B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1296584 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Rodrigo Faleiros. Chamber,Pop,Singer/Songwriter,Wedding. Score and part. 4 pages. Rodrigo Faleiros #886736. Published by Rodrigo Faleiros (A0.1296584). Experience the enchanting magic of 'You Are The Reason' by Calum Scott in a beautifully crafted solo clarinet arrangement followed by a piano accompaniment, designed to add a touch of elegance and heartfelt emotion to your special moments. This arrangement offers a seamless blend of classical sophistication and contemporary romance, making it perfect for wedding ceremonies, engagement parties, or any intimate gathering where love takes center stage. Elevate your event with this exquisite musical choice that resonates with the heart and soul.Check out every other arrangement I've made for this and numerous other songs clicking here.

Bassoon Solo - Level 2 - Digital Download SKU: A0.1296601 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Rodrigo Faleiros. Chamber,Pop,Singer/Songwriter,Wedding. Individual part. 1 pages. Rodrigo Faleiros #886763. Published by Rodrigo Faleiros (A0.1296601). Experience the enchanting magic of 'You Are The Reason' by Calum Scott in a beautifully crafted solo bassoon arrangement, designed to add a touch of elegance and heartfelt emotion to your special moments. This arrangement offers a seamless blend of classical sophistication and contemporary romance, making it perfect for wedding ceremonies, engagement parties, or any intimate gathering where love takes center stage. Elevate your event with this exquisite musical choice that resonates with the heart and soul.Check out every other arrangement I've made for this and numerous other songs clicking here.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.1368492 Composed by Liz Sharma. Arranged by Liz Sharma. 21st Century,Chamber,Classical. 12 pages. Liz Sharma #952840. Published by Liz Sharma (A0.1368492). After hearing a CD of Georg Zamfir, the Romanian Pan Pipe virtuoso, playing these traditional melodies, I arranged them for Wind Quintet, adding countermelodies & harmonies to make them work for 5  players.These melodies are really delightful, exciting & uplifting.      If the individual parts do not appear, email lizsharmamusic@gmail.com & they will be sent by return.Unfortunately the only MP3 I can find at present is a version I made for oboe & strings, but at least you can hear the music, which I'm sure you'll enjoy.

Piano Solo - Level 3 - Digital Download SKU: A0.1477540 By Traditional. By Traditional. Arranged by Martin Hay. Chamber,Christian,Classical,Historic,Traditional. Score. 1 pages. Martin Hay #1054930. Published by Martin Hay (A0.1477540). St. Matthew Psalms music is a rich and enduring tradition that blends sacred texts with harmonious melodies to create a profound spiritual experience. Rooted in the biblical Psalms, these musical compositions are often performed in church services, liturgical settings, and religious ceremonies, emphasizing themes of praise, worship, and reflection. The music typically features choral arrangements, sometimes accompanied by organ or orchestral instruments, which enhance the emotive and contemplative nature of the Psalms. Martin Hay has transcribed this music for piano, making it more accessible for personal devotion and performance. This piano transcription allows for a more intimate interpretation, enabling individuals to explore the depth and beauty of St. Matthew Psalms music in a solo instrumental format. The legacy of St. Matthew Psalms music spans centuries, with adaptations and interpretations by various composers, each adding unique nuances while preserving the core essence of the Psalms' devotional spirit. This tradition continues to inspire and uplift congregations, offering a timeless connection to the sacred scriptures through the universal language of music.

Choral SAB choir - Digital Download SKU: H1.C5696DP Composed by William Rowan. Piano Accompaniment. Advent, Sacred. Octavo. 8 pages. Hope Publishing - Digital #C5696DP. Published by Hope Publishing - Digital (H1.C5696DP). Isaiah 40:3 - Isaiah 40:4 - Isaiah 40:5 - Isaiah 52:10 - Matthew 3:3.Classic Original anthem For Advent, this classic anthem from William P. Rowan is a best-selling chestnut in the Hope catalog. The original setting for SATB or Two Part choirs is in the key of B-flat, while this new SAB voicing has been lowered a step, making it more accessible for the smaller church choir. The accompaniment works equally well for either piano or organ, and the addition of optional soloists makes this an inviting choice for Advent.

Choral Choir,Choral (SAB) - Level 2 - Digital Download SKU: A0.1233002 Composed by Graham Kendrick. Arranged by Alan Bullard. Christian,Lent,Praise & Worship. 11 pages. Colne Edition / BullardMusic #828634. Published by Colne Edition / BullardMusic (A0.1233002). Graham Kendrick’s poignant but powerful hymn The Servant King is here arranged by Alan Bullard as a choral anthem for SABar or SATB accompanied by organ or piano.  Counter-melodies and descants add colour to the dramatic picture but the arrangement is easy to learn.  Prayer and Praise for Choirs is a series of arrangements of popular hymns and worship songs suitable for small church choirs, often with flexible scoring. They are arranged by Alan Bullard, the editor of the Oxford Flexible Anthems series. www.colneedition.co.uk CE152.

Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der Bühne: 3 Picc. (womöglich mehrfach besetzt) - 6 Hr. - Tamtam - Windschleuder - Digital Download SKU: S9.Q25915 Romantic Opera in 3 Acts. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 135' 0. Schott Music - Digital #Q25915. Published by Schott Music - Digital (S9.Q25915). German • English.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (Original version) With this edition, the original version of Wagner’s opera Der fliegende Holländer [The flying Dutchman] WWV 63 is made available to the public for the first time in piano score form. The score on which the edition is based was published in the Richard Wagner-Complete Edition 1983: Richard Wagner. Collected works Vol. 4, I-II, The Flying Dutchman. Romantic opera in three acts (original version 1841), edited by Isolde Vetter (Schott Music International, Mainz, RWA 104-10/RWA 104-20).� (Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenes�. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopski�, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).Les opéras de Richard Wagner paraissent pour la première fois sous forme de piano-chant chez Schott en version originale. Sont déjà publiés dans la série : L’Or du Rhin, Lohengrin, Parsifal et Le Vaisseau fantôme (première version de 1841 et version 1842-1880). Les autres opéras de Wagner représentés à Bayreuth paraîtront d'ici 2013, année anniversaire de la naissance du compositeur.

Woodwind Ensemble,Woodwind Quintet Flute,Oboe - Level 2 - Digital Download SKU: A0.1033971 Composed by R H Baptiste. Multicultural,Spiritual,World. 10 pages. Ron Baptiste #639291. Published by Ron Baptiste (A0.1033971). Watching reports of the ongoing war in Ukraine, it's impossible not to be affected emotionally; innocent civilians being killed is always heartbreaking, and so senseless. The older I get, the less optimistic I become as to the future of the human race. I find it unfathomable that after millenia of evolution, and the development of better methods of cooperation between nations, there are still throwbacks like Putin who are quite willing to resort to the use of force to get their way. Politics aside, I felt compelled to write something that expresses the sadness I feel for the Ukrainian people - for their losses, and the random destruction taking place in their Country.

Concert Band - Level 2 - Digital Download SKU: A0.1515530 Composed by Inon Zur. Arranged by David Boyd. 21st Century,Instructional,Video Game. 101 pages. David Boyd #1089883. Published by David Boyd (A0.1515530). The Fallout 4 Main Theme is an iconic piece of video game music, instantly recognizable for its blend of melancholy and grandeur. Originally composed by Inon Zur, the theme reflects the post-apocalyptic world of the Fallout series, evoking both the devastation of the landscape and the hope for rebuilding. This flex band arrangement strives to capture the emotional depth of the original while making the piece accessible to a wide range of ensemble configurations.Instrumentation and Flexibility:This arrangement is designed for a flexible band format, it can be performed by various combinations of instruments and group sizes. The scoring allows for a minimum of 5 parts, which can be covered by any instrumental family, including strings with optional percussion to add depth and texture. The arrangement works with a standard wind ensemble, but it can also be performed effectively by smaller groups, including mixed wind, brass, and string ensembles.Part 1: Flute, Oboe, Clarinet, Trumpet, ViolinPart 2: Flute, Clarinet, Alto Sax, Trumpet, ViolinPart 3: Clarinet, Alto Sax, Tenor Sax, Horn in F, ViolaPart 4: Tenor Sax, Horn in F, Trombone, Euphonium, CelloPart 5: Bass Clarinet, Baritone Sax, Bassoon, Trombone, Euphonium, Tuba, Double BassPercussion: Suspended Cymbal, Roto Toms/Snare/Tenor Drum x 2, Bass Drum A condensed, non-transposed score is also provided,Everything can change in an instant, whether or not you're ready. This wasn't the world I wanted, but it was the one I found myself in. This time I'm ready. Because I know... War. War never changes. - Sole Survivor of Vault 111, Fallout 4.

Instrumental Solo,Synthesizer - Level 1 - Digital Download SKU: A0.1491290 By Blink 182. By Mark Hoppus, Tom DeLonge, and Travis Barker. Arranged by Hollywood Charts. Pop,Punk,Rock. Individual part. 4 pages. Hollywood Charts #1068028. Published by Hollywood Charts (A0.1491290). Bring the energy of Blink-182's iconic pop-punk anthem All The Small Things to your keyboard with this meticulously crafted note-for-note synthesizer transcription. This transcription accurately captures the synth parts mixed way back on the original recording. Perfect for both seasoned musicians and dedicated fans, this sheet music captures every detail of the original track, allowing you to recreate its vibrant sound with precision. Presented in standard notation, this arrangement offers a clear, easy-to-follow format that stays true to the song's upbeat and catchy rhythm. Whether you're performing for an audience or just jamming at home, this transcription is a must-have for anyone looking to master one of Blink-182's most beloved hits.

Fl. Ob. Cl. Hn in F. Bsn. - Intermediate-Advanced - Digital Download SKU: F2.FM605 Composed by Traditional/Frank Bridge. Arranged by Robert Rainford. An arrangement of this well known melody for wind quintet. Score and parts. 31 pages. Forton Music - Digital #FM605. Published by Forton Music - Digital (F2.FM605). ISBN 9790570485048.Frank Bridge arranged this well known Irish air for string quartet, here presented in a version for wind quintet. Unusually, Bridge starts the arrangement with an extended fantasy upon the main theme, never stating it completely. A series of stabbing chords begin the music, and help to mark out the start of each section. Elements of the tune then weave in and out of the music, and are passed equally between all five players. The first four notes of the theme in rhythmic diminution are transformed into a delicate arpeggio that permeate the music, all accompanied with the lush chords of early 20th century English music. After about one hundred bars the music reaches an impassioned climax before the tune is finally stated in its full form, with each instrument in turn taking a solo phrase accompanied by the others. A final, peaceful coda using the delicate arpeggio of the first sections brings the piece to a close.

Flute,Horn,Piano,Violin - Level 3 - Digital Download SKU: A0.1257964 Composed by JohnWillard Utuk. Chamber,Contemporary,Film/TV,New Age,Video Game. 23 pages. JohnWillard Utuk #851201. Published by JohnWillard Utuk (A0.1257964). The High Priestess is a chamber work for mixed instrumentation, including an F Horn with piano, violin, and flute. This piece is inspired by the artwork of the traditional Rider-Waite-Smith tarot deck, specifically the less credited illustrator of the world famous deck, Pamela Colman Smith. The music represents the symbolism and feeling behind the High Priestess card, with keywords of strength, adaptability, seriousness, intuition, loving understanding, knowledge, introspection, and self-trust. Each instrument is featured throughout, as the main melody and distinct rhythms are traded and dovetailed around the ensemble. The piece begins with a feeling of watery calm (e.g. Venetian Boat songs), ascends to a hopeful journey, moves through tense trials, then returning back to the distant flute melody, followed by a piano “solo� that ultimately inspired this chamber work in the first place. This work is great for high school, collegiate, amateur, or professional ensembles, as well as very advanced young chamber players looking for something new and fresh. Rhythms are simple, while expression and musicality can be explored. In performance, be mindful of balance issues, so seating arrangement can be adjusted. I recommend the horn player be seated on the outside, so as not to cover up the flute. Average performance time: ca. 4:30Other instrumentations are in progress, so please check back for updated editions. The original instrumentation involved the oboe and cello. There is also another version with trombone substituting the F horn.Please leave a review here below and reach out via my website listed in the score for any feedback or questions. You can also connect with me on Instagram @jwupiano or my YouTube Channel, JwuPiano.

Alto Saxophone,Piano - Level 1 - Digital Download SKU: A0.548508 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388099. Published by jmsgu3 (A0.548508). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages. Part: 1 pageO Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it, but one theory is that it was originally composed by King John IV of Portugal (1604–1656) and revised by John F. Wade and John Reading. Nowadays, we usually attribute it to John Wade. The oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is the most common in English speaking states. To begin with, the hymn had only four verses.  Later, the verses grew to eight. Often, various verses are omitted because otherwise, the song is just too long. Some believe the first Latin lyrics were written by St. Bonaventure (13th century) or King John IV of Portugal in the 17th.  Though others think it was written by the Cistercian monks.   King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context As mentioned above, verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.  

Cello,Piano - Level 1 - Digital Download SKU: A0.548509 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388103. Published by jmsgu3 (A0.548509). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it, but one theory is that it was originally composed by King John IV of Portugal (1604–1656) and revised by John F. Wade and John Reading. Nowadays, we usually attribute it to John Wade. The oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is the most common in English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Often, various verses are omitted because otherwise, the song is just too long. Some believe the first Latin lyrics were written by St. Bonaventure (13th century) or King John IV of Portugal in the 17th.  Though others think it was written by the Cistercian monks.   King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context As mentioned above, verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass.  Register for free lifetime updates and revisions at www.jamesguthrie.com

String Quartet Cello,String Quartet,Viola,Violin - Level 2 - Digital Download SKU: A0.1213868 By 21 Savage Metro Boomin Feat. The Weeknd. By Chauncey Hawkins, Eithne Ni Bhraonain, Erick S Sermon, Mario Mendell Winans, Michael Carlos Jones, Nicky Ryan, Parrish Joseff Smith, and Roma Shane Ryan. Arranged by Jose Welligton Sousa de Castro. Multicultural,Pop,Wedding,World. 8 pages. Jose Welligton Sousa de Castro #811067. Published by Jose Welligton Sousa de Castro (A0.1213868). Looking for sheet music that will take your string quartet performance to the next level? Look no further than this captivating arrangement of Creepin' by 21 Savage Metro Boomin Feat The Weeknd, expertly arranged for string quartet by Welligton Sousa. This simplified arrangement is in the key of A Minor, making it accessible to players of all skill levels. With its modern style and urban edge, it's perfect for concerts with a contemporary pop repertoire, and is sure to captivate your audience. Whether you're looking to add a touch of modern flair to your classical repertoire, or to bring a fresh twist to your next concert, this sheet music is a must-have. Don't miss out on the chance to impress your audience with this exciting piece. Order now and get ready to rock the house!