By Ennio Morricone. Arranged by Diego Marani. Score, Set of Parts. 10 pages. Published by Diego Marani

String Quartet - Intermediate - Digital Download By Ennio Morricone. Arranged by Diego Marani. Score, Set of Parts. 10 pages. Published by Diego Marani

Clarinet, Woodwind Quartet - Intermediate - Digital Download By Ennio Morricone. Arranged by Diego Marani. Score, Set of Parts. 12 pages. Published by Diego Marani

By Ennio Morricone. Arranged by Diego Marani. Score, Set of Parts. 11 pages. Published by Diego Marani

Drum Set,Electric Bass Guitar,Electric Guitar,Piano Accompaniment,Synthesizer - Level 4 - Digital Download SKU: A0.1105120 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Folk,Rock. Full Performance. Duration 215. David Kai #708367. Published by David Kai (A0.1105120). This fun song was written when heart transplants were fairly new and still in the news. The song depicts the healing ministry of Jesus brought into modern times. Since people like to put music into categories, the style could be roughly described as being country/bluegrass/synth-driven/gospel pop, which might make it pretty unique! The song was first recorded by the Christian rock group, Whitestone. The Great Healer words and music by David Kai ©1980 I’ve had a heart transplant with a bit of a difference, it may seem rather odd No scalpel, no surgeon, no anesthetic, just between me and God And now a new life beats inside of me, it’s more than mere words can describe My heart keeps time to the rhythm of the Spirit inside Well I went fishing for the truth to life, but I opened up a can of worms False religions and philosophies, misleading me at every turn Well I soon realized that knowledge is fine, but it’s really just a place to start ‘Cause you can change your mind but it’s God that has to change your heart Chorus: Yes, he’s the great healer, in a world of pain and strife He’s the great healer, and he can mend a broken life And though your hurts be too much to bear He can heal your wounds with his loving care And give you a new life that will never die So if you feel that you’ve lost all your reason to live Good and bad look the same And you’re walking around more dead than alive Life clotting up in your veins Just end your confusion, accept a transfusion of love from the heavenly Lord And to your surprise you’ll find that you have been restored Chorus:.

Piano Solo, Easy Piano - Intermediate - Digital Download By Klaus Badelt. Arranged by Amy Brinkman-Davis. Individual Part. 2 pages. Published by Amy Brinkman- Davis

Solo Guitar - Digital Download SKU: A0.899137 Composed by Giulio Regondi. Arranged by Rod Whittle. Romantic Period. Individual part. 4 pages. Maggie Creek Music #4349081. Published by Maggie Creek Music (A0.899137). for solo classical guitar (tremolo)   4 pp  (7 min.)GIULIO REGONDI  (1823 - 72) Regondi was born in Switzerland, but lived in France and, mostly, the United Kingdom. He was a child prodigy of the guitar, with Fenando Sor dedicating a piece to him when he was just nine. He composed for the guitar and also the concertina. His works for solo guitar comprise etudes, a set of variations and some larger compositions. The tremolo section of the Nocturne (op.19) - subtitled 'Reverie' – must be some of the most wonderful music written for tremolo guitar. In the Nocturne it is split between sections of different style and content, but its effectiveness as a piece is fully satisfied without these interspersed parts, nice as they are, and its persuasive theme quite naturally repeats to end with a superb coda (which also finishes the actual Nocturne). The original score has no dynamics except for the end, and I have not added any. However, the piece is impossible to play without inferring some loudness, tempo and accentuation changes. There is that Romantic period element to it. I have added fingering. I like to settle into a barre position where possible – it often lets the bass accompaniment ring through (e.g. the D in the first few bars) and simplifies the playing. But it hardly needs saying that fingering, helpful if it is good, is a kind of curse if it is bad or just wrong, and it is never mandatory. It is always instructive with tremolo pieces to first play some of the top line (e.g. of the first few bars) without tremolo to properly reveal its melody. The style needs plenty of practice to achieve fidelity to this musical meaning; that is always the aim. Then listen carefully as the lower part is added. The bass is very important, as mentioned, but the harmonies of the broken chords are vital too. The Nocturne is brilliant counterpoint.

String Quartet - Digital Download By Ennio Morricone. Arranged by Ciro Chiapponi. Score, Set of Parts. 12 pages. Published by Ciro Chiapponi

String Quartet - Early Intermediate - Digital Download By Ennio Morricone. Arranged by Andrew Middleton. Score, Set of Parts. 16 pages. Published by Andrew Middleton

Cello,Flute,Viola,Violin - Digital Download SKU: A0.1487809 Composed by Leopold Hofmann. Arranged by Allan Badley. Classical. 29 pages. Artaria Editions #1064747. Published by Artaria Editions (A0.1487809). The present work was advertised by Breitkopf in 1767 (Supplement II) but it was certainly composed in the previous year at the latest as the copy upon which this edition is based carries the performance date '15 Dezemb. 766' on the wrapper. A copy attributed to Joseph Haydn (and catalogued by Hoboken as II D6) is now preserved in the Gesellschaft der Musikfreunde in Wien: 'Divertimento in D / Flauto Traverso unison / Violino Concertato / Viola di Alto Oblig. / con / Basso / Del Sigre Giuseppe Haydn M. Doc LXVS / a / uso di Antonio Schaarschmidt 1767'. This edition is based on a set of MS parts now held in the Austrian National Library under the shelfmark S.m.11946. The wrapper reads: 'No.5 [No.1] / Divertimento / a / Flauto Traverso / Violino / Viola / e / Basso / Del / Sige: Leopoldo Hoffmann'. In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the source. As is often the case in Hofmann's chamber music there are very few dynamic markings; these are left to the discretion and good taste of the performer. The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at times in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Allan Badley.

Cello,Flute,Viola,Violin - Level 3 - Digital Download SKU: A0.1487807 Composed by Leopold Hofmann. Arranged by Allan Badley. Classical. 33 pages. Artaria Editions #1064745. Published by Artaria Editions (A0.1487807). In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the source. As is often the case in Hofmann's chamber music there are very few dynamic markings; these are left to the discretion and good taste of the performer. The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at times in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Allan Badley.

Cello,Double Bass,Flute,Violin - Level 3 - Digital Download SKU: A0.1487805 Composed by Leopold Hofmann. Arranged by Allan Badley. Classical. 36 pages. Artaria Editions #1064743. Published by Artaria Editions (A0.1487805). In the absence of both the autograph score and an authentic set of parts, this edition presents as faithfully as possible the intentions of the composer as transmitted in the source. As is often the case in Hofmann's chamber music there are very few dynamic markings; these are left to the discretion and good taste of the performer. The style and notation of articulation and dynamic markings have been standardised throughout, and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets. Like most eighteenth-century sources, the present manuscript is inconsistent at times in its notation of appoggiature ; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Allan Badley.

Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Downloadable. Op. IV. Schott Music - Digital #Q45248. Published by Schott Music - Digital

Twelve books of Studies revised, annotated and fingered by Mathieu Crickboom. Composed by Mathieu Crickboom. This edition: Sheet music. Downloadable. Op. Vol. I. Schott Music - Digital #Q42354. Published by Schott Music - Digital

Piano Solo - Intermediate - Digital Download By Ennio Morricone. Arranged by Mario Stallbaumer. 4 pages. Published by Mario Stallbaumer