Large Ensemble B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.780773 Composed by Albert Von Tilzer and Neville Fleeson. Arranged by Cathy Stamegna. Film/TV,Patriotic,Pop,Standards,Wedding. Score and part. 10 pages. Cathy Stamegna #5321119. Published by Cathy Stamegna (A0.780773). I’ll Be With You in Apple Blossom Time (Bb Clarinet Solo, Chords, Piano Accompaniment).  This standard tune from 1920 begins in 3/4, as recorded by Connie Francis, and changes to an up tempo 4/4 with rhythmic, melodic, harmonic variations.  Also recorded by The Andrews Sisters, Dame Vera Lynn, The Four Aces, Barry Manilow, Emmy Rossum to name a few.  A good selection to showcase two different playing styles.  Addition of chord symbols allows for a guitar, harp, or mallet instrument to join in!  A fun tongue-in-cheek wedding number, too.  Set of Parts.  Piano Accompaniment mp3 available separately.  Performance Time:  2:29.

Large Ensemble B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.780771 Composed by Albert Von Tilzer and Neville Fleeson. Arranged by Cathy Stamegna. Film/TV,Patriotic,Pop,Standards,Wedding. Score and part. 10 pages. Cathy Stamegna #5320027. Published by Cathy Stamegna (A0.780771). I’ll Be With You in Apple Blossom Time (Bb Trumpet Solo, Chords, Piano Accompaniment).  This standard tune from 1920 begins in 3/4, as recorded by Connie Francis, and changes to an up tempo 4/4 with rhythmic, melodic, harmonic variations.  Also recorded by The Andrews Sisters, Dame Vera Lynn, The Four Aces, Barry Manilow, Emmy Rossum to name a few.  A good selection to showcase two different playing styles.  Addition of chord symbols allows for a guitar, harp, or mallet instrument to join in!  A fun tongue-in-cheek wedding number, too.  Set of Parts.  Piano Accompaniment mp3 available separately.  Performance Time:  2:29.

By Vaughn Monroe, The Chordettes, The Four Aces, Chet Atkins, Bert Kaempfert, Emmylou Harris. Arranged by Alex Davis. Tablature. 3 pages. Published by Alex Davis Music

Large Ensemble Easy Piano - Level 1 - Digital Download SKU: A0.780772 Composed by Albert Von Tilzer and Neville Fleeson. Arranged by Cathy Stamegna. Film/TV,Patriotic,Pop,Standards,Wedding. Score. 5 pages. Cathy Stamegna #5320617. Published by Cathy Stamegna (A0.780772). I’ll Be With You in Apple Blossom Time (Easy Piano Solo, Chords).  This standard tune from 1920 begins in 3/4, as recorded by Connie Francis, and changes to 4/4.  Skills:  switching meters, reading with a key signature, navigating accidentals, and moving hand positions.  Also recorded by The Andrews Sisters, Dame Vera Lynn, The Four Aces, Barry Manilow, Emmy Rossum to name a few.  Addition of chord symbols allows for a guitar, harp, or mallet instrument to join in!  A fun tongue-in-cheek wedding number, too.  Lyrics included to sing along. 

Piano - Digital Download SKU: A0.1070412 Composed by Albert Von Tilzer and Neville Fleeson. Arranged by Cathy Stamegna. Concert,Folk,Holiday,Love,Wedding. Accompaniment. Duration 151. Cathy Stamegna #5324205. Published by Cathy Stamegna (A0.1070412). I’ll Be With You in Apple Blossom Time (Piano Accompaniment Track).  For arrangements by Cathy Stamegna.  This standard tune from 1920 begins in 3/4, as recorded by Connie Francis, and changes to an up tempo 4/4 with rhythmic, melodic, harmonic variations.  Also recorded by The Andrews Sisters, Dame Vera Lynn, The Four Aces, Barry Manilow, Emmy Rossum to name a few.  A good selection to showcase two different styles.  Addition of chord symbols allows for a guitar, harp, or mallet instrument to join in!  A fun tongue-in-cheek wedding number, too.  Performance Time:  2:29.

Large Ensemble Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.780770 Composed by Albert Von Tilzer and Neville Fleeson. Arranged by Cathy Stamegna. Film/TV,Patriotic,Pop,Standards,Wedding. Score and part. 10 pages. Cathy Stamegna #5319695. Published by Cathy Stamegna (A0.780770). I’ll Be With You in Apple Blossom Time (Alto Saxophone Solo, Chords, Piano Accompaniment).  This standard tune from 1920 begins in 3/4, as recorded by Connie Francis, and changes to an up tempo 4/4 with rhythmic, melodic, harmonic variations.  Also recorded by The Andrews Sisters, Dame Vera Lynn, The Four Aces, Barry Manilow, Emmy Rossum to name a few.  A good selection to showcase two different playing styles.  Addition of chord symbols allows for a guitar, harp, or mallet instrument to join in!  A fun tongue-in-cheek wedding number, too.   Set of Parts.  Piano Accompaniment mp3 available separately.  Performance Time:  2:29

Piano,Soprano Flute - Level 4 - Digital Download SKU: A0.1499262 Composed by James Albert Yeager. 21st Century,Chamber,Contemporary. Score and part. 43 pages. James A. Yeager #1075315. Published by James A. Yeager (A0.1499262). Foreword:Each movement revisits classic paradigms— (I & II) ternary song form,(III) theme & variations. The third movement treats the two themes as children at play with games such as tag and hide-and-seek as variations. Both themes become partner songs leading to fugue, which is, after all, the ultimate musical game.Performance Notes:I Moderato,  slurs in the flute suggest phrasing but are optional in terms of breathing. The B section at letter C has a canon between flute and piano (left-hand) which suggests imitation in articulations and dynamics. The climax just before letter D can be stretched slightly more than poco rit. implies. II Slowly gently, must not be played slower than indicated. The middle section at letter B begins with a subito forte. At 3 measures before letter C the fermatas allow a certain freedom. When the flute releases the piano can continue the left-hand chord. The piano should use una corda in the bridge at letter C. Elsewhere, the piano may also employ una corda in quiet places ad libitum. At final note the flute can fade to nothing if breath runs out and just remain in pose as the final note of the piano is allowed to vanish.III Majestic with vigour, two given themes from ca. 1934 are Old Abram Brown by Benjamin Britten and Kookabura Sits on the Old Gum Tree by Marion Sinclair and both are rounds for children. The flute boldly declares theme one at the outset. The piano arpeggiations begin sonorously and quiet before letter A. In Variation 1 the piano must begin softer than the low register flute. The piano left-hand upper notes [A, then G, then D-A fifth) may require use of the sostenuto pedal. Variation 2 is a caccia or chase. Variation 3 is a barcarolle where theme 1 is hiding in the flute part. Variation 4 introduces the second theme (flute) in partnership with theme 1 (piano). Four measures before letter I the piano makes an ogre of theme 2 and should be humorously ponderous. The fugue subject might be the teacher who brings everyone into the final partner song of themes. The piece finishes as it began except for a wistful ending.James Albert Yeager (b.1946)James began his career as organist and choral conductor then harpsichordist and finally, professor of sacred music. As an organ major at The Ohio State University, he studied with Dr. Wilbur Held (B.Mus. 1969). Professor Joseph Goodman mentored him in composition at Union Theological Seminary in New York city (M. Sac. Mus, 1971). At the University of Colorado-Boulder, he returned to the organ, nevertheless, keeping composition as a mainstay (D.M.A. 1985). While in Colorado he composed two film scores for student filmmakers as well as choral and organ compositions. He was appointed Director of Sacred Music at the Pontifical College Josephinum (Columbus, Ohio) and rose to the rank of Professor (1984-2009). He retired as professor emeritus in 2009 and moved to New Mexico. While residing in Mountainair, New Mexico, he was organist/choral director for 12 years at a major Albuquerque church retiring again in 2021. He led choirs of all ages from children through the elderly. His most recent compositions include Passacaglia & Fugue for Organ and Chamber Orchestra (2022), a Fugue for Piano and Orchestra (2022), a Sonatina for Flute and Piano(2023), and the Sonata for Piano Quintet (2024) as well as several smaller works for voice and piano.

Digital Download SKU: HX.468118 By The Four Aces. Jazz,Standards. Real Book - Melody/Chords. 1 pages. Published by Hal Leonard - Digital (HX.468118).

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1028516 Composed by Ed Sharpe. 20th Century,Contemporary. Score and parts. 35 pages. Ed Sharpe #3558305. Published by Ed Sharpe (A0.1028516). This is a short five movement piece for string quartet. Each movement is only about one minute each. And each movement is one line of a tanka that I wrote about Snow (Yuki). I wrote the second movement first and all of the material in the other four movements appears in or is derived from the second movement. Given this, one can think of the first movement as a prelude with the second movement being the main movement. The fifth movement re-states the main motifs of the first four movements, combining them into one large polyphonic mass.Unable to sleep I listen throughout the night to the silent song of falling snow in my yard. With the soft dawn, satori.The first movement is built around the pentatonic scale F# G B C# D. (The Japanese Hirajoshi Scale; 平調�� )The second movement is built around the pentatonic scale C# D F# G# A.The third movement is built around the pentatonic scale D Eb G A Bb.The fourth movement is built around the pentatonic scale C Dd F G Ab, but does not strictly adhere to the scale in places.The fifth movement is built around the pentatonic scale C# D F# G# A, but does not strictly adhere to the scale in places

Piano Solo - Level 4 - Digital Download SKU: A0.787299 Composed by Greg Bartholomew. 20th Century,Children,Concert,Contemporary. Score. 4 pages. Burke & Bagley #7785. Published by Burke & Bagley (A0.787299). Composed in 2014, SEABISCUIT'S RUN is an homage to the champion racehorse. This one-minute piece is dedicated to Mexican pianist Joel Juan Qui, who will give the premiere performance in 2015. A small horse, Seabiscuit had an inauspicious start to his racing career, but became an unlikely champion and a symbol of hope to many Americans during the Great Depression. He didn't run the leave-'em-in-the-dust races of other famous horses, but liked to intimidate and tease his opponents by looking them in the eye and then finally leaving them behind. He never quit, in spite of his small size, odd gait, and serious injury. Seabiscuit's career culminated in the 1938 Match of the Century against War Admiral at Pimlico Race Course. War Admiral was the favorite but Seabiscuit won by four lengths, and Seabiscuit was named American Horse of the Year for 1938. According to some, he got more press in 1938 than Franklin Roosevelt and Winston Churchill combined. A 2015 Piano Contest feature.

Unison chorus - Digital Download SKU: C7.CGA870 Composed by Hal H Hopson. Advent. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA870. Published by Chorister's Guild - Digital (C7.CGA870). UPC: 749193006368.Youth choirs will identify with Habakkuk's seemingly senseless, raging world where the Lord alone is the source of strength enabling them to walk upon the highest places. They will find the conservative vocal ranges comfortable and the straightforward four-part writing a rich choral experience. With its memorable melody and fluid piano accompaniment, the anthem becomes an elegant statement of faith for today's youth.

Double Bass - Digital Download SKU: A0.1314900 Composed by Andrew Cody Williams and Jeff Bradetich. Classical,Instructional. Educational Exercises. 100 pages. Andrew Cody Williams #903659. Published by Andrew Cody Williams (A0.1314900). THIS IS NOT THE STANDARD PACKET. Within the Expanded Ensemble Packet, parts 3 and 4 expand on the accompaniment. While they are not needed for performance, they do fill spaces and provide more to the ensemble musically to create a trio or quartet. A score is also included“Popular Orchestral Excerpt Etudes For Double Bass� is a collection of 9 etudes written by Andrew Cody Williams and Jeff Bradetich from the pedagogical analysis of some of the most common orchestral excerpts in double bass repertoire including Beethoven Symphony 5 Scherzo and Trio, Brahms Symphony 2, Mahler Symphony 2, Mozart Symphony 40, Bach Orchestral Suite 2 Badinerie, Strauss Ein Heldenleben, Schubert Symphony 9 “Great�, and Mendelssohn Symphony 4. Before you buy, try the FREE DEMO PACKET by contacting ExcerptEtudesBass@gmail.comThe focus of these excerpt etudes is as follows:Sequential Instruction- Taking a challenge one step at a time creates a manageable challenge without becoming overwhelmed. When a student meets successful attempt after successful attempt while gradually increasing difficulty, they are motivated to learn and are less likely to reinforce unwanted outcomes.Context- Practicing anything without understanding where it fits in the bigger picture is asking for failure. Accompanying parts to the etudes have been written to assist the learner through tempo consistency, performing other instrumental parts, and expanding beyond the provided excerpt.Ensemble- Performing with others improves intonation and listening, constructive teamwork, and can be a lot of fun. Four bass parts have been written for the etude in a layered accompaniment to keep the size of the ensemble flexible. Within the Standard Packet, part 1 is the etude itself, taking sections of the excerpts and practicing them in different ways to improve the original excerpt. Part 2 provides the most important accompanying music, allowing the etude to be practiced and performed with just two players. This is especially useful in private lessons, as the teacher can accompany the student as they wish. Within the Expanded Ensemble Packet, parts 3 and 4 expand on the accompaniment. While they are not needed for performance, they do fill spaces and provide more to the ensemble musically to create a trio or quartet. Other resources are provided within the excerpt etudes as well. A score is included in the Expanded Ensemble Packet with all four parts to allow easy comparison and study of each etude. The original excerpts are included in the Standard Packet as well, allowing the student to actively see where each rehearsal letter practice section derives from. An analysis of each rehearsal letter is offered defining the problem in question, as well as a practice solution and occasional extra tips. Finally, a difficulty rating sheet is provided to approximate the difficulty of each part.