Accordion,Drum Set,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Download

SKU: A0.1105243

By David Kai. By David Kai. Arranged by David Kai. Celtic,Country,Folk,Irish. Full Performance. Duration 228. David Kai #708503. Published by David Kai (A0.1105243).

A Newfoundland Christmas song about wishing to be back home for Christmas. THEY’LL BE ON THE ROCK THIS CHRISTMAS words and music by David Kai ©1997 They’ll come from far as Whitehorse and as close as Sydney Mines, They’re packing up their suitcases and their boxes tied with twine, They’re getting on those airplanes, Dash 8s and DC 9s, Driving to the ferry docks and they’re waiting there in line. And they'll be on the Rock this Christmas, where stars shine twice as bright, They'll be on the Rock this Christmas, greeting mummers every night, Yarning ‘round the wood stove, eating partridgeberry pie, And I’ll be wondering “Why, oh why aren’t I?� ‘Cause I’ll be in the factory, pulling double overtime, No one wants the Christmas shift so I guess that makes it mine, Late tonight I’ll light a candle in my lonely room, And think of those who are traveling home, ‘cause I know that very soon, That they'll be on the Rock this Christmas, where stars shine twice as bright, Yeah, they'll be on the Rock this Christmas, greeting mummers every night, Yarning ‘round the wood stove eating partridgeberry pie, And I’ll be wondering “Why, oh why aren’t I?� I’ve got to get there somehow, this poor soul’s just too homesick, My busted car won’t take me far, but my thumb will do the trick. I’ll call the boss from Port aux Basques, hope he’s in the mood to see, ‘Though I may choose to leave the Rock, it’s the Rock that won’t leave me. And I'll be on the Rock this Christmas, where stars shine twice as bright, Yeah, I'll be on the Rock this Christmas, greeting mummers every night, Yarning ‘round the wood stove, eating partridgeberry pie, And no more wondering “Why, oh why aren’t I?� Optional extra chorus: And we'll be on the Rock this Christmas, where stars shine twice as bright, Yeah, we'll be on the Rock this Christmas, greeting mummers every night, Yarning ‘round the wood stove, eating partridgeberry pie, And no more wondering “Why, oh why aren’t I?� Tag: No, no more wondering “Why, oh why aren’t I?�.

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download

SKU: A0.1324706

By Queen. By Brian May, Freddie Mercury, John Deacon, and Roger Taylor. Arranged by James Widden. 20th Century,Pop,Rock. 14 pages. James Widden #912913. Published by James Widden (A0.1324706).

One of Queen's most moving songs, released as a single after singer Freddie Mercury's untimely death at the age of 45.  From the album Innuendo, it was largely written by the band's drummer, Roger Taylor, who later said I was sitting at home in a rather reflective mood and I did know that Freddie was ill, and I think it came out of that slightly melancholic mood. I guess I was trying to put an optimistic slant on it in a way—those were the days then. And these are the days of our lives—Today is more important than yesterday..

Choral Choir (TTBB) - Level 3 - Digital Download

SKU: A0.828084

By The Platters. By Billy Hill. Arranged by Bob O'Connell. A Cappella. Octavo. 3 pages. Bob OConnell #3868831. Published by Bob OConnell (A0.828084).

The song comes from the movie Guess Who's Coming to Dinner. The verse is an original composition by the arranger. The song is written for a men's 4 part group. .

Choral Choir (Mixed) - Level 3 - Digital Download

SKU: A0.828090

By The Platters. By Billy Hill. Arranged by Bob O'Connell. A Cappella. Octavo. 4 pages. Bob OConnell #3912883. Published by Bob OConnell (A0.828090).

This is a Women's 4 part a cappella arrangement of the song from Guess Who's Coming To Dinner arranged in the Barbershop style.The verse is an original composition written by the arranger. .

By The Guess Who. Halloween; Pop. Piano/Vocal/Guitar (chords only). 5 pages. Published by Hal Leonard - Digital Sheet Music (HX.312202). - Piano/Vocal/Guitar (chords only) - Halloween; Pop - Hal Leonard - Digital Sheet Music

Choral Choir,Choral,SATB Chorus - Level 3 - Digital Download

SKU: A0.1460920

By The Guess Who. By Randy Bachman. Arranged by Caryn Patterson. A Cappella,Jazz,Pop,Rock. 10 pages. Pattersongs #1039824. Published by Pattersongs (A0.1460920).

The Guess Who's 'Undun' gets the a cappella treatment! This fun arrangment is perfect for all types of SATB groups, whether they are a cappella, pop, vocal jazz, or show choir.

Choral Choir (Mixed) - Level 4 - Digital Download

SKU: A0.575587

Composed by David Warin Solomons. Christian,Contemporary,Sacred. Octavo. 15 pages. David Warin Solomons #2026217. Published by David Warin Solomons (A0.575587).

Version for double choir men's voices (ATB-ATB) This setting of the Magnificat and Nunc Dimittis (called Canticula Ursae Minoris - songs of a little bear) is based on my oratorio in which I set a chapter of Winnie the Pooh (Now we are six - The Expotition to the North Pole). The tunes are and light and playful but the complexity makes it suited to a Cathedral or Church setting. The oratorio itself (The Poohratorio, composed in 1977) has not yet been published here due to copyright on the works of A A Milne, but the melodies are entirely mine. You may be able to guess some of the characters whose leitmotifs in the oratorio are used in this setting. In particular, the lesser doxology (Glory be to the Father) makes great use the theme of Eeyore, the complaining donkey. The sound sample is performed by Matthew Curtis of choraltracks.com.

Choral Choir (Mixed) - Level 4 - Digital Download

SKU: A0.575588

Composed by David Warin Solomons. Christian,Contemporary,Sacred. Octavo. 14 pages. David Warin Solomons #2026219. Published by David Warin Solomons (A0.575588).

Version for double choir (mixed voices) SAT-SAT This setting of the Magnificat and Nunc Dimittis (called Canticula Ursae Minoris - songs of a little bear) is based on my oratorio in which I set a chapter of Winnie the Pooh (Now we are six - The Expotition to the North Pole). The tunes are and light and playful but the complexity makes it suited to a Cathedral or Church setting. The oratorio itself (The Poohratorio, composed in 1977) has not yet been published here due to copyright on the works of A A Milne, but the melodies are entirely mine. You may be able to guess some of the characters whose leitmotifs in the oratorio are used in this setting. In particular, the lesser doxology (Glory be to the Father) makes great use the theme of Eeyore, the complaining donkey. The sound sample is performed by Matthew Curtis of choraltracks.com.