Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.846012 By George Thorogood. By George Thorogood. Arranged by David M. Fagnant. Blues. Score. 5 pages. David M Fagnant #4822177. Published by David M Fagnant (A0.846012). Fakebook style chord chart to help quickly learn and play popular songs. Lyric sheet included which follows the song arrangement. Distinctive intro's, lines and endings written, where appropriate, which help to identify and perform the song.

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1094608 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Country,Pop,Spiritual. Score. 8 pages. Andrew Mc Donald (Macka Records) #698672. Published by Andrew Mc Donald (Macka Records) (A0.1094608). There is no trust is a song about how bad things happen to good people. People do not trust or believe in God any more because they cannot understand why God allows suffering. God has a purpose in it for us so we can become more holy and learn to persevere. This is a country song for piano and vocals.

Arranged by Paris Rutherford. SATB. Concert. Choral. 7 pages. Published by Hal Leonard - Digital Sheet Music

(Full Performance) - Digital Download SKU: HX.156912 Composed by Duke Ellington and Paul Francis Webster. Arranged by Paris Rutherford. Concert,Jazz. Choral. Duration 141. Published by Hal Leonard - Digital (HX.156912).

Cello,Instrumental Duet,Violin - Digital Download SKU: A0.1488233 Composed by Leopold Hofmann. Arranged by Allan Badley. Classical. 83 pages. Artaria Editions #1065120. Published by Artaria Editions (A0.1488233). A near contemporary and rival of Haydn, Leopold Hofmann was held in the highest regard in his native Vienna where he served as Kapellmeister at St Stephen's Cathedral, a position to which Mozart might have succeeded had he lived. Hofmann was a prolific composer of instrumental music and he wrote a good deal of chamber music although much of it has been lost. Hofmann also composed a substantial body of chamber music for strings and among the most interesting of these works are the Six Sonatas for Violin & Basso. The sonatas are as a whole more technically difficult than any of the composer's other chamber works with violin. In some respects, particularly in their extensive use of double-stopping and two-part textures in the violin part, they are more technically demanding than his violin concertos. There is no attempt, however, to involve the basso in the presentation of thematic material and in this respect the sonatas are quite unlike Hofmann's one extant Duo for Violin and Violoncello (Badley II.D2) in which the two parts are treated equally. In view of their technical difficulty and limited dissemination it is difficult to understand Hofmann's motivation for composing the sonatas. Their exploration of multiple-voicing, particularly in first and second movements, and the use of a Minuet with variations for five of the finales – all of which follow a similar pattern of technical exploitation – suggests that the sonatas may have been composed by Hofmann in the first instance as teaching pieces.

Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Baddiel, Skinner and The Lightning Seeds. Arranged by Mario Stallbaumer. 5 pages. Published by Mario Stallbaumer

Piano - Digital Download SKU: A0.1069959 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop,Rock. Accompaniment. Duration 184. Boothe Publishing #4633665. Published by Boothe Publishing (A0.1069959). Most of the mistakes I made in life were between the ages of 12-16 years. Somehow I felt that I was smarter than I was. I thought that my friends were smarter than they were. I felt invincible. I made many foolish mistakes during those years. About that time, my family was preparing to move from Oregon to Utah. I remember my mother talking with me and saying that I could start over again. We would be in a new place with new people. No one would know me. I could be the person I truly wanted to be. I thought about this a lot, and when we finally made the move I had decided what kind of person I really wanted to be. In fact, I felt bad for being the wrong kind of person and hurting other people physically and spiritually. I eventually felt so bad about my mistakes that I decided that I would write or call the people I had hurt and apologize to them. Over the period of a year I was able to find, call and apologize to each of them. To my great surprise none of them were still angry with me. I was forgiven. That was a great feeling. This day will be forever what you choose. Once you leave this life you won't be able to return and right any wrongs that you have committed. So when you make a mistake, choose to make it right today so that this day, this day of good choosing will be what will last forever. Never let yourself do something that you know inside is wrong. If your friends are trying to talk you into doing something you know is wrong, don't just sit there and listen to them. Get up and leave the room, or the party, or the situation. Be true. Be the one. Be the son or daughter of God. Do what He would do.

Bass Guitar,Voice - Digital Download SKU: A0.1069976 Composed by Steven H. Boothe. Pop,Rock. Full Performance. Duration 187. Boothe Publishing #4633723. Published by Boothe Publishing (A0.1069976). Most of the mistakes I made in life were between the ages of 12-16 years. Somehow I felt that I was smarter than I was. I thought that my friends were smarter than they were. I felt invincible. I made many foolish mistakes during those years. About that time, my family was preparing to move from Oregon to Utah. I remember my mother talking with me and saying that I could start over again. We would be in a new place with new people. No one would know me. I could be the person I truly wanted to be. I thought about this a lot, and when we finally made the move I had decided what kind of person I really wanted to be. In fact, I felt bad for being the wrong kind of person and hurting other people physically and spiritually. I eventually felt so bad about my mistakes that I decided that I would write or call the people I had hurt and apologize to them. Over the period of a year I was able to find, call and apologize to each of them. To my great surprise none of them were still angry with me. I was forgiven. That was a great feeling. This day will be forever what you choose. Once you leave this life you won't be able to return and right any wrongs that you have committed. So when you make a mistake, choose to make it right today so that this day, this day of good choosing will be what will last forever. Never let yourself do something that you know inside is wrong. If your friends are trying to talk you into doing something you know is wrong, don't just sit there and listen to them. Get up and leave the room, or the party, or the situation. Be true. Be the one. Be the son or daughter of God. Do what He would do.

Piano,Voice - Digital Download SKU: A0.1069977 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Full Performance. Duration 184. Boothe Publishing #4633725. Published by Boothe Publishing (A0.1069977). Most of the mistakes I made in life were between the ages of 12-16 years. Somehow I felt that I was smarter than I was. I thought that my friends were smarter than they were. I felt invincible. I made many foolish mistakes during those years. About that time, my family was preparing to move from Oregon to Utah. I remember my mother talking with me and saying that I could start over again. We would be in a new place with new people. No one would know me. I could be the person I truly wanted to be. I thought about this a lot, and when we finally made the move I had decided what kind of person I really wanted to be. In fact, I felt bad for being the wrong kind of person and hurting other people physically and spiritually. I eventually felt so bad about my mistakes that I decided that I would write or call the people I had hurt and apologize to them. Over the period of a year I was able to find, call and apologize to each of them. To my great surprise none of them were still angry with me. I was forgiven. That was a great feeling. This day will be forever what you choose. Once you leave this life you won't be able to return and right any wrongs that you have committed. So when you make a mistake, choose to make it right today so that this day, this day of good choosing will be what will last forever. Never let yourself do something that you know inside is wrong. If your friends are trying to talk you into doing something you know is wrong, don't just sit there and listen to them. Get up and leave the room, or the party, or the situation. Be true. Be the one. Be the son or daughter of God. Do what He would do.

Piano,Violin - Level 4 - Digital Download SKU: A0.761672 Composed by Duke Ellington. Arranged by Debra E. Stempien, Gregory H. Turner. Jazz,Standards. 5 pages. Standard Time #4287863. Published by Standard Time (A0.761672). This classic standard by Duke Ellington and Paul Francis Webster is arranged as a solo ballad for violin with piano accompaniment. Extended harmonies and melodic embellishments color a hauntingly beautiful song, such that the sentiment of the lyrics is expressed in their absence. Key of B-flat. Please note that the provided audio is the alto sax version in the key of G. To hear the arrangement in its entirety, please visit https://standardtime.bandcamp.com/track/i-got-it-bad-and-that-aint-good.

Piano,Viola - Level 4 - Digital Download SKU: A0.1223690 By Oscar Peterson Trio. By Duke Ellington and Paul Francis Webster. Arranged by Debra E. Stempien, Gregory H. Turner. Jazz,Pop,Standards. Score and part. 5 pages. Standard Time #819840. Published by Standard Time (A0.1223690). This classic standard by Duke Ellington and Paul Francis Webster is arranged as a solo ballad for viola with piano accompaniment. Extended harmonies and melodic embellishments color a hauntingly beautiful song, such that the sentiment of the lyrics is expressed in their absence. Key of B-flat. Please note that the provided audio is the alto sax version in the key of G. To hear the arrangement in its entirety, please visit https://standardtime.bandcamp.com/track/i-got-it-bad-and-that-aint-good.

Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.761674 Composed by Duke Ellington. Arranged by Debra E. Stempien, Gregory H. Turner. Jazz,Standards. Score and part. 5 pages. Standard Time #4288987. Published by Standard Time (A0.761674). This classic standard by Duke Ellington and Paul Francis Webster is arranged as a solo ballad for tenor sax with piano accompaniment. Extended harmonies and melodic embellishments color a hauntingly beautiful song, such that the sentiment of the lyrics is expressed in their absence. Key of B-flat. Please note that the provided audio is the alto sax version in the key of G. To hear the arrangement in its entirety, please visit https://standardtime.bandcamp.com/track/i-got-it-bad-and-that-aint-good.

B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.761671 Composed by Duke Ellington. Arranged by Debra E. Stempien, Gregory H. Turner. Jazz,Standards. Score and part. 5 pages. Standard Time #4287707. Published by Standard Time (A0.761671). This classic standard by Duke Ellington and Paul Francis Webster is arranged as a solo ballad for clarinet with piano accompaniment. Extended harmonies and melodic embellishments color a hauntingly beautiful song, such that the sentiment of the lyrics is expressed in their absence. Key of B-flat. Please note that the provided audio is the alto sax version in the key of G. To hear the arrangement in its entirety, please visit https://standardtime.bandcamp.com/track/i-got-it-bad-and-that-aint-good.

Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.1223689 By Oscar Peterson Trio. By Duke Ellington and Paul Francis Webster. Arranged by Debra E. Stempien, Gregory H. Turner. Jazz,Pop,Standards. Score and part. 5 pages. Standard Time #819839. Published by Standard Time (A0.1223689). This classic standard by Duke Ellington and Paul Francis Webster is arranged as a solo ballad for soprano sax with piano accompaniment. Extended harmonies and melodic embellishments color a hauntingly beautiful song, such that the sentiment of the lyrics is expressed in their absence. Key of B-flat. Please note that the provided audio is the alto sax version in the key of G. To hear the arrangement in its entirety, please visit https://standardtime.bandcamp.com/track/i-got-it-bad-and-that-aint-good.

B-Flat Trumpet,Piano - Level 4 - Digital Download SKU: A0.1223692 By Oscar Peterson Trio. By Duke Ellington and Paul Francis Webster. Arranged by Debra E. Stempien, Gregory H. Turner. Jazz,Pop,Standards. Score and part. 5 pages. Standard Time #819842. Published by Standard Time (A0.1223692). This classic standard by Duke Ellington and Paul Francis Webster is arranged as a solo ballad for trumpet with piano accompaniment. Extended harmonies and melodic embellishments color a hauntingly beautiful song, such that the sentiment of the lyrics is expressed in their absence. Key of E-flat. Please note that the provided audio is the alto sax version in the key of G. To hear the arrangement in its entirety, please visit https://standardtime.bandcamp.com/track/i-got-it-bad-and-that-aint-good.