C Instrument - Level 3 - Digital Download SKU: A0.1093465 By Signe J Crawford. By Signe J Crawford. Arranged by Signe J Crawford. Blues,Contemporary,Jazz. Lead Sheet / Fake Book. 2 pages. Signe Crawford #697525. Published by Signe Crawford (A0.1093465). Lyrics only. Lead sheet sold separately. Spaghetti Jam is a whimsical look at a musician's first foray into the jam-session scene.

Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1407234 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Chamber,Contest,Festival,Historic,Standards. 261 pages. Jmsgu3 #989925. Published by jmsgu3 (A0.1407234). The importance of Bach's French Suites lies in their unique blend of French and Italian styles despite the misleading title. These suites, composed between 1722 and 1725 for the clavier, showcase Bach's mastery in stylizing traditional dances like allemandes, courantes, sarabandes, and gigues. While named French Suites by later sources like Johann Nikolaus Forkel, they follow Italian conventions with some French influences. The suites offer a rich musical experience, bridging different European styles and serving as valuable teaching pieces. Bach's French Suites are a testament to his compositional genius and continue to be cherished by musicians and audiences alike. The history behind Bach's French Suites is intertwined with a bittersweet period in Bach's life. In May 1720, Bach embarked on a trip, leaving his wife, Maria Barbara, and four children. Tragically, upon his return, he discovered that Maria Barbara had passed away. This loss led to a significant change in Bach's personal life as he became a single father mourning his wife. Despite this tragedy, Bach found love again with Anna Magdalena Wülcken, whom he married. As a gesture of affection and to cultivate her musical skills, Bach composed music for Anna Magdalena, including what would later become the French Suites. These suites were likely performed at court and reflected the couple's intimate musical companionship. The French Suites were not published during Bach's lifetime, possibly because he did not deem it challenging enough. Today, these suites offer an accessible path to Bach's music and are cherished for their stylized dance movements inspired by French and Italian forms.

Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1271363 By Duke Ellington/Barney Bigard. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Historic,Jazz,Multicultural,Standards,World. 11 pages. Keith Terrett #863759. Published by Keith Terrett (A0.1271363). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Clarinet Quintet.The Eb & Bb Clarinet 4 are optional.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958.

String Orchestra - Level 3 - Digital Download SKU: A0.1271389 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Instructional,Jazz,Standards. 14 pages. Keith Terrett #863787. Published by Keith Terrett (A0.1271389). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for String Orchestra.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958. YouTube Link https://www.youtube.com/watch?v=gOlpcJhNyDI.

Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1271383 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 21st Century,Jazz,Standards. 14 pages. Keith Terrett #863780. Published by Keith Terrett (A0.1271383). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Saxophone Quintet.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958. YouTube Link https://www.youtube.com/watch?v=gOlpcJhNyDI.

Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.1271384 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Jazz,Standards,Traditional. 14 pages. Keith Terrett #863782. Published by Keith Terrett (A0.1271384). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Recorder Quintet.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958. YouTube Link https://www.youtube.com/watch?v=gOlpcJhNyDI.

Trombone Ensemble Bass Trombone - Level 3 - Digital Download SKU: A0.1271373 By Duke Ellington. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. 20th Century,Jazz,Traditional. 14 pages. Keith Terrett #863773. Published by Keith Terrett (A0.1271373). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Trombone/Low Brass Quintet.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958.

String Quartet String Quartet - Level 2 - Digital Download SKU: A0.515990 By Harry Belafonte. By Irving Burgie and William Attaway. Arranged by Eve C. Mailly. Folk,Multicultural,Pop,World. Score and parts. 13 pages. Zene Strings #6521377. Published by Zene Strings (A0.515990). Day-O (The Banana Boat Song) is a traditional Jamaican folk song, commonly classified as calypso music.  It is a work song sung from the point of view of dock workers who have finished their night shift and are loading bananas onto ships. The lyrics describe how daylight has come, their shift is over, and they want their work to be counted up so that they can go home.This is a fun little song, both to play, and to hear -- perfect for parties, and other events.  It is arranged for string quartet from your friends at Zene Strings -- enjoy!To see our other great arrangements visit: Zene Strings.  Questions or comments?  Email us at Music@ZeneSheetMusic.com.  We're here to help!

String Quartet String Quartet - Level 3 - Digital Download SKU: A0.1296274 By James Taylor. By James Taylor. Arranged by Jen Mathers. Country,Folk,Pop. 4 pages. Jen Mathers #886516. Published by Jen Mathers (A0.1296274). Sweet Baby James by James Taylor, a folk-country tune arranged for string quartet.Violin 1 plays the tune throughout, and the cello part is a basic bass line, so it can be used as a really simple duet.  It works okay as a trio as well though it will definitely lack some key harmonies - may sound a little better using the Violin 2 part rather than Viola.My string arrangements are faithful to the original song, with ample rehearsal letters, minimal bowings, and only minor adjustments to pop melodies to facilitate playing and sightreading. Parts are error-free, tested and enjoyed by professional musicians at weddings and private events.

Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.893703 Composed by Lyrics by K.J. Murdock, music arranged from African American Spiritual. Arranged by K.J. Murdock. A Cappella,Blues,Christian,Easter,Gospel,Spiritual. Octavo. 7 pages. Kristopher James Murdock #3052979. Published by Kristopher James Murdock (A0.893703). Teachers and singers, do you need a fresh new song, with a new feel, based on a timeless classic?Church music leaders, are you looking for a unique way to share the faith, a change in style to draw attention to the Gospel in song?The new a capella Gospel song Jesus Fought the Battle at Calvary, to the tune of the familiar American Spiritual Joshua Fought the Battle of Jericho, solves both problems.The tune, with its lively blues chorus and solemn verses, is arranged from a Spiritual that emphasized the hope of an oppressed people to emerge triumphant one day, from slavery into a Promised Land of freedom, just like Moses and his successor Joshua in the days of old. These lyrics remind Christians of the belief that, by the Blood of Calvary, God's people of all races are spiritually triumphant over the ultimate foe, satan. Taking these contexts together, Jesus Fought the Battle at Calvary reminds us of a people who learned to look to God for victory and freedom, in both the spiritual and the natural realm. Jesus Fought the Battle at Calvary will be an inspiring addition to your repertoire, whether at Easter season or at any other time of year.Duration: approximately 1:53Uses: Church, school, etc.Rights: Feel free to sing this choral piece live without any additional charge beyond the price of sheet music, as long as no admission is charged in any non-academic setting other than a church fundraiser. For rights to charge admission in any other setting, or for any other rights such as copying or recording, please contact:

Mandolin - Beginning-Intermediate - Digital Download SKU: M0.20818BCDEB Composed by Carl Yaffey. Country. Bluegrass. E-book and online audio. Mel Bay Publications - Digital Sheet Music #20818BCDEB. Published by Mel Bay Publications - Digital Sheet Music (M0.20818BCDEB). ISBN 9781610652346. 8.75x11.75 inches.Joining a jam session can be intimidating. Presented here is everything a beginning or intermediate mandolin player needs to know to participate in a jam session. There are sections that describe how jam sessions work, and jam session etiquette. The book also describes the typical chords and keys for jamming, and describes right hand usage. A section is included on the role each instrument plays in bluegrass rhythm. A play-along audio is included with 9 typical bluegrass jam tunes. The tunes are played twice: once with the tune played on the left channel and a verbal description on the right channel, and once in stereo. Includes access to online audio.

Piano Solo, Organ - Advanced Intermediate - Digital Download Composed by Samuel Ward. Arranged by James Michael Stevens. Post-Romantic, Sacred, Thanksgiving, Patriotic, Americana. Sheet Music Single. 16 pages. Published by James M Stevens Music ASCAP

Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.856220 By Sam Smith. By James Napier and Sam Smith. Arranged by Liz Garnett. Pop,R & B. Octavo. 6 pages. Liz Garnett #4579101. Published by Liz Garnett (A0.856220). Sam Smith's theme tune for the James Bond film Spectre pulls at the heartstrings as it wavers between strength and vulnerability in an atmosphere of impending doom. The arrangement shares melodic material between the parts: the lead taking the main narrative, but handing over to the tenor for passages of particular emotional fragility. The bass takes the melody in the bridge, echoing the orchestral surges of the original, while the baritone takes the characteristic Bond-motifs that are woven in as counter-melody throughout.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: D4 - E flat 5Lead: B flat 3 - D5Bari: A3 - C5Bass: D3 - F4www.HelpingYouHarmonise.com