has helped his students improve by creating exercises and explanations to address fundamental playing issues. These materials circulated throughout the clarinet community, leading to numerous requests for materials to address other specific problems. Squeak Big answers those requests, making these materials available to a wider audience in a simple, easy-to-use format.

Squeak Big is filled with healthy, concise, no-nonsense advice, as well as some great tips and tricks. I would recommend it to anyone wanting to advance their relationship with the clarinet. (Samuel Caviezel - Associate Principal Clarinet, Philadelphia Orchestra)

Squeak Big is a wonderful resource for student and teacher alike. In it, Dr. Paglialonga provides helpful insights on clarinet playing from the fundamentals of producing a beautiful sound to hints on practicing in real life situations. His methodical approach helps to demystify clarinet playing and is geared towards helping improve both technique and musicianship. A must-have for any clarinetist's library! (Benjamin Lulich - Principal Clarinet, Cleveland Orchestra)

Squeak Big is full of useful information. I highly recommend it to anyone who's looking for practical ways to become a better clarinetist! (Alexander Fiterstein - Prominent International Soloist)

I would recommend Squeak Big to anyone wanting to improve or better understand the fundamentals of sound clarinet playing. (Carey Bell - Principal Clarinet, San Francisco Symphony)

Phillip Paglialonga has written a thoughtful and detailed treatise on playing the clarinet. He communicates from a thorough knowledge of the instrument and its workings. This volume is a valuable reference for teachers and performers alike, replete with numerous practical suggestions and exercises. If only every clarinet player could digest the information Dr. Paglialonga sets forth herein, good solid foundations would be formed and bad habits easily prevented. (John Bruce Yeh - Assistant Principal Clarinet, Chicago Symphony)

Squeak Big provides valuable advice for players at every stage of development, with easy practical methods, useful exercises, and even a bit of historical context. I've already been able to incorporate many of these ideas, not only into my teaching, but also into my own playing! (Ralph Skiano - Principal Clarinet, Detroit Symphony)

Squeak Big is excellent and I'm sure it will be of great value to many players. Phillip Paglialonga explains so many of the fundamentals in a very clear, concise way. Bravo! (Larry Guy - Prominent Pedagogue).

Easy Guitar (with TAB) - Level 1 - Digital Download

SKU: A0.1047465

By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJonesGuitarist #652027. Published by DanJonesGuitarist (A0.1047465).

Three Pieces for Beginner Guitarists (Acoustic or Electric) by Dan Jones Presented in notes, TAB and easy chords (www.danjonesguitarist.com) As an active guitar teacher, I find that many beginner pupils want to learn either acoustic (steel string) guitar or electric guitar. I have also found a lack of quality resources in these styles which have musical interest, and which lay out some of the necessary technical and musical foundations for future learning. I composed these three little pieces for my own young students. They are played by those using their right-hand fingers, and a plectrum and I’ve found them to be very popular in both lessons and performance. The pieces can be learnt in any order (I have a slight preference for starting my pupils with D-Day Rock - the third in the collection). Below is an outline of the pedagogy behind them (1) Sore Finger Blues This is a simple twelve-bar blues which uses a combination of open strings and notes at the third and second frets. It can be played with a straight or swung rhythm. It is effective at a slow tempo for those needing time to place the fretting hand fingers. The main technical challenge is in bars 10 and 22 where the player moves the third finger between the G and A on string 1. Although this is traditionally an advanced technique, I’ve found my students find it comfortable, as long as the fingering outlined in the notes is followed. The chords are dominant (with major thirds). These clash against the minor pentatonic scale in a way which is typical of the style. The chords are quite simple for beginners. I have opted for a D5 power-chord in bars 9 & 21 which is easier than the usual D chord (which also works perfectly well). Plectrum players should be sure to anchor the plucking hand, either with the side of the hand resting on the bridge, or a finger against the scratch plate of the guitar. Fingerstyle players can anchor either with a finger touching the scratch plate of the guitar, or by resting the thumb on a bass string when the fingers are plucking, or vice versa. This is more typical of classical style. (2) Cross-String Traffic This piece was conceived as a fingerstyle piece, although it can be played using a plectrum. The challenge for plectrum players is to cross the strings smoothly. It is for this reason that the fretting hand is relatively simple so that learners can concentrate on the plucking hand. Players are also encouraged to press down the index finger on string 2 at the correct angle to allow the first string to resonate. Chords have once again been chosen to suit less-experienced fingers; therefore, I have opted for Dm6 instead of the more common Dm (a very tricky chord for beginners). Players should go for maximum resonance and notes played at fret 3 could be fretted with either fingers 3 or 4. (3) D-Day Rock This piece is made nearly entirely of open strings and third fret notes. Where there is string crossing, the music allows the player ‘thinking time’ to change accordingly. Teachers and learners can decide with which finger to press the third fret notes. The rhythmic complexities from bar 13 to the end pose no problems once players have the sound of the piece in their ear. Once again, chords have been selected for ease of playing. The Gm/D chord can be played with a 3-string barre (often quite easy for beginners where no fretted bass note is required) or using three separate fingers. The pedal D sounds effective musically. I have presented these pieces as ensemble works with large groups of beginners. Players and audiences alike have been very receptive! For a wealth of music for beginners, ensembles and advanced players, please visit www.danjonesguitarist.com. A YouTube link to a film of the pieces will be uploaded before the end of June 2022.

Multi-Percussion,Piano,Synthesizer,Tuba - Level 3 - Digital Download

SKU: A0.979472

Composed by Ken Piche. Arranged by Ken Piche. Film/TV,Multicultural,Pop,World. 18 pages. Ken Piche #3863375. Published by Ken Piche (A0.979472).

Pretty   Memorable Dreamy   Hello Anybody        
 

    Most of the proceeds from sales of  my music going to :   Sick Children's  Hospitals     Food Banks

  Cancer Societies   Heart and Stroke Foundations and   Diabetes

Violin - advanced - Digital Download

SKU: S9.Q7031

In forme of Etudes, in all 24 keys. Composed by Jacques Pierre Joseph Rode. This edition: Sheet music. Essential Exercises. Downloadable. Schott Music - Digital #Q7031. Published by Schott Music - Digital (S9.Q7031).

Caprices for solo violin have a long tradition; the list of collections in which virtuoso violinist-composers archived testimonies of their virtuoso violin art ranges from Locatelli to Paganini, from Gaviniès to Dont. Among them is the French violinist Pierre Rode (1774-1839) who added his 24 Capricen in Form einer Etüde für Violine allein to this genre. Even today, they still form part of the indispensable repertoire of violin students, particularly since, notwithstanding the purely technical side, they are also attractive pieces of music. As a teacher at the famous Paris Conservatoire, Rode, together with Pierre Baillot and Rodolphe Kreutzer, laid the foundations for comprehensive violin didactics and methodology: the 24 Caprices are important contributions to this music-educational work. The present new edition is based on the first edition of Paris of 1820, providing the original score, especially two variants of fingering, a 'normal version', and a version specifically designed for small hands. Technical as well as musical challenges make Rode's Caprices a fascinating study and performance object.

Viola - advanced - Digital Download

SKU: S9.Q7032

In forme of studies, in all 24 keys. Composed by Jacques Pierre Joseph Rode. This edition: Sheet music. Essential Exercises. Downloadable. Schott Music - Digital #Q7032. Published by Schott Music - Digital (S9.Q7032).

Caprices for solo violin have a long tradition; the list of collections in which virtuoso violinist-composers archived testimonies of their virtuoso violin art ranges from Locatelli to Paganini, from Gaviniès to Dont. Among them is the French violinist Pierre Rode (1774-1839) who added his 24 Capricen in Form einer Etüde für Violine allein to this genre. Even today, they still form part of the indispensable repertoire of violin students, particularly since, notwithstanding the purely technical side, they are also attractive pieces of music. As a teacher at the famous Paris Conservatoire, Rode, together with Pierre Baillot and Rodolphe Kreutzer, laid the foundations for comprehensive violin didactics and methodology: the 24 Caprices are important contributions to this music-educational work. The present new edition is based on the first edition of Paris of 1820, providing the original score, especially two variants of fingering, a 'normal version', and a version specifically designed for small hands. Technical as well as musical challenges make Rode's Caprices a fascinating study and performance object.

Tuba Solo - Level 2 - Digital Download

SKU: A0.1441525

Composed by Justin Hurwitz. Arranged by Guilherme Assunção. 21st Century,Broadway,Film/TV,Musical/Show. Individual part. 2 pages. Guilherme A. #1021509. Published by Guilherme A. (A0.1441525).

Unleash the powerful, commanding sound of our Tuba Solo arrangement, complete with detailed chord notations. This piece offers an exceptional pedagogical opportunity, enhancing your understanding of harmonic foundations while developing technical skills such as breath control, finger technique, and dynamic expression.

Perfect for both practice and performance, this arrangement showcases the tuba’s deep, resonant tones, beautifully supported by the underlying harmonic structure.

B-Flat Tuba,Piano - Level 2 - Digital Download

SKU: A0.1441444

Composed by Justin Hurwitz. Arranged by Guilherme Assunção. 21st Century,Broadway,Film/TV,Musical/Show. Score and part. 6 pages. Guilherme A. #1021425. Published by Guilherme A. (A0.1441444).

Experience the rich, commanding sound of our Tuba and Piano arrangement, complete with detailed chord notations. This piece offers an exceptional pedagogical opportunity, enhancing your understanding of harmonic foundations while developing technical skills such as breath control, finger technique, and dynamic expression.

Ideal for both educational purposes and performance, this arrangement beautifully showcases the tuba’s deep, resonant tones, perfectly complemented by the piano’s lush harmonies.

Level 3 - Digital Download

SKU: A0.979447

Composed by Ken Piche. Arranged by Ken Piche. Children,Film/TV,Instructional,Pop. 11 pages. Ken Piche #3692919. Published by Ken Piche (A0.979447).

Beautiful  Romantic  Dreamy   Haunting   Memorable  Catchy

 

      Most of the proceeds from sales of  my music going to :   Sick Children's  Hospitals     Food Banks

  Cancer Societies   Heart and Stroke Foundations and   Diabetes

Instrumental Duet Alto Saxophone,Flute,Instrumental Duet - Level 3 - Digital Download

SKU: A0.590636

Composed by David McKeown. Holiday,Love,Wedding,World. Score and parts. 4 pages. David McKeown #6231037. Published by David McKeown (A0.590636).

æ„›(Ai, Japanese for Love), is a beautiful original composition by David McKeown, arranged as a duet for one Flute and one Alto Saxophone, and is one of series of pieces celebrating Love in different languages around the world.

This duet is inspired by the Enka music of post-war Japan. As reconstruction gathered pace, the popular music of the day combined traditional Japanese scales, rhythms and themes with all sorts of contemporary Western ballad styles. Singers like Misori Hibari and Keiko Fuji became huge cultural icons in Japan and helped lay the foundations for today’s confident and vibrant Japanese music scene. æ„›(Ai) aims to capture the spirit of this emotionally charged music.

æ„›(Ai) is written for players at an intermediate standard and upwards. Expressive throughout, be sure to pay attention to contrasts in dynamics and articulation. æ„›(Ai) has a performance time of around two minutes and a half minutes. Click the link above to listen to a full YouTube performance of the Clarinet version.

There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203