String Orchestra - Level 5 - Digital Download

SKU: A0.942953

Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953).

Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.

Organ - Level 3 - Digital Download

SKU: A0.846373

Composed by Christopher Evans. Contemporary,Sacred,Wedding. Score. 4 pages. Christopher Evans #5776541. Published by Christopher Evans (A0.846373).

An air and four contrasting variations on ’Brother James’ Air’, a hymn tune composed by James Leith Bain, who was a Scottish minister at the end of the 19th and beginning of the 20th century and known as Brother James. The first three variations are in the style of John Stanley, the fourth variation is a two part canon.

Although the suggested stop registration is for three manuals and is only a guide. All movements only require a small number of light stops and therefore can very effectively be played on a small two manual instrument.

Handbells 3-4 Octave handbells - Level 2 - Digital Download

SKU: H1.1220DP

Composed by Barbara B. Kinyon. Arranged by Brother James' Air. General Worship. Handbell Part. 4 pages. Hope Publishing - Digital #1220DP. Published by Hope Publishing - Digital (H1.1220DP).

Brother James' Air.

An original composition An easy, extremely useful arrangement of the familiar hymn tune Marosa. An easy, extremely useful arrangement of the familiar hymn tune Marosa, it is set in cut time with meter changes from 4/2 to 3/2. Otherwise, rhythms are easy and only a few accidentals are used. Arranged in F Major, measures total 33 with multiple repeats.

Piano Solo - Level 3 - Digital Download

SKU: A0.1283969

By Bill Whitley. By Bill Whitley. Arranged by Bill Whitley. 21st Century,Chamber,Classical,Contemporary. Score. 3 pages. Musica Semplice #875142. Published by Musica Semplice (A0.1283969).

For James: a kind of lullaby (1993)

Built in 1898 the James Monaghan Mansion--now, and since 1942 the home of Gonzaga University's music department--was for many years believed to be haunted. In addition to reports of disembodied footsteps, doors dramatically opening themselves, and sudden appearances of hostile presences, there was also reports of the organ playing itself...

...which is where I, primarily an organ student at the time, spent a majority of my time. This piece was written entirely at the organ, on that organ while an organ and piano student at Gonzaga. Written in four layers as if for organ, in the end I found that it sounded much better on the piano. It has never been performed or recorded on organ.

The working title was Excorsising Monaghan.  The finished piece sounded less ghostly and more like a lullaby. Whether or not it was James doing the haunting, I thought it best to offer the lullaby to him.

--Bill Whitley, 2023.

Full Orchestra - Level 4 - Digital Download

SKU: A0.1284590

Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. 259 pages. James Nathaniel Holland #875765. Published by James Nathaniel Holland (A0.1284590).

FULL SCORE (Concert Pitch).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  

Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. 

The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.

Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper� wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  

Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB Chorus

Scored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, glk, chimes, snar, tri), hrp, strings

Duration:  2 hours
Full Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.

String Orchestra - Level 4 - Digital Download

SKU: A0.1286698

Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. Score and Parts. 146 pages. James Nathaniel Holland #877732. Published by James Nathaniel Holland (A0.1286698).

INDIVIDUAL INSTRUMENTS PARTS 2 of 2 (Harp and Strings).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  

Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. 

The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.

Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper� wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  

Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB Chorus

Scored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, small gong, wood blk, glk, chimes, snar, tri), hrp, strings

Duration:  2 hours
Full Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.

Full Orchestra - Level 4 - Digital Download

SKU: A0.1286761

Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. Score and Parts. 224 pages. James Nathaniel Holland #877785. Published by James Nathaniel Holland (A0.1286761).

INDIVIDUAL INSTRUMENTS PART 1 of 2 (Woodwinds, Brass, Percussion).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  

Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. 

The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.

Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper� wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  

Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB Chorus

Scored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, small gong, wood blk, glk, chimes, snar, tri), hrp, strings

Duration:  2 hours
Full Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.

Guitar,Piano,Vocal,Voice - Level 5 - Digital Download

SKU: A0.1284659

Composed by James Nathaniel Holland. 21st Century,Contemporary,Opera. Score. 143 pages. James Nathaniel Holland #875835. Published by James Nathaniel Holland (A0.1284659).

PIANO VOCAL SCORE.  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  

Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. 

The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.

Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper� wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  

Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB Chorus

Scored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, glk, chimes, snar, tri), hrp, strings

Duration:  2 hours
Full Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.

By Jimmy Giuffre. Arranged by James Pybus. Score, Set of Parts. 24 pages. Published by James Pybus

C Instrument - Digital Download

SKU: A0.1259587

By Scott Joplin. By Scott Joplin. Arranged by Darek. 20th Century,Classical,Ragtime. Lead Sheet / Fake Book. 3 pages. Darek #852894. Published by Darek (A0.1259587).

The Entertainer (LEAD SHEET) [Scott Joplin]

Lead Sheet arrangements of The Entertainer by Scott Joplin for various instruments.

Introducing my latest creation: Lead sheet arrangements for various instruments of The Entertainer by Scott Joplin. I have meticulously crafted these arrangements to bring out the essence and charm of this timeless classic across different instruments.

Scott Joplin's The Entertainer is an iconic ragtime piece that captures the spirit of the early 20th century with its lively syncopated melodies and infectious rhythms. With my lead sheet arrangements, musicians of all levels and instruments can now enjoy playing this beloved composition.

Whether you're a pianist, guitarist, saxophonist, or any other instrumentalist, my lead sheets provide you with the essential elements of the piece, including the melody, chords, and lyrics, allowing you to create your unique interpretation. Each arrangement is meticulously notated and designed to ensure accuracy and ease of use.

These lead sheet arrangements are perfect for musicians seeking versatility. They offer the flexibility to perform solo, accompany others, or play in an ensemble, making them ideal for both professional performances and casual jam sessions.

My lead sheets are not only a valuable resource for performers but also for music educators. Incorporating The Entertainer into your teaching repertoire allows you to introduce students to the rich heritage of ragtime music and Scott Joplin's contributions. It also serves as an excellent tool for teaching improvisation, harmony, and exploring various playing styles.

By choosing my lead sheet arrangements for The Entertainer, you gain access to a treasure trove of musical possibilities. Whether you're honing your skills, preparing for a gig, or simply enjoying the magic of this iconic composition, my lead sheets provide the foundation you need to bring your musical vision to life.

Join the ranks of pianists, guitarists, saxophonists, and countless musicians who have fallen in love with The Entertainer. Experience the joy of playing this timeless classic with my meticulously crafted lead sheet arrangements, perfectly tailored for various instruments. Unlock your musical potential and showcase your artistry with confidence, knowing that you have the finest sheet music at your fingertips.

Contralto voice and piano - Medium - Digital Download

SKU: MQ.8769-1E

Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-1E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-1E).

English.

Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the world
The seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907.  The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).
Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.
Contents:
I. Strings in the Earth and Air
II. Winds of May
III. Of That So Sweet Imprisonment
IV. In the Dark Pine-Wood
V. Bid Adieu
VI. At That Hour When All Things Have Repose
VII. O Cool is the Valley.

Contralto voice and piano - Medium - Digital Download

SKU: MQ.8769-4E

Composed by Juliana Hall. 6 pages. E. C. Schirmer Music Company - Digital #8769-4E. Published by E. C. Schirmer Music Company - Digital (MQ.8769-4E).

English.

Juliana Hall wrote her song cycle Of That So Sweet Imprisonment for mezzo soprano Stephanie Blythe, for whom Hall had expressed a desire to write a piece. Blythe accepted Hall's proposal, and her request was that Hall write a song cycle for contralto voice. In recounting her motivation for writing this piece, Hall - in a discussion with Blythe at the Fall Island Vocal Arts Seminar (where Hall was the Guest Composer in 2018) - said You know what I think is really so wonderful is how you [Blythe] communicate, from here to there, right to the audience...it just speaks, the words, the text, come right...right to the heart of each person...I was thinking, what a wonderful person, what a wonderful voice...to be able to communicate...I've just got the most perfect singer to take these songs, this wonderful subject of love, and present it to the world
The seven poems Hall set in Of That So Sweet Imprisonment were chosen from James Joyce's early book of poems, Chamber Music (Elkin Mathews, London) published in 1907.  The poems are arranged in a narrative arc that takes the listener from the presence of love in nature (Strings in the Earth and Air), to the human feeling of emptiness when love is not present (Winds of May), to a description exulting in the joys of human love (Of That So Sweet Imprisonment), to expression of human love such as kissing (In the Dark Pine-Wood), to love's tranformation of a girl into a woman through love making (Bid Adieu), to the feelings of contentment in the early morning after making love (At That Hour When All Things Have Repose), and finally a call for the lovers to go to a special place where they may remain together in love (O Cool is the Valley).
Of That So Sweet Imprisonment will be premiered on Saturday, January 19, 2019 at the DiMenna Center for Classical Music in New York City, by Ms. Blythe and pianist Alan Smith, on the third concert of the Sparks & Wiry Cries' NYC songSLAM Festival, entitled Expressions of Love: Stephanie Blythe and Friends.
Contents:
I. Strings in the Earth and Air
II. Winds of May
III. Of That So Sweet Imprisonment
IV. In the Dark Pine-Wood
V. Bid Adieu
VI. At That Hour When All Things Have Repose
VII. O Cool is the Valley.

Guitar,Piano,Vocal,Voice - Digital Download

SKU: A0.902713

By Emmylou Harris. By Doc Pomus and Mort Shuman. Arranged by Katherine James. Contemporary. Score. 2 pages. Katherine James #6210487. Published by Katherine James (A0.902713).

I've arranged this in Lead Sheet format which is especially valuable for sitting in at Jam sessions, for a vocalist to hand a rhythm section, a piano or guitar accompanist. This 2 page version starts in G Major, includes the powerful modulation to up to Ab Major, the lyrics and chord changes, all in easy to read standard fake-book font.

Small Ensemble Guitar,Piano,Violin,Voice - Digital Download

SKU: A0.902704

By Gladys Knight & The Pips. By Bubba Knight, Gladys Knight, Joey Gallo, Ricky Smith, and Sam Dees. Arranged by Katherine James. Contemporary. Score and parts. 1 pages. Katherine James #6204993. Published by Katherine James (A0.902704).

I've arranged this in Lead Sheet format which is especially valuable for sitting in at Jam sessions, or for a vocalist to hand a piano or guitar accompanist. This one page version includes the lyrics and chord changes, all in easy to read standard fake-book font.  .

About SMP Press

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download

SKU: A0.1378627

By James Abbington. By Words & Music: Lelia N. Morris. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #963283. Published by Leatherman Music Services (A0.1378627).

Welcome to this entry in the Leatherman Library of Hymnody (LLOH).

Features of the series include:

•Intermediate 2-page arrangements suitable as either piano, electronic keyboard, or organ solos or duets.
•Chord symbols included as a service to classical guitarists.
•Smooth voice-leadings, making the arrangements ideal for solo/prelude use on electronic keyboards–for example, using the piano/strings setting
•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.
•Hymn background information included for personal edification or use as printed program notes.
•Optional repeats which allow you to fit into the allotted time available in a service.
•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.

If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I, available here: https://www.alfred.com/best-loved-hymns-i/p/98-FJH2023/

************

It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   

God bless!

Lyndell Leatherman, ASCAP.