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Brass Ensemble - Level 4 - Digital Download SKU: A0.808709 By Eldridge/Gillespie. By Leo Mosley, Mary Lou Williams, William Luther Johnson, and William Willie Johnson. Arranged by F. Leslie Smith. Contemporary. Score and parts. 28 pages. Sweetwater Brass Press #6433397. Published by Sweetwater Brass Press (A0.808709).     Mary Lou Williams learned to play piano on her own at age 3. By age 6 she was playing piano to help support her large family. At age 15, she turned professional, and by the time she was 20, she had made a name for herself nationally not only as a jazz musician but also as an arranger and composer. In 1943, she wrote a piece titled Satchel Mouth Baby, which she recorded the next year with her group, Mary Lou and her Chosen Five. Three years later, Bill Johnson and His Musical Notes recorded Williams’ song after he and Leo Snub Mosley had worked on the lyrics and changed the title to Pretty Eyed Baby. Others would go on to record Pretty Eyed Baby, among them: Frankie Laine and Jo Stafford, Jane Turzy, Johnnie Ray, Peggy Lee and Roy Eldridge.    This arrangement skips along at about 120 bpm. It contains common swing rhythmic figures, and all notes are well within the normal playing range of most brass musicians. Horn in F and Trombone carry the melodic load, but all instruments get a turn at playing lead. This is a fun piece, so don’t be surprised if your audience starts clapping along while you’re playing.    Completed in 2021, performance time for Pretty Eyed Baby runs about 3 minutes,9 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
Pretty Eyed Baby
Ensemble de cuivres
Eldridge/Gillespie
$12.99 11.1 € Ensemble de cuivres PDF SheetMusicPlus

Orchestra - Digital Download SKU: IZ.OMW202 Composed by Michael DeVellis. Score and Parts. 81 pages. Imagine Music - Digital #OMW202. Published by Imagine Music - Digital (IZ.OMW202). 9 x 12 in inches.This piece was commissioned by Georges Vilson and The Kandelab Foundation. Kandelab seeks to bring awareness to Haitian Folk and Vodou music. Vilson's book, Kandelab: 101 Notated Haitian Folk and Vodou Songs are transcriptions of this music that has otherwise been handed down through an aural tradition. Vilson's descriptions of the tales that go with these melodies were a great help in setting the tone of this work. Many thanks to Vilson and Kandelab for introducing me to these wonderful melodies and rich cultural heritage. Minis Azaka is known as the great Minister of Agriculture in Haitian Vodou. Iwa peasants bring grievances to him and also reach out to him for prosperity.An invitation is made to a gathering along the countryside and this piece introduces a dignified Minis Azaka entering a hall adorned for his arrival. His followers trail behind him. He sits to listen to their gripes, but also joins them in dance as he isalso a well known dancer. He exits with the same reverence he entered, then disappears into the fields with his entourage. This piece expresses a veil of mystery and darkness setting the tone of great honor and respect. The Nago drum reference is included with the parts. The pattern should be played in reference to the slash marking in the score. The reference is meant as a guide and liberty may be taken with the pattern.
Minis Azaka
Orchestre

$60.00 51.26 € Orchestre PDF SheetMusicPlus

Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.854332 Composed by Melanie B. Guerin. Broadway,Contemporary,Musical/Show. 7 pages. Melanie B Guerin #6110663. Published by Melanie B Guerin (A0.854332). Comedic song for a soprano who has decided this is no time to be nice! This is an uptempo song with some challenging modulations and a wide range (G3-B5), but a catchy tune and lyrics that poke fun of the belligerence of modern society.The world today’s gone mad, they say,And I feel it’s a fitting rebuke,No sooner you’re meeting a stranger,Than he’s telling you Put up your dukes, There’s no longer a role for a peaceful soul,When you’re caught between muscle and might,If you’re gonna get through,There’s just one thing to do,So you take a deep breath,And you join in the fight! Hit ‘em again,If it’s rough, make it rougher,Someone’s gotta suffer,But you’ll be the one who survives,When they’re aiming to give you the worst,You can beat ‘em by hitting ‘em first!Then hit ‘em again,Hit ‘em again,Hit ‘em again. Hit ‘em again,Make it long, make it lasting,They’re practically askingFor a pummeling right in the puss,They’ll remember how right you areWhen you leave ‘em a permanent scar,Hit ‘em again,Hit ‘em again,Hit ‘em again. A swine who would sooner cut you than concede,But he won’t look half as tough when his nose is bleeding,You can spout your facts and figures but eventually you findIt’s better to make him have to change his pants than change his mind. Hit him again,Make him dance, make him dizzy,Sure it’s brutal, but is heNot a villain deserving of grief?He’s a louse and unless I’m mistook,All his geese should be thoroughly cooked!So hit him again,And then… Hit him again,Make him shake, make him shudder,When he’s starting to sputter,It’s then you go in for the kill,Leave him all in a heap on the pitch,‘Til he’s crying like some little bitch!Hit him again,Hit him again,Hit him again, and then again!
Civility
Voix Soprano, Piano

$4.75 4.06 € Voix Soprano, Piano PDF SheetMusicPlus

Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1016225 Composed by Anthony Theodore. Contemporary. Octavo. 5 pages. Anthony Theodore #5316925. Published by Anthony Theodore (A0.1016225). I am 17 years old and this the very first composition I have ever written. My vision for the world is to try and help people keep positive no matter how bad or how unbarring the situation may be. There are many people on the planet that have issues that need to be dealt with and I believe that one way that they can help themselves is by trying to thing of the times where things weren't so bad. Even if they were bad, those memories should be the reminders to help you grow throughout life. This is the message that I am trying to portray with Those Memories. At the age of 15, I had a vision to help people not to forget the good and the bad moments of their lives because once the memories are forgotten, people will never be able to go back and tell stories about how they developed and came to be. â€ƒSome of the lyrics were picked from a poem that was written 4 years ago in 2016 called One Brief Moment by John Fleming. The poem was found on a website that provides poems to those who like reading poems. The website is called poetrysoup.com and I think it's a pretty cool website for poem readers, so if you like poems and you want something new, you can go there and check it out. I hope you all enjoy the piece as much as I had fun writing it. Haha. 
Those Memories
Chorale SATB

$5.00 4.27 € Chorale SATB PDF SheetMusicPlus

Small Ensemble Cello,Double Bass,Saxophone,Viola,Violin - Level 5 - Digital Download SKU: A0.938331 Composed by Dr Anthony Costandius. Christian,Contemporary,Sacred. Score and parts. 72 pages. Anthony Costandius Music #14899. Published by Anthony Costandius Music (A0.938331). A piece for solo Alto Saxophone and String Orchestra. The church was made a cathedral in 1564 when the city was granted its bishopric. The cathedral was built on the site of the Aljama Mosque in the first third of the 14th century. The name of this structure, El Salvador Cathedral, literally means the Cathedral of the Transfiguration. The cathedral has three portals: the Puerta de las Cardenas (Portal of the Chains, 14th century) is in Islamic style, the Puerta de Loreto (mid-15th century) is Gothic, and Puerta de la Anunciación (Portal of the Annunciation, built in 1588 by Juan Inglés), which has a Renaissance-style triumphal arch-shape. Part 1: Introitis. The saxophone mimics a chant based on the metre of the Introitis: Rorate, caeli, desuper, et nubes pluant iustum: aperiatur terra, et germinet Salvatorem (Bedew us, heavens, from above; ye clouds, rain down the Just One. Let the earth be opened up, and produce the Saviour. The intervals 1 (tonic), 5 (dominant), 6 (super-dominant) and 4 (subdominant), based on the year 1564 referred to in the section above, are used as the basis for the harmony progression for the string section. Part 2: Puerta de las Cardenas Acts 12:3–19 says that Peter was put into prison by King Herod, but the night before his trial an angel appeared to him, and told him to leave. Peter's chains fell off, and he followed the angel out of prison, thinking it was a vision (verse 9). The prison doors opened of their own accord, and the angel led Peter into the city. The visit from the angel, release from the chains and the prison, as well as the journey into the city is expressed against the background of the Islamic design of the portal, hence the referral to Arabian rhythms and scales in the music. Part 3: Puerta de Loreto The Puerta de Loreto is of gothic design. Loreto refers to the Italian city of Loreto in the province of Ancona. It is said that the holy house where the Mother Mary lived in Nazareth was translated miraculously to Loreto on December 19, 1294 - more than 700 years ago. The house did not go straight to Loreto, but in the year 1291 it was miraculously transported from Nazareth to the town of Tersatto in Dalmatia (Croatia). The local population, filled with astonishment, did not know how to explain its sudden appearance. Their Bishop, who was gravely ill, now appeared in their midst cured. He had prayed to the Virgin Mary that he might be strong enough to see the prodigy for himself, and the Mother of God appeared to him, surrounded by Angels, saying: My son, you have called for me, and here I am. I came to give you succor and to reveal to you the mystery [of the translation of the Holy House] you desire to know. The holy dwelling is the very house where I was born and raised. It was there that I received the good news brought by the Archangel Gabriel and I conceived the Divine Infant by the operation of the Holy Ghost. It was there that the Word was made flesh... For you to bear witness to all that I am telling you now, you will suddenly be cured and return to full health after the long illness you have borne, so that through you all will believe in this miracle. Part 4: Puerta de la Anunciación The Annunciation is the Christian celebration of the announcement by the angel Gabriel to the Virgin Mary that she would conceive and become the mother of Jesus, the Son of God, marking his Incarnation. Gabriel told Mary to name her son Jesus, meaning Saviour. Part 5: Exit The work ends with a re-interpretation of the first section, the Introitis. This is to bind the work together, but also to again reflect on the text, as stated: Rorate, caeli, desuper, et nubes pluant iustum: a periatur terra, et germinet Salvatorem, and to comtemplate how that gives meaning to the being, essence and history of the Catedral de Orihuela.
Portals of Catedral de Orihuela.

$10.00 8.54 € PDF SheetMusicPlus

Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-5E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-5E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-5E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907.  The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
Bid Adieu (Downloadable)

$3.00 2.56 € PDF SheetMusicPlus

Contralto voice and piano - Medium - Digital Download SKU: MQ.8769-3E Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-3E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-3E). English.Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the worldThe seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907.  The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.Contents:I. Strings in the Earth and AirII. Winds of MayIII. Of That So Sweet ImprisonmentIV. In the Dark Pine-WoodV. Bid AdieuVI. At That Hour When All Things Have ReposeVII. O Cool is the Valley.
Of That So Sweet Imprisonment (Downloadable)

$3.00 2.56 € PDF SheetMusicPlus






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