Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.876417 Composed by Johann Sebastian Bach. Arranged by Joe Procopio. Baroque,Jazz. Score and parts. 42 pages. JoeCopio Music LLC #2032001. Published by JoeCopio Music LLC (A0.876417). THE BACH JAZZ SONATA FROM THE 3RD MOVEMENT OF THE FLUTE/VIOLIN SONATA II IN Eb* FOR Eb INSTRUMENTS Arr. By Joe Procopio These arrangements by Joe Procopio from J.S. Bach’s Flute/Violin Sonata II in Eb are special in many ways. Firstly, it fills the need for the very best in music combining the genres of both Classical and Jazz. In addition, it is also importantly unique because it may be performed by a variety of musicians. For example, the arrangement in C may be performed by 2 or more C Instruments including Flute, Piccolo, Oboe and Violin with a small band accompaniment (Piano, Guitar, Bass, and Drums - Guitar is optional). The work may also be performed with just the Piano and/or Guitar for accompaniment. What’s more, the Rhythm Track Accompaniment is available without the solo instruments adding to the already many attributes of this music that enhance its inherent genuine global appeal. This is critical because teachers, students and musicians worldwide are constantly seeking music of the highest quality that can be skillfully presented to the public while having, at the same time, built-in qualities both pleasing to the listener and the performer alike. Bach’s melodies have certainly stood the test of time and Jazz is without question internationally popular. That makes these arrangements truly worthy of attention from people, artists and publishers throughout the world. The composer personally has had great success with this work in many major concerts including its premier performance using a Flute Choir at a Civic Center Concert held in Syracuse, NY before several thousand people who triumphed the young musicians with a standing ovation. The melody by J.S. Bach used in this work is taken from the Bach-Gesellschaft Ausgabe Band 9 and 1 Kammermusik BWV 1031- known as the complete works of Johann Sebastian Bach which was published in 46 volumes from 1851-1899. A single volume was issued in 1926. The last surviving editor of the series died in 1928, and these volumes are now public domain worldwide. They are also held in acclaim because there are no articulation or expression marks in the Gesellshaft. Therefore, the articulation and expression marks written in these arrangements by the arranger are suggestions only. Musicians may perform the works in any manner best suited to the betterment of their own performance.

Full Orchestra - Level 5 - Digital Download SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.

Full Orchestra - Level 3 - Digital Download SKU: A0.850553 Composed by Ronald Hazlehurst. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 24 pages. Kevin Riley #457258. Published by Kevin Riley (A0.850553). Composer and conductor Ronnie Hazlehurst, who also produced themes for such series as Are You Being Served?, Yes Minister, and Only Fools and Horses, created the theme for the show. The BBC initially disliked Hazlehurst's theme, feeling it was not proper for a comedy programme to have such mellow music. He was asked to play the music faster for more comedic effect but eventually his original slower version was accepted. A jauntier, upbeat version was played by a brass band in the episode Full Steam Behind. The theme, an instrumental work, featured lyrics three times. The 1981 Christmas special, Whoops, had two verses of lyrics written by Roy Clarke that were performed over the closing credits. The 1983 film, Getting Sam Home, used those two verses, with an additional two and played them over the opening credits. Another altered version was sung during Compo's funeral in the 2000 episode Just a Small Funeral. Bill Owen also wrote a different version of the lyrics but this version was never used during an episode of the show. Composing the score for each episode until his death in 2007, Hazlehurst spent an average of ten hours per episode watching scenes and making notes for music synchronisation. Hazlehurst then recorded the music using an orchestra consisting of a guitar, harmonica, two violins, a viola, cello, accordion, horn, bass, flute, and percussion. The distinctive harmonica was played by Harry Pitch, who had featured in the 1970 one-hit-wonder Groovin With Mr Bloe. The harmonica part is included in this arrangement but it is cued in the Flute 1 part if one is not available.

Piano Solo - Level 4 - Digital Download SKU: A0.961566 Composed by Olly Wedgwood. Concert,Jazz,Standards. Score. 3 pages. OllysPianoSheets #5792833. Published by OllysPianoSheets (A0.961566). Friends shouldn't just hang out in fair weather, so here is All Weather Friends, a gentle swing waltz ideal for established intermediate players at about the Grade 4-5 standard (ABRSM).The melody and accompaniment is based upon a classic jazz waltz rhythm, so to get into the feel of this piece, you may find it useful to first practice clapping this rhythm:Remember that the quaver eighth notes are swung.The trick with this piece is to let the melody sing out above the jazz waltz accompaniment, so keep an ear on the melody at all times.In bar 21, the semiquaver 16th notes can be played a little faster than written, which will create more of a 'turn' ornament. Have a listen to the performance recording clip (above) at about halfway through to get the idea.This jazz waltz piano sheet music provides excellent practice for working on phrasing and sustain pedal technique. Occasionally, you may find a couple of hand position changes that risk disrupting the flow of the melodic phrase. In these instances, try a touch of sustain pedal to smooth out the transition. An example of this can be found in bar 31.After the repeated opening melody, the middle section moves into the key of G minor, featuring a rising arpeggio-based accompaniment with sustain pedal. There is a lot of quaver eighth-note movement in this section, so be sure to keep this rhythm smoothly swinging in the usual triplet manner:This middle section reaches a crescendo at bar 37 with a rippling chord effect between both hands. Try experimenting with different ways of splitting up these chords - you could ripple up from the left hand to the right hand, or try rippling both hands at the same time. Stick with whatever sounds good to you!After a poco rall the original melody returns via a D.C. al Coda. As is the convention for first and second time repeat bars, take the second time bar on the D.C. and then to the Coda.I hope you enjoy All Weather Friends, whatever the weather!Explore more fun piano sheet music by Olly Wedgwood at https://ollyspianosheets.com 

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1156334 Composed by Unknown. Arranged by Chris Gorman. 19th Century,Jazz,Praise & Worship,Traditional. Brass Band. 54 pages. Chris Gorman #756650. Published by Chris Gorman (A0.1156334). Just a Closer Walk with Thee is a traditional gospel song and jazz standard that has been performed and recorded by many artists. Performed as either an instrumental or vocal, A Closer Walk is perhaps the most frequently played number in the hymn and dirge section of traditional New Orleans jazz funerals. The title and lyrics of the song allude to the Biblical passage from 2 Corinthians 5:7 which states, We walk by faith, not by sight and James 4:8, Come near to God and He will come near to you. The precise author of A Closer Walk is unknown. Circumstantial evidence strongly suggested it dated back to southern African-American churches of the nineteenth century, possibly even prior to the Civil War, as some personal African American histories recall slaves singing as they worked in the fields a song about walking by the Lord's side..

Handbell - Level 2 - Digital Download SKU: A0.997199 Arranged by Harmony Corelli. Christian,Praise & Worship,Sacred. Score. 4 pages. Anna Sparks #5362769. Published by Anna Sparks (A0.997199). O Worship the King is a powerful hymn uplifting God as Creator. This 3 octave arrangement has four verses with intro and interludes. If working with a small ensemble, one person can take the bass octave with approximately six players for the other octaves. Level 2. Can be used for handbells or handchimes.

Choral Choir,Choral (3-Part Mixed) - Level 2 - Digital Download SKU: A0.1348485 Composed by Paul Ambrose. Arranged by Ren Challacombe. 20th Century,Folk. 5 pages. Ren Challacombe #933262. Published by Ren Challacombe (A0.1348485). Originally published in 1921, The Call of Home is a song written about the warmth of family and the strength it gives during times of strife with text by Abbie Farwell Brown and the original arangement by Paul Ambrose. The original text written reads:The path is hard, your feet must travel little oneThe way is long and weary is the loadThe clouds are black that threaten soon to hide the sunA chilling fear is lurking by the roadBut gather close the cloak your mother wove for youTo keep you safe in danger and in stormTheir very heart have made a shield of love for youStrong as her faith, and like her courage warm.The cheery house that craddled you is far awayThe pretty toy that pleased you as a childThe inn you hope to enter at the close of dayIs hidden still beyond the forest wildBut wrap you warm in love that was the whole of herAnd walk in joy, as she would have you doThe thread of life she spun from out the soul of herDraws you to her again a magic clueThe lyrics and voicings have been modified to speak of kin rather than a singular mother figure. Appropriate for early-intermediate choirs. Arranged for three-part mixed-voice choir and piano.

Full Orchestra - Level 4 - Digital Download SKU: A0.869362 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 109 pages. Thomas Oboe Lee #25513. Published by Thomas Oboe Lee (A0.869362). Instrumentation: SATB chorus and soloists plus orchestra 2222-2221-timp-perc-hp-org-strings. Mass for the Holy Year 2000 is in nine movements and scored for SATB chorus, chamber orchestra and organ. I set the entire Latin text from the Ordinary of the Mass: Kyrie, Gloria, Credo, Sanctus and Agnus Dei. In between these sections, I added four settings of contemporary poems written in English. Initially, I wanted to use poems that would bring to the listener's attention the serious humanitarian issues we face every day on earth as we enter a new millennium: religious and ethnic wars, poverty, genocide, AIDS, intolerance, social inequality and racial injustice. But as I began to slowly understand the text of the Mass, I decided that the contemporary poems I would use should reflect and amplify what is already in the Latin text. It is all about faith and redemption. Elizabeth Kirschner (b. 1955) is a poet who lives in Chestnut Hill, Massachusetts. Her poem is about the search for God. Claude McKay (1890-1948), a member of the Harlem Renaissance Poets, was originally from Jamaica. His poem asks for God's presence. Edith Stein (1891-1942) was a Carmelite nun who was killed by the Nazis during World War II because she was a Jew. Her poem celebrates God's presence. The final poem is by the Trappist monk, Thomas Merton (1915-1968). His poem, which was published posthumously, is about the assassination of the civil rights leader, Dr. Martin Luther King.

Full Orchestra - Level 4 - Digital Download SKU: A0.869364 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 104 pages. Thomas Oboe Lee #25515. Published by Thomas Oboe Lee (A0.869364). Instrumentation: SATB chorus and soloists plus orchestra 2222-2221-timp-perc-hp-org-strings. Mass for the Holy Year 2000 is in nine movements and scored for SATB chorus, chamber orchestra and organ. I set the entire Latin text from the Ordinary of the Mass: Kyrie, Gloria, Credo, Sanctus and Agnus Dei. In between these sections, I added four settings of contemporary poems written in English. Initially, I wanted to use poems that would bring to the listener's attention the serious humanitarian issues we face every day on earth as we enter a new millennium: religious and ethnic wars, poverty, genocide, AIDS, intolerance, social inequality and racial injustice. But as I began to slowly understand the text of the Mass, I decided that the contemporary poems I would use should reflect and amplify what is already in the Latin text. It is all about faith and redemption. Elizabeth Kirschner (b. 1955) is a poet who lives in Chestnut Hill, Massachusetts. Her poem is about the search for God. Claude McKay (1890-1948), a member of the Harlem Renaissance Poets, was originally from Jamaica. His poem asks for God's presence. Edith Stein (1891-1942) was a Carmelite nun who was killed by the Nazis during World War II because she was a Jew. Her poem celebrates God's presence. The final poem is by the Trappist monk, Thomas Merton (1915-1968). His poem, which was published posthumously, is about the assassination of the civil rights leader, Dr. Martin Luther King.

Easy Piano - Level 1 - Digital Download SKU: A0.1117255 By Katrina & The Waves. By Kimberley Rew. Arranged by juan carlos esteve / Gran Coda. Pop. Score. 2 pages. Juan Carlos Esteve #718837. Published by Juan Carlos Esteve (A0.1117255). • Transcription of sheet music for keyboard (accompaniment) with chord symbols of the theme Walking On Sunshine • The download contains 2 pages (2 Tones) in pdf format A4 folio size (21x29.7cm)-(8.27x11.69 in) • Original Tone: Ab • Total number of measures: 89 • Degree of difficulty: Easy • This score is set for playing with a group or band. • Click here to download other scores: https://partiturasgrancoda.com/.

Solo Guitar - Level 4 - Digital Download SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Individual part. 6 pages. Eric J Roth #4593125. Published by Eric J Roth (A0.914739). 6 pages (2 pages of music) formatted for 8.5x11 printing.Sol Paul Levy, born  in Chicago, Illinois in 1881, was a composer, arranger and performer of silent  film music. He attended All Hallows College in Dublin, Ireland and served as  first clarinetist in bands led by John Philip Sousa and Arthur Pryor. Levy led  the foreign orchestrating department for Victor Records – which was the first  music company to produce the disc record – and was a founder of Belwin Music. Levy  compiled a series of photoplay cues for piano that was published in H.S. Gordon’s 1914 Motion Picture Collection. He also wrote songs, the most  famous of which was That Naughty Waltz. Sol Paul Levy died in New York in 1920. During the Silent Film Era (1896-1936), showings usually featured live music, which helped to provide  dramatic and emotional cues for the audience. The first public silent film shown  in 1895 was accompanied by a guitarist. Soon after, films were commonly accompanied  by either a pianist, organist, or chamber orchestra. Accompanists often  improvised or compiled music from the classical, theatrical or popular repertories  using a cue sheet identifying the effects or moods to be conveyed. While some  films produced full scores or detailed cue sheets containing excerpts of music  unique to that film, a repertoire of generic music soon developed to provide accompanists  with music that they could adapt as needed. With titles such as Dramatic  Conflict, Dramatic Tension, Heavy Mysterioso, and Weird Oriental Theme, Sol  Paul Levy’s scores clearly served this purpose. The Vampire: A  Dramatic Theme, composed in 1917, could have been easily adapted to any of the  more than twenty films about vampires that appeared between 1909 and 1930. The  score exists in three versions: one for small orchestra with piano conductor,  one for chamber orchestra without piano, and one for chamber orchestra without  timpani. Instruments included piano, flute, clarinet,  two cornets, trombone, two timpani, two violins, viola, cello, and bass. Despite being composed for small  orchestra, the piece, composed in A minor, is well suited to the guitar once  instrumental and octave doublings are removed. While a solo guitar cannot  produce the power and volume of a chamber orchestra, it certainly can evoke the  intended mood. Except in a few instances owing to the limitations of the guitar,  all original dynamic markings have been retained. All fingerings, of course, are editorial. Please note that some of the fingerings in the score may differ than those used in the linked YouTube Video.

Piano Solo - Level 4 - Digital Download SKU: A0.790110 Composed by Ludwig van Beethoven. Arranged by Diamond S Music. Classical,Concert,Patriotic. Score. 21 pages. Diamond S Music #3626411. Published by Diamond S Music (A0.790110). 7 VARIATIONS on GOD SAVE THE KING WoO 78 & 5 VARIATIONS on RULE BRITANNIA WoO 79 by BEETHOVEN - PIANO SOLO. This collection contains both sets of British Patriotic Variations the great BEETHOVEN composed on 2 British melodies, 7 Variations on God Save The King WoO 78 composed in 1803 and 5 Variations on Rule, Britannia WoO 79 composed in 1804. God Save The King is the same melody for the American song My Country ’Tis Of Thee. Both sets of Variations are somewhat challenging to play and are on an intermediate level. As expected the Variations are very intricate and show the genius that is Beethoven. Both sets of Variations - God Save The King WoO 78  (S0.409499) & Rule, Britannia WoO 79 (S0.409501) are available separately here from Diamond S Music on this website as well at a reduced rate. Other similar arrangements and selections from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940

Piano,Violin - Level 5 - Digital Download SKU: A0.749807 Composed by Evelyn R. Larter, ASCAP. Arranged by Evelyn Larter Music. Christian,Christmas,Concert,Sacred. 9 pages. Evelyn R Larter #3383609. Published by Evelyn R Larter (A0.749807). Originally part of the clarinet collection Carols For The King From Around The World, the delightful Czech children's carol is rearranged here for violin and piano. For more advanced performers, it is in the light-hearted style of a Chopin waltz. It would be suitable for any Christmas concert, and also as prelude or offertory music in church services. More information on my music may be found on my website, www.evelynlartermusic.com and on my Facebook page for Evelyn Larter Music. Feedback always welcome!

Flute Solo,Soprano Flute - Level 2 - Digital Download SKU: A0.1385880 By Andrew McDonald. By Andrew McDonald. Arranged by Andrew McDonald. Christian,Jewish. Individual part. 2 pages. Andrew Mc Donald (Macka Records) #969823. Published by Andrew Mc Donald (Macka Records) (A0.1385880). Esther's Dance is a solo piece for flute which is about a harem dance that Esther participated in when she was entertaining the king. This is an interpretation of that story in the bible in the book of Esther. This is the flute score and includes the mp3 of the piece.

Flute Solo,Soprano Flute - Level 3 - Digital Download SKU: A0.1507419 By John Carpenter. By John Carpenter. Arranged by Tales Souza. Halloween. Individual part. 2 pages. Othello Music Publishing #1082826. Published by Othello Music Publishing (A0.1507419). This flute and piano arrangement for the Halloween theme captures the essence of the dark and mysterious atmosphere of the season, creating an engaging and dramatic mood. The piano's sharp and tense chords provide a solid rhythmic foundation, while the flute adds expressive melodic lines, with subtle variations between rising tension and hauntingly lyrical passages.The piece is built on minor harmonies and carefully crafted dissonances, evoking a sense of suspense, as if something lurks in the shadows. The interplay between the flute and piano creates a compelling musical narrative.This arrangement is ideal for themed concerts, Halloween events, and performances that call for an ambiance filled with mystery and intense emotion.