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Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.549015 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447439. Published by jmsgu3 (A0.549015). Alto Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Alto Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
Schubert: Moment Musicaux for Alto Sax & Piano
Saxophone Alto et Piano

$32.95 28.27 € Saxophone Alto et Piano PDF SheetMusicPlus

Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447449. Published by jmsgu3 (A0.549018). Baritone Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Bari Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
Schubert: Moment Musicaux for Baritone Sax & Piano
Saxophone Baryton, Piano

$32.95 28.27 € Saxophone Baryton, Piano PDF SheetMusicPlus

Instrumental Duet Alto Saxophone,Instrumental Duet,Soprano Saxophone - Level 3 - Digital Download SKU: A0.588397 Composed by Henry Mancini. Arranged by David McKeown. Film/TV. Score and parts. 4 pages. David McKeown #5708825. Published by David McKeown (A0.588397). The Pink Panther Theme was written by Henry Mancini, for the 1963 movie of the same name. Winning three Grammies and a top ten hit in the US, the song has since become essential repertoire for saxophonists across the world, but sounds great on other instruments too. This version is arranged as a duet for one Soprano and one Alto Saxophone.Musicians at an intermediate level will find this ideal for formal and informal concert performances. Both parts have plenty of interest. The overall performance time is around two minutes. The full length performance on the YouTube link above is the Alto Saxophone version.Teachers will enjoy using this arrangement as a fun way to help with jazz rhythms, accidentals and dynamic range.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
The Pink Panther from THE PINK PANTHER
2 Saxophones (duo)

$5.99 5.14 € 2 Saxophones (duo) PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.568938 Arranged by Thomas Graf. Contemporary. 25 pages. Thomas Graf - the-hit-factory.com #3430243. Published by Thomas Graf - the-hit-factory.com (A0.568938). La Paloma  is a popular Spanish song that has been produced and reinterpreted in diverse cultures, settings, arrangements, and recordings over the last 140 years. The song was composed and written by the Spanish composer from the Basque region Sebastián Iradier (later Yradier) after he visited Cuba in 1861. Iradier may have composed  La Paloma  around 1863, just two years before he died in Spain in obscurity, never to learn how popular his song would become.  La Paloma  belongs to a genre of songs called  Habaneras,  a musical style developed in 19th-century Spain that is still today very much present in the form of folk songs and formal compositions, particularly in the Northern Basque Region and East Coast (Catalonia and Valencia) regions of the country. Like all  Habaneras,  its characteristic and distinct rhythm reflects the fusion of the local Cuban songs that the Spanish sailors of the time brought back with them from their travels to the island, with the rhythm structure of the flamenco tanguillo gaditano (original from Cádiz, Andalusia). Very quickly  La Paloma  became popular outside of Spain, particularly in Mexico, and soon spread around the world. In many places, including Afghanistan, Hawaii, the Philippines, Germany, Romania, Zanzibar, and Goa it gained the status of a quasi-folk song. Over the years the popularity of  La Paloma  has surged and receded periodically, but never subsided. It may be considered one of the first universal popular hits and has appealed to artists of diverse musical backgrounds.[1] There are more than one thousand versions of this song, and that together with  Yesterday  by the Beatles, is one of the most recorded songs in the history of music.  ï»¿Instrumentation:  Soprano (Alto), Alto, Tenor, Baritone           ï»¿ Listen to the recording - a challenge for your ensemble.  Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!              ï»¿Check out our latest uploads:  http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N...                      Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic              ï»¿Video: https://www.youtu.be/qR5PI78fGqM   .
La Paloma - Spanish Habanera - Saxophone Quartet H - Arrangement: Thomas H. Graf
Quatuor de Saxophones: 4 saxophones

$10.49 9 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Small Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.928179 Composed by P. F. Strohm. 20th Century,Contemporary,Contest,Festival. Score and parts. 68 pages. Pete Strohm Music #6717303. Published by Pete Strohm Music (A0.928179). Trilogy (for Brass and Saxophone Ensemble) is a three-section work from American composer P. F. Strohm. This setting of the work is scored for a unique 10-part ensemble, comprised of a brass quintet (two Trumpets, Horn, Trombone and Tuba), and a saxophone quintet (Soprano, Alto 2 Tenors, Baritone with low A key). The antiphonal scoring with the two quintets makes the work ideal for skilled high school or college players looking for a showcase piece. The sound of the piece is tonal, ranging from quiet contemplation to thundering assertion. It opens with a chorale-like 3/2 that lasts about four minutes, moving into a powerful three-and-a-half minute incantation, then bursts into a two-and-a-half minute dance in 7/4. Trilogy is an exciting work for contest or concert, with a Medium to Medium-Advanced level of difficulty. Total performance time is around 10:00. Member, ASCAP.
Trilogy (for Brass and Saxophone Ensemble)
Quatuor de Saxophones: 4 saxophones

$14.95 12.83 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.829827 Composed by Thomas Tallis. Arranged by John May. Christmas,Contest,Easter,Festival,Renaissance,Sacred. 11 pages. Lost Key Music #4628335. Published by Lost Key Music (A0.829827). On The Florida MPAIf Ye Love Me, by Thomas Tallis, is an English Anthem that was first published in 1560, and perhaps composed circa 1549. This arrangement for saxophone quartet can serve as an introduction to your students of music from the Renaissance Period. The polyphony within forces students to listen and count. www.lostkeymusic.comFollow Lost Key Music on social media:https://www.facebook.com/lostkeymusic...https://twitter.com/lostkeymusichttps://www.pinterest.com/lostkeymusic/https://www.instagram.com/lostkeymusic/ Instrumentation: Alto Sax 1, Alto Sax 2, Tenor Sax, Baritone Saxophone.
If Ye Love Me-Saxophone Quartet
Quatuor de Saxophones: 4 saxophones

$12.00 10.3 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1256884 Composed by Lon W. Chaffin. 21st Century,Chamber. 71 pages. LCS Productions #850272. Published by LCS Productions (A0.1256884). Imagine a place where cultures are blended and people of all races can laugh, play, sing, dance, and even pray together.  Colores is a musical tale in which children show us how to create such a place.A child walks on to a deserted playground, looking for others.  Another child joins.  They introduce themselves and begin to talk to each other.  A third joins the conversation, then another, and another, until there is a large group of children, creating a colorful, contrapuntal cacophony of vocal chatter.  After the introductions and lively conversations, they pause to decide what to do next.  As would be expected, they decide to just play.  They run races, play chase and tag, catch and kickball, and laugh and giggle until their energy is gone.  Settling down, and wondering what to do next, one child begins singing a tune that is familiar.  …but not to all of them.  So, it’s time to teach the song to everyone.The tune is shared, bit by bit, and one by one every child learns it and joins in.  Before it’s over, their full-voiced singing creates a choral tapestry in which every child adds his or her own color to the musical palette.After a brief conversation, they add their renewed energy to the song they just learned, pick up the pace, and dance.  They twist and spin, jump and swing, making up their moves as they go along.  But, as before, their energy wanes.  This time, as they settle down, one child feels so comfortable with these new friends, he chooses to share his faith in the form of a chant — a prayer.Some join his prayer, as others add a familiar religious tune.  They pray and sing, and their separate experiences combine to produce a stirring, blended chorale.  As they finish, the day ends and they quickly reminisce about the blended experiences that are now behind them.  Before they go their separate ways, they share a moment of gratitude for the place where they can be free to be who they are, together.On a musical note, Colores combines multiple scale structures and varying types of vertical harmonies to give the piece its color palette.  Each of the five voices is set in a different mode, with different tonal centers and sets of accidentals.  The harmony combines both traditional tertian chords with secondal, quartal, and quintal structures.The colors within the music are intended to represent the racial diversity of the borderland from which the composer drew his inspiration.  It is hoped that we can learn from the example of children who talk, laugh, play, sing, dance, and pray together.  …who are grateful for the time and experiences they share.
Colores (Let the Children Teach Us)

$35.00 30.03 € PDF SheetMusicPlus

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1509898 By Francesco Leone. By Ferdinand Jelly Roll Morton. Arranged by Francesco Leone. Blues,Jazz. 21 pages. Glissato Edizioni Musicali #1085109. Published by Glissato Edizioni Musicali (A0.1509898). Dive into the rich and lively world of early jazz with this special arrangement of Jelly Roll Blues by the legendary Ferdinand Jelly Roll Morton, skillfully arranged for Saxophone Quartet S.A.T.B. by Francesco Leone. This intermediate-level arrangement captures the essence of Morton's groundbreaking work, making it accessible and enjoyable for saxophonists.About the Composition: Jelly Roll Blues is one of the earliest published jazz compositions, originally brought to life in 1915 by Jelly Roll Morton. Known for its infectious rhythms, syncopation, and the unique blend of blues and ragtime elements, this piece stands as a cornerstone of jazz history.Arrangement Details:Arranged by: Francesco LeoneInstrumentation: Saxophone Quartet S.A.T.B.Bb Soprano SaxophoneEb Alto SaxophoneBb Tenor SaxophoneEb Baritone SaxophoneLevel: IntermediateIncluded: Full Score and Parts (4)Features:Authentic Jazz Feel: Francesco Leone's arrangement maintains the vibrant energy and authentic jazz feel of the original composition, ensuring that performers and audiences alike will be transported to the lively streets of early 20th-century New Orleans.Intermediate Level: Suitable for intermediate-level saxophonists, this arrangement provides a rewarding challenge without being overwhelming, making it perfect for both educational settings and performance.Comprehensive Package: The package includes a full score and individual parts for each member of the quartet, ensuring a smooth rehearsal and performance experience.Why Choose This Arrangement?This arrangement is an excellent choice for saxophone quartets looking to explore the roots of jazz and expand their repertoire with a piece that is both historically significant and musically engaging. Whether you are preparing for a concert, a competition, or simply looking to enjoy the process of making music with fellow saxophonists, Jelly Roll Blues arranged by Francesco Leone offers a perfect blend of tradition and excitement.Bring the timeless sounds of Jelly Roll Morton to your saxophone quartet and experience the joy of performing one of jazz's most iconic pieces. Get your copy today and start exploring the dynamic world of Jelly Roll Blues!
Saxophone Quartet satb "Jelly Roll Blues" score & parts
Quatuor de Saxophones: 4 saxophones
Francesco Leone
$11.99 10.29 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.936689 By Toby Keith. By Johnny Marks. Arranged by Jonathan Eno BEM. Country. 15 pages. Jonathan Eno #5868499. Published by Jonathan Eno (A0.936689). Get in the festive mood with this iconic Christmas classic. This arrangement of Rockin' Around The Christmas Tree benefits from an energetic performance whilst showing control over the 2/4 bar, it can be played with a swing groove, or if you fancy something different , try it as a Latin straight 8. Why not add some drums to really give the chart some additional festive flair. If you enjoy this arrangement, why not check out some of the other titles from the Saxophonix Series including:Don't Stop Me Now - QueenHold My Hand - Jess GlynneSuper Mario Theme - Nintendo You can listen to the world famous Hot House Saxophonix perform on all streaming platforms including: https://open.spotify.com/artist/0yJpRZxHG1GA38gv43QM5d?si=Bz9kCSaGRam4AsA1mOk_wQhttps://music.apple.com/gb/album/get-lucky/1518278864?i=1518278866This is perfect for schools and students!Coming soon...Hot House Tutor Boox - inspirational NEW beginner tutor books for all jazz instruments!!!www.twitter.com/hhyouthjazzwww.twitter.com/jonenowww.instagram.com/HHMusicSchoolwww.facebook.com/bigbangsheetwww.twitter.com/bigbangsheetwww.hhmusic.co.ukwww.bbmusic.co.ukwww.facebook.com/derbysaxophonix
Rockin' Around The Christmas Tree
Ensemble de saxophones
Toby Keith
$14.99 12.86 € Ensemble de saxophones PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Digital Download SKU: A0.829904 Composed by Johann Sebastian Bach. Arranged by Richard Byrnes. Baroque. 18 pages. Richard Byrnes #2860087. Published by Richard Byrnes (A0.829904). The Well-Tempered Clavier has influenced many famous composers (Haydn, Mozart, Beethoven). Its variety of styles displays the amazing compositional technique of J. S. Bach. If you don’t know these, get acquainted. One of the parts in this arrangement expects the player to understand playing in the altissimo register. Since I use sampled sounds, please forgive their omission. You will notice that there are no dynamics offered. Rather find a dynamic level for your group where all of the parts are balanced equally. These pieces often use ornaments. The recording will demonstrate to you how they should sound.Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.In addition to many works by J.S. Bach, we offer works by Debussy, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, Richard Strauss, and Turina.
Prelude 07 from Well-Tempered Clavier, Book 1 (Saxophone Quintet)
Quatuor de Saxophones: 4 saxophones

$19.99 17.15 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1236000 Composed by Ferris Tozer (1858-1943). Arranged by Andrew Lamb. 19th Century,Chamber. 37 pages. Andrew Lamb #831506. Published by Andrew Lamb (A0.1236000). This arrangement introduces an exhilarating twist to the renowned composition The Village March by Ferris Tozer, now adapted for a Saxophone Quintet. Prepare to embark on a captivating musical journey with this dynamic ensemble.Immerse yourself in the vibrant fusion of saxophones - soprano, alto, tenor, and baritone - as they breathe new life into the spirited melodies and infectious rhythms of The Village March. The distinctive timbre of each saxophone blends harmoniously, creating a powerful and expressive sound that will captivate both performers and audiences alike.Designed with careful attention to detail, this Saxophone Quintet arrangement maintains the original energy and character of the piece while showcasing the unique capabilities of the saxophone family. The interplay between the different voices and the seamless transitions between sections contribute to an exhilarating and cohesive performance.Experience the magic of The Village March in a whole new light with this Saxophone Quintet arrangement. Let the dynamic saxophone ensemble take you on an exhilarating musical adventure that will leave you wanting more. Unleash the power of the saxophones and let the spirit of this arrangement inspire and invigorate your performances.
The Village March (by Ferris Tozer, arr. for Saxophone Quintet)
Quintette de Saxophone: 5 saxophones

$8.00 6.86 € Quintette de Saxophone: 5 saxophones PDF SheetMusicPlus

Baritone Saxophone Solo - Level 3 - Digital Download SKU: A0.784333 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288657. Published by Slide Ride (A0.784333). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
Donut Etudes vol. 3: Don’t Step in the Holes! – Baritone Saxophone Quartet
Saxophone (partie séparée)

$5.00 4.29 € Saxophone (partie séparée) PDF SheetMusicPlus

Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.784330 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288653. Published by Slide Ride (A0.784330). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.·     Choose a tempo.·     Choose a dynamic.·     Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
Donut Etudes vol. 3: Don’t Step in the Holes! – Alto Saxophone Quartet
Saxophone Alto

$5.00 4.29 € Saxophone Alto PDF SheetMusicPlus






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